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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 163 138 85 it is the complementary color RGB 92 117 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 163 138 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 163 138 85 shade: RGB 168 138 80, RGB 185 156 99, RGB 202 174 118, RGB 219 192 137 and RGB 236 210 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 163 138 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 163 138 85 shade: RGB 163 138 85, RGB 146 120 66, RGB 129 102 47, RGB 112 84 28 and RGB 95 66 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 163 138 85 shade: RGB 163 138 86, RGB 163 117 86, RGB 163 97 86 and RGB 163 86 86

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 163 138 85 shade: RGB 163 138 86, RGB 163 159 86, RGB 146 163 86, RGB 125 163 86 and RGB 104 163 86

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 163 138 85 shade matches the following richer shades: RGB 163 138 86, RGB 183 146 65, RGB 204 153 45, RGB 224 160 25 and RGB 244 167 5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 163 138 85 shade: RGB 163 138 86, RGB 143 131 106, RGB 123 124 126, RGB 103 117 146 and RGB 82 109 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 163 138 85 shade: RGB 163 96 86, RGB 163 117 86, RGB 163 137 86, RGB 163 158 86 and RGB 148 163 86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 163 138 85 shade: RGB 109 93 57, RGB 136 115 71, RGB 163 138 86, RGB 179 157 111 and RGB 193 176 138

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 163 138 85 shade: RGB 163 138 85, RGB 96 163 86 and RGB 106 86 163

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 163 138 85 shade: RGB 163 138 85, RGB 86 163 137 and RGB 137 86 163

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 163 138 85 shade: RGB 163 138 85, RGB 96 163 86, RGB 86 112 163 and RGB 153 86 163

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 163 138 85 shade: RGB 163 138 85, RGB 86 163 99, RGB 86 112 163 and RGB 163 86 150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 48 / 36

HEX #A38A55

RGB 163 138 85

HSL 40.77, 0.31%, 0.49%

LAB 58.62, 2.24, 31.79

 

Complementary color

CMYK 46 / 31 / 0 / 33

HEX #5C75AA

RGB 92 117 170

HSL 220.77, 0.31%, 0.51%

LAB 49.37, 5.51, -31.16

 

CMYK 0 / 18 / 52 / 34

HEX #A88A50

RGB 168 138 80

HSL 39.55, 0.35%, 0.49%

LAB 59.05, 3.91, 35.1

 

CMYK 0 / 16 / 46 / 27

HEX #B99C63

RGB 185 156 99

HSL 39.77, 0.38%, 0.56%

LAB 65.74, 3.11, 33.75

 

CMYK 0 / 14 / 42 / 21

HEX #CAAE76

RGB 202 174 118

HSL 40, 0.44%, 0.63%

LAB 72.32, 2.44, 32.47

 

CMYK 0 / 12 / 37 / 14

HEX #DBC089

RGB 219 192 137

HSL 40.24, 0.53%, 0.7%

LAB 78.79, 1.87, 31.26

 

CMYK 0 / 11 / 34 / 7

HEX #ECD29C

RGB 236 210 156

HSL 40.5, 0.68%, 0.77%

LAB 85.16, 1.37, 30.11

 

CMYK 0 / 15 / 48 / 36

HEX #A38A55

RGB 163 138 85

HSL 40.77, 0.31%, 0.49%

LAB 58.62, 2.24, 31.79

 

CMYK 0 / 18 / 55 / 43

HEX #927842

RGB 146 120 66

HSL 40.5, 0.38%, 0.42%

LAB 51.77, 3.07, 33.17

 

CMYK 0 / 21 / 64 / 49

HEX #81662F

RGB 129 102 47

HSL 40.24, 0.47%, 0.35%

LAB 44.77, 4.12, 34.56

 

CMYK 0 / 25 / 75 / 56

HEX #70541C

RGB 112 84 28

HSL 40, 0.6%, 0.27%

LAB 37.61, 5.47, 35.78

 

CMYK 0 / 31 / 91 / 63

HEX #5F4209

RGB 95 66 9

HSL 39.77, 0.83%, 0.2%

LAB 30.28, 7.25, 36.16

 

CMYK 0 / 15 / 47 / 36

HEX #A38A56

RGB 163 138 86

HSL 40.52, 0.31%, 0.49%

LAB 58.64, 2.34, 31.27

 

