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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B49C68 it is the complementary color #4B6397. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B49C68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B49C68 shade: #B99C63, #CAAE76, #DBC089, #ECD29C and #FDE4AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B49C68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B49C68 shade: #B49C68, #A38A55, #927842, #81662F and #70541C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B49C68 shade: #B49C68, #B48868, #B47368 and #B46868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B49C68 shade: #B49C68, #B4B168, #A3B468, #8FB468 and #7AB468

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B49C68 shade matches the following richer shades: #B49C68, #C7A356, #D9AA44, #EBB032 and #FDB720

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B49C68 shade: #B49C68, #A2967A, #908F8C, #7E889F and #6C82B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B49C68 shade: #B47468, #B48868, #B49C68, #B4B168 and #A4B468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B49C68 shade: #887243, #A38950, #B49C68, #C2AE84 and #D0C09F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B49C68 shade: #B49C68, #71B468 and #7E68B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B49C68 shade: #B49C68, #68B49C and #9C68B4

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B49C68 shade: #B49C68, #71B468, #6880B4 and #AC68B4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B49C68 shade: #B49C68, #68B476, #6880B4 and #B468A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

Complementary color

CMYK 50 / 34 / 0 / 41

HEX #4B6397

RGB 75 99 151

HSL 221.05, 0.34%, 0.44%

LAB 42.24, 6.26, -31.22

 

CMYK 0 / 16 / 46 / 27

HEX #B99C63

RGB 185 156 99

HSL 39.77, 0.38%, 0.56%

LAB 65.74, 3.11, 33.75

 

CMYK 0 / 14 / 42 / 21

HEX #CAAE76

RGB 202 174 118

HSL 40, 0.44%, 0.63%

LAB 72.32, 2.44, 32.47

 

CMYK 0 / 12 / 37 / 14

HEX #DBC089

RGB 219 192 137

HSL 40.24, 0.53%, 0.7%

LAB 78.79, 1.87, 31.26

 

CMYK 0 / 11 / 34 / 7

HEX #ECD29C

RGB 236 210 156

HSL 40.5, 0.68%, 0.77%

LAB 85.16, 1.37, 30.11

 

CMYK 0 / 10 / 31 / 1

HEX #FDE4AF

RGB 253 228 175

HSL 40.77, 0.95%, 0.84%

LAB 91.44, 0.94, 29.03

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 0 / 15 / 48 / 36

HEX #A38A55

RGB 163 138 85

HSL 40.77, 0.31%, 0.49%

LAB 58.62, 2.24, 31.79

 

CMYK 0 / 18 / 55 / 43

HEX #927842

RGB 146 120 66

HSL 40.5, 0.38%, 0.42%

LAB 51.77, 3.07, 33.17

 

CMYK 0 / 21 / 64 / 49

HEX #81662F

RGB 129 102 47

HSL 40.24, 0.47%, 0.35%

LAB 44.77, 4.12, 34.56

 

CMYK 0 / 25 / 75 / 56

HEX #70541C

RGB 112 84 28

HSL 40, 0.6%, 0.27%

LAB 37.61, 5.47, 35.78

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 0 / 24 / 42 / 29

HEX #B48868

RGB 180 136 104

HSL 25.26, 0.34%, 0.56%

LAB 60.17, 12.59, 23.69

 

CMYK 0 / 36 / 42 / 29

HEX #B47368

RGB 180 115 104

HSL 8.68, 0.34%, 0.56%

LAB 55.04, 24.32, 16.75

 

CMYK 0 / 42 / 42 / 29

HEX #B46868

RGB 180 104 104

HSL 0, 0.34%, 0.56%

LAB 52.51, 30.39, 13.27

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 0 / 2 / 42 / 29

HEX #B4B168

RGB 180 177 104

HSL 57.63, 0.34%, 0.56%

LAB 70.97, -9.66, 37.64

 

CMYK 9 / 0 / 42 / 29

HEX #A3B468

RGB 163 180 104

HSL 73.42, 0.34%, 0.56%

LAB 70.48, -18.07, 36.74

 

CMYK 21 / 0 / 42 / 29

HEX #8FB468

RGB 143 180 104

HSL 89.21, 0.34%, 0.56%

LAB 69.1, -25.81, 34.71

 

CMYK 32 / 0 / 42 / 29

HEX #7AB468

RGB 122 180 104

HSL 105.79, 0.34%, 0.56%

LAB 67.86, -33.4, 32.87

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 0 / 18 / 57 / 22

HEX #C7A356

RGB 199 163 86

HSL 40.88, 0.5%, 0.56%

LAB 68.76, 4.07, 44.44

 

CMYK 0 / 22 / 69 / 15

HEX #D9AA44

RGB 217 170 68

HSL 41.07, 0.66%, 0.56%

LAB 72.17, 6.83, 57.14

 

