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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B53984 it is the complementary color #4AC67B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B53984. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B53984 shade: #BA397F, #CB4B92, #DC5DA5, #ED6FB8 and #FE81CB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B53984. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B53984 shade: #B53984, #A42771, #93155E, #82034B and #710038

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B53984 shade: #B63984, #B63963, #B63941 and #B63939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B53984 shade: #B63984, #B639A6, #A439B6, #8239B6 and #6039B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B53984 shade matches the following richer shades: #B63984, #C92688 and #DC128D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B53984 shade: #B63984, #A24C80, #8F607C, #7B7378 and #688774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B53984 shade: #A339B6, #B639A7, #B63986, #B63965 and #B63943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B53984 shade: #772557, #962F6E, #B63984, #C85098 and #D170AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B53984 shade: #B53984, #B68239 and #39B6B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B53984 shade: #B53984, #86B639 and #3986B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B53984 shade: #B53984, #B68239, #39B669 and #396DB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B53984 shade: #B53984, #B6A739, #39B669 and #3948B6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 27 / 29

HEX #B53984

RGB 181 57 132

HSL 323.71, 0.52%, 0.47%

LAB 44.82, 56.83, -14.78

 

Complementary color

CMYK 63 / 0 / 38 / 22

HEX #4AC67B

RGB 74 198 123

HSL 143.71, 0.52%, 0.53%

LAB 71.74, -51.17, 27.69

 

CMYK 0 / 69 / 32 / 27

HEX #BA397F

RGB 186 57 127

HSL 327.44, 0.53%, 0.48%

LAB 45.49, 57.61, -10.63

 

CMYK 0 / 63 / 28 / 20

HEX #CB4B92

RGB 203 75 146

HSL 326.72, 0.55%, 0.55%

LAB 51.61, 57.59, -12.56

 

CMYK 0 / 58 / 25 / 14

HEX #DC5DA5

RGB 220 93 165

HSL 325.98, 0.64%, 0.61%

LAB 57.81, 57.24, -14.11

 

CMYK 0 / 53 / 22 / 7

HEX #ED6FB8

RGB 237 111 184

HSL 325.24, 0.78%, 0.68%

LAB 64.03, 56.69, -15.38

 

CMYK 0 / 49 / 20 / 0

HEX #FE81CB

RGB 254 129 203

HSL 324.48, 0.98%, 0.75%

LAB 70.23, 56.03, -16.46

 

CMYK 0 / 69 / 27 / 29

HEX #B53984

RGB 181 57 132

HSL 323.71, 0.52%, 0.47%

LAB 44.82, 56.83, -14.78

 

CMYK 0 / 76 / 31 / 36

HEX #A42771

RGB 164 39 113

HSL 324.48, 0.62%, 0.4%

LAB 38.79, 56.28, -12.5

 

CMYK 0 / 86 / 36 / 42

HEX #93155E

RGB 147 21 94

HSL 325.24, 0.75%, 0.33%

LAB 33.02, 54.76, -9.44

 

CMYK 0 / 98 / 42 / 49

HEX #82034B

RGB 130 3 75

HSL 325.98, 0.95%, 0.26%

LAB 27.62, 51.94, -5.4

 

CMYK 0 / 100 / 50 / 56

HEX #710038

RGB 113 0 56

HSL 330.27, 1%, 0.22%

LAB 22.99, 46.64, 0.3

 

CMYK 0 / 69 / 27 / 29

HEX #B63984

RGB 182 57 132

HSL 324, 0.52%, 0.47%

LAB 44.99, 57.11, -14.5

 

CMYK 0 / 69 / 46 / 29

HEX #B63963

RGB 182 57 99

HSL 339.84, 0.52%, 0.47%

LAB 43.9, 53.4, 4.17

 

CMYK 0 / 69 / 64 / 29

HEX #B63941

RGB 182 57 65

HSL 356.16, 0.52%, 0.47%

LAB 43.14, 50.71, 24.15

 

CMYK 0 / 69 / 69 / 29

HEX #B63939

RGB 182 57 57

HSL 0, 0.52%, 0.47%

LAB 43.01, 50.25, 28.82

 

CMYK 0 / 69 / 27 / 29

HEX #B63984

RGB 182 57 132

HSL 324, 0.52%, 0.47%

LAB 44.99, 57.11, -14.5

 

CMYK 0 / 69 / 9 / 29

HEX #B639A6

RGB 182 57 166

HSL 307.68, 0.52%, 0.47%

LAB 46.48, 61.95, -32.64

 

CMYK 10 / 69 / 0 / 29

HEX #A439B6

RGB 164 57 182

HSL 291.36, 0.52%, 0.47%

LAB 44.51, 60.45, -45.38

 

CMYK 29 / 69 / 0 / 29

HEX #8239B6

RGB 130 57 182

HSL 275.04, 0.52%, 0.47%

LAB 39.66, 53, -53.42

 

CMYK 47 / 69 / 0 / 29

HEX #6039B6

RGB 96 57 182

HSL 258.72, 0.52%, 0.47%

LAB 35.58, 46.26, -60.24

 

CMYK 0 / 69 / 27 / 29

HEX #B63984

RGB 182 57 132

HSL 324, 0.52%, 0.47%

LAB 44.99, 57.11, -14.5

 

CMYK 0 / 81 / 32 / 21

HEX #C92688

RGB 201 38 136

HSL 323.93, 0.68%, 0.47%

LAB 46.42, 68.42, -14.45

 

CMYK 0 / 92 / 36 / 14

HEX #DC128D

RGB 220 18 141

HSL 323.47, 0.85%, 0.47%

LAB 48.97, 76.75, -13.27

 

