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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 203 59 211 it is the complementary color RGB 52 196 44. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 203 59 211. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 203 59 211 shade: RGB 208 59 206, RGB 225 77 225, RGB 242 95 244, RGB 255 113 255 and RGB 255 131 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 203 59 211. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 203 59 211 shade: RGB 203 59 211, RGB 186 41 192, RGB 169 23 173, RGB 152 5 154 and RGB 135 0 135

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 203 59 211 shade: RGB 202 59 210, RGB 210 59 177, RGB 210 59 137, RGB 210 59 96 and RGB 210 59 59

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 203 59 211 shade: RGB 202 59 210, RGB 161 59 210, RGB 121 59 210, RGB 80 59 210 and RGB 59 59 210

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 203 59 211 shade matches the following richer shades: RGB 202 59 210, RGB 220 40 230 and RGB 237 20 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 203 59 211 shade: RGB 202 59 210, RGB 185 79 191, RGB 168 98 171, RGB 150 117 152 and RGB 133 137 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 203 59 211 shade: RGB 120 59 210, RGB 160 59 210, RGB 200 59 210, RGB 210 59 180 and RGB 210 59 140

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 203 59 211 shade: RGB 146 34 153, RGB 179 42 186, RGB 202 59 210, RGB 211 93 218 and RGB 220 126 225

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 203 59 211 shade: RGB 203 59 211, RGB 210 79 59 and RGB 59 210 140

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 203 59 211 shade: RGB 203 59 211, RGB 210 200 59 and RGB 59 210 200

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 203 59 211 shade: RGB 203 59 211, RGB 210 79 59, RGB 69 210 59 and RGB 59 190 210

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 203 59 211 shade: RGB 203 59 211, RGB 210 125 59, RGB 69 210 59 and RGB 59 145 210

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 72 / 0 / 17

HEX #CB3BD3

RGB 203 59 211

HSL 296.84, 0.63%, 0.53%

LAB 52.43, 73.23, -49.2

 

Complementary color

CMYK 73 / 0 / 78 / 23

HEX #34C42C

RGB 52 196 44

HSL 116.84, 0.63%, 0.47%

LAB 69.75, -64.43, 60.59

 

CMYK 0 / 72 / 1 / 18

HEX #D03BCE

RGB 208 59 206

HSL 300.81, 0.61%, 0.52%

LAB 52.94, 73.48, -45.47

 

CMYK 0 / 66 / 0 / 12

HEX #E14DE1

RGB 225 77 225

HSL 300, 0.71%, 0.59%

LAB 58.74, 74.04, -46.9

 

CMYK 1 / 61 / 0 / 4

HEX #F25FF4

RGB 242 95 244

HSL 299.19, 0.87%, 0.66%

LAB 64.64, 74.16, -48.01

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 4 / 72 / 0 / 17

HEX #CB3BD3

RGB 203 59 211

HSL 296.84, 0.63%, 0.53%

LAB 52.43, 73.23, -49.2

 

CMYK 3 / 79 / 0 / 25

HEX #BA29C0

RGB 186 41 192

HSL 297.62, 0.65%, 0.46%

LAB 46.75, 72.05, -47.45

 

CMYK 2 / 87 / 0 / 32

HEX #A917AD

RGB 169 23 173

HSL 298.4, 0.77%, 0.38%

LAB 41.32, 69.89, -45.11

 

CMYK 1 / 97 / 0 / 40

HEX #98059A

RGB 152 5 154

HSL 299.19, 0.94%, 0.31%

LAB 36.21, 66.47, -42.03

 

CMYK 0 / 100 / 0 / 47

HEX #870087

RGB 135 0 135

HSL 300, 1%, 0.26%

LAB 31.58, 61.25, -37.93

 

CMYK 4 / 72 / 0 / 18

HEX #CA3BD2

RGB 202 59 210

HSL 296.82, 0.63%, 0.53%

LAB 52.22, 72.86, -48.97

 

CMYK 0 / 72 / 16 / 18

HEX #D23BB1

RGB 210 59 177

HSL 313.11, 0.63%, 0.53%

LAB 51.84, 69.6, -30.39

 

