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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4F088 it is the complementary color #4B0F77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4F088. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4F088 shade: #B9F083, #CAFF96, #DBFFA9, #ECFFBC and #FDFFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4F088. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4F088 shade: #B4F088, #A3DE75, #92CC62, #81BA4F and #70A83C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4F088 shade: #B4F088, #D0F088, #ECF088, #F0D888 and #F0BC88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4F088 shade: #B4F088, #98F088, #88F095, #88F0B0 and #88F0CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4F088 shade matches the following richer shades: #B4F088 and #B3FB7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4F088 shade: #B4F088, #B6E593, #B8DA9E, #B9D0A9 and #BBC5B3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4F088 shade: #ECF088, #D1F088, #B5F088, #9AF088 and #88F093

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4F088 shade: #86E73F, #9DEB64, #B4F088, #CBF4AD and #E2F9D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4F088 shade: #B4F088, #88F0D8 and #F088DF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4F088 shade: #B4F088, #88B5F0 and #F088B5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4F088 shade: #B4F088, #88F0D8, #C388F0 and #F088A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4F088 shade: #B4F088, #88E9F0, #C388F0 and #F08F88

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

Complementary color

CMYK 37 / 87 / 0 / 53

HEX #4B0F77

RGB 75 15 119

HSL 274.62, 0.78%, 0.26%

LAB 20.71, 45.21, -45.92

 

CMYK 23 / 0 / 45 / 6

HEX #B9F083

RGB 185 240 131

HSL 90.28, 0.78%, 0.73%

LAB 89.05, -35.48, 46.92

 

CMYK 21 / 0 / 41 / 0

HEX #CAFF96

RGB 202 255 150

HSL 90.29, 1%, 0.79%

LAB 94.43, -34.08, 44.75

 

CMYK 14 / 0 / 34 / 0

HEX #DBFFA9

RGB 219 255 169

HSL 85.12, 1%, 0.83%

LAB 95.77, -25.67, 37.38

 

CMYK 7 / 0 / 26 / 0

HEX #ECFFBC

RGB 236 255 188

HSL 77.01, 1%, 0.87%

LAB 97.22, -17.06, 30.03

 

CMYK 1 / 0 / 19 / 0

HEX #FDFFCF

RGB 253 255 207

HSL 62.5, 1%, 0.91%

LAB 98.79, -8.34, 22.77

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 27 / 0 / 47 / 13

HEX #A3DE75

RGB 163 222 117

HSL 93.71, 0.61%, 0.66%

LAB 82.55, -36.71, 45.32

 

CMYK 28 / 0 / 52 / 20

HEX #92CC62

RGB 146 204 98

HSL 92.83, 0.51%, 0.59%

LAB 76.18, -36.73, 46.46

 

CMYK 31 / 0 / 58 / 27

HEX #81BA4F

RGB 129 186 79

HSL 91.96, 0.44%, 0.52%

LAB 69.72, -36.69, 47.55

 

CMYK 33 / 0 / 64 / 34

HEX #70A83C

RGB 112 168 60

HSL 91.11, 0.47%, 0.45%

LAB 63.16, -36.54, 48.48

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 13 / 0 / 43 / 6

HEX #D0F088

RGB 208 240 136

HSL 78.46, 0.78%, 0.74%

LAB 90.55, -26.55, 46.7

 

CMYK 2 / 0 / 43 / 6

HEX #ECF088

RGB 236 240 136

HSL 62.31, 0.78%, 0.74%

LAB 92.54, -15.91, 49.61

 

CMYK 0 / 10 / 43 / 6

HEX #F0D888

RGB 240 216 136

HSL 46.15, 0.78%, 0.74%

LAB 86.71, -2.34, 42.38

 

CMYK 0 / 22 / 43 / 6

HEX #F0BC88

RGB 240 188 136

HSL 30, 0.78%, 0.74%

LAB 79.77, 12.19, 33.43

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 37 / 0 / 43 / 6

HEX #98F088

RGB 152 240 136

HSL 110.77, 0.78%, 0.74%

LAB 87.37, -45.89, 42.02

 

CMYK 43 / 0 / 38 / 6

HEX #88F095

RGB 136 240 149

HSL 127.5, 0.78%, 0.74%

LAB 86.86, -48.72, 34.79

 

CMYK 43 / 0 / 27 / 6

HEX #88F0B0

RGB 136 240 176

HSL 143.08, 0.78%, 0.74%

LAB 87.33, -44.08, 21.7

 

CMYK 43 / 0 / 15 / 6

HEX #88F0CC

RGB 136 240 204

HSL 159.23, 0.78%, 0.74%

LAB 87.93, -38.47, 8.02

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 29 / 0 / 50 / 2

HEX #B3FB7E

RGB 179 251 126

HSL 94.56, 0.94%, 0.74%

LAB 91.72, -43.04, 52.48

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 21 / 0 / 36 / 10

HEX #B6E593

RGB 182 229 147

HSL 94.39, 0.61%, 0.74%

LAB 86.05, -29.43, 35.17

 

