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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7D2194 it is the complementary color #82DE6B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7D2194. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7D2194 shade: #82218F, #9333A2, #A445B5, #B557C8 and #C669DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7D2194. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7D2194 shade: #7D2194, #6C0F81, #5B006E, #4A005B and #390048

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7D2194 shade: #7B2092, #92208A, #92206B, #92204C and #92202D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7D2194 shade: #7B2092, #5C2092, #3D2092 and #202092

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7D2194 shade matches the following richer shades: #7B2092, #8411A0 and #8C03AF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7D2194 shade: #7B2092, #722E83, #6A3D75, #614B67 and #585958

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7D2194 shade: #3E2092, #5D2092, #7B2092, #92208A and #92206C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7D2194 shade: #42114E, #5E1870, #7B2092, #9827B4 and #B232D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7D2194 shade: #7D2194, #922020 and #20924D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7D2194 shade: #7D2194, #927B20 and #20927B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7D2194 shade: #7D2194, #922020, #369220 and #209292

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7D2194 shade: #7D2194, #924220, #369220 and #207092

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 78 / 0 / 42

HEX #7D2194

RGB 125 33 148

HSL 288, 0.64%, 0.35%

LAB 33.1, 54.56, -43.61

 

Complementary color

CMYK 41 / 0 / 52 / 13

HEX #82DE6B

RGB 130 222 107

HSL 108, 0.64%, 0.65%

LAB 80.77, -48.82, 47.53

 

CMYK 9 / 77 / 0 / 44

HEX #82218F

RGB 130 33 143

HSL 292.91, 0.63%, 0.35%

LAB 33.6, 54.65, -39.7

 

CMYK 9 / 69 / 0 / 36

HEX #9333A2

RGB 147 51 162

HSL 291.89, 0.52%, 0.42%

LAB 39.88, 55.23, -41.05

 

CMYK 9 / 62 / 0 / 29

HEX #A445B5

RGB 164 69 181

HSL 290.89, 0.45%, 0.49%

LAB 46.29, 55.15, -41.96

 

CMYK 10 / 57 / 0 / 22

HEX #B557C8

RGB 181 87 200

HSL 289.91, 0.51%, 0.56%

LAB 52.74, 54.73, -42.6

 

CMYK 10 / 52 / 0 / 14

HEX #C669DB

RGB 198 105 219

HSL 288.95, 0.61%, 0.64%

LAB 59.18, 54.13, -43.08

 

CMYK 16 / 78 / 0 / 42

HEX #7D2194

RGB 125 33 148

HSL 288, 0.64%, 0.35%

LAB 33.1, 54.56, -43.61

 

CMYK 16 / 88 / 0 / 49

HEX #6C0F81

RGB 108 15 129

HSL 288.95, 0.79%, 0.28%

LAB 27.06, 52.92, -41.7

 

CMYK 17 / 100 / 0 / 57

HEX #5B006E

RGB 91 0 110

HSL 289.64, 1%, 0.22%

LAB 21.39, 49.68, -38.87

 

CMYK 19 / 100 / 0 / 64

HEX #4A005B

RGB 74 0 91

HSL 288.79, 1%, 0.18%

LAB 16.56, 43.34, -34.33

 

CMYK 21 / 100 / 0 / 72

HEX #390048

RGB 57 0 72

HSL 287.5, 1%, 0.14%

LAB 11.54, 36.77, -29.63

 

CMYK 16 / 78 / 0 / 43

HEX #7B2092

RGB 123 32 146

HSL 287.89, 0.64%, 0.35%

LAB 32.52, 54.11, -43.33

 

CMYK 0 / 78 / 5 / 43

HEX #92208A

RGB 146 32 138

HSL 304.21, 0.64%, 0.35%

LAB 35.94, 57.59, -32.72

 

CMYK 0 / 78 / 27 / 43

HEX #92206B

RGB 146 32 107

HSL 320.53, 0.64%, 0.35%

LAB 34.41, 53.07, -15.7

 

CMYK 0 / 78 / 48 / 43

HEX #92204C

RGB 146 32 76

HSL 336.84, 0.64%, 0.35%

LAB 33.28, 49.6, 2.63

 

CMYK 0 / 78 / 69 / 43

HEX #92202D

RGB 146 32 45

HSL 353.16, 0.64%, 0.35%

LAB 32.55, 47.3, 21.86

 

CMYK 16 / 78 / 0 / 43

HEX #7B2092

RGB 123 32 146

HSL 287.89, 0.64%, 0.35%

LAB 32.52, 54.11, -43.33

 

CMYK 37 / 78 / 0 / 43

HEX #5C2092

RGB 92 32 146

HSL 271.58, 0.64%, 0.35%

LAB 27.8, 48.17, -51.21

 

CMYK 58 / 78 / 0 / 43

HEX #3D2092

RGB 61 32 146

HSL 255.26, 0.64%, 0.35%

LAB 24, 43.27, -57.58

 

CMYK 78 / 78 / 0 / 43

HEX #202092

RGB 32 32 146

HSL 240, 0.64%, 0.35%

LAB 21.64, 40.13, -61.56

 

CMYK 16 / 78 / 0 / 43

HEX #7B2092

RGB 123 32 146

HSL 287.89, 0.64%, 0.35%

LAB 32.52, 54.11, -43.33

 

CMYK 18 / 89 / 0 / 37

HEX #8411A0

RGB 132 17 160

HSL 288.25, 0.81%, 0.35%

LAB 33.66, 62.39, -49.97

 

CMYK 20 / 98 / 0 / 31

HEX #8C03AF

RGB 140 3 175

HSL 287.79, 0.97%, 0.35%

LAB 35.47, 68.36, -55.99

 

