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Color name
HEX #B619E5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B619E5 it is the complementary color #49E61A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B619E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B619E5 shade: #BB19E0, #CC2BF3, #DD3DFF, #EE4FFF and #FF61FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B619E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B619E5 shade: #B619E5, #A507D2, #9400BF, #8300AC and #720099

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B619E5 shade: #B619E5, #E519DD, #E519A6, #E5196F and #E51938

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B619E5 shade: #B619E5, #7F19E5, #4819E5 and #1919E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B619E5 shade matches the following richer shades: #B619E5 and #C104FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B619E5 shade: #B619E5, #AB2ED0, #A042BC, #9557A7 and #8A6C92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B619E5 shade: #4919E5, #7F19E5, #B519E5, #E519DE and #E519A8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B619E5 shade: #7B119B, #9815C0, #B619E5, #C23EE9 and #CD63ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B619E5 shade: #B619E5, #E51920 and #19E564

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B619E5 shade: #B619E5, #E5B519 and #19E5B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B619E5 shade: #B619E5, #E51920, #49E519 and #19E5DE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B619E5 shade: #B619E5, #E54F19, #49E519 and #19AFE5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

Complementary color

CMYK 68 / 0 / 89 / 10

HEX #49E61A

RGB 73 230 26

HSL 106.18, 0.8%, 0.5%

LAB 80.79, -72.15, 75.03

 

CMYK 17 / 89 / 0 / 12

HEX #BB19E0

RGB 187 25 224

HSL 288.84, 0.8%, 0.49%

LAB 47.81, 80.94, -64.17

 

CMYK 16 / 82 / 0 / 5

HEX #CC2BF3

RGB 204 43 243

HSL 288.3, 0.89%, 0.56%

LAB 52.99, 83.3, -66.39

 

CMYK 13 / 76 / 0 / 0

HEX #DD3DFF

RGB 221 61 255

HSL 289.48, 1%, 0.62%

LAB 57.97, 83.54, -64.91

 

CMYK 7 / 69 / 0 / 0

HEX #EE4FFF

RGB 238 79 255

HSL 294.2, 1%, 0.65%

LAB 62.5, 81.08, -57.52

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 21 / 97 / 0 / 18

HEX #A507D2

RGB 165 7 210

HSL 286.7, 0.94%, 0.43%

LAB 42.47, 77.58, -64.97

 

CMYK 23 / 100 / 0 / 25

HEX #9400BF

RGB 148 0 191

HSL 286.49, 1%, 0.37%

LAB 37.95, 72.68, -61.39

 

CMYK 24 / 100 / 0 / 33

HEX #8300AC

RGB 131 0 172

HSL 285.7, 1%, 0.34%

LAB 33.57, 66.97, -57.35

 

CMYK 25 / 100 / 0 / 40

HEX #720099

RGB 114 0 153

HSL 284.71, 1%, 0.3%

LAB 29.1, 61.15, -53.25

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 0 / 89 / 3 / 10

HEX #E519DD

RGB 229 25 221

HSL 302.35, 0.8%, 0.5%

LAB 54.63, 87.3, -51.13

 

CMYK 0 / 89 / 28 / 10

HEX #E519A6

RGB 229 25 166

HSL 318.53, 0.8%, 0.5%

LAB 51.96, 80.34, -23.49

 

CMYK 0 / 89 / 52 / 10

HEX #E5196F

RGB 229 25 111

HSL 334.71, 0.8%, 0.5%

LAB 50.1, 75.28, 6.83

 

CMYK 0 / 89 / 76 / 10

HEX #E51938

RGB 229 25 56

HSL 350.88, 0.8%, 0.5%

LAB 49.06, 72.34, 38.74

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 45 / 89 / 0 / 10

HEX #7F19E5

RGB 127 25 229

HSL 270, 0.8%, 0.5%

LAB 39.35, 74.09, -81.2

 

CMYK 69 / 89 / 0 / 10

HEX #4819E5

RGB 72 25 229

HSL 253.82, 0.8%, 0.5%

LAB 33.41, 69.62, -91.21

 

CMYK 89 / 89 / 0 / 10

HEX #1919E5

RGB 25 25 229

HSL 240, 0.8%, 0.5%

LAB 30.78, 67.9, -95.67

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 23 / 98 / 0 / 2

HEX #C104FA

RGB 193 4 250

HSL 286.1, 0.97%, 0.5%

LAB 49.89, 88.46, -75.41

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 18 / 78 / 0 / 18

HEX #AB2ED0

RGB 171 46 208

HSL 286.3, 0.64%, 0.5%

LAB 45.86, 70.57, -58.28

 

