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Color name
HEX #B64815

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B64815 it is the complementary color #49B7EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B64815. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B64815 shade: #BB4810, #CC5A23, #DD6C36, #EE7E49 and #FF905C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B64815. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B64815 shade: #B64815, #A53602, #942400, #831200 and #720000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B64815 shade: #B64815, #B61D15 and #B61515

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B64815 shade: #B64815, #B67315, #B69F15, #A2B615 and #76B615

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B64815 shade matches the following richer shades: #B64815 and #C74204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B64815 shade: #B64815, #A64E25, #955436, #855A46 and #746057

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B64815 shade: #B61538, #B61D15, #B64815, #B67315 and #B69E15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B64815 shade: #6C2B0C, #913911, #B64815, #DB5719 and #E76E36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B64815 shade: #B64815, #63B615 and #1522B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B64815 shade: #B64815, #15B648 and #4815B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B64815 shade: #B64815, #63B615, #1583B6 and #6815B6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B64815 shade: #B64815, #32B615, #1583B6 and #9915B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

Complementary color

CMYK 69 / 22 / 0 / 8

HEX #49B7EA

RGB 73 183 234

HSL 199.01, 0.79%, 0.6%

LAB 70.33, -15.34, -34.57

 

CMYK 0 / 61 / 91 / 27

HEX #BB4810

RGB 187 72 16

HSL 19.65, 0.84%, 0.4%

LAB 45.96, 44.09, 52.15

 

CMYK 0 / 56 / 83 / 20

HEX #CC5A23

RGB 204 90 35

HSL 19.53, 0.71%, 0.47%

LAB 52.14, 42.35, 51.1

 

CMYK 0 / 51 / 76 / 13

HEX #DD6C36

RGB 221 108 54

HSL 19.4, 0.71%, 0.54%

LAB 58.38, 40.64, 49.33

 

CMYK 0 / 47 / 69 / 7

HEX #EE7E49

RGB 238 126 73

HSL 19.27, 0.83%, 0.61%

LAB 64.63, 39.03, 47.39

 

CMYK 0 / 44 / 64 / 0

HEX #FF905C

RGB 255 144 92

HSL 19.14, 1%, 0.68%

LAB 70.86, 37.54, 45.49

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 0 / 67 / 99 / 35

HEX #A53602

RGB 165 54 2

HSL 19.14, 0.98%, 0.33%

LAB 38.97, 43.92, 49.98

 

CMYK 0 / 76 / 100 / 42

HEX #942400

RGB 148 36 0

HSL 14.59, 1%, 0.29%

LAB 33.04, 45.18, 45.79

 

CMYK 0 / 86 / 100 / 49

HEX #831200

RGB 131 18 0

HSL 8.24, 1%, 0.26%

LAB 27.46, 45.35, 40.04

 

CMYK 0 / 100 / 100 / 55

HEX #720000

RGB 114 0 0

HSL 0, 1%, 0.22%

LAB 22.22, 44.23, 33.67

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 0 / 84 / 88 / 29

HEX #B61D15

RGB 182 29 21

HSL 2.98, 0.79%, 0.4%

LAB 39.37, 58.05, 44.88

 

CMYK 0 / 88 / 88 / 29

HEX #B61515

RGB 182 21 21

HSL 0, 0.79%, 0.4%

LAB 38.79, 59.72, 44.42

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 0 / 37 / 88 / 29

HEX #B67315

RGB 182 115 21

HSL 35.03, 0.79%, 0.4%

LAB 54.3, 19.69, 56.67

 

CMYK 0 / 13 / 88 / 29

HEX #B69F15

RGB 182 159 21

HSL 51.43, 0.79%, 0.4%

LAB 65.59, -4.48, 65.64

 

CMYK 11 / 0 / 88 / 29

HEX #A2B615

RGB 162 182 21

HSL 67.45, 0.79%, 0.4%

LAB 70.31, -25.05, 68.74

 

CMYK 35 / 0 / 88 / 29

HEX #76B615

RGB 118 182 21

HSL 83.85, 0.79%, 0.4%

LAB 67.55, -42.63, 65.33

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 0 / 67 / 98 / 22

HEX #C74204

RGB 199 66 4

HSL 19.08, 0.96%, 0.4%

LAB 47.04, 50.87, 57.11

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 0 / 53 / 78 / 35

HEX #A64E25

RGB 166 78 37

HSL 19.07, 0.64%, 0.4%

LAB 43.78, 33.55, 40.08

 

