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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F4900 it is the complementary color #80B6FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F4900. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7F4900 shade: #844900, #955B0E, #A66D21, #B77F34 and #C89147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F4900. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7F4900 shade: #7F4900, #6E3700, #5D2500, #4C1300 and #3B0100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7F4900 shade: #7F4900, #7F2600, #7F0400 and #7F0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7F4900 shade: #7F4900, #7F6B00, #707F00, #4E7F00 and #2C7F00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7F4900 shade matches the following richer shades: #7F4900

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7F4900 shade: #7F4900, #75470A, #6A4614, #60441E and #564329

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7F4900 shade: #7F0400, #7F2600, #7F4800, #7F6A00 and #727F00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7F4900 shade: #2C1900, #563100, #7F4900, #A86100 and #D27800

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7F4900 shade: #7F4900, #1D7F00 and #15007F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7F4900 shade: #7F4900, #007F48 and #48007F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7F4900 shade: #7F4900, #1D7F00, #00377F and #61007F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7F4900 shade: #7F4900, #007F08, #00377F and #7F0077

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

Complementary color

CMYK 50 / 29 / 0 / 0

HEX #80B6FF

RGB 128 182 255

HSL 214.49, 1%, 0.75%

LAB 73.07, 1.94, -41.52

 

CMYK 0 / 45 / 100 / 48

HEX #844900

RGB 132 73 0

HSL 33.18, 1%, 0.26%

LAB 37.24, 20.62, 46.81

 

CMYK 0 / 39 / 91 / 42

HEX #955B0E

RGB 149 91 14

HSL 34.22, 0.83%, 0.32%

LAB 44.09, 18.28, 48.77

 

CMYK 0 / 34 / 80 / 35

HEX #A66D21

RGB 166 109 33

HSL 34.29, 0.67%, 0.39%

LAB 50.87, 16.29, 48.78

 

CMYK 0 / 31 / 72 / 28

HEX #B77F34

RGB 183 127 52

HSL 34.35, 0.56%, 0.46%

LAB 57.55, 14.61, 47.83

 

CMYK 0 / 28 / 65 / 22

HEX #C89147

RGB 200 145 71

HSL 34.42, 0.54%, 0.53%

LAB 64.15, 13.19, 46.53

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 0 / 50 / 100 / 57

HEX #6E3700

RGB 110 55 0

HSL 30, 1%, 0.22%

LAB 29.53, 20.99, 40.1

 

CMYK 0 / 60 / 100 / 64

HEX #5D2500

RGB 93 37 0

HSL 23.87, 1%, 0.18%

LAB 22.48, 23.66, 32.58

 

CMYK 0 / 75 / 100 / 70

HEX #4C1300

RGB 76 19 0

HSL 15, 1%, 0.15%

LAB 15.5, 25.9, 23.62

 

CMYK 0 / 98 / 100 / 77

HEX #3B0100

RGB 59 1 0

HSL 1.02, 1%, 0.12%

LAB 8.58, 27.68, 13.54

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 0 / 70 / 100 / 50

HEX #7F2600

RGB 127 38 0

HSL 17.95, 1%, 0.25%

LAB 29.15, 36.97, 41.1

 

CMYK 0 / 97 / 100 / 50

HEX #7F0400

RGB 127 4 0

HSL 1.89, 1%, 0.25%

LAB 25.56, 47.02, 38

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 0 / 16 / 100 / 50

HEX #7F6B00

RGB 127 107 0

HSL 50.55, 1%, 0.25%

LAB 45.67, -1.7, 52.17

 

CMYK 12 / 0 / 100 / 50

HEX #707F00

RGB 112 127 0

HSL 67.09, 1%, 0.25%

LAB 50.24, -19.78, 54.88

 

CMYK 39 / 0 / 100 / 50

HEX #4E7F00

RGB 78 127 0

HSL 83.15, 1%, 0.25%

LAB 48.01, -34.22, 52.2

 

CMYK 65 / 0 / 100 / 50

HEX #2C7F00

RGB 44 127 0

HSL 99.21, 1%, 0.25%

LAB 46.6, -45.1, 50.49

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 0 / 39 / 91 / 54

HEX #75470A

RGB 117 71 10

HSL 34.21, 0.84%, 0.25%

LAB 34.62, 15.02, 40.61

 