CMYK 0 / 72 / 35 / 18

HEX #D23B89

RGB 210 59 137

HSL 329.01, 0.63%, 0.53%

LAB 50.26, 64.61, -9.11

 

CMYK 0 / 72 / 54 / 18

HEX #D23B60

RGB 210 59 96

HSL 345.3, 0.63%, 0.53%

LAB 49.1, 60.79, 14.05

 

CMYK 0 / 72 / 72 / 18

HEX #D23B3B

RGB 210 59 59

HSL 0, 0.63%, 0.53%

LAB 48.44, 58.57, 35.33

 

CMYK 4 / 72 / 0 / 18

HEX #CA3BD2

RGB 202 59 210

HSL 296.82, 0.63%, 0.53%

LAB 52.22, 72.86, -48.97

 

CMYK 23 / 72 / 0 / 18

HEX #A13BD2

RGB 161 59 210

HSL 280.53, 0.63%, 0.53%

LAB 46.12, 64.51, -59.08

 

CMYK 42 / 72 / 0 / 18

HEX #793BD2

RGB 121 59 210

HSL 264.64, 0.63%, 0.53%

LAB 40.97, 57.1, -67.68

 

CMYK 62 / 72 / 0 / 18

HEX #503BD2

RGB 80 59 210

HSL 248.34, 0.63%, 0.53%

LAB 36.9, 50.91, -74.5

 

CMYK 72 / 72 / 0 / 18

HEX #3B3BD2

RGB 59 59 210

HSL 240, 0.63%, 0.53%

LAB 35.42, 48.56, -76.99

 

CMYK 4 / 72 / 0 / 18

HEX #CA3BD2

RGB 202 59 210

HSL 296.82, 0.63%, 0.53%

LAB 52.22, 72.86, -48.97

 

CMYK 4 / 83 / 0 / 10

HEX #DC28E6

RGB 220 40 230

HSL 296.84, 0.79%, 0.53%

LAB 54.5, 84.55, -56.52

 

CMYK 5 / 92 / 0 / 2

HEX #ED14F9

RGB 237 20 249

HSL 296.86, 0.95%, 0.53%

LAB 57.41, 93.24, -62.34

 

CMYK 4 / 72 / 0 / 18

HEX #CA3BD2

RGB 202 59 210

HSL 296.82, 0.63%, 0.53%

LAB 52.22, 72.86, -48.97

 

CMYK 3 / 59 / 0 / 25

HEX #B94FBF

RGB 185 79 191

HSL 296.79, 0.47%, 0.53%

LAB 51.46, 57.81, -39.41

 

CMYK 2 / 43 / 0 / 33

HEX #A862AB

RGB 168 98 171

HSL 297.53, 0.3%, 0.53%

LAB 51.84, 39.76, -27.37

 

CMYK 1 / 23 / 0 / 40

HEX #967598

RGB 150 117 152

HSL 296.57, 0.15%, 0.53%

LAB 53.46, 19.26, -13.97

 

CMYK 3 / 0 / 3 / 46

HEX #858985

RGB 133 137 133

HSL 120, 0.02%, 0.53%

LAB 56.66, -2.26, 1.62

 

CMYK 43 / 72 / 0 / 18

HEX #783BD2

RGB 120 59 210

HSL 264.24, 0.63%, 0.53%

LAB 40.85, 56.93, -67.87

 

CMYK 24 / 72 / 0 / 18

HEX #A03BD2

RGB 160 59 210

HSL 280.13, 0.63%, 0.53%

LAB 45.98, 64.32, -59.31

 

CMYK 5 / 72 / 0 / 18

HEX #C83BD2

RGB 200 59 210

HSL 296.03, 0.63%, 0.53%

LAB 51.91, 72.44, -49.48

 

CMYK 0 / 72 / 14 / 18

HEX #D23BB4

RGB 210 59 180

HSL 311.92, 0.63%, 0.53%

LAB 51.98, 70.02, -31.93

 

