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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B14E58 it is the complementary color #4EB1A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B14E58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B14E58 shade: #B64E53, #C76066, #D87279, #E9848C and #FA969F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B14E58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B14E58 shade: #B14E58, #A03C45, #8F2A32, #7E181F and #6D060C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B14E58 shade: #B14D57 and #B14D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B14E58 shade: #B14D57, #B14D72, #B14D8D, #B14DA8 and #9F4DB1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B14E58 shade matches the following richer shades: #B14D57, #C53947, #DA2436 and #EF0F26

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B14E58 shade: #B14D57, #9C6268, #877778, #738B89 and #5EA099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B14E58 shade: #B14D8E, #B14D73, #B14D59, #B15C4D and #B1774D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B14E58 shade: #77343B, #944149, #B14D57, #BD6A72 and #CA878D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B14E58 shade: #B14E58, #A8B14D and #4D81B1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B14E58 shade: #B14E58, #59B14D and #4D59B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B14E58 shade: #B14E58, #A8B14D, #4DB1A5 and #564DB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B14E58 shade: #B14E58, #8BB14D, #4DB1A5 and #734DB1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 50 / 31

HEX #B14E58

RGB 177 78 88

HSL 353.94, 0.39%, 0.5%

LAB 46.31, 41.25, 14.2

 

Complementary color

CMYK 56 / 0 / 6 / 31

HEX #4EB1A7

RGB 78 177 167

HSL 173.94, 0.39%, 0.5%

LAB 66.41, -31.3, -3.64

 

CMYK 0 / 57 / 54 / 29

HEX #B64E53

RGB 182 78 83

HSL 357.12, 0.42%, 0.51%

LAB 47, 42.62, 18.28

 

CMYK 0 / 52 / 49 / 22

HEX #C76066

RGB 199 96 102

HSL 356.5, 0.48%, 0.58%

LAB 53.46, 41.56, 16.17

 

CMYK 0 / 47 / 44 / 15

HEX #D87279

RGB 216 114 121

HSL 355.88, 0.57%, 0.65%

LAB 59.9, 40.49, 14.39

 

CMYK 0 / 43 / 40 / 9

HEX #E9848C

RGB 233 132 140

HSL 355.25, 0.7%, 0.72%

LAB 66.31, 39.47, 12.86

 

CMYK 0 / 40 / 36 / 2

HEX #FA969F

RGB 250 150 159

HSL 354.6, 0.91%, 0.78%

LAB 72.65, 38.5, 11.51

 

CMYK 0 / 56 / 50 / 31

HEX #B14E58

RGB 177 78 88

HSL 353.94, 0.39%, 0.5%

LAB 46.31, 41.25, 14.2

 

CMYK 0 / 63 / 57 / 37

HEX #A03C45

RGB 160 60 69

HSL 354.6, 0.45%, 0.43%

LAB 39.81, 42.2, 16.58

 

CMYK 0 / 71 / 65 / 44

HEX #8F2A32

RGB 143 42 50

HSL 355.25, 0.55%, 0.36%

LAB 33.41, 42.87, 19.61

 

CMYK 0 / 81 / 75 / 51

HEX #7E181F

RGB 126 24 31

HSL 355.88, 0.68%, 0.29%

LAB 27.26, 42.91, 23.51

 

CMYK 0 / 94 / 89 / 57

HEX #6D060C

RGB 109 6 12

HSL 356.5, 0.9%, 0.23%

LAB 21.61, 41.71, 27.73

 

CMYK 0 / 56 / 51 / 31

HEX #B14D57

RGB 177 77 87

HSL 354, 0.39%, 0.5%

LAB 46.1, 41.65, 14.51

 

CMYK 0 / 56 / 56 / 31

HEX #B14D4D

RGB 177 77 77

HSL 0, 0.39%, 0.5%

LAB 45.89, 40.79, 20.29

 

CMYK 0 / 56 / 51 / 31

HEX #B14D57

RGB 177 77 87

HSL 354, 0.39%, 0.5%

LAB 46.1, 41.65, 14.51

 

CMYK 0 / 56 / 36 / 31

HEX #B14D72

RGB 177 77 114

HSL 337.8, 0.39%, 0.5%

LAB 46.8, 44.55, -0.93

 

CMYK 0 / 56 / 20 / 31

HEX #B14D8D

RGB 177 77 141

HSL 321.6, 0.39%, 0.5%

LAB 47.72, 48.2, -15.86

 

