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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #FE6C61 it is the complementary color #01939E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #FE6C61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #FE6C61 shade: #FF6C5C, #FF7E6F, #FF9082, #FFA295 and #FFB4A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #FE6C61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #FE6C61 shade: #FE6C61, #ED5A4E, #DC483B, #CB3628 and #BA2415

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #FE6C61 shade: #FE6C61 and #FE6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #FE6C61 shade: #FE6C61, #FE9661, #FEC161, #FEEB61 and #E6FE61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #FE6C61 shade matches the following richer shades: #FE6C61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #FE6C61 shade: #FE6C61, #F1776E, #E4827B, #D78D88 and #CB9894

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #FE6C61 shade: #FE61AA, #FE6180, #FE6C61, #FE9561 and #FEBF61

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #FE6C61 shade: #FD200F, #FE4638, #FE6C61, #FE928A and #FEB9B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #FE6C61 shade: #FE6C61, #D4FE61 and #6195FE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #FE6C61 shade: #FE6C61, #61FE6C and #6C61FE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #FE6C61 shade: #FE6C61, #D4FE61, #61F3FE and #8B61FE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #FE6C61 shade: #FE6C61, #A5FE61, #61F3FE and #BA61FE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

Complementary color

CMYK 99 / 7 / 0 / 38

HEX #01939E

RGB 1 147 158

HSL 184.2, 0.99%, 0.31%

LAB 55.42, -28.27, -15.12

 

CMYK 0 / 58 / 64 / 0

HEX #FF6C5C

RGB 255 108 92

HSL 5.89, 1%, 0.68%

LAB 63.96, 54.97, 37.19

 

CMYK 0 / 51 / 56 / 0

HEX #FF7E6F

RGB 255 126 111

HSL 6.25, 1%, 0.72%

LAB 67.52, 47.79, 31.22

 

CMYK 0 / 44 / 49 / 0

HEX #FF9082

RGB 255 144 130

HSL 6.72, 1%, 0.75%

LAB 71.43, 40.41, 25.92

 

CMYK 0 / 36 / 42 / 0

HEX #FFA295

RGB 255 162 149

HSL 7.36, 1%, 0.79%

LAB 75.62, 33.02, 21.22

 

CMYK 0 / 29 / 34 / 0

HEX #FFB4A8

RGB 255 180 168

HSL 8.28, 1%, 0.83%

LAB 80.03, 25.77, 17.04

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 62 / 67 / 7

HEX #ED5A4E

RGB 237 90 78

HSL 4.53, 0.82%, 0.62%

LAB 57.91, 55.98, 36.91

 

CMYK 0 / 67 / 73 / 14

HEX #DC483B

RGB 220 72 59

HSL 4.84, 0.7%, 0.55%

LAB 52.02, 56.87, 39.88

 

CMYK 0 / 73 / 80 / 20

HEX #CB3628

RGB 203 54 40

HSL 5.15, 0.67%, 0.48%

LAB 46.3, 57.43, 43.16

 

CMYK 0 / 81 / 89 / 27

HEX #BA2415

RGB 186 36 21

HSL 5.45, 0.8%, 0.41%

LAB 40.82, 57.42, 46.36

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 62 / 62 / 0

HEX #FE6161

RGB 254 97 97

HSL 0, 0.99%, 0.69%

LAB 62.07, 59.74, 32

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 41 / 62 / 0

HEX #FE9661

RGB 254 150 97

HSL 20.25, 0.99%, 0.69%

LAB 72.06, 34.39, 44.32

 

CMYK 0 / 24 / 62 / 0

HEX #FEC161

RGB 254 193 97

HSL 36.69, 0.99%, 0.69%

LAB 81.88, 11.98, 55.77

 

CMYK 0 / 7 / 62 / 0

HEX #FEEB61

RGB 254 235 97

HSL 52.74, 0.99%, 0.69%

LAB 92.29, -9.41, 67.29

 

CMYK 9 / 0 / 62 / 0

HEX #E6FE61

RGB 230 254 97

HSL 69.17, 0.99%, 0.69%

LAB 95.4, -28.14, 70.09

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 51 / 54 / 5

HEX #F1776E

RGB 241 119 110

HSL 4.12, 0.82%, 0.69%

LAB 64.18, 46.08, 27.03

 

CMYK 0 / 43 / 46 / 11

HEX #E4827B

RGB 228 130 123

HSL 4, 0.66%, 0.69%

LAB 64.87, 36.88, 20.35

 