CMYK 15 / 65 / 0 / 26

HEX #A042BC

RGB 160 66 188

HSL 286.23, 0.48%, 0.5%

LAB 45.64, 56.91, -47.13

 

CMYK 11 / 48 / 0 / 35

HEX #9557A7

RGB 149 87 167

HSL 286.5, 0.31%, 0.5%

LAB 46.97, 39.15, -32.79

 

CMYK 5 / 26 / 0 / 43

HEX #8A6C92

RGB 138 108 146

HSL 287.37, 0.15%, 0.5%

LAB 49.74, 19.05, -16.21

 

CMYK 68 / 89 / 0 / 10

HEX #4919E5

RGB 73 25 229

HSL 254.12, 0.8%, 0.5%

LAB 33.5, 69.67, -91.07

 

CMYK 45 / 89 / 0 / 10

HEX #7F19E5

RGB 127 25 229

HSL 270, 0.8%, 0.5%

LAB 39.35, 74.09, -81.2

 

CMYK 21 / 89 / 0 / 10

HEX #B519E5

RGB 181 25 229

HSL 285.88, 0.8%, 0.5%

LAB 47.2, 80.92, -68.03

 

CMYK 0 / 89 / 3 / 10

HEX #E519DE

RGB 229 25 222

HSL 302.06, 0.8%, 0.5%

LAB 54.69, 87.44, -51.61

 

CMYK 0 / 89 / 27 / 10

HEX #E519A8

RGB 229 25 168

HSL 317.94, 0.8%, 0.5%

LAB 52.04, 80.57, -24.54

 

CMYK 21 / 89 / 0 / 39

HEX #7B119B

RGB 123 17 155

HSL 286.09, 0.8%, 0.34%

LAB 31.76, 59.99, -50.08

 

CMYK 21 / 89 / 0 / 25

HEX #9815C0

RGB 152 21 192

HSL 285.96, 0.8%, 0.42%

LAB 39.61, 70.66, -59.24

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 17 / 73 / 0 / 9

HEX #C23EE9

RGB 194 62 233

HSL 286.32, 0.8%, 0.58%

LAB 52.73, 74.28, -61.27

 

CMYK 14 / 58 / 0 / 7

HEX #CD63ED

RGB 205 99 237

HSL 286.09, 0.79%, 0.66%

LAB 59.9, 62.31, -51.95

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 0 / 89 / 86 / 10

HEX #E51920

RGB 229 25 32

HSL 357.94, 0.8%, 0.5%

LAB 48.83, 71.7, 51.37

 

CMYK 89 / 0 / 56 / 10

HEX #19E564

RGB 25 229 100

HSL 142.06, 0.8%, 0.5%

LAB 80.27, -71.83, 49.58

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 0 / 21 / 89 / 10

HEX #E5B519

RGB 229 181 25

HSL 45.88, 0.8%, 0.5%

LAB 75.93, 4.7, 74.93

 

CMYK 89 / 0 / 21 / 10

HEX #19E5B5

RGB 25 229 181

HSL 165.88, 0.8%, 0.5%

LAB 81.61, -56.44, 10.69

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 0 / 89 / 86 / 10

HEX #E51920

RGB 229 25 32

HSL 357.94, 0.8%, 0.5%

LAB 48.83, 71.7, 51.37

 

CMYK 68 / 0 / 89 / 10

HEX #49E519

RGB 73 229 25

HSL 105.88, 0.8%, 0.5%

LAB 80.47, -71.88, 74.93

 

CMYK 89 / 0 / 3 / 10

HEX #19E5DE

RGB 25 229 222

HSL 177.94, 0.8%, 0.5%

LAB 82.66, -45.61, -9.46

 

CMYK 21 / 89 / 0 / 10

HEX #B619E5

RGB 182 25 229

HSL 286.18, 0.8%, 0.5%

LAB 47.36, 81.06, -67.77

 

CMYK 0 / 66 / 89 / 10

HEX #E54F19

RGB 229 79 25

HSL 15.88, 0.8%, 0.5%

LAB 54.37, 56.05, 58.54

 

CMYK 68 / 0 / 89 / 10

HEX #49E519

RGB 73 229 25

HSL 105.88, 0.8%, 0.5%

LAB 80.47, -71.88, 74.93

 

CMYK 89 / 24 / 0 / 10

HEX #19AFE5

RGB 25 175 229

HSL 195.88, 0.8%, 0.5%

LAB 66.92, -17.45, -37.21

 

Description

Color code: HEX #B619E5 | qconv.com Color code: HEX #B619E5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 25 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 25 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 89 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 89% 0% 10% C M Y K

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Provide designers and agencies with accurate color values.

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