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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B36149 it is the complementary color #4C9EB6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B36149. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B36149 shade: #B86144, #C97357, #DA856A, #EB977D and #FCA990

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B36149. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B36149 shade: #B36149, #A24F36, #913D23, #802B10 and #6F1900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B36149 shade: #B16048 and #B14848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B36149 shade: #B16048, #B17C48, #B19848, #ADB148 and #91B148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B36149 shade matches the following richer shades: #B16048, #C55534, #D94A20 and #EE3F0B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B36149 shade: #B16048, #9D6B5C, #887670, #748185 and #608C99

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B36149 shade: #B14869, #B1484D, #B15F48, #B17B48 and #B19748

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B36149 shade: #764030, #94503C, #B16048, #BF7863 and #CB9180

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B36149 shade: #B36149, #85B148 and #485BB1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B36149 shade: #B36149, #48B15F and #5F48B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B36149 shade: #B36149, #85B148, #489AB1 and #7448B1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B36149 shade: #B36149, #66B148, #489AB1 and #9348B1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 59 / 30

HEX #B36149

RGB 179 97 73

HSL 13.58, 0.42%, 0.49%

LAB 50.23, 30.84, 28.29

 

Complementary color

CMYK 58 / 13 / 0 / 29

HEX #4C9EB6

RGB 76 158 182

HSL 193.58, 0.42%, 0.51%

LAB 61.1, -17.86, -19.99

 

CMYK 0 / 47 / 63 / 28

HEX #B86144

RGB 184 97 68

HSL 15, 0.46%, 0.49%

LAB 50.87, 32.49, 32.07

 

CMYK 0 / 43 / 57 / 21

HEX #C97357

RGB 201 115 87

HSL 14.74, 0.51%, 0.56%

LAB 57.43, 31.1, 30.11

 

CMYK 0 / 39 / 51 / 15

HEX #DA856A

RGB 218 133 106

HSL 14.46, 0.6%, 0.64%

LAB 63.93, 29.84, 28.36

 

CMYK 0 / 36 / 47 / 8

HEX #EB977D

RGB 235 151 125

HSL 14.18, 0.73%, 0.71%

LAB 70.37, 28.72, 26.8

 

CMYK 0 / 33 / 43 / 1

HEX #FCA990

RGB 252 169 144

HSL 13.89, 0.95%, 0.78%

LAB 76.73, 27.7, 25.38

 

CMYK 0 / 46 / 59 / 30

HEX #B36149

RGB 179 97 73

HSL 13.58, 0.42%, 0.49%

LAB 50.23, 30.84, 28.29

 

CMYK 0 / 51 / 67 / 36

HEX #A24F36

RGB 162 79 54

HSL 13.89, 0.5%, 0.42%

LAB 43.57, 32.3, 30.44

 

CMYK 0 / 58 / 76 / 43

HEX #913D23

RGB 145 61 35

HSL 14.18, 0.61%, 0.35%

LAB 36.89, 33.86, 32.87

 

CMYK 0 / 66 / 88 / 50

HEX #802B10

RGB 128 43 16

HSL 14.46, 0.78%, 0.28%

LAB 30.29, 35.41, 35.34

 

CMYK 0 / 77 / 100 / 56

HEX #6F1900

RGB 111 25 0

HSL 13.51, 1%, 0.22%

LAB 23.92, 36.56, 35.19

 

CMYK 0 / 46 / 59 / 31

HEX #B16048

RGB 177 96 72

HSL 13.71, 0.42%, 0.49%

LAB 49.71, 30.5, 28.15

 

CMYK 0 / 59 / 59 / 31

HEX #B14848

RGB 177 72 72

HSL 0, 0.42%, 0.49%

LAB 44.87, 42.83, 21.96

 

CMYK 0 / 46 / 59 / 31

HEX #B16048

RGB 177 96 72

HSL 13.71, 0.42%, 0.49%

LAB 49.71, 30.5, 28.15

 

CMYK 0 / 30 / 59 / 31

HEX #B17C48

RGB 177 124 72

HSL 29.71, 0.42%, 0.49%

LAB 56.32, 14.96, 36.26

 

CMYK 0 / 14 / 59 / 31

HEX #B19848

RGB 177 152 72

HSL 45.71, 0.42%, 0.49%

LAB 63.57, -0.54, 44.74

 

CMYK 2 / 0 / 59 / 31

HEX #ADB148

RGB 173 177 72

HSL 62.29, 0.42%, 0.49%

LAB 70.03, -15.46, 51.9

 

CMYK 18 / 0 / 59 / 31

HEX #91B148

RGB 145 177 72

HSL 78.29, 0.42%, 0.49%

LAB 67.97, -27.01, 49.03

 

CMYK 0 / 46 / 59 / 31

HEX #B16048

RGB 177 96 72

HSL 13.71, 0.42%, 0.49%

LAB 49.71, 30.5, 28.15

 

CMYK 0 / 57 / 74 / 23

HEX #C55534

RGB 197 85 52

HSL 13.66, 0.58%, 0.49%

LAB 50.23, 42.76, 40.6

 

CMYK 0 / 66 / 85 / 15

HEX #D94A20

RGB 217 74 32

HSL 13.62, 0.74%, 0.49%

LAB 51.56, 54.18, 52.72

 

CMYK 0 / 74 / 95 / 7

HEX #EE3F0B

RGB 238 63 11

HSL 13.74, 0.91%, 0.49%

LAB 53.77, 64.68, 62.99

 

CMYK 0 / 46 / 59 / 31

HEX #B16048

RGB 177 96 72

HSL 13.71, 0.42%, 0.49%

LAB 49.71, 30.5, 28.15

 

