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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B39341 it is the complementary color #4C6CBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B39341. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B39341 shade: #B8933C, #C9A54F, #DAB762, #EBC975 and #FCDB88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B39341. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B39341 shade: #B39341, #A2812E, #916F1B, #805D08 and #6F4B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B39341 shade: #B39340, #B37440, #B35540 and #B34040

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B39341 shade: #B39340, #B3B240, #96B340, #77B340 and #58B340

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B39341 shade matches the following richer shades: #B39340, #C79C2D, #DBA519 and #EFAD05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B39341 shade: #B39340, #A08A54, #8C8268, #78797C and #647090

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B39341 shade: #B35540, #B37440, #B39340, #B3B240 and #97B340

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B39341 shade: #77612B, #957A35, #B39340, #C3A65A and #CEB678

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B39341 shade: #B39341, #4AB340 and #6540B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B39341 shade: #B39341, #40B393 and #9340B3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B39341 shade: #B39341, #4AB340, #4061B3 and #AA40B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B39341 shade: #B39341, #40B359, #4061B3 and #B3409A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 64 / 30

HEX #B39341

RGB 179 147 65

HSL 43.16, 0.47%, 0.48%

LAB 62.37, 2.56, 46.81

 

Complementary color

CMYK 60 / 43 / 0 / 25

HEX #4C6CBE

RGB 76 108 190

HSL 223.16, 0.47%, 0.52%

LAB 46.95, 13.87, -46.66

 

CMYK 0 / 20 / 67 / 28

HEX #B8933C

RGB 184 147 60

HSL 42.1, 0.51%, 0.48%

LAB 62.83, 4.45, 49.78

 

CMYK 0 / 18 / 61 / 21

HEX #C9A54F

RGB 201 165 79

HSL 42.3, 0.53%, 0.55%

LAB 69.39, 3.33, 48.64

 

CMYK 0 / 16 / 55 / 15

HEX #DAB762

RGB 218 183 98

HSL 42.5, 0.62%, 0.62%

LAB 75.86, 2.38, 47.39

 

CMYK 0 / 14 / 50 / 8

HEX #EBC975

RGB 235 201 117

HSL 42.71, 0.75%, 0.69%

LAB 82.23, 1.57, 46.12

 

CMYK 0 / 13 / 46 / 1

HEX #FCDB88

RGB 252 219 136

HSL 42.93, 0.95%, 0.76%

LAB 88.51, 0.88, 44.88

 

CMYK 0 / 18 / 64 / 30

HEX #B39341

RGB 179 147 65

HSL 43.16, 0.47%, 0.48%

LAB 62.37, 2.56, 46.81

 

CMYK 0 / 20 / 72 / 36

HEX #A2812E

RGB 162 129 46

HSL 42.93, 0.56%, 0.41%

LAB 55.66, 3.78, 47.83

 

CMYK 0 / 23 / 81 / 43

HEX #916F1B

RGB 145 111 27

HSL 42.71, 0.69%, 0.34%

LAB 48.84, 5.27, 48.31

 

CMYK 0 / 27 / 94 / 50

HEX #805D08

RGB 128 93 8

HSL 42.5, 0.88%, 0.27%

LAB 41.9, 7.12, 47.48

 

CMYK 0 / 32 / 100 / 56

HEX #6F4B00

RGB 111 75 0

HSL 40.54, 1%, 0.22%

LAB 34.83, 9.42, 43.81

 

CMYK 0 / 18 / 64 / 30

HEX #B39340

RGB 179 147 64

HSL 43.3, 0.47%, 0.48%

LAB 62.36, 2.5, 47.27

 

CMYK 0 / 35 / 64 / 30

HEX #B37440

RGB 179 116 64

HSL 27.13, 0.47%, 0.48%

LAB 54.5, 19.72, 38.39

 

CMYK 0 / 53 / 64 / 30

HEX #B35540

RGB 179 85 64

HSL 10.96, 0.47%, 0.48%

LAB 47.56, 36.54, 30.14

 

