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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CD63ED it is the complementary color #329C12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CD63ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CD63ED shade: #D263E8, #E375FB, #F487FF, #FF99FF and #FFABFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CD63ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CD63ED shade: #CD63ED, #BC51DA, #AB3FC7, #9A2DB4 and #891BA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CD63ED shade: #CD63EC, #EC63E7, #EC63C2, #EC639D and #EC6378

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CD63ED shade: #CD63EC, #A863EC, #8363EC and #6363EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CD63ED shade matches the following richer shades: #CD63EC and #D455FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CD63ED shade: #CD63EC, #C571DE, #BD7FD0, #B68DC2 and #AE9BB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CD63ED shade: #8363EC, #A863EC, #CC63EC, #EC63E8 and #EC63C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CD63ED shade: #B41AE3, #C13EE8, #CD63EC, #D888F1 and #E4ADF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CD63ED shade: #CD63ED, #EC6368 and #63EC96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CD63ED shade: #CD63ED, #ECCC63 and #63ECCC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CD63ED shade: #CD63ED, #EC6368, #83EC63 and #63ECE8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CD63ED shade: #CD63ED, #EC8863, #83EC63 and #63C8EC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 58 / 0 / 7

HEX #CD63ED

RGB 205 99 237

HSL 286.09, 0.79%, 0.66%

LAB 59.9, 62.31, -51.95

 

Complementary color

CMYK 68 / 0 / 88 / 39

HEX #329C12

RGB 50 156 18

HSL 106.09, 0.79%, 0.34%

LAB 56.58, -53.19, 55.49

 

CMYK 9 / 57 / 0 / 9

HEX #D263E8

RGB 210 99 232

HSL 290.08, 0.74%, 0.65%

LAB 60.29, 62.58, -48.5

 

CMYK 10 / 53 / 0 / 2

HEX #E375FB

RGB 227 117 251

HSL 289.25, 0.94%, 0.72%

LAB 66.53, 62.05, -49.01

 

CMYK 4 / 47 / 0 / 0

HEX #F487FF

RGB 244 135 255

HSL 294.5, 1%, 0.76%

LAB 72.08, 58.63, -42.34

 

CMYK 0 / 40 / 0 / 0

HEX #FF99FF

RGB 255 153 255

HSL 300, 1%, 0.8%

LAB 76.84, 52.83, -34.84

 

CMYK 0 / 33 / 0 / 0

HEX #FFABFF

RGB 255 171 255

HSL 300, 1%, 0.84%

LAB 80.52, 43.64, -29.18

 

CMYK 14 / 58 / 0 / 7

HEX #CD63ED

RGB 205 99 237

HSL 286.09, 0.79%, 0.66%

LAB 59.9, 62.31, -51.95

 

CMYK 14 / 63 / 0 / 15

HEX #BC51DA

RGB 188 81 218

HSL 286.86, 0.65%, 0.59%

LAB 53.64, 62.71, -51.38

 

CMYK 14 / 68 / 0 / 22

HEX #AB3FC7

RGB 171 63 199

HSL 287.65, 0.55%, 0.51%

LAB 47.41, 62.81, -50.59

 

CMYK 14 / 75 / 0 / 29

HEX #9A2DB4

RGB 154 45 180

HSL 288.44, 0.6%, 0.44%

LAB 41.28, 62.41, -49.46

 

CMYK 15 / 83 / 0 / 37

HEX #891BA1

RGB 137 27 161

HSL 289.25, 0.71%, 0.37%

LAB 35.35, 61.15, -47.8

 

CMYK 13 / 58 / 0 / 7

HEX #CD63EC

RGB 205 99 236

HSL 286.42, 0.78%, 0.66%

LAB 59.85, 62.11, -51.47

 

CMYK 0 / 58 / 2 / 7

HEX #EC63E7

RGB 236 99 231

HSL 302.19, 0.78%, 0.66%

LAB 63.78, 68.92, -42.22

 

CMYK 0 / 58 / 18 / 7

HEX #EC63C2

RGB 236 99 194

HSL 318.39, 0.78%, 0.66%

LAB 62.21, 63.23, -23.83

 

CMYK 0 / 58 / 33 / 7

HEX #EC639D

RGB 236 99 157

HSL 334.6, 0.78%, 0.66%

LAB 60.95, 58.42, -4.53

 

CMYK 0 / 58 / 49 / 7

HEX #EC6378

RGB 236 99 120

HSL 350.8, 0.78%, 0.66%

LAB 59.99, 54.63, 15.54

 

CMYK 13 / 58 / 0 / 7

HEX #CD63EC

RGB 205 99 236

HSL 286.42, 0.78%, 0.66%

LAB 59.85, 62.11, -51.47

 

CMYK 29 / 58 / 0 / 7

HEX #A863EC

RGB 168 99 236

HSL 270.22, 0.78%, 0.66%

LAB 55.38, 53.23, -58.86

 

CMYK 44 / 58 / 0 / 7

HEX #8363EC

RGB 131 99 236

HSL 254.01, 0.78%, 0.66%

LAB 51.62, 45.01, -65.13

 

CMYK 58 / 58 / 0 / 7

HEX #6363EC

RGB 99 99 236

HSL 240, 0.78%, 0.66%

LAB 49.05, 38.9, -69.41

 

CMYK 13 / 58 / 0 / 7

HEX #CD63EC

RGB 205 99 236

HSL 286.42, 0.78%, 0.66%

LAB 59.85, 62.11, -51.47

 

CMYK 15 / 66 / 0 / 2

HEX #D455FA

RGB 212 85 250

HSL 286.18, 0.94%, 0.66%

LAB 59.34, 72.48, -60.01

 

