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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #815225 it is the complementary color #7EADDA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #815225. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #815225 shade: #865220, #976433, #A87646, #B98859 and #CA9A6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #815225. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #815225 shade: #815225, #704012, #5F2E00, #4E1C00 and #3D0A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #815225 shade: #825325, #823A25 and #822525

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #815225 shade: #825325, #826C25, #7F8225, #668225 and #4D8225

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #815225 shade matches the following richer shades: #825325, #905218 and #9D520A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #815225 shade: #825325, #745333, #675341, #59544E and #4B545C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #815225 shade: #82252A, #823925, #825225, #826B25 and #808225

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #815225 shade: #422A13, #623E1C, #825325, #A2672F and #C27B38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #815225 shade: #815225, #438225 and #2D2582

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #815225 shade: #815225, #258252 and #522582

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #815225 shade: #815225, #438225, #255582 and #652582

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #815225 shade: #815225, #278225, #255582 and #802582

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 71 / 49

HEX #815225

RGB 129 82 37

HSL 29.35, 0.55%, 0.33%

LAB 39.3, 15.25, 33.71

 

Complementary color

CMYK 42 / 21 / 0 / 15

HEX #7EADDA

RGB 126 173 218

HSL 209.35, 0.55%, 0.67%

LAB 69.03, -4.06, -27.66

 

CMYK 0 / 39 / 76 / 47

HEX #865220

RGB 134 82 32

HSL 29.41, 0.61%, 0.33%

LAB 39.93, 17.27, 37.12

 

CMYK 0 / 34 / 66 / 41

HEX #976433

RGB 151 100 51

HSL 29.4, 0.5%, 0.4%

LAB 46.89, 15.63, 35.57

 

CMYK 0 / 30 / 58 / 34

HEX #A87646

RGB 168 118 70

HSL 29.39, 0.41%, 0.47%

LAB 53.73, 14.28, 33.97

 

CMYK 0 / 26 / 52 / 27

HEX #B98859

RGB 185 136 89

HSL 29.38, 0.41%, 0.54%

LAB 60.47, 13.15, 32.44

 

CMYK 0 / 24 / 47 / 21

HEX #CA9A6C

RGB 202 154 108

HSL 29.36, 0.47%, 0.61%

LAB 67.09, 12.19, 31.02

 

CMYK 0 / 36 / 71 / 49

HEX #815225

RGB 129 82 37

HSL 29.35, 0.55%, 0.33%

LAB 39.3, 15.25, 33.71

 

CMYK 0 / 43 / 84 / 56

HEX #704012

RGB 112 64 18

HSL 29.36, 0.72%, 0.25%

LAB 32.16, 17.11, 35.1

 

CMYK 0 / 52 / 100 / 63

HEX #5F2E00

RGB 95 46 0

HSL 29.05, 1%, 0.19%

LAB 24.91, 19.33, 35.13

 

CMYK 0 / 64 / 100 / 69

HEX #4E1C00

RGB 78 28 0

HSL 21.54, 1%, 0.15%

LAB 17.69, 22.02, 26.42

 

CMYK 0 / 84 / 100 / 76

HEX #3D0A00

RGB 61 10 0

HSL 9.84, 1%, 0.12%

LAB 10.62, 24.03, 16.51

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 0 / 55 / 72 / 49

HEX #823A25

RGB 130 58 37

HSL 13.55, 0.56%, 0.33%

LAB 33.79, 29.46, 27.56

 

CMYK 0 / 72 / 72 / 49

HEX #822525

RGB 130 37 37

HSL 0, 0.56%, 0.33%

LAB 29.92, 39.7, 23.02

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 0 / 17 / 72 / 49

HEX #826C25

RGB 130 108 37

HSL 45.81, 0.56%, 0.33%

LAB 46.45, 0.43, 41.32

 

CMYK 2 / 0 / 72 / 49

HEX #7F8225

RGB 127 130 37

HSL 61.94, 0.56%, 0.33%

LAB 52.52, -13.26, 47.35

 

CMYK 22 / 0 / 72 / 49

HEX #668225

RGB 102 130 37

HSL 78.06, 0.56%, 0.33%

LAB 50.6, -24.29, 44.79

 

CMYK 41 / 0 / 72 / 49

HEX #4D8225

RGB 77 130 37

HSL 94.19, 0.56%, 0.33%

LAB 49.1, -34.19, 42.78

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 0 / 43 / 83 / 44

HEX #905218

RGB 144 82 24

HSL 29, 0.71%, 0.33%

LAB 41.26, 21.46, 42.56

 

CMYK 0 / 48 / 94 / 38

HEX #9D520A

RGB 157 82 10

HSL 29.39, 0.88%, 0.33%

LAB 43.1, 26.84, 49.61

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 0 / 28 / 56 / 55

HEX #745333

RGB 116 83 51

HSL 29.54, 0.39%, 0.33%

LAB 38.09, 9.73, 24.03

 

CMYK 0 / 19 / 37 / 60

HEX #675341

RGB 103 83 65

HSL 28.42, 0.23%, 0.33%

LAB 36.84, 5.42, 13.68

 

