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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B529C5 it is the complementary color #4AD63A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B529C5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B529C5 shade: #BA29C0, #CB3BD3, #DC4DE6, #ED5FF9 and #FE71FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B529C5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B529C5 shade: #B529C5, #A417B2, #93059F, #82008C and #710079

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B529C5 shade: #B628C6, #C628AC, #C62881, #C62857 and #C6282C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B529C5 shade: #B628C6, #8C28C6, #6128C6, #3628C6 and #2828C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B529C5 shade matches the following richer shades: #B628C6, #C615DA and #D501ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B529C5 shade: #B628C6, #A73CB3, #974FA0, #88628C and #797679

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B529C5 shade: #6028C6, #8A28C6, #B428C6, #C628AF and #C62885

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B529C5 shade: #771A82, #9721A4, #B628C6, #C840D8 and #D263DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B529C5 shade: #B529C5, #C63528 and #28C675

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B529C5 shade: #B529C5, #C6B428 and #28C6B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B529C5 shade: #B529C5, #C63528, #3BC628 and #28B9C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B529C5 shade: #B529C5, #C66528, #3BC628 and #288AC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 79 / 0 / 23

HEX #B529C5

RGB 181 41 197

HSL 293.85, 0.66%, 0.47%

LAB 46.23, 71.91, -51.23

 

Complementary color

CMYK 65 / 0 / 73 / 16

HEX #4AD63A

RGB 74 214 58

HSL 113.85, 0.66%, 0.53%

LAB 75.98, -65.23, 62.25

 

CMYK 3 / 79 / 0 / 25

HEX #BA29C0

RGB 186 41 192

HSL 297.62, 0.65%, 0.46%

LAB 46.75, 72.05, -47.45

 

CMYK 4 / 72 / 0 / 17

HEX #CB3BD3

RGB 203 59 211

HSL 296.84, 0.63%, 0.53%

LAB 52.43, 73.23, -49.2

 

CMYK 4 / 67 / 0 / 10

HEX #DC4DE6

RGB 220 77 230

HSL 296.08, 0.75%, 0.6%

LAB 58.26, 73.75, -50.52

 

CMYK 5 / 62 / 0 / 2

HEX #ED5FF9

RGB 237 95 249

HSL 295.32, 0.93%, 0.67%

LAB 64.18, 73.84, -51.54

 

CMYK 0 / 56 / 0 / 0

HEX #FE71FF

RGB 254 113 255

HSL 299.58, 1%, 0.72%

LAB 69.54, 71.41, -46.23

 

CMYK 8 / 79 / 0 / 23

HEX #B529C5

RGB 181 41 197

HSL 293.85, 0.66%, 0.47%

LAB 46.23, 71.91, -51.23

 

CMYK 8 / 87 / 0 / 30

HEX #A417B2

RGB 164 23 178

HSL 294.58, 0.77%, 0.39%

LAB 40.77, 69.81, -49.01

 

CMYK 8 / 97 / 0 / 38

HEX #93059F

RGB 147 5 159

HSL 295.32, 0.94%, 0.32%

LAB 35.63, 66.43, -46.06

 

CMYK 7 / 100 / 0 / 45

HEX #82008C

RGB 130 0 140

HSL 295.71, 1%, 0.27%

LAB 30.97, 61.22, -42.06

 

CMYK 7 / 100 / 0 / 53

HEX #710079

RGB 113 0 121

HSL 296.03, 1%, 0.24%

LAB 26.42, 55.22, -37.62

 

CMYK 8 / 80 / 0 / 22

HEX #B628C6

RGB 182 40 198

HSL 293.92, 0.66%, 0.47%

LAB 46.36, 72.54, -51.59

 

CMYK 0 / 80 / 13 / 22

HEX #C628AC

RGB 198 40 172

HSL 309.87, 0.66%, 0.47%

LAB 47.63, 71.74, -34.2

 