CMYK 0 / 28 / 47 / 36

HEX #A37556

RGB 163 117 86

HSL 24.16, 0.31%, 0.49%

LAB 53.15, 14.18, 24.21

 

CMYK 0 / 40 / 47 / 36

HEX #A36156

RGB 163 97 86

HSL 8.57, 0.31%, 0.49%

LAB 48.27, 25.53, 17.73

 

CMYK 0 / 47 / 47 / 36

HEX #A35656

RGB 163 86 86

HSL 0, 0.31%, 0.49%

LAB 45.79, 31.61, 14.35

 

CMYK 0 / 15 / 47 / 36

HEX #A38A56

RGB 163 138 86

HSL 40.52, 0.31%, 0.49%

LAB 58.64, 2.34, 31.27

 

CMYK 0 / 2 / 47 / 36

HEX #A39F56

RGB 163 159 86

HSL 56.88, 0.31%, 0.49%

LAB 64.37, -9.1, 38.38

 

CMYK 10 / 0 / 47 / 36

HEX #92A356

RGB 146 163 86

HSL 73.25, 0.31%, 0.49%

LAB 64.14, -18.26, 37.8

 

CMYK 23 / 0 / 47 / 36

HEX #7DA356

RGB 125 163 86

HSL 89.61, 0.31%, 0.49%

LAB 62.7, -26.58, 35.7

 

CMYK 36 / 0 / 47 / 36

HEX #68A356

RGB 104 163 86

HSL 105.97, 0.31%, 0.49%

LAB 61.49, -34.22, 33.93

 

CMYK 0 / 15 / 47 / 36

HEX #A38A56

RGB 163 138 86

HSL 40.52, 0.31%, 0.49%

LAB 58.64, 2.34, 31.27

 

CMYK 0 / 20 / 64 / 28

HEX #B79241

RGB 183 146 65

HSL 41.19, 0.48%, 0.49%

LAB 62.51, 4.87, 47.09

 

CMYK 0 / 25 / 78 / 20

HEX #CC992D

RGB 204 153 45

HSL 40.75, 0.64%, 0.49%

LAB 66.37, 9.25, 60.2

 

CMYK 0 / 29 / 89 / 12

HEX #E0A019

RGB 224 160 25

HSL 40.7, 0.8%, 0.49%

LAB 70.22, 13.65, 70.27

 

CMYK 0 / 32 / 98 / 4

HEX #F4A705

RGB 244 167 5

HSL 40.67, 0.96%, 0.49%

LAB 74.11, 18.29, 77.22

 

CMYK 0 / 15 / 47 / 36

HEX #A38A56

RGB 163 138 86

HSL 40.52, 0.31%, 0.49%

LAB 58.64, 2.34, 31.27

 

CMYK 0 / 8 / 26 / 44

HEX #8F836A

RGB 143 131 106

HSL 40.54, 0.15%, 0.49%

LAB 55.19, 0.36, 15.18

 

CMYK 2 / 2 / 0 / 51

HEX #7B7C7E

RGB 123 124 126

HSL 220, 0.01%, 0.49%

LAB 51.99, 0.03, -1.23

 

CMYK 29 / 20 / 0 / 43

HEX #677592

RGB 103 117 146

HSL 220.47, 0.17%, 0.49%

LAB 49.11, 1.87, -17.46

 

CMYK 51 / 35 / 0 / 35

HEX #526DA7

RGB 82 109 167

HSL 220.94, 0.34%, 0.49%

LAB 46.34, 6.93, -34.21

 

CMYK 0 / 41 / 47 / 36

HEX #A36056

RGB 163 96 86

HSL 7.79, 0.31%, 0.49%

LAB 48.04, 26.09, 17.41

 

CMYK 0 / 28 / 47 / 36

HEX #A37556

RGB 163 117 86

HSL 24.16, 0.31%, 0.49%

LAB 53.15, 14.18, 24.21

 

CMYK 0 / 16 / 47 / 36

HEX #A38956

RGB 163 137 86

HSL 39.74, 0.31%, 0.49%

LAB 58.37, 2.9, 30.93

 

