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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A24F36 it is the complementary color #5DB0C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A24F36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A24F36 shade: #A74F31, #B86144, #C97357, #DA856A and #EB977D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A24F36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A24F36 shade: #A24F36, #913D23, #802B10, #6F1900 and #5E0700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A24F36 shade: #A04E35 and #A03535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A24F36 shade: #A04E35, #A06B35, #A08835, #9CA035 and #7FA035

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A24F36 shade matches the following richer shades: #A04E35, #B14524, #C33B12 and #D43201

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A24F36 shade: #A04E35, #8F5746, #7D6058, #6C6A69 and #5B737A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A24F36 shade: #A03557, #A0353A, #A04C35, #A06935 and #A08535

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A24F36 shade: #623020, #813F2B, #A04E35, #BF5D40 and #C9775F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A24F36 shade: #A24F36, #74A035 and #3549A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A24F36 shade: #A24F36, #35A04C and #4C35A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A24F36 shade: #A24F36, #74A035, #3589A0 and #6235A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A24F36 shade: #A24F36, #53A035, #3589A0 and #8235A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 67 / 36

HEX #A24F36

RGB 162 79 54

HSL 13.89, 0.5%, 0.42%

LAB 43.57, 32.3, 30.44

 

Complementary color

CMYK 54 / 12 / 0 / 21

HEX #5DB0C9

RGB 93 176 201

HSL 193.89, 0.5%, 0.58%

LAB 67.72, -18.25, -20.44

 

CMYK 0 / 53 / 71 / 35

HEX #A74F31

RGB 167 79 49

HSL 15.25, 0.55%, 0.42%

LAB 44.27, 34.01, 34.28

 

CMYK 0 / 47 / 63 / 28

HEX #B86144

RGB 184 97 68

HSL 15, 0.46%, 0.49%

LAB 50.87, 32.49, 32.07

 

CMYK 0 / 43 / 57 / 21

HEX #C97357

RGB 201 115 87

HSL 14.74, 0.51%, 0.56%

LAB 57.43, 31.1, 30.11

 

CMYK 0 / 39 / 51 / 15

HEX #DA856A

RGB 218 133 106

HSL 14.46, 0.6%, 0.64%

LAB 63.93, 29.84, 28.36

 

CMYK 0 / 36 / 47 / 8

HEX #EB977D

RGB 235 151 125

HSL 14.18, 0.73%, 0.71%

LAB 70.37, 28.72, 26.8

 

CMYK 0 / 51 / 67 / 36

HEX #A24F36

RGB 162 79 54

HSL 13.89, 0.5%, 0.42%

LAB 43.57, 32.3, 30.44

 

CMYK 0 / 58 / 76 / 43

HEX #913D23

RGB 145 61 35

HSL 14.18, 0.61%, 0.35%

LAB 36.89, 33.86, 32.87

 

CMYK 0 / 66 / 88 / 50

HEX #802B10

RGB 128 43 16

HSL 14.46, 0.78%, 0.28%

LAB 30.29, 35.41, 35.34

 

CMYK 0 / 77 / 100 / 56

HEX #6F1900

RGB 111 25 0

HSL 13.51, 1%, 0.22%

LAB 23.92, 36.56, 35.19

 

CMYK 0 / 93 / 100 / 63

HEX #5E0700

RGB 94 7 0

HSL 4.47, 1%, 0.18%

LAB 18.06, 36.6, 27.69

 

CMYK 0 / 51 / 67 / 37

HEX #A04E35

RGB 160 78 53

HSL 14.02, 0.5%, 0.42%

LAB 43.03, 31.96, 30.3

 

CMYK 0 / 67 / 67 / 37

HEX #A03535

RGB 160 53 53

HSL 0, 0.5%, 0.42%

LAB 38.33, 44.23, 24.6

 

CMYK 0 / 51 / 67 / 37

HEX #A04E35

RGB 160 78 53

HSL 14.02, 0.5%, 0.42%

LAB 43.03, 31.96, 30.3

 

CMYK 0 / 33 / 67 / 37

HEX #A06B35

RGB 160 107 53

HSL 30.28, 0.5%, 0.42%

LAB 49.79, 15.76, 38.12

 

CMYK 0 / 15 / 67 / 37

HEX #A08835

RGB 160 136 53

HSL 46.54, 0.5%, 0.42%

LAB 57.4, -0.61, 46.45

 

CMYK 2 / 0 / 67 / 37

HEX #9CA035

RGB 156 160 53

HSL 62.24, 0.5%, 0.42%

LAB 63.73, -15.28, 52.95

 

CMYK 21 / 0 / 67 / 37

HEX #7FA035

RGB 127 160 53

HSL 78.5, 0.5%, 0.42%

LAB 61.58, -27.55, 50.04

 

CMYK 0 / 51 / 67 / 37

HEX #A04E35

RGB 160 78 53

HSL 14.02, 0.5%, 0.42%

LAB 43.03, 31.96, 30.3

 

CMYK 0 / 61 / 80 / 31

HEX #B14524

RGB 177 69 36

HSL 14.04, 0.66%, 0.42%

LAB 43.84, 42.28, 41.24

 

CMYK 0 / 70 / 91 / 24

HEX #C33B12

RGB 195 59 18

HSL 13.9, 0.83%, 0.42%

LAB 45.32, 52.49, 51.68

 

CMYK 0 / 76 / 100 / 17

HEX #D43201

RGB 212 50 1

HSL 13.93, 0.99%, 0.42%

LAB 47.34, 60.85, 59.42

 

CMYK 0 / 51 / 67 / 37

HEX #A04E35

RGB 160 78 53

HSL 14.02, 0.5%, 0.42%

LAB 43.03, 31.96, 30.3

 