CMYK 0 / 69 / 27 / 29

HEX #B63984

RGB 182 57 132

HSL 324, 0.52%, 0.47%

LAB 44.99, 57.11, -14.5

 

CMYK 0 / 53 / 21 / 36

HEX #A24C80

RGB 162 76 128

HSL 323.72, 0.36%, 0.47%

LAB 44.81, 41.96, -12.64

 

CMYK 0 / 33 / 13 / 44

HEX #8F607C

RGB 143 96 124

HSL 324.26, 0.2%, 0.47%

LAB 46.53, 23.61, -7.9

 

CMYK 0 / 7 / 2 / 52

HEX #7B7378

RGB 123 115 120

HSL 322.5, 0.03%, 0.47%

LAB 49.29, 4.06, -1.65

 

CMYK 23 / 0 / 14 / 47

HEX #688774

RGB 104 135 116

HSL 143.23, 0.13%, 0.47%

LAB 53.53, -15.1, 6.65

 

CMYK 10 / 69 / 0 / 29

HEX #A339B6

RGB 163 57 182

HSL 290.88, 0.52%, 0.47%

LAB 44.36, 60.22, -45.62

 

CMYK 0 / 69 / 8 / 29

HEX #B639A7

RGB 182 57 167

HSL 307.2, 0.52%, 0.47%

LAB 46.53, 62.11, -33.16

 

CMYK 0 / 69 / 26 / 29

HEX #B63986

RGB 182 57 134

HSL 323.04, 0.52%, 0.47%

LAB 45.07, 57.37, -15.6

 

CMYK 0 / 69 / 45 / 29

HEX #B63965

RGB 182 57 101

HSL 338.88, 0.52%, 0.47%

LAB 43.96, 53.59, 3.02

 

CMYK 0 / 69 / 63 / 29

HEX #B63943

RGB 182 57 67

HSL 355.2, 0.52%, 0.47%

LAB 43.18, 50.84, 22.97

 

CMYK 0 / 69 / 27 / 53

HEX #772557

RGB 119 37 87

HSL 323.41, 0.53%, 0.31%

LAB 29.24, 40.95, -11.12

 

CMYK 0 / 69 / 27 / 41

HEX #962F6E

RGB 150 47 110

HSL 323.3, 0.52%, 0.39%

LAB 37.19, 49.12, -13.27

 

CMYK 0 / 69 / 27 / 29

HEX #B63984

RGB 182 57 132

HSL 324, 0.52%, 0.47%

LAB 44.99, 57.11, -14.5

 

CMYK 0 / 60 / 24 / 22

HEX #C85098

RGB 200 80 152

HSL 324, 0.52%, 0.55%

LAB 52.16, 55.34, -15.34

 

CMYK 0 / 46 / 18 / 18

HEX #D170AB

RGB 209 112 171

HSL 323.51, 0.51%, 0.63%

LAB 59.96, 45.5, -14.46

 

CMYK 0 / 69 / 27 / 29

HEX #B53984

RGB 181 57 132

HSL 323.71, 0.52%, 0.47%

LAB 44.82, 56.83, -14.78

 

CMYK 0 / 29 / 69 / 29

HEX #B68239

RGB 182 130 57

HSL 35.04, 0.52%, 0.47%

LAB 58.23, 12.78, 46.17

 

CMYK 69 / 0 / 1 / 29

HEX #39B6B4

RGB 57 182 180

HSL 179.04, 0.52%, 0.47%

LAB 67.74, -33.68, -8.92

 

CMYK 0 / 69 / 27 / 29

HEX #B53984

RGB 181 57 132

HSL 323.71, 0.52%, 0.47%

LAB 44.82, 56.83, -14.78

 

CMYK 26 / 0 / 69 / 29

HEX #86B639

RGB 134 182 57

HSL 83.04, 0.52%, 0.47%

LAB 68.62, -34.85, 55.89

 

CMYK 69 / 26 / 0 / 29

HEX #3986B6

RGB 57 134 182

HSL 203.04, 0.52%, 0.47%

LAB 53.27, -8.01, -32.12

 

CMYK 0 / 69 / 27 / 29

HEX #B53984

RGB 181 57 132

HSL 323.71, 0.52%, 0.47%

LAB 44.82, 56.83, -14.78

 

CMYK 0 / 29 / 69 / 29

HEX #B68239

RGB 182 130 57

HSL 35.04, 0.52%, 0.47%

LAB 58.23, 12.78, 46.17

 

CMYK 69 / 0 / 42 / 29

HEX #39B669

RGB 57 182 105

HSL 143.04, 0.52%, 0.47%

LAB 66.02, -51.42, 29.49

 

CMYK 69 / 40 / 0 / 29

HEX #396DB6

RGB 57 109 182

HSL 215.04, 0.52%, 0.47%

LAB 45.89, 7, -43.77

 

CMYK 0 / 69 / 27 / 29

HEX #B53984

RGB 181 57 132

HSL 323.71, 0.52%, 0.47%

LAB 44.82, 56.83, -14.78

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 69 / 0 / 42 / 29

HEX #39B669

RGB 57 182 105

HSL 143.04, 0.52%, 0.47%

LAB 66.02, -51.42, 29.49

 

CMYK 69 / 60 / 0 / 29

HEX #3948B6

RGB 57 72 182

HSL 232.8, 0.52%, 0.47%

LAB 35.76, 30.83, -60.09

 

Description

Color code: HEX #B53984 | qconv.com Color code: HEX #B53984 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 57 green and 132 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 57 132 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 27 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 27% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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