CMYK 0 / 80 / 35 / 22

HEX #C62881

RGB 198 40 129

HSL 326.2, 0.66%, 0.47%

LAB 45.78, 66.43, -11.21

 

CMYK 0 / 80 / 56 / 22

HEX #C62857

RGB 198 40 87

HSL 342.15, 0.66%, 0.47%

LAB 44.53, 62.68, 12.94

 

CMYK 0 / 80 / 78 / 22

HEX #C6282C

RGB 198 40 44

HSL 358.48, 0.66%, 0.47%

LAB 43.81, 60.43, 38.12

 

CMYK 8 / 80 / 0 / 22

HEX #B628C6

RGB 182 40 198

HSL 293.92, 0.66%, 0.47%

LAB 46.36, 72.54, -51.59

 

CMYK 29 / 80 / 0 / 22

HEX #8C28C6

RGB 140 40 198

HSL 277.97, 0.66%, 0.47%

LAB 39.87, 65.11, -62.41

 

CMYK 51 / 80 / 0 / 22

HEX #6128C6

RGB 97 40 198

HSL 261.65, 0.66%, 0.47%

LAB 34.26, 58.74, -71.8

 

CMYK 73 / 80 / 0 / 22

HEX #3628C6

RGB 54 40 198

HSL 245.32, 0.66%, 0.47%

LAB 30.35, 54.31, -78.4

 

CMYK 80 / 80 / 0 / 22

HEX #2828C6

RGB 40 40 198

HSL 240, 0.66%, 0.47%

LAB 29.53, 53.38, -79.78

 

CMYK 8 / 80 / 0 / 22

HEX #B628C6

RGB 182 40 198

HSL 293.92, 0.66%, 0.47%

LAB 46.36, 72.54, -51.59

 

CMYK 9 / 90 / 0 / 15

HEX #C615DA

RGB 198 21 218

HSL 293.91, 0.82%, 0.47%

LAB 49.01, 82.25, -58.71

 

CMYK 10 / 100 / 0 / 7

HEX #D501ED

RGB 213 1 237

HSL 293.9, 0.99%, 0.47%

LAB 52.15, 89.28, -64.29

 

CMYK 8 / 80 / 0 / 22

HEX #B628C6

RGB 182 40 198

HSL 293.92, 0.66%, 0.47%

LAB 46.36, 72.54, -51.59

 

CMYK 7 / 66 / 0 / 30

HEX #A73CB3

RGB 167 60 179

HSL 293.95, 0.5%, 0.47%

LAB 45.22, 59.38, -42.45

 

CMYK 6 / 51 / 0 / 37

HEX #974FA0

RGB 151 79 160

HSL 293.33, 0.34%, 0.47%

LAB 45.23, 42.61, -31.35

 

CMYK 3 / 30 / 0 / 45

HEX #88628C

RGB 136 98 140

HSL 294.29, 0.18%, 0.47%

LAB 46.79, 22.99, -17.16

 

CMYK 0 / 2 / 0 / 53

HEX #797679

RGB 121 118 121

HSL 300, 0.01%, 0.47%

LAB 49.98, 1.75, -1.25

 

CMYK 52 / 80 / 0 / 22

HEX #6028C6

RGB 96 40 198

HSL 261.27, 0.66%, 0.47%

LAB 34.15, 58.61, -71.99

 

CMYK 30 / 80 / 0 / 22

HEX #8A28C6

RGB 138 40 198

HSL 277.22, 0.66%, 0.47%

LAB 39.58, 64.78, -62.9

 

CMYK 9 / 80 / 0 / 22

HEX #B428C6

RGB 180 40 198

HSL 293.16, 0.66%, 0.47%

LAB 46.04, 72.16, -52.13

 

CMYK 0 / 80 / 12 / 22

HEX #C628AF

RGB 198 40 175

HSL 308.73, 0.66%, 0.47%

LAB 47.78, 72.16, -35.73

 

CMYK 0 / 80 / 33 / 22

HEX #C62885

RGB 198 40 133

HSL 324.68, 0.66%, 0.47%

LAB 45.93, 66.86, -13.43

 

