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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B5241A it is the complementary color #4ADBE5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B5241A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B5241A shade: #BA2415, #CB3628, #DC483B, #ED5A4E and #FE6C61

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B5241A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B5241A shade: #B5241A, #A41207, #930000, #820000 and #710000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B5241A shade: #B6241A and #B61A1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B5241A shade: #B6241A, #B64E1A, #B6781A, #B6A31A and #A0B61A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B5241A shade matches the following richer shades: #B6241A and #C71509

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B5241A shade: #B6241A, #A6322B, #95413B, #84504C and #735F5D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B5241A shade: #B61A65, #B61A3C, #B6211A, #B64B1A and #B6751A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B5241A shade: #6E150F, #921D14, #B6241A, #DB2B1F and #E34A3F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B5241A shade: #B5241A, #8FB61A and #1A51B6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B5241A shade: #B5241A, #1AB621 and #211AB6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B5241A shade: #B5241A, #8FB61A, #1AAFB6 and #411AB6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B5241A shade: #B5241A, #60B61A, #1AAFB6 and #701AB6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 86 / 29

HEX #B5241A

RGB 181 36 26

HSL 3.87, 0.75%, 0.41%

LAB 39.85, 56.04, 42.79

 

Complementary color

CMYK 68 / 4 / 0 / 10

HEX #4ADBE5

RGB 74 219 229

HSL 183.87, 0.75%, 0.59%

LAB 80.61, -34.7, -16.16

 

CMYK 0 / 81 / 89 / 27

HEX #BA2415

RGB 186 36 21

HSL 5.45, 0.8%, 0.41%

LAB 40.82, 57.42, 46.36

 

CMYK 0 / 73 / 80 / 20

HEX #CB3628

RGB 203 54 40

HSL 5.15, 0.67%, 0.48%

LAB 46.3, 57.43, 43.16

 

CMYK 0 / 67 / 73 / 14

HEX #DC483B

RGB 220 72 59

HSL 4.84, 0.7%, 0.55%

LAB 52.02, 56.87, 39.88

 

CMYK 0 / 62 / 67 / 7

HEX #ED5A4E

RGB 237 90 78

HSL 4.53, 0.82%, 0.62%

LAB 57.91, 55.98, 36.91

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 80 / 86 / 29

HEX #B5241A

RGB 181 36 26

HSL 3.87, 0.75%, 0.41%

LAB 39.85, 56.04, 42.79

 

CMYK 0 / 89 / 96 / 36

HEX #A41207

RGB 164 18 7

HSL 4.2, 0.92%, 0.34%

LAB 34.68, 55.09, 45.63

 

CMYK 0 / 100 / 100 / 42

HEX #930000

RGB 147 0 0

HSL 0, 1%, 0.29%

LAB 29.92, 53.13, 43.53

 

CMYK 0 / 100 / 100 / 49

HEX #820000

RGB 130 0 0

HSL 0, 1%, 0.25%

LAB 26, 48.6, 38.66

 

CMYK 0 / 100 / 100 / 56

HEX #710000

RGB 113 0 0

HSL 0, 1%, 0.22%

LAB 21.98, 43.95, 33.34

 

CMYK 0 / 80 / 86 / 29

HEX #B6241A

RGB 182 36 26

HSL 3.85, 0.75%, 0.41%

LAB 40.05, 56.34, 43.05

 

CMYK 0 / 86 / 86 / 29

HEX #B61A1A

RGB 182 26 26

HSL 0, 0.75%, 0.41%

LAB 39.17, 58.83, 42.28

 

CMYK 0 / 80 / 86 / 29

HEX #B6241A

RGB 182 36 26

HSL 3.85, 0.75%, 0.41%

LAB 40.05, 56.34, 43.05

 

CMYK 0 / 57 / 86 / 29

HEX #B64E1A

RGB 182 78 26

HSL 20, 0.75%, 0.41%

LAB 46.27, 39.53, 48.38

 

CMYK 0 / 34 / 86 / 29

HEX #B6781A

RGB 182 120 26

HSL 36.15, 0.75%, 0.41%

LAB 55.54, 17.04, 56.17

 

CMYK 0 / 10 / 86 / 29

HEX #B6A31A

RGB 182 163 26

HSL 52.69, 0.75%, 0.41%

LAB 66.68, -6.49, 65.41

 

CMYK 12 / 0 / 86 / 29

HEX #A0B61A

RGB 160 182 26

HSL 68.46, 0.75%, 0.41%

LAB 70.18, -25.77, 67.57

 

CMYK 0 / 80 / 86 / 29

HEX #B6241A

RGB 182 36 26

HSL 3.85, 0.75%, 0.41%

LAB 40.05, 56.34, 43.05

 

CMYK 0 / 89 / 95 / 22

HEX #C71509

RGB 199 21 9

HSL 3.79, 0.91%, 0.41%

LAB 42.3, 64.15, 53.11

 

CMYK 0 / 80 / 86 / 29

HEX #B6241A

RGB 182 36 26

HSL 3.85, 0.75%, 0.41%

LAB 40.05, 56.34, 43.05

 

CMYK 0 / 70 / 74 / 35

HEX #A6322B

RGB 166 50 43

HSL 3.41, 0.59%, 0.41%

LAB 38.83, 47.02, 31.48

 