CMYK 0 / 25 / 79 / 8

HEX #EBB032

RGB 235 176 50

HSL 40.86, 0.82%, 0.56%

LAB 75.42, 10.56, 67.95

 

CMYK 0 / 28 / 87 / 1

HEX #FDB720

RGB 253 183 32

HSL 41, 0.98%, 0.56%

LAB 78.96, 14.07, 76.88

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 0 / 7 / 25 / 36

HEX #A2967A

RGB 162 150 122

HSL 42, 0.18%, 0.56%

LAB 62.42, -0.19, 16.39

 

CMYK 0 / 1 / 3 / 44

HEX #908F8C

RGB 144 143 140

HSL 45, 0.02%, 0.56%

LAB 59.4, -0.21, 1.72

 

CMYK 21 / 14 / 0 / 38

HEX #7E889F

RGB 126 136 159

HSL 221.82, 0.15%, 0.56%

LAB 56.63, 1.49, -13.44

 

CMYK 39 / 27 / 0 / 31

HEX #6C82B1

RGB 108 130 177

HSL 220.87, 0.31%, 0.56%

LAB 54.37, 4.14, -27.35

 

CMYK 0 / 36 / 42 / 29

HEX #B47468

RGB 180 116 104

HSL 9.47, 0.34%, 0.56%

LAB 55.27, 23.76, 17.08

 

CMYK 0 / 24 / 42 / 29

HEX #B48868

RGB 180 136 104

HSL 25.26, 0.34%, 0.56%

LAB 60.17, 12.59, 23.69

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 0 / 2 / 42 / 29

HEX #B4B168

RGB 180 177 104

HSL 57.63, 0.34%, 0.56%

LAB 70.97, -9.66, 37.64

 

CMYK 9 / 0 / 42 / 29

HEX #A4B468

RGB 164 180 104

HSL 72.63, 0.34%, 0.56%

LAB 70.55, -17.67, 36.85

 

CMYK 0 / 16 / 51 / 47

HEX #887243

RGB 136 114 67

HSL 40.87, 0.34%, 0.4%

LAB 49.1, 2.13, 29.12

 

CMYK 0 / 16 / 51 / 36

HEX #A38950

RGB 163 137 80

HSL 41.2, 0.34%, 0.48%

LAB 58.28, 2.3, 34.04

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 0 / 10 / 32 / 24

HEX #C2AE84

RGB 194 174 132

HSL 40.65, 0.34%, 0.64%

LAB 71.83, 0.89, 24.22

 

CMYK 0 / 8 / 24 / 18

HEX #D0C09F

RGB 208 192 159

HSL 40.41, 0.34%, 0.72%

LAB 78.24, 0.43, 18.69

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 37 / 0 / 42 / 29

HEX #71B468

RGB 113 180 104

HSL 112.89, 0.34%, 0.56%

LAB 67.39, -36.42, 32.18

 

CMYK 30 / 42 / 0 / 29

HEX #7E68B4

RGB 126 104 180

HSL 257.37, 0.34%, 0.56%

LAB 49.05, 25.66, -37.3

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 42 / 0 / 13 / 29

HEX #68B49C

RGB 104 180 156

HSL 161.05, 0.34%, 0.56%

LAB 68.01, -29.3, 4.89

 

CMYK 13 / 42 / 0 / 29

HEX #9C68B4

RGB 156 104 180

HSL 281.05, 0.34%, 0.56%

LAB 52.13, 34.59, -32.24

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 37 / 0 / 42 / 29

HEX #71B468

RGB 113 180 104

HSL 112.89, 0.34%, 0.56%

LAB 67.39, -36.42, 32.18

 

CMYK 42 / 29 / 0 / 29

HEX #6880B4

RGB 104 128 180

HSL 221.05, 0.34%, 0.56%

LAB 53.68, 5.08, -30.17

 

CMYK 4 / 42 / 0 / 29

HEX #AC68B4

RGB 172 104 180

HSL 293.68, 0.34%, 0.56%

LAB 53.99, 39.51, -29.21

 

CMYK 0 / 13 / 42 / 29

HEX #B49C68

RGB 180 156 104

HSL 41.05, 0.34%, 0.56%

LAB 65.34, 1.55, 30.47

 

CMYK 42 / 0 / 34 / 29

HEX #68B476

RGB 104 180 118

HSL 131.05, 0.34%, 0.56%

LAB 67.2, -36.97, 24.46

 

CMYK 42 / 29 / 0 / 29

HEX #6880B4

RGB 104 128 180

HSL 221.05, 0.34%, 0.56%

LAB 53.68, 5.08, -30.17

 

CMYK 0 / 42 / 8 / 29

HEX #B468A6

RGB 180 104 166

HSL 311.05, 0.34%, 0.56%

LAB 54.4, 39.43, -20.38

 

Description

Color code: HEX #B49C68 | qconv.com Color code: HEX #B49C68 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 156 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 156 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 42 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 42% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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