CMYK 16 / 0 / 28 / 15

HEX #B8DA9E

RGB 184 218 158

HSL 94, 0.45%, 0.74%

LAB 83.34, -21.85, 25.94

 

CMYK 11 / 0 / 19 / 18

HEX #B9D0A9

RGB 185 208 169

HSL 95.38, 0.29%, 0.74%

LAB 80.9, -14.79, 16.82

 

CMYK 5 / 0 / 9 / 23

HEX #BBC5B3

RGB 187 197 179

HSL 93.33, 0.13%, 0.74%

LAB 78.32, -6.72, 7.84

 

CMYK 2 / 0 / 43 / 6

HEX #ECF088

RGB 236 240 136

HSL 62.31, 0.78%, 0.74%

LAB 92.54, -15.91, 49.61

 

CMYK 13 / 0 / 43 / 6

HEX #D1F088

RGB 209 240 136

HSL 77.88, 0.78%, 0.74%

LAB 90.62, -26.18, 46.8

 

CMYK 25 / 0 / 43 / 6

HEX #B5F088

RGB 181 240 136

HSL 94.04, 0.78%, 0.74%

LAB 88.89, -36.3, 44.25

 

CMYK 36 / 0 / 43 / 6

HEX #9AF088

RGB 154 240 136

HSL 109.62, 0.78%, 0.74%

LAB 87.47, -45.26, 42.16

 

CMYK 43 / 0 / 39 / 6

HEX #88F093

RGB 136 240 147

HSL 126.35, 0.78%, 0.74%

LAB 86.83, -49.03, 35.75

 

CMYK 42 / 0 / 73 / 9

HEX #86E73F

RGB 134 231 63

HSL 94.64, 0.78%, 0.58%

LAB 83.22, -55.16, 68.45

 

CMYK 33 / 0 / 57 / 8

HEX #9DEB64

RGB 157 235 100

HSL 94.67, 0.77%, 0.66%

LAB 85.76, -46.3, 56.91

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 17 / 0 / 29 / 4

HEX #CBF4AD

RGB 203 244 173

HSL 94.65, 0.76%, 0.82%

LAB 91.87, -25.53, 30

 

CMYK 9 / 0 / 16 / 2

HEX #E2F9D2

RGB 226 249 210

HSL 95.38, 0.76%, 0.9%

LAB 95.4, -14.33, 16.22

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 43 / 0 / 10 / 6

HEX #88F0D8

RGB 136 240 216

HSL 166.15, 0.78%, 0.74%

LAB 88.21, -35.83, 2.17

 

CMYK 0 / 43 / 7 / 6

HEX #F088DF

RGB 240 136 223

HSL 309.81, 0.78%, 0.74%

LAB 70.5, 51.41, -27.3

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 43 / 25 / 0 / 6

HEX #88B5F0

RGB 136 181 240

HSL 214.04, 0.78%, 0.74%

LAB 72.61, 0.12, -34.09

 

CMYK 0 / 43 / 25 / 6

HEX #F088B5

RGB 240 136 181

HSL 334.04, 0.78%, 0.74%

LAB 69.09, 44.98, -6.07

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 43 / 0 / 10 / 6

HEX #88F0D8

RGB 136 240 216

HSL 166.15, 0.78%, 0.74%

LAB 88.21, -35.83, 2.17

 

CMYK 19 / 43 / 0 / 6

HEX #C388F0

RGB 195 136 240

HSL 274.04, 0.78%, 0.74%

LAB 66.14, 41.45, -43.84

 

CMYK 0 / 43 / 33 / 6

HEX #F088A1

RGB 240 136 161

HSL 345.58, 0.78%, 0.74%

LAB 68.54, 42.37, 4.34

 

CMYK 25 / 0 / 43 / 6

HEX #B4F088

RGB 180 240 136

HSL 94.62, 0.78%, 0.74%

LAB 88.83, -36.64, 44.17

 

CMYK 43 / 3 / 0 / 6

HEX #88E9F0

RGB 136 233 240

HSL 184.04, 0.78%, 0.74%

LAB 86.9, -26.83, -12.35

 

CMYK 19 / 43 / 0 / 6

HEX #C388F0

RGB 195 136 240

HSL 274.04, 0.78%, 0.74%

LAB 66.14, 41.45, -43.84

 

CMYK 0 / 40 / 43 / 6

HEX #F08F88

RGB 240 143 136

HSL 4.04, 0.78%, 0.74%

LAB 69.43, 35.93, 19.58

 

Description

Color code: HEX #B4F088 | qconv.com Color code: HEX #B4F088 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 240 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 240 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 43 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 43% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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