CMYK 0 / 64 / 64 / 30

HEX #B34040

RGB 179 64 64

HSL 0, 0.47%, 0.48%

LAB 43.68, 46.68, 25.33

 

CMYK 0 / 18 / 64 / 30

HEX #B39340

RGB 179 147 64

HSL 43.3, 0.47%, 0.48%

LAB 62.36, 2.5, 47.27

 

CMYK 0 / 1 / 64 / 30

HEX #B3B240

RGB 179 178 64

HSL 59.48, 0.47%, 0.48%

LAB 70.73, -13.97, 56.24

 

CMYK 16 / 0 / 64 / 30

HEX #96B340

RGB 150 179 64

HSL 75.13, 0.47%, 0.48%

LAB 68.82, -26.6, 53.56

 

CMYK 34 / 0 / 64 / 30

HEX #77B340

RGB 119 179 64

HSL 91.3, 0.47%, 0.48%

LAB 66.92, -38.56, 50.96

 

CMYK 51 / 0 / 64 / 30

HEX #58B340

RGB 88 179 64

HSL 107.48, 0.47%, 0.48%

LAB 65.5, -48.7, 49

 

CMYK 0 / 18 / 64 / 30

HEX #B39340

RGB 179 147 64

HSL 43.3, 0.47%, 0.48%

LAB 62.36, 2.5, 47.27

 

CMYK 0 / 22 / 77 / 22

HEX #C79C2D

RGB 199 156 45

HSL 43.25, 0.63%, 0.48%

LAB 66.6, 5.43, 60.22

 

CMYK 0 / 25 / 89 / 14

HEX #DBA519

RGB 219 165 25

HSL 43.3, 0.8%, 0.48%

LAB 70.9, 8.81, 70.57

 

CMYK 0 / 28 / 98 / 6

HEX #EFAD05

RGB 239 173 5

HSL 43.08, 0.96%, 0.48%

LAB 74.98, 12.99, 77.55

 

CMYK 0 / 18 / 64 / 30

HEX #B39340

RGB 179 147 64

HSL 43.3, 0.47%, 0.48%

LAB 62.36, 2.5, 47.27

 

CMYK 0 / 14 / 48 / 37

HEX #A08A54

RGB 160 138 84

HSL 42.63, 0.31%, 0.48%

LAB 58.31, 0.84, 31.88

 

CMYK 0 / 7 / 26 / 45

HEX #8C8268

RGB 140 130 104

HSL 43.33, 0.15%, 0.48%

LAB 54.6, -0.6, 15.47

 

CMYK 3 / 2 / 0 / 51

HEX #78797C

RGB 120 121 124

HSL 225, 0.02%, 0.48%

LAB 50.83, 0.24, -1.78

 

CMYK 31 / 22 / 0 / 44

HEX #647090

RGB 100 112 144

HSL 223.64, 0.18%, 0.48%

LAB 47.38, 3.37, -18.94

 

CMYK 0 / 53 / 64 / 30

HEX #B35540

RGB 179 85 64

HSL 10.96, 0.47%, 0.48%

LAB 47.56, 36.54, 30.14

 

CMYK 0 / 35 / 64 / 30

HEX #B37440

RGB 179 116 64

HSL 27.13, 0.47%, 0.48%

LAB 54.5, 19.72, 38.39

 

CMYK 0 / 18 / 64 / 30

HEX #B39340

RGB 179 147 64

HSL 43.3, 0.47%, 0.48%

LAB 62.36, 2.5, 47.27

 

CMYK 0 / 1 / 64 / 30

HEX #B3B240

RGB 179 178 64

HSL 59.48, 0.47%, 0.48%

LAB 70.73, -13.97, 56.24

 

CMYK 16 / 0 / 64 / 30

HEX #97B340

RGB 151 179 64

HSL 74.61, 0.47%, 0.48%

LAB 68.89, -26.19, 53.65

 

