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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9CEA8E it is the complementary color #631571. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9CEA8E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9CEA8E shade: #A1EA89, #B2FC9C, #C3FFAF, #D4FFC2 and #E5FFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9CEA8E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9CEA8E shade: #9CEA8E, #8BD87B, #7AC668, #69B455 and #58A242

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9CEA8E shade: #9CEA8E, #B5EA8E, #CEEA8E, #E6EA8E and #EAD58E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9CEA8E shade: #9CEA8E, #8EEA99, #8EEAB2, #8EEACB and #8EEAE3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9CEA8E shade matches the following richer shades: #9CEA8E and #95F584

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9CEA8E shade: #9CEA8E, #A4DF99, #ABD4A4, #B3CAAF and #BABFB9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9CEA8E shade: #CEEA8E, #B6EA8E, #9EEA8E, #8EEA98 and #8EEAB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9CEA8E shade: #5FDD49, #7EE46C, #9CEA8E, #BBF0B1 and #D9F7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9CEA8E shade: #9CEA8E, #8EE7EA and #EA8EC2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9CEA8E shade: #9CEA8E, #8E9EEA and #EA8E9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9CEA8E shade: #9CEA8E, #8EE7EA, #DB8EEA and #EA928E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9CEA8E shade: #9CEA8E, #8ECBEA, #DB8EEA and #EAAD8E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

Complementary color

CMYK 12 / 81 / 0 / 56

HEX #631571

RGB 99 21 113

HSL 290.87, 0.69%, 0.26%

LAB 24.89, 46.4, -35.09

 

CMYK 31 / 0 / 41 / 8

HEX #A1EA89

RGB 161 234 137

HSL 105.15, 0.7%, 0.73%

LAB 86.12, -40.25, 40.02

 

CMYK 29 / 0 / 38 / 1

HEX #B2FC9C

RGB 178 252 156

HSL 106.25, 0.94%, 0.8%

LAB 92.35, -40.08, 38.87

 

CMYK 24 / 0 / 31 / 0

HEX #C3FFAF

RGB 195 255 175

HSL 105, 1%, 0.84%

LAB 94.41, -33.11, 32.32

 

CMYK 17 / 0 / 24 / 0

HEX #D4FFC2

RGB 212 255 194

HSL 102.3, 1%, 0.88%

LAB 95.75, -24.53, 24.73

 

CMYK 10 / 0 / 16 / 0

HEX #E5FFD5

RGB 229 255 213

HSL 97.14, 1%, 0.92%

LAB 97.22, -15.77, 17.27

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 36 / 0 / 43 / 15

HEX #8BD87B

RGB 139 216 123

HSL 109.68, 0.54%, 0.66%

LAB 79.63, -41.36, 38.44

 

CMYK 38 / 0 / 47 / 22

HEX #7AC668

RGB 122 198 104

HSL 108.51, 0.45%, 0.59%

LAB 73.24, -41.51, 39.67

 

CMYK 42 / 0 / 53 / 29

HEX #69B455

RGB 105 180 85

HSL 107.37, 0.39%, 0.52%

LAB 66.75, -41.59, 40.9

 

CMYK 46 / 0 / 59 / 36

HEX #58A242

RGB 88 162 66

HSL 106.25, 0.42%, 0.45%

LAB 60.17, -41.55, 42.08

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 23 / 0 / 39 / 8

HEX #B5EA8E

RGB 181 234 142

HSL 94.57, 0.69%, 0.74%

LAB 87.3, -32.79, 39.29

 

CMYK 12 / 0 / 39 / 8

HEX #CEEA8E

RGB 206 234 142

HSL 78.26, 0.69%, 0.74%

LAB 88.88, -23.75, 41.64

 

CMYK 2 / 0 / 39 / 8

HEX #E6EA8E

RGB 230 234 142

HSL 62.61, 0.69%, 0.74%

LAB 90.61, -14.66, 44.18

 

CMYK 0 / 9 / 39 / 8

HEX #EAD58E

RGB 234 213 142

HSL 46.3, 0.69%, 0.74%

LAB 85.52, -2.55, 37.73

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 0 / 35 / 8

HEX #8EEA99

RGB 142 234 153

HSL 127.17, 0.69%, 0.74%

LAB 85.45, -43.8, 30.96

 

CMYK 39 / 0 / 24 / 8

HEX #8EEAB2

RGB 142 234 178

HSL 143.48, 0.69%, 0.74%

LAB 85.91, -39.41, 18.73

 

CMYK 39 / 0 / 13 / 8

HEX #8EEACB

RGB 142 234 203

HSL 159.78, 0.69%, 0.74%

LAB 86.46, -34.38, 6.46

 