CMYK 0 / 34 / 37 / 16

HEX #D78D88

RGB 215 141 136

HSL 3.8, 0.5%, 0.69%

LAB 65.96, 27.53, 14.3

 

CMYK 0 / 25 / 27 / 20

HEX #CB9894

RGB 203 152 148

HSL 4.36, 0.35%, 0.69%

LAB 67.49, 18.52, 9.56

 

CMYK 0 / 62 / 33 / 0

HEX #FE61AA

RGB 254 97 170

HSL 332.1, 0.99%, 0.69%

LAB 63.77, 66.15, -7.52

 

CMYK 0 / 62 / 50 / 0

HEX #FE6180

RGB 254 97 128

HSL 348.15, 0.99%, 0.69%

LAB 62.66, 61.99, 15.05

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 41 / 62 / 0

HEX #FE9561

RGB 254 149 97

HSL 19.87, 0.99%, 0.69%

LAB 71.85, 34.91, 44.06

 

CMYK 0 / 25 / 62 / 0

HEX #FEBF61

RGB 254 191 97

HSL 35.92, 0.99%, 0.69%

LAB 81.4, 13.02, 55.22

 

CMYK 0 / 87 / 94 / 1

HEX #FD200F

RGB 253 32 15

HSL 4.29, 0.98%, 0.53%

LAB 53.97, 76.52, 63.63

 

CMYK 0 / 72 / 78 / 0

HEX #FE4638

RGB 254 70 56

HSL 4.24, 0.99%, 0.61%

LAB 57.79, 68.09, 49.45

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 0 / 43 / 46 / 0

HEX #FE928A

RGB 254 146 138

HSL 4.14, 0.98%, 0.77%

LAB 71.87, 39.77, 22.09

 

CMYK 0 / 27 / 30 / 0

HEX #FEB9B3

RGB 254 185 179

HSL 4.8, 0.97%, 0.85%

LAB 81.3, 24.15, 12.91

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 17 / 0 / 62 / 0

HEX #D4FE61

RGB 212 254 97

HSL 76.05, 0.99%, 0.69%

LAB 94.2, -35.06, 68.45

 

CMYK 62 / 41 / 0 / 0

HEX #6195FE

RGB 97 149 254

HSL 220.13, 0.99%, 0.69%

LAB 62.67, 14.33, -57.48

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 62 / 0 / 57 / 0

HEX #61FE6C

RGB 97 254 108

HSL 124.2, 0.99%, 0.69%

LAB 89.16, -69.21, 56.76

 

CMYK 57 / 62 / 0 / 0

HEX #6C61FE

RGB 108 97 254

HSL 244.2, 0.99%, 0.69%

LAB 50.56, 47.16, -76.96

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 17 / 0 / 62 / 0

HEX #D4FE61

RGB 212 254 97

HSL 76.05, 0.99%, 0.69%

LAB 94.2, -35.06, 68.45

 

CMYK 62 / 4 / 0 / 0

HEX #61F3FE

RGB 97 243 254

HSL 184.2, 0.99%, 0.69%

LAB 88.83, -35.51, -16.93

 

CMYK 45 / 62 / 0 / 0

HEX #8B61FE

RGB 139 97 254

HSL 256.05, 0.99%, 0.69%

LAB 53.16, 52.64, -72.62

 

CMYK 0 / 57 / 62 / 0

HEX #FE6C61

RGB 254 108 97

HSL 4.2, 0.99%, 0.69%

LAB 63.88, 54.93, 34.29

 

CMYK 35 / 0 / 62 / 0

HEX #A5FE61

RGB 165 254 97

HSL 94.01, 0.99%, 0.69%

LAB 91.57, -51.82, 64.82

 

CMYK 62 / 4 / 0 / 0

HEX #61F3FE

RGB 97 243 254

HSL 184.2, 0.99%, 0.69%

LAB 88.83, -35.51, -16.93

 

CMYK 27 / 62 / 0 / 0

HEX #BA61FE

RGB 186 97 254

HSL 274.01, 0.99%, 0.69%

LAB 58.17, 62.37, -64.28

 

Description

Color code: HEX #FE6C61 | qconv.com Color code: HEX #FE6C61 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 254 red, 108 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
254 108 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 62 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 62% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

41% - 2016年1月時点での下北沢の供給状況 ...
Link: http://shimokitazawa.bz

74% - Creativefarm
Link: http://www.creativefarm.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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