CMYK 0 / 39 / 51 / 44

HEX #8F5746

RGB 143 87 70

HSL 13.97, 0.34%, 0.42%

LAB 42.91, 21.24, 19.63

 

CMYK 0 / 23 / 30 / 51

HEX #7D6058

RGB 125 96 88

HSL 12.97, 0.17%, 0.42%

LAB 43.4, 10.51, 9.09

 

CMYK 0 / 2 / 3 / 58

HEX #6C6A69

RGB 108 106 105

HSL 20, 0.01%, 0.42%

LAB 44.96, 0.58, 0.83

 

CMYK 25 / 6 / 0 / 52

HEX #5B737A

RGB 91 115 122

HSL 193.55, 0.15%, 0.42%

LAB 46.83, -7.03, -6.75

 

CMYK 0 / 67 / 46 / 37

HEX #A03557

RGB 160 53 87

HSL 340.93, 0.5%, 0.42%

LAB 39.08, 46.97, 4.25

 

CMYK 0 / 67 / 64 / 37

HEX #A0353A

RGB 160 53 58

HSL 357.2, 0.5%, 0.42%

LAB 38.42, 44.55, 21.62

 

CMYK 0 / 53 / 67 / 37

HEX #A04C35

RGB 160 76 53

HSL 12.9, 0.5%, 0.42%

LAB 42.61, 33.02, 29.8

 

CMYK 0 / 34 / 67 / 37

HEX #A06935

RGB 160 105 53

HSL 29.16, 0.5%, 0.42%

LAB 49.29, 16.9, 37.56

 

CMYK 0 / 17 / 67 / 37

HEX #A08535

RGB 160 133 53

HSL 44.86, 0.5%, 0.42%

LAB 56.59, 1.05, 45.58

 

CMYK 0 / 51 / 67 / 62

HEX #623020

RGB 98 48 32

HSL 14.55, 0.51%, 0.25%

LAB 26.2, 21.03, 20.34

 

CMYK 0 / 51 / 67 / 49

HEX #813F2B

RGB 129 63 43

HSL 13.95, 0.5%, 0.34%

LAB 34.8, 26.67, 25.14

 

CMYK 0 / 51 / 67 / 37

HEX #A04E35

RGB 160 78 53

HSL 14.02, 0.5%, 0.42%

LAB 43.03, 31.96, 30.3

 

CMYK 0 / 51 / 66 / 25

HEX #BF5D40

RGB 191 93 64

HSL 13.7, 0.5%, 0.5%

LAB 51.01, 37.1, 34.72

 

CMYK 0 / 41 / 53 / 21

HEX #C9775F

RGB 201 119 95

HSL 13.58, 0.5%, 0.58%

LAB 58.45, 29.63, 26.93

 

CMYK 0 / 51 / 67 / 36

HEX #A24F36

RGB 162 79 54

HSL 13.89, 0.5%, 0.42%

LAB 43.57, 32.3, 30.44

 

CMYK 28 / 0 / 67 / 37

HEX #74A035

RGB 116 160 53

HSL 84.67, 0.5%, 0.42%

LAB 60.88, -31.94, 49.1

 

CMYK 67 / 54 / 0 / 37

HEX #3549A0

RGB 53 73 160

HSL 228.79, 0.5%, 0.42%

LAB 34.11, 21.59, -49.66

 

CMYK 0 / 51 / 67 / 36

HEX #A24F36

RGB 162 79 54

HSL 13.89, 0.5%, 0.42%

LAB 43.57, 32.3, 30.44

 

CMYK 67 / 0 / 53 / 37

HEX #35A04C

RGB 53 160 76

HSL 132.9, 0.5%, 0.42%

LAB 58.43, -48.59, 34.83

 

CMYK 53 / 67 / 0 / 37

HEX #4C35A0

RGB 76 53 160

HSL 252.9, 0.5%, 0.42%

LAB 30.93, 38.39, -54.75

 

CMYK 0 / 51 / 67 / 36

HEX #A24F36

RGB 162 79 54

HSL 13.89, 0.5%, 0.42%

LAB 43.57, 32.3, 30.44

 

CMYK 28 / 0 / 67 / 37

HEX #74A035

RGB 116 160 53

HSL 84.67, 0.5%, 0.42%

LAB 60.88, -31.94, 49.1

 

CMYK 67 / 14 / 0 / 37

HEX #3589A0

RGB 53 137 160

HSL 192.9, 0.5%, 0.42%

LAB 53.15, -17.7, -19.66

 

CMYK 39 / 67 / 0 / 37

HEX #6235A0

RGB 98 53 160

HSL 265.23, 0.5%, 0.42%

LAB 33.31, 42.78, -50.77

 

CMYK 0 / 51 / 67 / 36

HEX #A24F36

RGB 162 79 54

HSL 13.89, 0.5%, 0.42%

LAB 43.57, 32.3, 30.44

 

CMYK 48 / 0 / 67 / 37

HEX #53A035

RGB 83 160 53

HSL 103.18, 0.5%, 0.42%

LAB 59.19, -43.61, 46.79

 

CMYK 67 / 14 / 0 / 37

HEX #3589A0

RGB 53 137 160

HSL 192.9, 0.5%, 0.42%

LAB 53.15, -17.7, -19.66

 

CMYK 19 / 67 / 0 / 37

HEX #8235A0

RGB 130 53 160

HSL 283.18, 0.5%, 0.42%

LAB 37.54, 49.98, -43.74

 

Description

Color code: HEX #A24F36 | qconv.com Color code: HEX #A24F36 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 162 red, 79 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
162 79 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 67 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 67% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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