CMYK 0 / 72 / 33 / 18

HEX #D23B8C

RGB 210 59 140

HSL 327.81, 0.63%, 0.53%

LAB 50.36, 64.94, -10.75

 

CMYK 5 / 78 / 0 / 40

HEX #922299

RGB 146 34 153

HSL 296.47, 0.64%, 0.37%

LAB 37.03, 59.48, -40.17

 

CMYK 4 / 77 / 0 / 27

HEX #B32ABA

RGB 179 42 186

HSL 297.08, 0.63%, 0.45%

LAB 45.34, 69.41, -46.27

 

CMYK 4 / 72 / 0 / 18

HEX #CA3BD2

RGB 202 59 210

HSL 296.82, 0.63%, 0.53%

LAB 52.22, 72.86, -48.97

 

CMYK 3 / 57 / 0 / 15

HEX #D35DDA

RGB 211 93 218

HSL 296.64, 0.63%, 0.61%

LAB 58.73, 63, -43.11

 

CMYK 2 / 44 / 0 / 12

HEX #DC7EE1

RGB 220 126 225

HSL 296.97, 0.62%, 0.69%

LAB 66.19, 50.87, -35.26

 

CMYK 4 / 72 / 0 / 17

HEX #CB3BD3

RGB 203 59 211

HSL 296.84, 0.63%, 0.53%

LAB 52.43, 73.23, -49.2

 

CMYK 0 / 62 / 72 / 18

HEX #D24F3B

RGB 210 79 59

HSL 7.95, 0.63%, 0.53%

LAB 51.39, 50.57, 38.7

 

CMYK 72 / 0 / 33 / 18

HEX #3BD28C

RGB 59 210 140

HSL 152.19, 0.63%, 0.53%

LAB 75.4, -55.11, 23.66

 

CMYK 4 / 72 / 0 / 17

HEX #CB3BD3

RGB 203 59 211

HSL 296.84, 0.63%, 0.53%

LAB 52.43, 73.23, -49.2

 

CMYK 0 / 5 / 72 / 18

HEX #D2C83B

RGB 210 200 59

HSL 56.03, 0.63%, 0.53%

LAB 79.23, -12.24, 67.54

 

CMYK 72 / 0 / 5 / 18

HEX #3BD2C8

RGB 59 210 200

HSL 176.03, 0.63%, 0.53%

LAB 76.8, -40.66, -6.37

 

CMYK 4 / 72 / 0 / 17

HEX #CB3BD3

RGB 203 59 211

HSL 296.84, 0.63%, 0.53%

LAB 52.43, 73.23, -49.2

 

CMYK 0 / 62 / 72 / 18

HEX #D24F3B

RGB 210 79 59

HSL 7.95, 0.63%, 0.53%

LAB 51.39, 50.57, 38.7

 

CMYK 67 / 0 / 72 / 18

HEX #45D23B

RGB 69 210 59

HSL 116.03, 0.63%, 0.53%

LAB 74.62, -64.82, 60.47

 

CMYK 72 / 10 / 0 / 18

HEX #3BBED2

RGB 59 190 210

HSL 187.95, 0.63%, 0.53%

LAB 71.15, -28.37, -20.25

 

CMYK 4 / 72 / 0 / 17

HEX #CB3BD3

RGB 203 59 211

HSL 296.84, 0.63%, 0.53%

LAB 52.43, 73.23, -49.2

 

CMYK 0 / 40 / 72 / 18

HEX #D27D3B

RGB 210 125 59

HSL 26.23, 0.63%, 0.53%

LAB 60.5, 27.61, 48.68

 

CMYK 67 / 0 / 72 / 18

HEX #45D23B

RGB 69 210 59

HSL 116.03, 0.63%, 0.53%

LAB 74.62, -64.82, 60.47

 

CMYK 72 / 31 / 0 / 18

HEX #3B91D2

RGB 59 145 210

HSL 205.83, 0.63%, 0.53%

LAB 57.88, -4.35, -40.78

 

Description

Color code: RGB 203 59 211 | qconv.com Color code: RGB 203 59 211 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 203 red, 59 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
203 59 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 72 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 72% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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