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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4EA8E it is the complementary color #4B1571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4EA8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4EA8E shade: #B9EA89, #CAFC9C, #DBFFAF, #ECFFC2 and #FDFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4EA8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4EA8E shade: #B4EA8E, #A3D87B, #92C668, #81B455 and #70A242

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4EA8E shade: #B4EA8E, #CDEA8E, #E6EA8E, #EAD68E and #EABD8E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4EA8E shade: #B4EA8E, #9CEA8E, #8EEA9A, #8EEAB3 and #8EEACB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4EA8E shade matches the following richer shades: #B4EA8E and #B2F584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4EA8E shade: #B4EA8E, #B6DF99, #B8D4A4, #BACAAF and #BCBFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4EA8E shade: #E5EA8E, #CDEA8E, #B5EA8E, #9CEA8E and #8EEA99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4EA8E shade: #86DD49, #9DE46C, #B4EA8E, #CBF0B1 and #E2F7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4EA8E shade: #B4EA8E, #8EEAD6 and #EA8ED9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4EA8E shade: #B4EA8E, #8EB5EA and #EA8EB5

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4EA8E shade: #B4EA8E, #8EEAD6, #C48EEA and #EA8EA2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4EA8E shade: #B4EA8E, #8EE2EA, #C48EEA and #EA968E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

Complementary color

CMYK 34 / 81 / 0 / 56

HEX #4B1571

RGB 75 21 113

HSL 275.22, 0.69%, 0.26%

LAB 20.92, 41.59, -41.71

 

CMYK 21 / 0 / 41 / 8

HEX #B9EA89

RGB 185 234 137

HSL 90.31, 0.7%, 0.73%

LAB 87.47, -32.01, 42.02

 

CMYK 20 / 0 / 38 / 1

HEX #CAFC9C

RGB 202 252 156

HSL 91.25, 0.94%, 0.8%

LAB 93.7, -31.95, 40.89

 

CMYK 14 / 0 / 31 / 0

HEX #DBFFAF

RGB 219 255 175

HSL 87, 1%, 0.84%

LAB 95.86, -24.87, 34.52

 

CMYK 7 / 0 / 24 / 0

HEX #ECFFC2

RGB 236 255 194

HSL 78.69, 1%, 0.88%

LAB 97.33, -16.22, 27.15

 

CMYK 1 / 0 / 16 / 0

HEX #FDFFD5

RGB 253 255 213

HSL 62.86, 1%, 0.92%

LAB 98.91, -7.46, 19.89

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 25 / 0 / 43 / 15

HEX #A3D87B

RGB 163 216 123

HSL 94.19, 0.54%, 0.66%

LAB 80.92, -33.23, 40.35

 

CMYK 26 / 0 / 47 / 22

HEX #92C668

RGB 146 198 104

HSL 93.19, 0.45%, 0.59%

LAB 74.51, -33.29, 41.52

 

CMYK 28 / 0 / 53 / 29

HEX #81B455

RGB 129 180 85

HSL 92.21, 0.39%, 0.52%

LAB 68, -33.31, 42.69

 

CMYK 31 / 0 / 59 / 36

HEX #70A242

RGB 112 162 66

HSL 91.25, 0.42%, 0.45%

LAB 61.38, -33.25, 43.78

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 12 / 0 / 39 / 8

HEX #CDEA8E

RGB 205 234 142

HSL 78.91, 0.69%, 0.74%

LAB 88.82, -24.12, 41.54

 

CMYK 2 / 0 / 39 / 8

HEX #E6EA8E

RGB 230 234 142

HSL 62.61, 0.69%, 0.74%

LAB 90.61, -14.66, 44.18

 

CMYK 0 / 9 / 39 / 8

HEX #EAD68E

RGB 234 214 142

HSL 46.96, 0.69%, 0.74%

LAB 85.78, -3.06, 38.06

 

CMYK 0 / 19 / 39 / 8

HEX #EABD8E

RGB 234 189 142

HSL 30.65, 0.69%, 0.74%

LAB 79.52, 9.94, 29.86

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 0 / 34 / 8

HEX #8EEA9A

RGB 142 234 154

HSL 127.83, 0.69%, 0.74%

LAB 85.47, -43.63, 30.47

 

CMYK 39 / 0 / 24 / 8

HEX #8EEAB3

RGB 142 234 179

HSL 144.13, 0.69%, 0.74%

LAB 85.93, -39.22, 18.24

 

CMYK 39 / 0 / 13 / 8

HEX #8EEACB

RGB 142 234 203

HSL 159.78, 0.69%, 0.74%

LAB 86.46, -34.38, 6.46

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 27 / 0 / 46 / 4

HEX #B2F584

RGB 178 245 132

HSL 95.58, 0.85%, 0.74%

LAB 90.06, -40.06, 47.61

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 18 / 0 / 31 / 13

HEX #B6DF99

RGB 182 223 153

HSL 95.14, 0.52%, 0.74%

LAB 84.49, -25.73, 30.05

 