CMYK 0 / 44 / 64 / 42

HEX #955436

RGB 149 84 54

HSL 18.95, 0.47%, 0.4%

LAB 42.76, 24.13, 29.01

 

CMYK 0 / 32 / 47 / 48

HEX #855A46

RGB 133 90 70

HSL 19.05, 0.31%, 0.4%

LAB 42.37, 15.17, 18.68

 

CMYK 0 / 17 / 25 / 55

HEX #746057

RGB 116 96 87

HSL 18.62, 0.14%, 0.4%

LAB 42.41, 6.54, 8.15

 

CMYK 0 / 88 / 69 / 29

HEX #B61538

RGB 182 21 56

HSL 346.96, 0.79%, 0.4%

LAB 39.19, 60.88, 24.74

 

CMYK 0 / 84 / 88 / 29

HEX #B61D15

RGB 182 29 21

HSL 2.98, 0.79%, 0.4%

LAB 39.37, 58.05, 44.88

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 0 / 37 / 88 / 29

HEX #B67315

RGB 182 115 21

HSL 35.03, 0.79%, 0.4%

LAB 54.3, 19.69, 56.67

 

CMYK 0 / 13 / 88 / 29

HEX #B69E15

RGB 182 158 21

HSL 51.06, 0.79%, 0.4%

LAB 65.32, -3.94, 65.43

 

CMYK 0 / 60 / 89 / 58

HEX #6C2B0C

RGB 108 43 12

HSL 19.38, 0.8%, 0.24%

LAB 26.57, 27.23, 32.55

 

CMYK 0 / 61 / 88 / 43

HEX #913911

RGB 145 57 17

HSL 18.75, 0.79%, 0.32%

LAB 35.96, 35.24, 40.94

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 0 / 60 / 89 / 14

HEX #DB5719

RGB 219 87 25

HSL 19.18, 0.8%, 0.48%

LAB 53.97, 49.1, 57.49

 

CMYK 0 / 52 / 77 / 9

HEX #E76E36

RGB 231 110 54

HSL 18.98, 0.79%, 0.56%

LAB 60.25, 43.48, 51.71

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 46 / 0 / 88 / 29

HEX #63B615

RGB 99 182 21

HSL 90.93, 0.79%, 0.4%

LAB 66.64, -49.19, 64.21

 

CMYK 88 / 81 / 0 / 29

HEX #1522B6

RGB 21 34 182

HSL 235.16, 0.79%, 0.4%

LAB 25.81, 50.41, -76.53

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 88 / 0 / 60 / 29

HEX #15B648

RGB 21 182 72

HSL 139.01, 0.79%, 0.4%

LAB 65.03, -61.03, 44.49

 

CMYK 60 / 88 / 0 / 29

HEX #4815B6

RGB 72 21 182

HSL 259.01, 0.79%, 0.4%

LAB 27.55, 58.75, -73.53

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 46 / 0 / 88 / 29

HEX #63B615

RGB 99 182 21

HSL 90.93, 0.79%, 0.4%

LAB 66.64, -49.19, 64.21

 

CMYK 88 / 28 / 0 / 29

HEX #1583B6

RGB 21 131 182

HSL 199.01, 0.79%, 0.4%

LAB 51.58, -10.29, -34.84

 

CMYK 43 / 88 / 0 / 29

HEX #6815B6

RGB 104 21 182

HSL 270.93, 0.79%, 0.4%

LAB 31.48, 62.03, -66.92

 

CMYK 0 / 60 / 88 / 29

HEX #B64815

RGB 182 72 21

HSL 19.01, 0.79%, 0.4%

LAB 45.13, 42.31, 49.41

 

CMYK 73 / 0 / 88 / 29

HEX #32B615

RGB 50 182 21

HSL 109.19, 0.79%, 0.4%

LAB 65.11, -61.54, 62.29

 

CMYK 88 / 28 / 0 / 29

HEX #1583B6

RGB 21 131 182

HSL 199.01, 0.79%, 0.4%

LAB 51.58, -10.29, -34.84

 

CMYK 16 / 88 / 0 / 29

HEX #9915B6

RGB 153 21 182

HSL 289.19, 0.79%, 0.4%

LAB 39.05, 69.02, -54.25

 

Description

Color code: HEX #B64815 | qconv.com Color code: HEX #B64815 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 72 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 72 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 88 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 88% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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