CMYK 0 / 56 / 60 / 42

HEX #95413B

RGB 149 65 59

HSL 4, 0.43%, 0.41%

LAB 38.7, 34.87, 20.98

 

CMYK 0 / 39 / 42 / 48

HEX #84504C

RGB 132 80 76

HSL 4.29, 0.27%, 0.41%

LAB 39.86, 21.33, 11.6

 

CMYK 0 / 17 / 19 / 55

HEX #735F5D

RGB 115 95 93

HSL 5.45, 0.11%, 0.41%

LAB 42.18, 7.73, 4.16

 

CMYK 0 / 86 / 45 / 29

HEX #B61A65

RGB 182 26 101

HSL 331.15, 0.75%, 0.41%

LAB 40.61, 63.03, -1.87

 

CMYK 0 / 86 / 67 / 29

HEX #B61A3C

RGB 182 26 60

HSL 346.92, 0.75%, 0.41%

LAB 39.6, 60.09, 22.74

 

CMYK 0 / 82 / 86 / 29

HEX #B6211A

RGB 182 33 26

HSL 2.69, 0.75%, 0.41%

LAB 39.76, 57.15, 42.8

 

CMYK 0 / 59 / 86 / 29

HEX #B64B1A

RGB 182 75 26

HSL 18.85, 0.75%, 0.41%

LAB 45.71, 41, 47.9

 

CMYK 0 / 36 / 86 / 29

HEX #B6751A

RGB 182 117 26

HSL 35, 0.75%, 0.41%

LAB 54.81, 18.71, 55.56

 

CMYK 0 / 81 / 86 / 57

HEX #6E150F

RGB 110 21 15

HSL 3.79, 0.76%, 0.25%

LAB 23.29, 38.06, 28.08

 

CMYK 0 / 80 / 86 / 43

HEX #921D14

RGB 146 29 20

HSL 4.29, 0.76%, 0.33%

LAB 31.9, 47.27, 36.11

 

CMYK 0 / 80 / 86 / 29

HEX #B6241A

RGB 182 36 26

HSL 3.85, 0.75%, 0.41%

LAB 40.05, 56.34, 43.05

 

CMYK 0 / 80 / 86 / 14

HEX #DB2B1F

RGB 219 43 31

HSL 3.83, 0.75%, 0.49%

LAB 48.12, 65.29, 50.43

 

CMYK 0 / 67 / 72 / 11

HEX #E34A3F

RGB 227 74 63

HSL 4.02, 0.75%, 0.57%

LAB 53.59, 58.52, 39.77

 

CMYK 0 / 80 / 86 / 29

HEX #B5241A

RGB 181 36 26

HSL 3.87, 0.75%, 0.41%

LAB 39.85, 56.04, 42.79

 

CMYK 21 / 0 / 86 / 29

HEX #8FB61A

RGB 143 182 26

HSL 75, 0.75%, 0.41%

LAB 69.02, -32.81, 66.13

 

CMYK 86 / 55 / 0 / 29

HEX #1A51B6

RGB 26 81 182

HSL 218.85, 0.75%, 0.41%

LAB 36.9, 21.52, -58.29

 

CMYK 0 / 80 / 86 / 29

HEX #B5241A

RGB 181 36 26

HSL 3.87, 0.75%, 0.41%

LAB 39.85, 56.04, 42.79

 

CMYK 86 / 0 / 82 / 29

HEX #1AB621

RGB 26 182 33

HSL 122.69, 0.75%, 0.41%

LAB 64.79, -64.18, 59.02

 

CMYK 82 / 86 / 0 / 29

HEX #211AB6

RGB 33 26 182

HSL 242.69, 0.75%, 0.41%

LAB 25.07, 54.51, -77.73

 

CMYK 0 / 80 / 86 / 29

HEX #B5241A

RGB 181 36 26

HSL 3.87, 0.75%, 0.41%

LAB 39.85, 56.04, 42.79

 

CMYK 21 / 0 / 86 / 29

HEX #8FB61A

RGB 143 182 26

HSL 75, 0.75%, 0.41%

LAB 69.02, -32.81, 66.13

 

CMYK 86 / 4 / 0 / 29

HEX #1AAFB6

RGB 26 175 182

HSL 182.69, 0.75%, 0.41%

LAB 65.17, -32.95, -13.94

 

CMYK 64 / 86 / 0 / 29

HEX #411AB6

RGB 65 26 182

HSL 255, 0.75%, 0.41%

LAB 27.41, 56.51, -73.79

 

CMYK 0 / 80 / 86 / 29

HEX #B5241A

RGB 181 36 26

HSL 3.87, 0.75%, 0.41%

LAB 39.85, 56.04, 42.79

 

CMYK 47 / 0 / 86 / 29

HEX #60B61A

RGB 96 182 26

HSL 93.08, 0.75%, 0.41%

LAB 66.53, -49.97, 63.01

 

CMYK 86 / 4 / 0 / 29

HEX #1AAFB6

RGB 26 175 182

HSL 182.69, 0.75%, 0.41%

LAB 65.17, -32.95, -13.94

 

CMYK 38 / 86 / 0 / 29

HEX #701AB6

RGB 112 26 182

HSL 273.08, 0.75%, 0.41%

LAB 33.05, 61.71, -64.29

 

Description

Color code: HEX #B5241A | qconv.com Color code: HEX #B5241A | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 181 red, 36 green and 26 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
181 36 26 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 86 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 86% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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