CMYK 13 / 0 / 23 / 17

HEX #B8D4A4

RGB 184 212 164

HSL 95, 0.36%, 0.74%

LAB 81.82, -17.96, 20.72

 

CMYK 8 / 0 / 13 / 21

HEX #BACAAF

RGB 186 202 175

HSL 95.56, 0.2%, 0.74%

LAB 79.49, -10.36, 11.64

 

CMYK 2 / 0 / 3 / 25

HEX #BCBFB9

RGB 188 191 185

HSL 90, 0.04%, 0.74%

LAB 76.95, -2.14, 2.65

 

CMYK 2 / 0 / 39 / 8

HEX #E5EA8E

RGB 229 234 142

HSL 63.26, 0.69%, 0.74%

LAB 90.53, -15.04, 44.07

 

CMYK 12 / 0 / 39 / 8

HEX #CDEA8E

RGB 205 234 142

HSL 78.91, 0.69%, 0.74%

LAB 88.82, -24.12, 41.54

 

CMYK 23 / 0 / 39 / 8

HEX #B5EA8E

RGB 181 234 142

HSL 94.57, 0.69%, 0.74%

LAB 87.3, -32.79, 39.29

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 0 / 35 / 8

HEX #8EEA99

RGB 142 234 153

HSL 127.17, 0.69%, 0.74%

LAB 85.45, -43.8, 30.96

 

CMYK 39 / 0 / 67 / 13

HEX #86DD49

RGB 134 221 73

HSL 95.27, 0.69%, 0.58%

LAB 80.33, -50.48, 61.85

 

CMYK 31 / 0 / 53 / 11

HEX #9DE46C

RGB 157 228 108

HSL 95.5, 0.69%, 0.66%

LAB 83.83, -42.47, 51.05

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 15 / 0 / 26 / 6

HEX #CBF0B1

RGB 203 240 177

HSL 95.24, 0.68%, 0.82%

LAB 90.87, -23.02, 26.6

 

CMYK 9 / 0 / 14 / 3

HEX #E2F7D4

RGB 226 247 212

HSL 96, 0.69%, 0.9%

LAB 94.93, -13.02, 14.52

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 39 / 0 / 9 / 8

HEX #8EEAD6

RGB 142 234 214

HSL 166.96, 0.69%, 0.74%

LAB 86.73, -31.98, 1.08

 

CMYK 0 / 39 / 7 / 8

HEX #EA8ED9

RGB 234 142 217

HSL 311.09, 0.69%, 0.74%

LAB 70.77, 45.5, -23.64

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 39 / 23 / 0 / 8

HEX #8EB5EA

RGB 142 181 234

HSL 214.57, 0.69%, 0.74%

LAB 72.72, 0.02, -30.64

 

CMYK 0 / 39 / 23 / 8

HEX #EA8EB5

RGB 234 142 181

HSL 334.57, 0.69%, 0.74%

LAB 69.59, 39.86, -5.41

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 39 / 0 / 9 / 8

HEX #8EEAD6

RGB 142 234 214

HSL 166.96, 0.69%, 0.74%

LAB 86.73, -31.98, 1.08

 

CMYK 16 / 39 / 0 / 8

HEX #C48EEA

RGB 196 142 234

HSL 275.22, 0.69%, 0.74%

LAB 67.29, 37.17, -38.72

 

CMYK 0 / 39 / 31 / 8

HEX #EA8EA2

RGB 234 142 162

HSL 346.96, 0.69%, 0.74%

LAB 69.07, 37.27, 4.46

 

CMYK 23 / 0 / 39 / 8

HEX #B4EA8E

RGB 180 234 142

HSL 95.22, 0.69%, 0.74%

LAB 87.24, -33.14, 39.2

 

CMYK 39 / 3 / 0 / 8

HEX #8EE2EA

RGB 142 226 234

HSL 185.22, 0.69%, 0.74%

LAB 85.04, -23.45, -11.94

 

CMYK 16 / 39 / 0 / 8

HEX #C48EEA

RGB 196 142 234

HSL 275.22, 0.69%, 0.74%

LAB 67.29, 37.17, -38.72

 

CMYK 0 / 36 / 39 / 8

HEX #EA968E

RGB 234 150 142

HSL 5.22, 0.69%, 0.74%

LAB 70.36, 30.65, 17.41

 

Description

Color code: HEX #B4EA8E | qconv.com Color code: HEX #B4EA8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 234 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 234 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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