CMYK 0 / 34 / 81 / 58

HEX #6A4614

RGB 106 70 20

HSL 34.88, 0.68%, 0.25%

LAB 32.91, 10.66, 34.6

 

CMYK 0 / 29 / 69 / 62

HEX #60441E

RGB 96 68 30

HSL 34.55, 0.52%, 0.25%

LAB 31.15, 7.6, 27.24

 

CMYK 0 / 22 / 52 / 66

HEX #564329

RGB 86 67 41

HSL 34.67, 0.35%, 0.25%

LAB 29.79, 4.37, 18.84

 

CMYK 0 / 97 / 100 / 50

HEX #7F0400

RGB 127 4 0

HSL 1.89, 1%, 0.25%

LAB 25.56, 47.02, 38

 

CMYK 0 / 70 / 100 / 50

HEX #7F2600

RGB 127 38 0

HSL 17.95, 1%, 0.25%

LAB 29.15, 36.97, 41.1

 

CMYK 0 / 43 / 100 / 50

HEX #7F4800

RGB 127 72 0

HSL 34.02, 1%, 0.25%

LAB 36.27, 18.89, 45.83

 

CMYK 0 / 17 / 100 / 50

HEX #7F6A00

RGB 127 106 0

HSL 50.08, 1%, 0.25%

LAB 45.39, -1.13, 51.97

 

CMYK 10 / 0 / 100 / 50

HEX #727F00

RGB 114 127 0

HSL 66.14, 1%, 0.25%

LAB 50.4, -18.87, 55.07

 

CMYK 0 / 43 / 100 / 83

HEX #2C1900

RGB 44 25 0

HSL 34.09, 1%, 0.09%

LAB 10.78, 6.72, 16.24

 

CMYK 0 / 43 / 100 / 66

HEX #563100

RGB 86 49 0

HSL 34.19, 1%, 0.17%

LAB 24.24, 13.09, 33.99

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 0 / 42 / 100 / 34

HEX #A86100

RGB 168 97 0

HSL 34.64, 1%, 0.33%

LAB 48.1, 23.18, 56.21

 

CMYK 0 / 43 / 100 / 18

HEX #D27800

RGB 210 120 0

HSL 34.29, 1%, 0.41%

LAB 59.1, 28.76, 65.99

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 77 / 0 / 100 / 50

HEX #1D7F00

RGB 29 127 0

HSL 106.3, 1%, 0.25%

LAB 46.23, -48.24, 50.05

 

CMYK 83 / 100 / 0 / 50

HEX #15007F

RGB 21 0 127

HSL 249.92, 1%, 0.25%

LAB 13.78, 47.57, -62.7

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 100 / 0 / 43 / 50

HEX #007F48

RGB 0 127 72

HSL 154.02, 1%, 0.25%

LAB 46.51, -43.58, 21.66

 

CMYK 43 / 100 / 0 / 50

HEX #48007F

RGB 72 0 127

HSL 274.02, 1%, 0.25%

LAB 19.68, 50.71, -52.73

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 77 / 0 / 100 / 50

HEX #1D7F00

RGB 29 127 0

HSL 106.3, 1%, 0.25%

LAB 46.23, -48.24, 50.05

 

CMYK 100 / 57 / 0 / 50

HEX #00377F

RGB 0 55 127

HSL 214.02, 1%, 0.25%

LAB 24.53, 15.09, -44.99

 

CMYK 24 / 100 / 0 / 50

HEX #61007F

RGB 97 0 127

HSL 285.83, 1%, 0.25%

LAB 23.91, 53.82, -45.63

 

CMYK 0 / 43 / 100 / 50

HEX #7F4900

RGB 127 73 0

HSL 34.49, 1%, 0.25%

LAB 36.51, 18.31, 45.98

 

CMYK 100 / 0 / 94 / 50

HEX #007F08

RGB 0 127 8

HSL 123.78, 1%, 0.25%

LAB 45.9, -51.1, 47.97

 

CMYK 100 / 57 / 0 / 50

HEX #00377F

RGB 0 55 127

HSL 214.02, 1%, 0.25%

LAB 24.53, 15.09, -44.99

 

CMYK 0 / 100 / 6 / 50

HEX #7F0077

RGB 127 0 119

HSL 303.78, 1%, 0.25%

LAB 29.02, 57.37, -32.04

 

Description

Color code: HEX #7F4900 | qconv.com Color code: HEX #7F4900 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 73 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 73 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 100 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 100% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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