CMYK 16 / 78 / 0 / 43

HEX #7B2092

RGB 123 32 146

HSL 287.89, 0.64%, 0.35%

LAB 32.52, 54.11, -43.33

 

CMYK 13 / 65 / 0 / 49

HEX #722E83

RGB 114 46 131

HSL 288, 0.48%, 0.35%

LAB 32.19, 43.2, -34.67

 

CMYK 9 / 48 / 0 / 54

HEX #6A3D75

RGB 106 61 117

HSL 288.21, 0.31%, 0.35%

LAB 33.32, 29.76, -24.21

 

CMYK 6 / 27 / 0 / 60

HEX #614B67

RGB 97 75 103

HSL 287.14, 0.16%, 0.35%

LAB 35.11, 14.91, -12.73

 

CMYK 1 / 0 / 1 / 65

HEX #585958

RGB 88 89 88

HSL 120, 0.01%, 0.35%

LAB 37.71, -0.61, 0.43

 

CMYK 58 / 78 / 0 / 43

HEX #3E2092

RGB 62 32 146

HSL 255.79, 0.64%, 0.35%

LAB 24.1, 43.4, -57.41

 

CMYK 36 / 78 / 0 / 43

HEX #5D2092

RGB 93 32 146

HSL 272.11, 0.64%, 0.35%

LAB 27.94, 48.35, -50.97

 

CMYK 16 / 78 / 0 / 43

HEX #7B2092

RGB 123 32 146

HSL 287.89, 0.64%, 0.35%

LAB 32.52, 54.11, -43.33

 

CMYK 0 / 78 / 5 / 43

HEX #92208A

RGB 146 32 138

HSL 304.21, 0.64%, 0.35%

LAB 35.94, 57.59, -32.72

 

CMYK 0 / 78 / 26 / 43

HEX #92206C

RGB 146 32 108

HSL 320, 0.64%, 0.35%

LAB 34.45, 53.21, -16.27

 

CMYK 15 / 78 / 0 / 69

HEX #42114E

RGB 66 17 78

HSL 288.2, 0.64%, 0.19%

LAB 16.05, 33.16, -26.41

 

CMYK 16 / 79 / 0 / 56

HEX #5E1870

RGB 94 24 112

HSL 287.73, 0.65%, 0.27%

LAB 24.33, 44.06, -35.4

 

CMYK 16 / 78 / 0 / 43

HEX #7B2092

RGB 123 32 146

HSL 287.89, 0.64%, 0.35%

LAB 32.52, 54.11, -43.33

 

CMYK 16 / 78 / 0 / 29

HEX #9827B4

RGB 152 39 180

HSL 288.09, 0.64%, 0.43%

LAB 40.28, 63.99, -51.08

 

CMYK 15 / 76 / 0 / 18

HEX #B232D2

RGB 178 50 210

HSL 288, 0.64%, 0.51%

LAB 47.49, 70.99, -56.74

 

CMYK 16 / 78 / 0 / 42

HEX #7D2194

RGB 125 33 148

HSL 288, 0.64%, 0.35%

LAB 33.1, 54.56, -43.61

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 78 / 0 / 47 / 43

HEX #20924D

RGB 32 146 77

HSL 143.68, 0.64%, 0.35%

LAB 53.39, -46.76, 27.89

 

CMYK 16 / 78 / 0 / 42

HEX #7D2194

RGB 125 33 148

HSL 288, 0.64%, 0.35%

LAB 33.1, 54.56, -43.61

 

CMYK 0 / 16 / 78 / 43

HEX #927B20

RGB 146 123 32

HSL 47.89, 0.64%, 0.35%

LAB 52.27, -0.88, 49.65

 

CMYK 78 / 0 / 16 / 43

HEX #20927B

RGB 32 146 123

HSL 167.89, 0.64%, 0.35%

LAB 54.34, -36.33, 3.42

 

CMYK 16 / 78 / 0 / 42

HEX #7D2194

RGB 125 33 148

HSL 288, 0.64%, 0.35%

LAB 33.1, 54.56, -43.61

 

CMYK 0 / 78 / 78 / 43

HEX #922020

RGB 146 32 32

HSL 0, 0.64%, 0.35%

LAB 32.37, 46.68, 29.76

 

CMYK 63 / 0 / 78 / 43

HEX #369220

RGB 54 146 32

HSL 108.42, 0.64%, 0.35%

LAB 53.43, -48.03, 48.72

 

CMYK 78 / 0 / 0 / 43

HEX #209292

RGB 32 146 146

HSL 180, 0.64%, 0.35%

LAB 55.01, -29.64, -8.82

 

CMYK 16 / 78 / 0 / 42

HEX #7D2194

RGB 125 33 148

HSL 288, 0.64%, 0.35%

LAB 33.1, 54.56, -43.61

 

CMYK 0 / 55 / 78 / 43

HEX #924220

RGB 146 66 32

HSL 17.89, 0.64%, 0.35%

LAB 38.04, 31.51, 35.75

 

CMYK 63 / 0 / 78 / 43

HEX #369220

RGB 54 146 32

HSL 108.42, 0.64%, 0.35%

LAB 53.43, -48.03, 48.72

 

CMYK 78 / 23 / 0 / 43

HEX #207092

RGB 32 112 146

HSL 197.89, 0.64%, 0.35%

LAB 44.19, -11.59, -25.32

 

Description

Color code: HEX #7D2194 | qconv.com Color code: HEX #7D2194 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 125 red, 33 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
125 33 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 78 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 78% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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