CMYK 0 / 3 / 47 / 36

HEX #A39E56

RGB 163 158 86

HSL 56.1, 0.31%, 0.49%

LAB 64.09, -8.57, 38.04

 

CMYK 9 / 0 / 47 / 36

HEX #94A356

RGB 148 163 86

HSL 71.69, 0.31%, 0.49%

LAB 64.29, -17.44, 38.01

 

CMYK 0 / 15 / 48 / 57

HEX #6D5D39

RGB 109 93 57

HSL 41.54, 0.31%, 0.33%

LAB 40.21, 1.1, 23.02

 

CMYK 0 / 15 / 48 / 47

HEX #887347

RGB 136 115 71

HSL 40.62, 0.31%, 0.41%

LAB 49.44, 1.97, 27.32

 

CMYK 0 / 15 / 47 / 36

HEX #A38A56

RGB 163 138 86

HSL 40.52, 0.31%, 0.49%

LAB 58.64, 2.34, 31.27

 

CMYK 0 / 12 / 38 / 30

HEX #B39D6F

RGB 179 157 111

HSL 40.59, 0.31%, 0.57%

LAB 65.63, 1.4, 27.05

 

CMYK 0 / 9 / 28 / 24

HEX #C1B08A

RGB 193 176 138

HSL 41.45, 0.31%, 0.65%

LAB 72.38, 0.22, 21.71

 

CMYK 0 / 15 / 48 / 36

HEX #A38A55

RGB 163 138 85

HSL 40.77, 0.31%, 0.49%

LAB 58.62, 2.24, 31.79

 

CMYK 41 / 0 / 47 / 36

HEX #60A356

RGB 96 163 86

HSL 112.21, 0.31%, 0.49%

LAB 61.09, -36.89, 33.34

 

CMYK 35 / 47 / 0 / 36

HEX #6A56A3

RGB 106 86 163

HSL 255.58, 0.31%, 0.49%

LAB 41.79, 26.31, -38.92

 

CMYK 0 / 15 / 48 / 36

HEX #A38A55

RGB 163 138 85

HSL 40.77, 0.31%, 0.49%

LAB 58.62, 2.24, 31.79

 

CMYK 47 / 0 / 16 / 36

HEX #56A389

RGB 86 163 137

HSL 159.74, 0.31%, 0.49%

LAB 61.64, -30.22, 6.19

 

CMYK 16 / 47 / 0 / 36

HEX #8956A3

RGB 137 86 163

HSL 279.74, 0.31%, 0.49%

LAB 45.11, 35.26, -33.46

 

CMYK 0 / 15 / 48 / 36

HEX #A38A55

RGB 163 138 85

HSL 40.77, 0.31%, 0.49%

LAB 58.62, 2.24, 31.79

 

CMYK 41 / 0 / 47 / 36

HEX #60A356

RGB 96 163 86

HSL 112.21, 0.31%, 0.49%

LAB 61.09, -36.89, 33.34

 

CMYK 47 / 31 / 0 / 36

HEX #5670A3

RGB 86 112 163

HSL 219.74, 0.31%, 0.49%

LAB 47.25, 4.84, -30.42

 

CMYK 6 / 47 / 0 / 36

HEX #9956A3

RGB 153 86 163

HSL 292.21, 0.31%, 0.49%

LAB 47.07, 40.07, -30.24

 

CMYK 0 / 15 / 48 / 36

HEX #A38A55

RGB 163 138 85

HSL 40.77, 0.31%, 0.49%

LAB 58.62, 2.24, 31.79

 

CMYK 47 / 0 / 39 / 36

HEX #56A363

RGB 86 163 99

HSL 130.13, 0.31%, 0.49%

LAB 60.85, -37.93, 26.07

 

CMYK 47 / 31 / 0 / 36

HEX #5670A3

RGB 86 112 163

HSL 219.74, 0.31%, 0.49%

LAB 47.25, 4.84, -30.42

 

CMYK 0 / 47 / 8 / 36

HEX #A35696

RGB 163 86 150

HSL 310.13, 0.31%, 0.49%

LAB 47.81, 40.72, -21.28

 

Description

Color code: RGB 163 138 85 | qconv.com Color code: RGB 163 138 85 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 138 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 138 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 48 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 48% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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