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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B6E593 it is the complementary color #491A6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B6E593. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B6E593 shade: #BBE58E, #CCF7A1, #DDFFB4, #EEFFC7 and #FFFFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B6E593. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B6E593 shade: #B6E593, #A5D380, #94C16D, #83AF5A and #729D47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B6E593 shade: #B6E594, #CCE594, #E2E594, #E5D294 and #E5BC94

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B6E593 shade: #B6E594, #A0E594, #94E59D, #94E5B3 and #94E5C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B6E593 shade matches the following richer shades: #B6E594, #B5EF89 and #B3FA7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B6E593 shade: #B6E594, #B8DA9E, #B9CFA9, #BBC4B4 and #BDBABF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B6E593 shade: #E2E594, #CCE594, #B7E594, #A1E594 and #94E59C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B6E593 shade: #89D551, #A0DD73, #B6E594, #CDEDB5 and #E3F5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B6E593 shade: #B6E593, #94E5D2 and #E594D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B6E593 shade: #B6E593, #94B7E5 and #E594B7

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B6E593 shade: #B6E593, #94E5D2, #C294E5 and #E594A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B6E593 shade: #B6E593, #94DFE5, #C294E5 and #E59994

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 36 / 10

HEX #B6E593

RGB 182 229 147

HSL 94.39, 0.61%, 0.74%

LAB 86.05, -29.43, 35.17

 

Complementary color

CMYK 32 / 76 / 0 / 58

HEX #491A6C

RGB 73 26 108

HSL 274.39, 0.61%, 0.26%

LAB 20.97, 37.75, -38.4

 

CMYK 18 / 0 / 38 / 10

HEX #BBE58E

RGB 187 229 142

HSL 88.97, 0.63%, 0.73%

LAB 86.28, -28.31, 38.04

 

CMYK 17 / 0 / 35 / 3

HEX #CCF7A1

RGB 204 247 161

HSL 90, 0.84%, 0.8%

LAB 92.54, -28.27, 36.94

 

CMYK 13 / 0 / 29 / 0

HEX #DDFFB4

RGB 221 255 180

HSL 87.2, 1%, 0.85%

LAB 96.07, -23.48, 32.33

 

CMYK 7 / 0 / 22 / 0

HEX #EEFFC7

RGB 238 255 199

HSL 78.21, 1%, 0.89%

LAB 97.56, -14.8, 24.96

 

CMYK 0 / 0 / 15 / 0

HEX #FFFFDA

RGB 255 255 218

HSL 60, 1%, 0.93%

LAB 99.16, -6.02, 17.71

 

CMYK 21 / 0 / 36 / 10

HEX #B6E593

RGB 182 229 147

HSL 94.39, 0.61%, 0.74%

LAB 86.05, -29.43, 35.17

 

CMYK 22 / 0 / 39 / 17

HEX #A5D380

RGB 165 211 128

HSL 93.25, 0.49%, 0.66%

LAB 79.7, -29.52, 36.3

 

CMYK 23 / 0 / 44 / 24

HEX #94C16D

RGB 148 193 109

HSL 92.14, 0.4%, 0.59%

LAB 73.25, -29.6, 37.47

 

CMYK 25 / 0 / 49 / 31

HEX #83AF5A

RGB 131 175 90

HSL 91.06, 0.35%, 0.52%

LAB 66.69, -29.64, 38.67

 

CMYK 27 / 0 / 55 / 38

HEX #729D47

RGB 114 157 71

HSL 90, 0.38%, 0.45%

LAB 60.02, -29.62, 39.84

 

CMYK 21 / 0 / 35 / 10

HEX #B6E594

RGB 182 229 148

HSL 94.81, 0.61%, 0.74%

LAB 86.07, -29.29, 34.69

 

CMYK 11 / 0 / 35 / 10

HEX #CCE594

RGB 204 229 148

HSL 78.52, 0.61%, 0.74%

LAB 87.49, -21.34, 36.82

 