CMYK 8 / 80 / 0 / 49

HEX #771A82

RGB 119 26 130

HSL 293.65, 0.67%, 0.31%

LAB 30.09, 52.22, -37.35

 

CMYK 8 / 80 / 0 / 36

HEX #9721A4

RGB 151 33 164

HSL 294.05, 0.66%, 0.39%

LAB 38.46, 62.69, -44.48

 

CMYK 8 / 80 / 0 / 22

HEX #B628C6

RGB 182 40 198

HSL 293.92, 0.66%, 0.47%

LAB 46.36, 72.54, -51.59

 

CMYK 7 / 70 / 0 / 15

HEX #C840D8

RGB 200 64 216

HSL 293.68, 0.66%, 0.55%

LAB 52.84, 71.75, -51.41

 

CMYK 6 / 56 / 0 / 13

HEX #D263DF

RGB 210 99 223

HSL 293.71, 0.66%, 0.63%

LAB 59.85, 60.92, -44.17

 

CMYK 8 / 79 / 0 / 23

HEX #B529C5

RGB 181 41 197

HSL 293.85, 0.66%, 0.47%

LAB 46.23, 71.91, -51.23

 

CMYK 0 / 73 / 80 / 22

HEX #C63528

RGB 198 53 40

HSL 4.94, 0.66%, 0.47%

LAB 45.23, 56.21, 41.79

 

CMYK 80 / 0 / 41 / 22

HEX #28C675

RGB 40 198 117

HSL 149.24, 0.66%, 0.47%

LAB 70.96, -57.56, 29.65

 

CMYK 8 / 79 / 0 / 23

HEX #B529C5

RGB 181 41 197

HSL 293.85, 0.66%, 0.47%

LAB 46.23, 71.91, -51.23

 

CMYK 0 / 9 / 80 / 22

HEX #C6B428

RGB 198 180 40

HSL 53.16, 0.66%, 0.47%

LAB 72.76, -7.92, 67.4

 

CMYK 80 / 0 / 9 / 22

HEX #28C6B4

RGB 40 198 180

HSL 173.16, 0.66%, 0.47%

LAB 72.32, -42.89, -2.19

 

CMYK 8 / 79 / 0 / 23

HEX #B529C5

RGB 181 41 197

HSL 293.85, 0.66%, 0.47%

LAB 46.23, 71.91, -51.23

 

CMYK 0 / 73 / 80 / 22

HEX #C63528

RGB 198 53 40

HSL 4.94, 0.66%, 0.47%

LAB 45.23, 56.21, 41.79

 

CMYK 70 / 0 / 80 / 22

HEX #3BC628

RGB 59 198 40

HSL 112.78, 0.66%, 0.47%

LAB 70.5, -64.11, 62.57

 

CMYK 80 / 7 / 0 / 22

HEX #28B9C6

RGB 40 185 198

HSL 184.94, 0.66%, 0.47%

LAB 68.91, -31.68, -17.11

 

CMYK 8 / 79 / 0 / 23

HEX #B529C5

RGB 181 41 197

HSL 293.85, 0.66%, 0.47%

LAB 46.23, 71.91, -51.23

 

CMYK 0 / 49 / 80 / 22

HEX #C66528

RGB 198 101 40

HSL 23.16, 0.66%, 0.47%

LAB 53.46, 34.6, 49.8

 

CMYK 70 / 0 / 80 / 22

HEX #3BC628

RGB 59 198 40

HSL 112.78, 0.66%, 0.47%

LAB 70.5, -64.11, 62.57

 

CMYK 80 / 30 / 0 / 22

HEX #288AC6

RGB 40 138 198

HSL 202.78, 0.66%, 0.47%

LAB 54.77, -6.86, -38.94

 

Description

Color code: HEX #B529C5 | qconv.com Color code: HEX #B529C5 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 41 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 41 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 79 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 79% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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