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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6A739 it is the complementary color #4958C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6A739. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6A739 shade: #BBA734, #CCB947, #DDCB5A, #EEDD6D and #FFEF80

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6A739. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6A739 shade: #B6A739, #A59526, #948313, #837100 and #725F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6A739 shade: #B6A739, #B68539, #B66339, #B64239 and #B63939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6A739 shade: #B6A739, #A3B639, #81B639, #60B639 and #3EB639

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6A739 shade matches the following richer shades: #B6A739, #C9B526 and #DCC412

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6A739 shade: #B6A739, #A2984C, #8F8960, #7B7B73 and #686C87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6A739 shade: #B66339, #B68439, #B6A539, #A5B639 and #84B639

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6A739 shade: #776D25, #968A2F, #B6A739, #C8B950 and #D1C670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6A739 shade: #B6A739, #39B641 and #7339B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6A739 shade: #B6A739, #39B6A5 and #A539B6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6A739 shade: #B6A739, #39B641, #394AB6 and #B639AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6A739 shade: #B6A739, #39B667, #394AB6 and #B63988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

Complementary color

CMYK 63 / 56 / 0 / 22

HEX #4958C6

RGB 73 88 198

HSL 232.8, 0.52%, 0.53%

LAB 41.96, 28.71, -59.32

 

CMYK 0 / 11 / 72 / 27

HEX #BBA734

RGB 187 167 52

HSL 51.11, 0.56%, 0.47%

LAB 68.35, -5.43, 58.87

 

CMYK 0 / 9 / 65 / 20

HEX #CCB947

RGB 204 185 71

HSL 51.43, 0.57%, 0.54%

LAB 74.82, -6.47, 58.26

 

CMYK 0 / 8 / 59 / 13

HEX #DDCB5A

RGB 221 203 90

HSL 51.76, 0.66%, 0.61%

LAB 81.19, -7.34, 57.34

 

CMYK 0 / 7 / 54 / 7

HEX #EEDD6D

RGB 238 221 109

HSL 52.09, 0.79%, 0.68%

LAB 87.48, -8.08, 56.27

 

CMYK 0 / 6 / 50 / 0

HEX #FFEF80

RGB 255 239 128

HSL 52.44, 1%, 0.75%

LAB 93.69, -8.71, 55.14

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 0 / 10 / 77 / 35

HEX #A59526

RGB 165 149 38

HSL 52.44, 0.63%, 0.4%

LAB 61.34, -6.24, 56.6

 

CMYK 0 / 11 / 87 / 42

HEX #948313

RGB 148 131 19

HSL 52.09, 0.77%, 0.33%

LAB 54.63, -4.86, 55.88

 

CMYK 0 / 14 / 100 / 49

HEX #837100

RGB 131 113 0

HSL 51.76, 1%, 0.26%

LAB 47.8, -3.2, 53.87

 

CMYK 0 / 17 / 100 / 55

HEX #725F00

RGB 114 95 0

HSL 50, 1%, 0.22%

LAB 40.84, -1.08, 48.11

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 0 / 27 / 69 / 29

HEX #B68539

RGB 182 133 57

HSL 36.48, 0.52%, 0.47%

LAB 58.99, 11.11, 46.99

 

CMYK 0 / 46 / 69 / 29

HEX #B66339

RGB 182 99 57

HSL 20.16, 0.52%, 0.47%

LAB 50.88, 29.9, 38.04

 

CMYK 0 / 64 / 69 / 29

HEX #B64239

RGB 182 66 57

HSL 4.32, 0.52%, 0.47%

LAB 44.43, 46.43, 30.52

 

CMYK 0 / 69 / 69 / 29

HEX #B63939

RGB 182 57 57

HSL 0, 0.52%, 0.47%

LAB 43.01, 50.25, 28.82

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 10 / 0 / 69 / 29

HEX #A3B639

RGB 163 182 57

HSL 69.12, 0.52%, 0.47%

LAB 70.55, -23.17, 58.48

 

CMYK 29 / 0 / 69 / 29

HEX #81B639

RGB 129 182 57

HSL 85.44, 0.52%, 0.47%

LAB 68.33, -36.76, 55.49

 

CMYK 47 / 0 / 69 / 29

HEX #60B639

RGB 96 182 57

HSL 101.28, 0.52%, 0.47%

LAB 66.7, -48.13, 53.29

 

CMYK 66 / 0 / 69 / 29

HEX #3EB639

RGB 62 182 57

HSL 117.6, 0.52%, 0.47%

LAB 65.57, -56.95, 51.76

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 0 / 10 / 81 / 21

HEX #C9B526

RGB 201 181 38

HSL 52.64, 0.68%, 0.47%

LAB 73.29, -7.19, 68.54

 