CMYK 39 / 0 / 3 / 8

HEX #8EEAE3

RGB 142 234 227

HSL 175.43, 0.69%, 0.74%

LAB 87.07, -29.01, -5.25

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 0 / 46 / 4

HEX #95F584

RGB 149 245 132

HSL 110.97, 0.85%, 0.74%

LAB 88.62, -49.45, 45.5

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 26 / 0 / 31 / 13

HEX #A4DF99

RGB 164 223 153

HSL 110.57, 0.52%, 0.74%

LAB 83.43, -31.92, 28.43

 

CMYK 19 / 0 / 23 / 17

HEX #ABD4A4

RGB 171 212 164

HSL 111.25, 0.36%, 0.74%

LAB 80.97, -22.5, 19.42

 

CMYK 11 / 0 / 13 / 21

HEX #B3CAAF

RGB 179 202 175

HSL 111.11, 0.2%, 0.74%

LAB 79, -12.82, 10.88

 

CMYK 3 / 0 / 3 / 25

HEX #BABFB9

RGB 186 191 185

HSL 110, 0.04%, 0.74%

LAB 76.8, -2.84, 2.41

 

CMYK 12 / 0 / 39 / 8

HEX #CEEA8E

RGB 206 234 142

HSL 78.26, 0.69%, 0.74%

LAB 88.88, -23.75, 41.64

 

CMYK 22 / 0 / 39 / 8

HEX #B6EA8E

RGB 182 234 142

HSL 93.91, 0.69%, 0.74%

LAB 87.36, -32.44, 39.37

 

CMYK 32 / 0 / 39 / 8

HEX #9EEA8E

RGB 158 234 142

HSL 109.57, 0.69%, 0.74%

LAB 86.04, -40.54, 37.41

 

CMYK 39 / 0 / 35 / 8

HEX #8EEA98

RGB 142 234 152

HSL 126.52, 0.69%, 0.74%

LAB 85.43, -43.96, 31.44

 

CMYK 39 / 0 / 25 / 8

HEX #8EEAB0

RGB 142 234 176

HSL 142.17, 0.69%, 0.74%

LAB 85.87, -39.79, 19.72

 

CMYK 57 / 0 / 67 / 13

HEX #5FDD49

RGB 95 221 73

HSL 111.08, 0.69%, 0.58%

LAB 78.83, -61.7, 59.8

 

CMYK 45 / 0 / 53 / 11

HEX #7EE46C

RGB 126 228 108

HSL 111, 0.69%, 0.66%

LAB 82.38, -52.34, 48.97

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 22 / 0 / 26 / 6

HEX #BBF0B1

RGB 187 240 177

HSL 110.48, 0.68%, 0.82%

LAB 89.89, -28.47, 25.1

 

CMYK 12 / 0 / 14 / 3

HEX #D9F7D4

RGB 217 247 212

HSL 111.43, 0.69%, 0.9%

LAB 94.32, -16.06, 13.58

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 1 / 0 / 8

HEX #8EE7EA

RGB 142 231 234

HSL 181.96, 0.69%, 0.74%

LAB 86.43, -25.89, -9.88

 

CMYK 0 / 39 / 17 / 8

HEX #EA8EC2

RGB 234 142 194

HSL 326.09, 0.69%, 0.74%

LAB 69.99, 41.79, -12.07

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 32 / 0 / 8

HEX #8E9EEA

RGB 142 158 234

HSL 229.57, 0.69%, 0.74%

LAB 66.63, 12.93, -40.09

 

CMYK 0 / 39 / 32 / 8

HEX #EA8E9E

RGB 234 142 158

HSL 349.57, 0.69%, 0.74%

LAB 68.97, 36.76, 6.55

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 1 / 0 / 8

HEX #8EE7EA

RGB 142 231 234

HSL 181.96, 0.69%, 0.74%

LAB 86.43, -25.89, -9.88

 

CMYK 6 / 39 / 0 / 8

HEX #DB8EEA

RGB 219 142 234

HSL 290.22, 0.69%, 0.74%

LAB 69.72, 43.98, -34.76

 

CMYK 0 / 38 / 39 / 8

HEX #EA928E

RGB 234 146 142

HSL 2.61, 0.69%, 0.74%

LAB 69.47, 32.76, 16.18

 

CMYK 33 / 0 / 39 / 8

HEX #9CEA8E

RGB 156 234 142

HSL 110.87, 0.69%, 0.74%

LAB 85.94, -41.18, 37.26

 

CMYK 39 / 13 / 0 / 8

HEX #8ECBEA

RGB 142 203 234

HSL 200.22, 0.69%, 0.74%

LAB 78.7, -11.77, -21.49

 

CMYK 6 / 39 / 0 / 8

HEX #DB8EEA

RGB 219 142 234

HSL 290.22, 0.69%, 0.74%

LAB 69.72, 43.98, -34.76

 

CMYK 0 / 26 / 39 / 8

HEX #EAAD8E

RGB 234 173 142

HSL 20.22, 0.69%, 0.74%

LAB 75.66, 18.42, 24.67

 

Description

Color code: HEX #9CEA8E | qconv.com Color code: HEX #9CEA8E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 234 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 234 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 39 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 39% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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