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Color name
HEX #B27F0A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B27F0A it is the complementary color #4D80F5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B27F0A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B27F0A shade: #B77F05, #C89118, #D9A32B, #EAB53E and #FBC751

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B27F0A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B27F0A shade: #B27F0A, #A16D00, #905B00, #7F4900 and #6E3700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B27F0A shade: #B27F0A, #B2520A, #B2240A and #B20A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B27F0A shade: #B27F0A, #B2AC0A, #8AB20A, #5DB20A and #30B20A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B27F0A shade matches the following richer shades: #B27F0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B27F0A shade: #B27F0A, #A37919, #937328, #846D38 and #756747

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B27F0A shade: #B2230A, #B2500A, #B27D0A, #B2A90A and #8DB20A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B27F0A shade: #644705, #8B6308, #B27F0A, #D99B0C and #F1B11D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B27F0A shade: #B27F0A, #1DB20A and #390AB2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B27F0A shade: #B27F0A, #0AB27D and #7D0AB2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B27F0A shade: #B27F0A, #1DB20A, #0A3FB2 and #9E0AB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B27F0A shade: #B27F0A, #0AB229, #0A3FB2 and #B20A93

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

Complementary color

CMYK 69 / 48 / 0 / 4

HEX #4D80F5

RGB 77 128 245

HSL 221.79, 0.89%, 0.63%

LAB 55.69, 20.72, -63.74

 

CMYK 0 / 31 / 97 / 28

HEX #B77F05

RGB 183 127 5

HSL 41.12, 0.95%, 0.37%

LAB 57.32, 13.22, 62.3

 

CMYK 0 / 28 / 88 / 22

HEX #C89118

RGB 200 145 24

HSL 41.25, 0.79%, 0.44%

LAB 63.83, 11.21, 64.35

 

CMYK 0 / 25 / 80 / 15

HEX #D9A32B

RGB 217 163 43

HSL 41.38, 0.7%, 0.51%

LAB 70.26, 9.47, 64.95

 

CMYK 0 / 23 / 74 / 8

HEX #EAB53E

RGB 234 181 62

HSL 41.51, 0.8%, 0.58%

LAB 76.61, 7.98, 64.66

 

CMYK 0 / 21 / 68 / 2

HEX #FBC751

RGB 251 199 81

HSL 41.65, 0.96%, 0.65%

LAB 82.89, 6.68, 63.89

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 0 / 32 / 100 / 37

HEX #A16D00

RGB 161 109 0

HSL 40.62, 1%, 0.32%

LAB 50.11, 13.24, 57.06

 

CMYK 0 / 37 / 100 / 44

HEX #905B00

RGB 144 91 0

HSL 37.92, 1%, 0.28%

LAB 43.38, 15.72, 51.56

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 0 / 50 / 100 / 57

HEX #6E3700

RGB 110 55 0

HSL 30, 1%, 0.22%

LAB 29.53, 20.99, 40.1

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 0 / 54 / 94 / 30

HEX #B2520A

RGB 178 82 10

HSL 25.71, 0.89%, 0.37%

LAB 46.34, 35.62, 53.4

 

CMYK 0 / 80 / 94 / 30

HEX #B2240A

RGB 178 36 10

HSL 9.29, 0.89%, 0.37%

LAB 39.15, 54.86, 48.71

 

CMYK 0 / 94 / 94 / 30

HEX #B20A0A

RGB 178 10 10

HSL 0, 0.89%, 0.37%

LAB 37.31, 60.12, 47.6

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 0 / 3 / 94 / 30

HEX #B2AC0A

RGB 178 172 10

HSL 57.86, 0.89%, 0.37%

LAB 68.75, -13.27, 69.73

 

CMYK 22 / 0 / 94 / 30

HEX #8AB20A

RGB 138 178 10

HSL 74.29, 0.89%, 0.37%

LAB 67.48, -33.35, 67.46

 

CMYK 48 / 0 / 94 / 30

HEX #5DB20A

RGB 93 178 10

HSL 90.36, 0.89%, 0.37%

LAB 65.11, -49.82, 64.57

 

CMYK 73 / 0 / 94 / 30

HEX #30B20A

RGB 48 178 10

HSL 106.43, 0.89%, 0.37%

LAB 63.75, -60.95, 62.89

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 0 / 26 / 85 / 36

HEX #A37919

RGB 163 121 25

HSL 41.74, 0.73%, 0.37%

LAB 53.53, 7.86, 53.89

 

CMYK 0 / 22 / 73 / 42

HEX #937328

RGB 147 115 40

HSL 42.06, 0.57%, 0.37%

LAB 50.24, 4.5, 44.43

 

