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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B4885E it is the complementary color #4B77A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B4885E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B4885E shade: #B98859, #CA9A6C, #DBAC7F, #ECBE92 and #FDD0A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B4885E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B4885E shade: #B4885E, #A3764B, #926438, #815225 and #704012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B4885E shade: #B3885F, #B3715F and #B35F5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B4885E shade: #B3885F, #B39F5F, #B1B35F, #9AB35F and #84B35F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B4885E shade matches the following richer shades: #B3885F, #C6884C, #D98739 and #EC8726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B4885E shade: #B3885F, #A08972, #8D8985, #7A8A98 and #688AAB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B4885E shade: #B35F63, #B3715F, #B3885F, #B39E5F and #B2B35F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B4885E shade: #835F3D, #9F744A, #B3885F, #C19D7B and #CEB297

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B4885E shade: #B4885E, #7AB35F and #665FB3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B4885E shade: #B4885E, #5FB388 and #885FB3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B4885E shade: #B4885E, #7AB35F, #5F8BB3 and #995FB3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B4885E shade: #B4885E, #60B35F, #5F8BB3 and #B25FB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 48 / 29

HEX #B4885E

RGB 180 136 94

HSL 29.3, 0.36%, 0.54%

LAB 60, 11.52, 29

 

Complementary color

CMYK 53 / 26 / 0 / 37

HEX #4B77A1

RGB 75 119 161

HSL 209.3, 0.36%, 0.46%

LAB 48.59, -2.72, -27.2

 

CMYK 0 / 26 / 52 / 27

HEX #B98859

RGB 185 136 89

HSL 29.38, 0.41%, 0.54%

LAB 60.47, 13.15, 32.44

 

CMYK 0 / 24 / 47 / 21

HEX #CA9A6C

RGB 202 154 108

HSL 29.36, 0.47%, 0.61%

LAB 67.09, 12.19, 31.02

 

CMYK 0 / 21 / 42 / 14

HEX #DBAC7F

RGB 219 172 127

HSL 29.35, 0.56%, 0.68%

LAB 73.61, 11.36, 29.69

 

CMYK 0 / 19 / 38 / 7

HEX #ECBE92

RGB 236 190 146

HSL 29.33, 0.7%, 0.75%

LAB 80.03, 10.65, 28.46

 

CMYK 0 / 18 / 35 / 1

HEX #FDD0A5

RGB 253 208 165

HSL 29.32, 0.96%, 0.82%

LAB 86.36, 10.01, 27.31

 

CMYK 0 / 24 / 48 / 29

HEX #B4885E

RGB 180 136 94

HSL 29.3, 0.36%, 0.54%

LAB 60, 11.52, 29

 

CMYK 0 / 28 / 54 / 36

HEX #A3764B

RGB 163 118 75

HSL 29.32, 0.37%, 0.47%

LAB 53.22, 12.53, 30.48

 

CMYK 0 / 32 / 62 / 43

HEX #926438

RGB 146 100 56

HSL 29.33, 0.45%, 0.4%

LAB 46.33, 13.76, 32.07

 

CMYK 0 / 36 / 71 / 49

HEX #815225

RGB 129 82 37

HSL 29.35, 0.55%, 0.33%

LAB 39.3, 15.25, 33.71

 

CMYK 0 / 43 / 84 / 56

HEX #704012

RGB 112 64 18

HSL 29.36, 0.72%, 0.25%

LAB 32.16, 17.11, 35.1

 

CMYK 0 / 24 / 47 / 30

HEX #B3885F

RGB 179 136 95

HSL 29.29, 0.36%, 0.54%

LAB 59.91, 11.2, 28.31

 

CMYK 0 / 37 / 47 / 30

HEX #B3715F

RGB 179 113 95

HSL 12.86, 0.36%, 0.54%

LAB 54.26, 24.05, 20.88

 

CMYK 0 / 47 / 47 / 30

HEX #B35F5F

RGB 179 95 95

HSL 0, 0.36%, 0.54%

LAB 50.21, 33.9, 15.39

 

CMYK 0 / 24 / 47 / 30

HEX #B3885F

RGB 179 136 95

HSL 29.29, 0.36%, 0.54%

LAB 59.91, 11.2, 28.31

 

CMYK 0 / 11 / 47 / 30

HEX #B39F5F

RGB 179 159 95

HSL 45.71, 0.36%, 0.54%

LAB 65.91, -1.44, 35.95

 

CMYK 1 / 0 / 47 / 30

HEX #B1B35F

RGB 177 179 95

HSL 61.43, 0.36%, 0.54%

LAB 71.16, -12.85, 42.36

 

CMYK 14 / 0 / 47 / 30

HEX #9AB35F

RGB 154 179 95

HSL 77.86, 0.36%, 0.54%

LAB 69.42, -22.15, 39.86

 

CMYK 26 / 0 / 47 / 30

HEX #84B35F

RGB 132 179 95

HSL 93.57, 0.36%, 0.54%

LAB 68, -30.56, 37.78

 

CMYK 0 / 24 / 47 / 30

HEX #B3885F

RGB 179 136 95

HSL 29.29, 0.36%, 0.54%

LAB 59.91, 11.2, 28.31

 

CMYK 0 / 31 / 62 / 22

HEX #C6884C

RGB 198 136 76

HSL 29.51, 0.52%, 0.54%

LAB 61.77, 17.61, 41.24

 

CMYK 0 / 38 / 74 / 15

HEX #D98739

RGB 217 135 57

HSL 29.25, 0.68%, 0.54%

LAB 63.65, 25.07, 53.16

 

CMYK 0 / 43 / 84 / 7

HEX #EC8726

RGB 236 135 38

HSL 29.39, 0.84%, 0.54%

LAB 65.98, 32.26, 63.79

 