CMYK 1 / 0 / 35 / 10

HEX #E2E594

RGB 226 229 148

HSL 62.22, 0.61%, 0.74%

LAB 89.09, -13.05, 39.2

 

CMYK 0 / 8 / 35 / 10

HEX #E5D294

RGB 229 210 148

HSL 45.93, 0.61%, 0.74%

LAB 84.43, -2.28, 33.16

 

CMYK 0 / 18 / 35 / 10

HEX #E5BC94

RGB 229 188 148

HSL 29.63, 0.61%, 0.74%

LAB 78.9, 9.2, 25.78

 

CMYK 21 / 0 / 35 / 10

HEX #B6E594

RGB 182 229 148

HSL 94.81, 0.61%, 0.74%

LAB 86.07, -29.29, 34.69

 

CMYK 30 / 0 / 35 / 10

HEX #A0E594

RGB 160 229 148

HSL 111.11, 0.61%, 0.74%

LAB 84.82, -36.77, 32.81

 

CMYK 35 / 0 / 31 / 10

HEX #94E59D

RGB 148 229 157

HSL 126.67, 0.61%, 0.74%

LAB 84.36, -39.14, 27.5

 

CMYK 35 / 0 / 22 / 10

HEX #94E5B3

RGB 148 229 179

HSL 142.96, 0.61%, 0.74%

LAB 84.79, -35.24, 16.68

 

CMYK 35 / 0 / 13 / 10

HEX #94E5C8

RGB 148 229 200

HSL 158.52, 0.61%, 0.74%

LAB 85.25, -31.05, 6.34

 

CMYK 21 / 0 / 35 / 10

HEX #B6E594

RGB 182 229 148

HSL 94.81, 0.61%, 0.74%

LAB 86.07, -29.29, 34.69

 

CMYK 24 / 0 / 43 / 6

HEX #B5EF89

RGB 181 239 137

HSL 94.12, 0.76%, 0.74%

LAB 88.62, -35.72, 43.43

 

CMYK 28 / 0 / 50 / 2

HEX #B3FA7E

RGB 179 250 126

HSL 94.35, 0.93%, 0.74%

LAB 91.44, -42.6, 52.14

 

CMYK 21 / 0 / 35 / 10

HEX #B6E594

RGB 182 229 148

HSL 94.81, 0.61%, 0.74%

LAB 86.07, -29.29, 34.69

 

CMYK 16 / 0 / 28 / 15

HEX #B8DA9E

RGB 184 218 158

HSL 94, 0.45%, 0.74%

LAB 83.34, -21.85, 25.94

 

CMYK 11 / 0 / 18 / 19

HEX #B9CFA9

RGB 185 207 169

HSL 94.74, 0.28%, 0.74%

LAB 80.63, -14.28, 16.44

 

CMYK 5 / 0 / 8 / 23

HEX #BBC4B4

RGB 187 196 180

HSL 93.75, 0.12%, 0.74%

LAB 78.08, -6.02, 6.96

 

CMYK 1 / 3 / 0 / 25

HEX #BDBABF

RGB 189 186 191

HSL 276, 0.04%, 0.74%

LAB 75.88, 1.98, -2.16

 

CMYK 1 / 0 / 35 / 10

HEX #E2E594

RGB 226 229 148

HSL 62.22, 0.61%, 0.74%

LAB 89.09, -13.05, 39.2

 

CMYK 11 / 0 / 35 / 10

HEX #CCE594

RGB 204 229 148

HSL 78.52, 0.61%, 0.74%

LAB 87.49, -21.34, 36.82

 

CMYK 20 / 0 / 35 / 10

HEX #B7E594

RGB 183 229 148

HSL 94.07, 0.61%, 0.74%

LAB 86.13, -28.94, 34.78

 

CMYK 30 / 0 / 35 / 10

HEX #A1E594

RGB 161 229 148

HSL 110.37, 0.61%, 0.74%

LAB 84.87, -36.44, 32.89

 

