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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B237D1 it is the complementary color #4DC82E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B237D1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B237D1 shade: #B737CC, #C849DF, #D95BF2, #EA6DFF and #FB7FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B237D1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B237D1 shade: #B237D1, #A125BE, #9013AB, #7F0198 and #6E0085

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B237D1 shade: #B237D1, #D137C7, #D1379D, #D13773 and #D1374A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B237D1 shade: #B237D1, #8937D1, #5F37D1 and #3737D1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B237D1 shade matches the following richer shades: #B237D1, #BE23E5 and #CA0FF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B237D1 shade: #B237D1, #A64BBD, #9B5FAA, #8F7296 and #838682

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B237D1 shade: #5E37D1, #8737D1, #B037D1, #D137CA and #D137A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B237D1 shade: #7D2194, #9A29B6, #B237D1, #BF59D9 and #CC7AE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B237D1 shade: #B237D1, #D1373A and #37D172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B237D1 shade: #B237D1, #D1B037 and #37D1B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B237D1 shade: #B237D1, #D1373A, #58D137 and #37D1CF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B237D1 shade: #B237D1, #D16337, #58D137 and #37A6D1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

Complementary color

CMYK 62 / 0 / 77 / 22

HEX #4DC82E

RGB 77 200 46

HSL 107.92, 0.63%, 0.48%

LAB 71.61, -60.7, 61.96

 

CMYK 10 / 73 / 0 / 20

HEX #B737CC

RGB 183 55 204

HSL 291.54, 0.59%, 0.51%

LAB 48.46, 69.24, -51.7

 

CMYK 10 / 67 / 0 / 13

HEX #C849DF

RGB 200 73 223

HSL 290.8, 0.7%, 0.58%

LAB 54.42, 69.66, -52.87

 

CMYK 10 / 62 / 0 / 5

HEX #D95BF2

RGB 217 91 242

HSL 290.07, 0.85%, 0.65%

LAB 60.47, 69.63, -53.74

 

CMYK 8 / 57 / 0 / 0

HEX #EA6DFF

RGB 234 109 255

HSL 291.37, 1%, 0.71%

LAB 66.25, 68.22, -51.59

 

CMYK 2 / 50 / 0 / 0

HEX #FB7FFF

RGB 251 127 255

HSL 298.13, 1%, 0.75%

LAB 71.49, 64.35, -43.19

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 15 / 81 / 0 / 25

HEX #A125BE

RGB 161 37 190

HSL 288.63, 0.67%, 0.45%

LAB 42.18, 68.09, -53.83

 

CMYK 16 / 89 / 0 / 33

HEX #9013AB

RGB 144 19 171

HSL 289.34, 0.8%, 0.37%

LAB 36.62, 65.97, -51.7

 

CMYK 16 / 99 / 0 / 40

HEX #7F0198

RGB 127 1 152

HSL 290.07, 0.99%, 0.3%

LAB 31.35, 62.65, -48.88

 

CMYK 17 / 100 / 0 / 48

HEX #6E0085

RGB 110 0 133

HSL 289.62, 1%, 0.26%

LAB 26.76, 56.85, -44.69

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 0 / 74 / 5 / 18

HEX #D137C7

RGB 209 55 199

HSL 303.9, 0.63%, 0.52%

LAB 52.3, 73.85, -42.46

 

CMYK 0 / 74 / 25 / 18

HEX #D1379D

RGB 209 55 157

HSL 320.26, 0.63%, 0.52%

LAB 50.36, 68.02, -20.92

 

CMYK 0 / 74 / 45 / 18

HEX #D13773

RGB 209 55 115

HSL 336.62, 0.63%, 0.52%

LAB 48.92, 63.46, 2.2

 

CMYK 0 / 74 / 65 / 18

HEX #D1374A

RGB 209 55 74

HSL 352.6, 0.63%, 0.52%

LAB 47.98, 60.41, 25.88

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 34 / 74 / 0 / 18

HEX #8937D1

RGB 137 55 209

HSL 271.95, 0.63%, 0.52%

LAB 42.24, 61.42, -64.95

 

CMYK 55 / 74 / 0 / 18

HEX #5F37D1

RGB 95 55 209

HSL 255.58, 0.63%, 0.52%

LAB 37.42, 54.68, -73.02

 

CMYK 74 / 74 / 0 / 18

HEX #3737D1

RGB 55 55 209

HSL 240, 0.63%, 0.52%

LAB 34.29, 50.1, -78.29

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 17 / 85 / 0 / 10

HEX #BE23E5

RGB 190 35 229

HSL 287.94, 0.79%, 0.52%

LAB 49.26, 80.4, -64.64

 