CMYK 0 / 6 / 12 / 65

HEX #59544E

RGB 89 84 78

HSL 32.73, 0.07%, 0.33%

LAB 36.01, 0.84, 4.23

 

CMYK 18 / 9 / 0 / 64

HEX #4B545C

RGB 75 84 92

HSL 208.24, 0.1%, 0.33%

LAB 35.22, -1.62, -5.86

 

CMYK 0 / 72 / 68 / 49

HEX #82252A

RGB 130 37 42

HSL 356.77, 0.56%, 0.33%

LAB 30, 39.99, 19.91

 

CMYK 0 / 56 / 72 / 49

HEX #823925

RGB 130 57 37

HSL 12.9, 0.56%, 0.33%

LAB 33.57, 30, 27.32

 

CMYK 0 / 37 / 72 / 49

HEX #825225

RGB 130 82 37

HSL 29.03, 0.56%, 0.33%

LAB 39.44, 15.71, 33.89

 

CMYK 0 / 18 / 72 / 49

HEX #826B25

RGB 130 107 37

HSL 45.16, 0.56%, 0.33%

LAB 46.17, 1.01, 41.03

 

CMYK 2 / 0 / 72 / 49

HEX #808225

RGB 128 130 37

HSL 61.29, 0.56%, 0.33%

LAB 52.61, -12.8, 47.46

 

CMYK 0 / 36 / 71 / 74

HEX #422A13

RGB 66 42 19

HSL 29.36, 0.55%, 0.17%

LAB 19.48, 8.39, 19.29

 

CMYK 0 / 37 / 71 / 62

HEX #623E1C

RGB 98 62 28

HSL 29.14, 0.56%, 0.25%

LAB 29.73, 12.17, 26.84

 

CMYK 0 / 36 / 72 / 49

HEX #825325

RGB 130 83 37

HSL 29.68, 0.56%, 0.33%

LAB 39.69, 15.12, 34.17

 

CMYK 0 / 36 / 71 / 36

HEX #A2672F

RGB 162 103 47

HSL 29.22, 0.55%, 0.41%

LAB 48.99, 18.56, 40.36

 

CMYK 0 / 37 / 71 / 24

HEX #C27B38

RGB 194 123 56

HSL 29.13, 0.55%, 0.49%

LAB 57.96, 21.8, 46.79

 

CMYK 0 / 36 / 71 / 49

HEX #815225

RGB 129 82 37

HSL 29.35, 0.55%, 0.33%

LAB 39.3, 15.25, 33.71

 

CMYK 48 / 0 / 72 / 49

HEX #438225

RGB 67 130 37

HSL 100.65, 0.56%, 0.33%

LAB 48.63, -37.65, 42.13

 

CMYK 65 / 72 / 0 / 49

HEX #2D2582

RGB 45 37 130

HSL 245.16, 0.56%, 0.33%

LAB 21.92, 33.1, -51.07

 

CMYK 0 / 36 / 71 / 49

HEX #815225

RGB 129 82 37

HSL 29.35, 0.55%, 0.33%

LAB 39.3, 15.25, 33.71

 

CMYK 72 / 0 / 37 / 49

HEX #258252

RGB 37 130 82

HSL 149.03, 0.56%, 0.33%

LAB 48.22, -38.67, 18.38

 

CMYK 37 / 72 / 0 / 49

HEX #522582

RGB 82 37 130

HSL 269.03, 0.56%, 0.33%

LAB 25.95, 39.86, -44.32

 

CMYK 0 / 36 / 71 / 49

HEX #815225

RGB 129 82 37

HSL 29.35, 0.55%, 0.33%

LAB 39.3, 15.25, 33.71

 

CMYK 48 / 0 / 72 / 49

HEX #438225

RGB 67 130 37

HSL 100.65, 0.56%, 0.33%

LAB 48.63, -37.65, 42.13

 

CMYK 72 / 35 / 0 / 49

HEX #255582

RGB 37 85 130

HSL 209.03, 0.56%, 0.33%

LAB 35.01, -0.37, -30.01

 

CMYK 22 / 72 / 0 / 49

HEX #652582

RGB 101 37 130

HSL 281.29, 0.56%, 0.33%

LAB 28.65, 44.05, -39.83

 

CMYK 0 / 36 / 71 / 49

HEX #815225

RGB 129 82 37

HSL 29.35, 0.55%, 0.33%

LAB 39.3, 15.25, 33.71

 

CMYK 70 / 0 / 72 / 49

HEX #278225

RGB 39 130 37

HSL 118.71, 0.56%, 0.33%

LAB 47.66, -45.22, 40.83

 

CMYK 72 / 35 / 0 / 49

HEX #255582

RGB 37 85 130

HSL 209.03, 0.56%, 0.33%

LAB 35.01, -0.37, -30.01

 

CMYK 2 / 72 / 0 / 49

HEX #802582

RGB 128 37 130

HSL 298.71, 0.56%, 0.33%

LAB 32.97, 50.39, -32.67

 

Description

Color code: HEX #815225 | qconv.com Color code: HEX #815225 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 82 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 82 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 71 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 71% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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