CMYK 35 / 0 / 32 / 10

HEX #94E59C

RGB 148 229 156

HSL 125.93, 0.61%, 0.74%

LAB 84.35, -39.31, 27.99

 

CMYK 36 / 0 / 62 / 16

HEX #89D551

RGB 137 213 81

HSL 94.55, 0.61%, 0.58%

LAB 78.17, -45.5, 56.31

 

CMYK 28 / 0 / 48 / 13

HEX #A0DD73

RGB 160 221 115

HSL 94.53, 0.61%, 0.66%

LAB 82.07, -37.54, 45.65

 

CMYK 21 / 0 / 35 / 10

HEX #B6E594

RGB 182 229 148

HSL 94.81, 0.61%, 0.74%

LAB 86.07, -29.29, 34.69

 

CMYK 14 / 0 / 24 / 7

HEX #CDEDB5

RGB 205 237 181

HSL 94.29, 0.61%, 0.82%

LAB 90.27, -20.26, 23.75

 

CMYK 7 / 0 / 13 / 4

HEX #E3F5D6

RGB 227 245 214

HSL 94.84, 0.61%, 0.9%

LAB 94.52, -11.35, 12.92

 

CMYK 21 / 0 / 36 / 10

HEX #B6E593

RGB 182 229 147

HSL 94.39, 0.61%, 0.74%

LAB 86.05, -29.43, 35.17

 

CMYK 35 / 0 / 8 / 10

HEX #94E5D2

RGB 148 229 210

HSL 165.93, 0.61%, 0.74%

LAB 85.5, -28.91, 1.43

 

CMYK 0 / 35 / 6 / 10

HEX #E594D7

RGB 229 148 215

HSL 310.37, 0.61%, 0.74%

LAB 71.38, 40.44, -21.65

 

CMYK 21 / 0 / 36 / 10

HEX #B6E593

RGB 182 229 147

HSL 94.39, 0.61%, 0.74%

LAB 86.05, -29.43, 35.17

 

CMYK 35 / 20 / 0 / 10

HEX #94B7E5

RGB 148 183 229

HSL 214.07, 0.61%, 0.74%

LAB 73.43, -0.77, -26.8

 

CMYK 0 / 35 / 20 / 10

HEX #E594B7

RGB 229 148 183

HSL 334.07, 0.61%, 0.74%

LAB 70.36, 35.27, -5.46

 

CMYK 21 / 0 / 36 / 10

HEX #B6E593

RGB 182 229 147

HSL 94.39, 0.61%, 0.74%

LAB 86.05, -29.43, 35.17

 

CMYK 35 / 0 / 8 / 10

HEX #94E5D2

RGB 148 229 210

HSL 165.93, 0.61%, 0.74%

LAB 85.5, -28.91, 1.43

 

CMYK 15 / 35 / 0 / 10

HEX #C294E5

RGB 194 148 229

HSL 274.07, 0.61%, 0.74%

LAB 68.25, 32.21, -34.5

 

CMYK 0 / 35 / 27 / 10

HEX #E594A7

RGB 229 148 167

HSL 345.93, 0.61%, 0.74%

LAB 69.91, 32.98, 2.8

 

CMYK 21 / 0 / 36 / 10

HEX #B6E593

RGB 182 229 147

HSL 94.39, 0.61%, 0.74%

LAB 86.05, -29.43, 35.17

 

CMYK 35 / 3 / 0 / 10

HEX #94DFE5

RGB 148 223 229

HSL 184.44, 0.61%, 0.74%

LAB 84.34, -21.64, -10.31

 

CMYK 15 / 35 / 0 / 10

HEX #C294E5

RGB 194 148 229

HSL 274.07, 0.61%, 0.74%

LAB 68.25, 32.21, -34.5

 

CMYK 0 / 33 / 35 / 10

HEX #E59994

RGB 229 153 148

HSL 3.7, 0.61%, 0.74%

LAB 70.58, 27.87, 14.31

 

Description

Color code: HEX #B6E593 | qconv.com Color code: HEX #B6E593 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 229 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 229 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 36 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 36% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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