CMYK 0 / 17 / 58 / 48

HEX #846D38

RGB 132 109 56

HSL 41.84, 0.4%, 0.37%

LAB 47.14, 2.16, 32.64

 

CMYK 0 / 12 / 39 / 54

HEX #756747

RGB 117 103 71

HSL 41.74, 0.24%, 0.37%

LAB 44.14, 0.5, 20.11

 

CMYK 0 / 80 / 94 / 30

HEX #B2230A

RGB 178 35 10

HSL 8.93, 0.89%, 0.37%

LAB 39.05, 55.14, 48.65

 

CMYK 0 / 55 / 94 / 30

HEX #B2500A

RGB 178 80 10

HSL 25, 0.89%, 0.37%

LAB 45.94, 36.64, 53.12

 

CMYK 0 / 30 / 94 / 30

HEX #B27D0A

RGB 178 125 10

HSL 41.07, 0.89%, 0.37%

LAB 56.24, 12.14, 60.41

 

CMYK 0 / 5 / 94 / 30

HEX #B2A90A

RGB 178 169 10

HSL 56.79, 0.89%, 0.37%

LAB 67.92, -11.72, 69.1

 

CMYK 21 / 0 / 94 / 30

HEX #8DB20A

RGB 141 178 10

HSL 73.21, 0.89%, 0.37%

LAB 67.67, -32.12, 67.69

 

CMYK 0 / 29 / 95 / 61

HEX #644705

RGB 100 71 5

HSL 41.68, 0.9%, 0.21%

LAB 32.32, 6.54, 39.54

 

CMYK 0 / 29 / 94 / 45

HEX #8B6308

RGB 139 99 8

HSL 41.68, 0.89%, 0.29%

LAB 44.84, 8.86, 50.29

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 0 / 29 / 94 / 15

HEX #D99B0C

RGB 217 155 12

HSL 41.85, 0.9%, 0.45%

LAB 68.18, 13.09, 70.79

 

CMYK 0 / 27 / 88 / 5

HEX #F1B11D

RGB 241 177 29

HSL 41.89, 0.88%, 0.53%

LAB 76.21, 12.05, 74.85

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 84 / 0 / 94 / 30

HEX #1DB20A

RGB 29 178 10

HSL 113.21, 0.89%, 0.37%

LAB 63.45, -63.61, 62.51

 

CMYK 68 / 94 / 0 / 30

HEX #390AB2

RGB 57 10 178

HSL 256.79, 0.89%, 0.37%

LAB 24.64, 59.52, -76.01

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 94 / 0 / 30 / 30

HEX #0AB27D

RGB 10 178 125

HSL 161.07, 0.89%, 0.37%

LAB 64.47, -50.73, 16.6

 

CMYK 30 / 94 / 0 / 30

HEX #7D0AB2

RGB 125 10 178

HSL 281.07, 0.89%, 0.37%

LAB 33.54, 65.94, -61.03

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 84 / 0 / 94 / 30

HEX #1DB20A

RGB 29 178 10

HSL 113.21, 0.89%, 0.37%

LAB 63.45, -63.61, 62.51

 

CMYK 94 / 65 / 0 / 30

HEX #0A3FB2

RGB 10 63 178

HSL 221.07, 0.89%, 0.37%

LAB 31.43, 31.14, -64.87

 

CMYK 11 / 94 / 0 / 30

HEX #9E0AB2

RGB 158 10 178

HSL 292.86, 0.89%, 0.37%

LAB 39.07, 70.75, -51.8

 

CMYK 0 / 29 / 94 / 30

HEX #B27F0A

RGB 178 127 10

HSL 41.79, 0.89%, 0.37%

LAB 56.75, 11.02, 60.78

 

CMYK 94 / 0 / 77 / 30

HEX #0AB229

RGB 10 178 41

HSL 131.07, 0.89%, 0.37%

LAB 63.4, -63.61, 55.2

 

CMYK 94 / 65 / 0 / 30

HEX #0A3FB2

RGB 10 63 178

HSL 221.07, 0.89%, 0.37%

LAB 31.43, 31.14, -64.87

 

CMYK 0 / 94 / 17 / 30

HEX #B20A93

RGB 178 10 147

HSL 311.07, 0.89%, 0.37%

LAB 40.88, 69.7, -30.06

 

Description

Color code: HEX #B27F0A | qconv.com Color code: HEX #B27F0A | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 127 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 127 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 94 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 94% 30% C M Y K

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Provide designers and agencies with accurate color values.

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