CMYK 0 / 18 / 64 / 53

HEX #77612B

RGB 119 97 43

HSL 42.63, 0.47%, 0.32%

LAB 42.22, 2.06, 33.48

 

CMYK 0 / 18 / 64 / 42

HEX #957A35

RGB 149 122 53

HSL 43.13, 0.48%, 0.4%

LAB 52.47, 2.25, 40.76

 

CMYK 0 / 18 / 64 / 30

HEX #B39340

RGB 179 147 64

HSL 43.3, 0.47%, 0.48%

LAB 62.36, 2.5, 47.27

 

CMYK 0 / 15 / 54 / 24

HEX #C3A65A

RGB 195 166 90

HSL 43.43, 0.47%, 0.56%

LAB 69.19, 1.09, 42.87

 

CMYK 0 / 12 / 42 / 19

HEX #CEB678

RGB 206 182 120

HSL 43.26, 0.47%, 0.64%

LAB 74.78, 0.03, 34.68

 

CMYK 0 / 18 / 64 / 30

HEX #B39341

RGB 179 147 65

HSL 43.16, 0.47%, 0.48%

LAB 62.37, 2.56, 46.81

 

CMYK 59 / 0 / 64 / 30

HEX #4AB340

RGB 74 179 64

HSL 114.78, 0.47%, 0.48%

LAB 65.02, -52.46, 48.32

 

CMYK 44 / 64 / 0 / 30

HEX #6540B3

RGB 101 64 179

HSL 259.3, 0.47%, 0.48%

LAB 37.28, 42.57, -55.68

 

CMYK 0 / 18 / 64 / 30

HEX #B39341

RGB 179 147 65

HSL 43.16, 0.47%, 0.48%

LAB 62.37, 2.56, 46.81

 

CMYK 64 / 0 / 18 / 30

HEX #40B393

RGB 64 179 147

HSL 163.3, 0.47%, 0.48%

LAB 66.09, -40, 6.91

 

CMYK 18 / 64 / 0 / 30

HEX #9340B3

RGB 147 64 179

HSL 283.3, 0.47%, 0.48%

LAB 42.95, 52.91, -46.25

 

CMYK 0 / 18 / 64 / 30

HEX #B39341

RGB 179 147 65

HSL 43.16, 0.47%, 0.48%

LAB 62.37, 2.56, 46.81

 

CMYK 59 / 0 / 64 / 30

HEX #4AB340

RGB 74 179 64

HSL 114.78, 0.47%, 0.48%

LAB 65.02, -52.46, 48.32

 

CMYK 64 / 46 / 0 / 30

HEX #4061B3

RGB 64 97 179

HSL 222.78, 0.47%, 0.48%

LAB 42.6, 14.72, -47.24

 

CMYK 5 / 64 / 0 / 30

HEX #AA40B3

RGB 170 64 179

HSL 295.3, 0.47%, 0.48%

LAB 46.27, 58.44, -40.77

 

CMYK 0 / 18 / 64 / 30

HEX #B39341

RGB 179 147 65

HSL 43.16, 0.47%, 0.48%

LAB 62.37, 2.56, 46.81

 

CMYK 64 / 0 / 50 / 30

HEX #40B359

RGB 64 179 89

HSL 133.04, 0.47%, 0.48%

LAB 65, -51.57, 36.44

 

CMYK 64 / 46 / 0 / 30

HEX #4061B3

RGB 64 97 179

HSL 222.78, 0.47%, 0.48%

LAB 42.6, 14.72, -47.24

 

CMYK 0 / 64 / 14 / 30

HEX #B3409A

RGB 179 64 154

HSL 313.04, 0.47%, 0.48%

LAB 46.42, 56.57, -25.62

 

Description

Color code: HEX #B39341 | qconv.com Color code: HEX #B39341 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 147 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 147 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 64 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 64% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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