CMYK 0 / 32 / 41 / 38

HEX #9D6B5C

RGB 157 107 92

HSL 13.85, 0.26%, 0.49%

LAB 50.04, 18.05, 16.47

 

CMYK 0 / 13 / 18 / 47

HEX #887670

RGB 136 118 112

HSL 15, 0.1%, 0.49%

LAB 51.11, 5.93, 5.86

 

CMYK 13 / 3 / 0 / 48

HEX #748185

RGB 116 129 133

HSL 194.12, 0.07%, 0.49%

LAB 53.07, -3.88, -3.79

 

CMYK 37 / 8 / 0 / 40

HEX #608C99

RGB 96 140 153

HSL 193.68, 0.23%, 0.49%

LAB 55.63, -11.58, -11.7

 

CMYK 0 / 59 / 41 / 31

HEX #B14869

RGB 177 72 105

HSL 341.14, 0.42%, 0.49%

LAB 45.64, 45.9, 2.87

 

CMYK 0 / 59 / 56 / 31

HEX #B1484D

RGB 177 72 77

HSL 357.14, 0.42%, 0.49%

LAB 44.97, 43.22, 19.05

 

CMYK 0 / 46 / 59 / 31

HEX #B15F48

RGB 177 95 72

HSL 13.14, 0.42%, 0.49%

LAB 49.5, 31.04, 27.88

 

CMYK 0 / 31 / 59 / 31

HEX #B17B48

RGB 177 123 72

HSL 29.14, 0.42%, 0.49%

LAB 56.07, 15.52, 35.96

 

CMYK 0 / 15 / 59 / 31

HEX #B19748

RGB 177 151 72

HSL 45.14, 0.42%, 0.49%

LAB 63.3, 0.01, 44.44

 

CMYK 0 / 46 / 59 / 54

HEX #764030

RGB 118 64 48

HSL 13.71, 0.42%, 0.33%

LAB 33.42, 21.75, 20.02

 

CMYK 0 / 46 / 59 / 42

HEX #94503C

RGB 148 80 60

HSL 13.64, 0.42%, 0.41%

LAB 41.78, 26.42, 24.27

 

CMYK 0 / 46 / 59 / 31

HEX #B16048

RGB 177 96 72

HSL 13.71, 0.42%, 0.49%

LAB 49.71, 30.5, 28.15

 

CMYK 0 / 37 / 48 / 25

HEX #BF7863

RGB 191 120 99

HSL 13.7, 0.42%, 0.57%

LAB 57.47, 25.45, 23.15

 

CMYK 0 / 29 / 37 / 20

HEX #CB9180

RGB 203 145 128

HSL 13.6, 0.42%, 0.65%

LAB 65.36, 19.73, 17.74

 

CMYK 0 / 46 / 59 / 30

HEX #B36149

RGB 179 97 73

HSL 13.58, 0.42%, 0.49%

LAB 50.23, 30.84, 28.29

 

CMYK 25 / 0 / 59 / 31

HEX #85B148

RGB 133 177 72

HSL 85.14, 0.42%, 0.49%

LAB 67.2, -31.72, 47.95

 

CMYK 59 / 49 / 0 / 31

HEX #485BB1

RGB 72 91 177

HSL 229.14, 0.42%, 0.49%

LAB 41.27, 19.38, -48.18

 

CMYK 0 / 46 / 59 / 30

HEX #B36149

RGB 179 97 73

HSL 13.58, 0.42%, 0.49%

LAB 50.23, 30.84, 28.29

 

CMYK 59 / 0 / 46 / 31

HEX #48B15F

RGB 72 177 95

HSL 133.14, 0.42%, 0.49%

LAB 64.68, -48.11, 33.04

 

CMYK 46 / 59 / 0 / 31

HEX #5F48B1

RGB 95 72 177

HSL 253.14, 0.42%, 0.49%

LAB 38.27, 36.1, -52.91

 

CMYK 0 / 46 / 59 / 30

HEX #B36149

RGB 179 97 73

HSL 13.58, 0.42%, 0.49%

LAB 50.23, 30.84, 28.29

 

CMYK 25 / 0 / 59 / 31

HEX #85B148

RGB 133 177 72

HSL 85.14, 0.42%, 0.49%

LAB 67.2, -31.72, 47.95

 

CMYK 59 / 13 / 0 / 31

HEX #489AB1

RGB 72 154 177

HSL 193.14, 0.42%, 0.49%

LAB 59.58, -18.03, -19.5

 

CMYK 34 / 59 / 0 / 31

HEX #7448B1

RGB 116 72 177

HSL 265.14, 0.42%, 0.49%

LAB 40.45, 40.91, -49.3

 

CMYK 0 / 46 / 59 / 30

HEX #B36149

RGB 179 97 73

HSL 13.58, 0.42%, 0.49%

LAB 50.23, 30.84, 28.29

 

CMYK 42 / 0 / 59 / 31

HEX #66B148

RGB 102 177 72

HSL 102.86, 0.42%, 0.49%

LAB 65.54, -42.77, 45.63

 

CMYK 59 / 13 / 0 / 31

HEX #489AB1

RGB 72 154 177

HSL 193.14, 0.42%, 0.49%

LAB 59.58, -18.03, -19.5

 

CMYK 17 / 59 / 0 / 31

HEX #9348B1

RGB 147 72 177

HSL 282.86, 0.42%, 0.49%

LAB 44.25, 48.62, -43

 

Description

Color code: HEX #B36149 | qconv.com Color code: HEX #B36149 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 179 red, 97 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
179 97 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 59 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 59% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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