CMYK 0 / 24 / 47 / 30

HEX #B3885F

RGB 179 136 95

HSL 29.29, 0.36%, 0.54%

LAB 59.91, 11.2, 28.31

 

CMYK 0 / 14 / 29 / 37

HEX #A08972

RGB 160 137 114

HSL 30, 0.19%, 0.54%

LAB 58.58, 5.08, 15.56

 

CMYK 0 / 3 / 6 / 45

HEX #8D8985

RGB 141 137 133

HSL 30, 0.03%, 0.54%

LAB 57.32, 0.73, 2.66

 

CMYK 20 / 9 / 0 / 40

HEX #7A8A98

RGB 122 138 152

HSL 208, 0.13%, 0.54%

LAB 56.67, -2.62, -9.4

 

CMYK 39 / 19 / 0 / 33

HEX #688AAB

RGB 104 138 171

HSL 209.55, 0.29%, 0.54%

LAB 56.15, -3.3, -21.2

 

CMYK 0 / 47 / 45 / 30

HEX #B35F63

RGB 179 95 99

HSL 357.14, 0.36%, 0.54%

LAB 50.3, 34.31, 13.14

 

CMYK 0 / 37 / 47 / 30

HEX #B3715F

RGB 179 113 95

HSL 12.86, 0.36%, 0.54%

LAB 54.26, 24.05, 20.88

 

CMYK 0 / 24 / 47 / 30

HEX #B3885F

RGB 179 136 95

HSL 29.29, 0.36%, 0.54%

LAB 59.91, 11.2, 28.31

 

CMYK 0 / 12 / 47 / 30

HEX #B39E5F

RGB 179 158 95

HSL 45, 0.36%, 0.54%

LAB 65.64, -0.9, 35.61

 

CMYK 1 / 0 / 47 / 30

HEX #B2B35F

RGB 178 179 95

HSL 60.71, 0.36%, 0.54%

LAB 71.24, -12.43, 42.48

 

CMYK 0 / 27 / 53 / 49

HEX #835F3D

RGB 131 95 61

HSL 29.14, 0.36%, 0.38%

LAB 43.28, 10.38, 25.11

 

CMYK 0 / 27 / 53 / 38

HEX #9F744A

RGB 159 116 74

HSL 29.65, 0.36%, 0.46%

LAB 52.24, 11.84, 29.7

 

CMYK 0 / 24 / 47 / 30

HEX #B3885F

RGB 179 136 95

HSL 29.29, 0.36%, 0.54%

LAB 59.91, 11.2, 28.31

 

CMYK 0 / 19 / 36 / 24

HEX #C19D7B

RGB 193 157 123

HSL 29.14, 0.36%, 0.62%

LAB 67.19, 8.56, 22.83

 

CMYK 0 / 14 / 27 / 19

HEX #CEB297

RGB 206 178 151

HSL 29.45, 0.36%, 0.7%

LAB 74.32, 5.98, 17.53

 

CMYK 0 / 24 / 48 / 29

HEX #B4885E

RGB 180 136 94

HSL 29.3, 0.36%, 0.54%

LAB 60, 11.52, 29

 

CMYK 32 / 0 / 47 / 30

HEX #7AB35F

RGB 122 179 95

HSL 100.71, 0.36%, 0.54%

LAB 67.43, -34.16, 36.95

 

CMYK 43 / 47 / 0 / 30

HEX #665FB3

RGB 102 95 179

HSL 245, 0.36%, 0.54%

LAB 44.61, 24.33, -43.89

 

CMYK 0 / 24 / 48 / 29

HEX #B4885E

RGB 180 136 94

HSL 29.3, 0.36%, 0.54%

LAB 60, 11.52, 29

 

CMYK 47 / 0 / 24 / 30

HEX #5FB388

RGB 95 179 136

HSL 149.29, 0.36%, 0.54%

LAB 66.86, -35.6, 14.19

 

CMYK 24 / 47 / 0 / 30

HEX #885FB3

RGB 136 95 179

HSL 269.29, 0.36%, 0.54%

LAB 47.85, 33.57, -38.55

 

CMYK 0 / 24 / 48 / 29

HEX #B4885E

RGB 180 136 94

HSL 29.3, 0.36%, 0.54%

LAB 60, 11.52, 29

 

CMYK 32 / 0 / 47 / 30

HEX #7AB35F

RGB 122 179 95

HSL 100.71, 0.36%, 0.54%

LAB 67.43, -34.16, 36.95

 

CMYK 47 / 22 / 0 / 30

HEX #5F8BB3

RGB 95 139 179

HSL 208.57, 0.36%, 0.54%

LAB 56.24, -3.97, -25.68

 

CMYK 15 / 47 / 0 / 30

HEX #995FB3

RGB 153 95 179

HSL 281.43, 0.36%, 0.54%

LAB 49.75, 38.5, -35.42

 

CMYK 0 / 24 / 48 / 29

HEX #B4885E

RGB 180 136 94

HSL 29.3, 0.36%, 0.54%

LAB 60, 11.52, 29

 

CMYK 46 / 0 / 47 / 30

HEX #60B35F

RGB 96 179 95

HSL 119.29, 0.36%, 0.54%

LAB 66.18, -42.59, 35.11

 

CMYK 47 / 22 / 0 / 30

HEX #5F8BB3

RGB 95 139 179

HSL 208.57, 0.36%, 0.54%

LAB 56.24, -3.97, -25.68

 

CMYK 1 / 47 / 0 / 30

HEX #B25FB3

RGB 178 95 179

HSL 299.29, 0.36%, 0.54%

LAB 52.84, 45.9, -30.36

 

Description

Color code: HEX #B4885E | qconv.com Color code: HEX #B4885E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 180 red, 136 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
180 136 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 48 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 48% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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