CMYK 0 / 11 / 92 / 14

HEX #DCC412

RGB 220 196 18

HSL 52.87, 0.85%, 0.47%

LAB 78.89, -7.1, 78.01

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 0 / 6 / 53 / 36

HEX #A2984C

RGB 162 152 76

HSL 53.02, 0.36%, 0.47%

LAB 62.22, -6.72, 40.85

 

CMYK 0 / 4 / 33 / 44

HEX #8F8960

RGB 143 137 96

HSL 52.34, 0.2%, 0.47%

LAB 56.66, -4.41, 22.84

 

CMYK 0 / 0 / 7 / 52

HEX #7B7B73

RGB 123 123 115

HSL 60, 0.03%, 0.47%

LAB 51.4, -1.55, 4.37

 

CMYK 23 / 20 / 0 / 47

HEX #686C87

RGB 104 108 135

HSL 232.26, 0.13%, 0.47%

LAB 46.2, 4.74, -15.36

 

CMYK 0 / 46 / 69 / 29

HEX #B66339

RGB 182 99 57

HSL 20.16, 0.52%, 0.47%

LAB 50.88, 29.9, 38.04

 

CMYK 0 / 27 / 69 / 29

HEX #B68439

RGB 182 132 57

HSL 36, 0.52%, 0.47%

LAB 58.74, 11.67, 46.72

 

CMYK 0 / 9 / 69 / 29

HEX #B6A539

RGB 182 165 57

HSL 51.84, 0.52%, 0.47%

LAB 67.39, -6.3, 55.77

 

CMYK 9 / 0 / 69 / 29

HEX #A5B639

RGB 165 182 57

HSL 68.16, 0.52%, 0.47%

LAB 70.7, -22.34, 58.67

 

CMYK 27 / 0 / 69 / 29

HEX #84B639

RGB 132 182 57

HSL 84, 0.52%, 0.47%

LAB 68.5, -35.62, 55.73

 

CMYK 0 / 8 / 69 / 53

HEX #776D25

RGB 119 109 37

HSL 52.68, 0.53%, 0.31%

LAB 45.62, -5.32, 40.11

 

CMYK 0 / 8 / 69 / 41

HEX #968A2F

RGB 150 138 47

HSL 53.01, 0.52%, 0.39%

LAB 56.94, -6.59, 48.33

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 0 / 8 / 60 / 22

HEX #C8B950

RGB 200 185 80

HSL 52.5, 0.52%, 0.55%

LAB 74.54, -7.59, 53.92

 

CMYK 0 / 5 / 46 / 18

HEX #D1C670

RGB 209 198 112

HSL 53.2, 0.51%, 0.63%

LAB 79.11, -7.9, 44.24

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 69 / 0 / 64 / 29

HEX #39B641

RGB 57 182 65

HSL 123.84, 0.52%, 0.47%

LAB 65.52, -57.14, 48.32

 

CMYK 37 / 69 / 0 / 29

HEX #7339B6

RGB 115 57 182

HSL 267.84, 0.52%, 0.47%

LAB 37.75, 49.9, -56.61

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 69 / 0 / 9 / 29

HEX #39B6A5

RGB 57 182 165

HSL 171.84, 0.52%, 0.47%

LAB 67.31, -37.85, -1.28

 

CMYK 9 / 69 / 0 / 29

HEX #A539B6

RGB 165 57 182

HSL 291.84, 0.52%, 0.47%

LAB 44.66, 60.67, -45.12

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 69 / 0 / 64 / 29

HEX #39B641

RGB 57 182 65

HSL 123.84, 0.52%, 0.47%

LAB 65.52, -57.14, 48.32

 

CMYK 69 / 59 / 0 / 29

HEX #394AB6

RGB 57 74 182

HSL 231.84, 0.52%, 0.47%

LAB 36.26, 29.54, -59.26

 

CMYK 0 / 69 / 5 / 29

HEX #B639AD

RGB 182 57 173

HSL 304.32, 0.52%, 0.47%

LAB 46.83, 63.06, -36.23

 

CMYK 0 / 8 / 69 / 29

HEX #B6A739

RGB 182 167 57

HSL 52.8, 0.52%, 0.47%

LAB 67.93, -7.36, 56.32

 

CMYK 69 / 0 / 43 / 29

HEX #39B667

RGB 57 182 103

HSL 142.08, 0.52%, 0.47%

LAB 65.99, -51.77, 30.49

 

CMYK 69 / 59 / 0 / 29

HEX #394AB6

RGB 57 74 182

HSL 231.84, 0.52%, 0.47%

LAB 36.26, 29.54, -59.26

 

CMYK 0 / 69 / 25 / 29

HEX #B63988

RGB 182 57 136

HSL 322.08, 0.52%, 0.47%

LAB 45.15, 57.63, -16.7

 

Description

Color code: HEX #B6A739 | qconv.com Color code: HEX #B6A739 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 167 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 167 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 69 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 69% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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