CMYK 13 / 58 / 0 / 7

HEX #CD63EC

RGB 205 99 236

HSL 286.42, 0.78%, 0.66%

LAB 59.85, 62.11, -51.47

 

CMYK 11 / 49 / 0 / 13

HEX #C571DE

RGB 197 113 222

HSL 286.24, 0.62%, 0.66%

LAB 60.74, 50.41, -42.31

 

CMYK 9 / 39 / 0 / 18

HEX #BD7FD0

RGB 189 127 208

HSL 285.93, 0.46%, 0.66%

LAB 62.13, 37.82, -32.36

 

CMYK 6 / 27 / 0 / 24

HEX #B68DC2

RGB 182 141 194

HSL 286.42, 0.3%, 0.66%

LAB 64.07, 24.99, -21.57

 

CMYK 3 / 14 / 0 / 29

HEX #AE9BB4

RGB 174 155 180

HSL 285.6, 0.14%, 0.66%

LAB 66.32, 11.62, -10.4

 

CMYK 44 / 58 / 0 / 7

HEX #8363EC

RGB 131 99 236

HSL 254.01, 0.78%, 0.66%

LAB 51.62, 45.01, -65.13

 

CMYK 29 / 58 / 0 / 7

HEX #A863EC

RGB 168 99 236

HSL 270.22, 0.78%, 0.66%

LAB 55.38, 53.23, -58.86

 

CMYK 14 / 58 / 0 / 7

HEX #CC63EC

RGB 204 99 236

HSL 285.99, 0.78%, 0.66%

LAB 59.72, 61.87, -51.69

 

CMYK 0 / 58 / 2 / 7

HEX #EC63E8

RGB 236 99 232

HSL 301.75, 0.78%, 0.66%

LAB 63.82, 69.08, -42.7

 

CMYK 0 / 58 / 17 / 7

HEX #EC63C3

RGB 236 99 195

HSL 317.96, 0.78%, 0.66%

LAB 62.25, 63.37, -24.34

 

CMYK 21 / 89 / 0 / 11

HEX #B41AE3

RGB 180 26 227

HSL 285.97, 0.79%, 0.5%

LAB 46.96, 80.25, -67.3

 

CMYK 17 / 73 / 0 / 9

HEX #C13EE8

RGB 193 62 232

HSL 286.24, 0.79%, 0.58%

LAB 52.52, 73.91, -61.05

 

CMYK 13 / 58 / 0 / 7

HEX #CD63EC

RGB 205 99 236

HSL 286.42, 0.78%, 0.66%

LAB 59.85, 62.11, -51.47

 

CMYK 10 / 44 / 0 / 5

HEX #D888F1

RGB 216 136 241

HSL 285.71, 0.79%, 0.74%

LAB 68.43, 47.62, -40.63

 

CMYK 7 / 29 / 0 / 4

HEX #E4ADF5

RGB 228 173 245

HSL 285.83, 0.78%, 0.82%

LAB 77.86, 32.35, -28.12

 

CMYK 14 / 58 / 0 / 7

HEX #CD63ED

RGB 205 99 237

HSL 286.09, 0.79%, 0.66%

LAB 59.9, 62.31, -51.95

 

CMYK 0 / 58 / 56 / 7

HEX #EC6368

RGB 236 99 104

HSL 357.81, 0.78%, 0.66%

LAB 59.67, 53.33, 24.34

 

CMYK 58 / 0 / 36 / 7

HEX #63EC96

RGB 99 236 150

HSL 142.34, 0.78%, 0.66%

LAB 84.4, -56.08, 30.8

 

CMYK 14 / 58 / 0 / 7

HEX #CD63ED

RGB 205 99 237

HSL 286.09, 0.79%, 0.66%

LAB 59.9, 62.31, -51.95

 

CMYK 0 / 14 / 58 / 7

HEX #ECCC63

RGB 236 204 99

HSL 45.99, 0.78%, 0.66%

LAB 82.87, -1.01, 55.51

 

CMYK 58 / 0 / 14 / 7

HEX #63ECCC

RGB 99 236 204

HSL 165.99, 0.78%, 0.66%

LAB 85.51, -44.85, 4.36

 

CMYK 14 / 58 / 0 / 7

HEX #CD63ED

RGB 205 99 237

HSL 286.09, 0.79%, 0.66%

LAB 59.9, 62.31, -51.95

 

CMYK 0 / 58 / 56 / 7

HEX #EC6368

RGB 236 99 104

HSL 357.81, 0.78%, 0.66%

LAB 59.67, 53.33, 24.34

 

CMYK 44 / 0 / 58 / 7

HEX #83EC63

RGB 131 236 99

HSL 105.99, 0.78%, 0.66%

LAB 84.85, -55.06, 56

 

CMYK 58 / 0 / 2 / 7

HEX #63ECE8

RGB 99 236 232

HSL 178.25, 0.78%, 0.66%

LAB 86.24, -37.86, -9.27

 

CMYK 14 / 58 / 0 / 7

HEX #CD63ED

RGB 205 99 237

HSL 286.09, 0.79%, 0.66%

LAB 59.9, 62.31, -51.95

 

CMYK 0 / 42 / 58 / 7

HEX #EC8863

RGB 236 136 99

HSL 16.2, 0.78%, 0.66%

LAB 66.78, 34.75, 36.28

 

CMYK 44 / 0 / 58 / 7

HEX #83EC63

RGB 131 236 99

HSL 105.99, 0.78%, 0.66%

LAB 84.85, -55.06, 56

 

CMYK 58 / 15 / 0 / 7

HEX #63C8EC

RGB 99 200 236

HSL 195.77, 0.78%, 0.66%

LAB 76.08, -19.29, -26.73

 

Description

Color code: HEX #CD63ED | qconv.com Color code: HEX #CD63ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 205 red, 99 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
205 99 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 58 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 58% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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