CMYK 19 / 94 / 0 / 2

HEX #CA0FF9

RGB 202 15 249

HSL 287.95, 0.95%, 0.52%

LAB 51.54, 88.59, -72.11

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 12 / 60 / 0 / 26

HEX #A64BBD

RGB 166 75 189

HSL 287.89, 0.46%, 0.52%

LAB 48.02, 54.44, -43.86

 

CMYK 9 / 44 / 0 / 33

HEX #9B5FAA

RGB 155 95 170

HSL 288, 0.31%, 0.52%

LAB 49.56, 37.18, -30.44

 

CMYK 5 / 24 / 0 / 41

HEX #8F7296

RGB 143 114 150

HSL 288.33, 0.15%, 0.52%

LAB 51.92, 18.13, -15.2

 

CMYK 2 / 0 / 3 / 47

HEX #838682

RGB 131 134 130

HSL 105, 0.02%, 0.52%

LAB 55.57, -1.9, 1.76

 

CMYK 55 / 74 / 0 / 18

HEX #5E37D1

RGB 94 55 209

HSL 255.19, 0.63%, 0.52%

LAB 37.33, 54.54, -73.18

 

CMYK 35 / 74 / 0 / 18

HEX #8737D1

RGB 135 55 209

HSL 271.17, 0.63%, 0.52%

LAB 41.98, 61.06, -65.38

 

CMYK 16 / 74 / 0 / 18

HEX #B037D1

RGB 176 55 209

HSL 287.14, 0.63%, 0.52%

LAB 47.71, 68.75, -55.84

 

CMYK 0 / 74 / 3 / 18

HEX #D137CA

RGB 209 55 202

HSL 302.73, 0.63%, 0.52%

LAB 52.46, 74.31, -43.94

 

CMYK 0 / 74 / 23 / 18

HEX #D137A0

RGB 209 55 160

HSL 319.09, 0.63%, 0.52%

LAB 50.48, 68.39, -22.51

 

CMYK 16 / 78 / 0 / 42

HEX #7D2194

RGB 125 33 148

HSL 288, 0.64%, 0.35%

LAB 33.1, 54.56, -43.61

 

CMYK 15 / 77 / 0 / 29

HEX #9A29B6

RGB 154 41 182

HSL 288.09, 0.63%, 0.44%

LAB 40.95, 64.12, -51.17

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 12 / 59 / 0 / 15

HEX #BF59D9

RGB 191 89 217

HSL 287.81, 0.63%, 0.6%

LAB 55.31, 59.62, -48.13

 

CMYK 9 / 46 / 0 / 12

HEX #CC7AE0

RGB 204 122 224

HSL 288.24, 0.62%, 0.68%

LAB 63.46, 48.12, -39.11

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 0 / 74 / 72 / 18

HEX #D1373A

RGB 209 55 58

HSL 358.83, 0.63%, 0.52%

LAB 47.74, 59.61, 35.05

 

CMYK 74 / 0 / 45 / 18

HEX #37D172

RGB 55 209 114

HSL 142.99, 0.63%, 0.52%

LAB 74.59, -60.12, 35.94

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 0 / 16 / 74 / 18

HEX #D1B037

RGB 209 176 55

HSL 47.14, 0.63%, 0.52%

LAB 72.81, -0.45, 62.78

 

CMYK 74 / 0 / 16 / 18

HEX #37D1B0

RGB 55 209 176

HSL 167.14, 0.63%, 0.52%

LAB 75.79, -47.05, 5.06

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 0 / 74 / 72 / 18

HEX #D1373A

RGB 209 55 58

HSL 358.83, 0.63%, 0.52%

LAB 47.74, 59.61, 35.05

 

CMYK 58 / 0 / 74 / 18

HEX #58D137

RGB 88 209 55

HSL 107.14, 0.63%, 0.52%

LAB 74.79, -60.6, 62.22

 

CMYK 74 / 0 / 1 / 18

HEX #37D1CF

RGB 55 209 207

HSL 179.22, 0.63%, 0.52%

LAB 76.63, -38.72, -10.39

 

CMYK 15 / 74 / 0 / 18

HEX #B237D1

RGB 178 55 209

HSL 287.92, 0.63%, 0.52%

LAB 48.01, 69.14, -55.34

 

CMYK 0 / 53 / 74 / 18

HEX #D16337

RGB 209 99 55

HSL 17.14, 0.63%, 0.52%

LAB 54.82, 40.56, 44.55

 

CMYK 58 / 0 / 74 / 18

HEX #58D137

RGB 88 209 55

HSL 107.14, 0.63%, 0.52%

LAB 74.79, -60.6, 62.22

 

CMYK 74 / 21 / 0 / 18

HEX #37A6D1

RGB 55 166 209

HSL 196.75, 0.63%, 0.52%

LAB 63.91, -16.88, -30.82

 

Description

Color code: HEX #B237D1 | qconv.com Color code: HEX #B237D1 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 178 red, 55 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
178 55 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 74 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 74% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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