CMYK 0 / 56 / 5 / 31

HEX #B14DA8

RGB 177 77 168

HSL 305.4, 0.39%, 0.5%

LAB 48.86, 52.53, -30.15

 

CMYK 10 / 56 / 0 / 31

HEX #9F4DB1

RGB 159 77 177

HSL 289.2, 0.39%, 0.5%

LAB 46.78, 49.27, -38.88

 

CMYK 0 / 56 / 51 / 31

HEX #B14D57

RGB 177 77 87

HSL 354, 0.39%, 0.5%

LAB 46.1, 41.65, 14.51

 

CMYK 0 / 71 / 64 / 23

HEX #C53947

RGB 197 57 71

HSL 354, 0.55%, 0.5%

LAB 45.98, 55.87, 24.67

 

CMYK 0 / 83 / 75 / 15

HEX #DA2436

RGB 218 36 54

HSL 354.07, 0.72%, 0.5%

LAB 47.54, 67.35, 37.6

 

CMYK 0 / 94 / 84 / 6

HEX #EF0F26

RGB 239 15 38

HSL 353.84, 0.88%, 0.5%

LAB 50.49, 75.56, 50.66

 

CMYK 0 / 56 / 51 / 31

HEX #B14D57

RGB 177 77 87

HSL 354, 0.39%, 0.5%

LAB 46.1, 41.65, 14.51

 

CMYK 0 / 37 / 33 / 39

HEX #9C6268

RGB 156 98 104

HSL 353.79, 0.23%, 0.5%

LAB 48.01, 24.32, 6.49

 

CMYK 0 / 12 / 11 / 47

HEX #877778

RGB 135 119 120

HSL 356.25, 0.06%, 0.5%

LAB 51.5, 6.35, 1.71

 

CMYK 17 / 0 / 1 / 45

HEX #738B89

RGB 115 139 137

HSL 175, 0.09%, 0.5%

LAB 56, -8.96, -1.79

 

CMYK 41 / 0 / 4 / 37

HEX #5EA099

RGB 94 160 153

HSL 173.64, 0.26%, 0.5%

LAB 61.5, -22.76, -2.97

 

CMYK 0 / 56 / 20 / 31

HEX #B14D8E

RGB 177 77 142

HSL 321, 0.39%, 0.5%

LAB 47.76, 48.35, -16.4

 

CMYK 0 / 56 / 35 / 31

HEX #B14D73

RGB 177 77 115

HSL 337.2, 0.39%, 0.5%

LAB 46.83, 44.67, -1.49

 

CMYK 0 / 56 / 50 / 31

HEX #B14D59

RGB 177 77 89

HSL 352.8, 0.39%, 0.5%

LAB 46.15, 41.84, 13.36

 

CMYK 0 / 48 / 56 / 31

HEX #B15C4D

RGB 177 92 77

HSL 9, 0.39%, 0.5%

LAB 48.93, 33.05, 24.26

 

CMYK 0 / 33 / 56 / 31

HEX #B1774D

RGB 177 119 77

HSL 25.2, 0.39%, 0.5%

LAB 55.15, 18.17, 32.13

 

CMYK 0 / 56 / 50 / 53

HEX #77343B

RGB 119 52 59

HSL 353.73, 0.39%, 0.34%

LAB 31.1, 30.04, 9.96

 

CMYK 0 / 56 / 51 / 42

HEX #944149

RGB 148 65 73

HSL 354.22, 0.39%, 0.42%

LAB 38.83, 35.71, 12.42

 

CMYK 0 / 56 / 51 / 31

HEX #B14D57

RGB 177 77 87

HSL 354, 0.39%, 0.5%

LAB 46.1, 41.65, 14.51

 

CMYK 0 / 44 / 40 / 26

HEX #BD6A72

RGB 189 106 114

HSL 354.22, 0.39%, 0.58%

LAB 54.39, 33.9, 10.2

 

CMYK 0 / 33 / 30 / 21

HEX #CA878D

RGB 202 135 141

HSL 354.63, 0.39%, 0.66%

LAB 63.18, 26.48, 7.34

 

CMYK 0 / 56 / 50 / 31

HEX #B14E58

RGB 177 78 88

HSL 353.94, 0.39%, 0.5%

LAB 46.31, 41.25, 14.2

 

CMYK 5 / 0 / 56 / 31

HEX #A8B14D

RGB 168 177 77

HSL 65.4, 0.39%, 0.5%

LAB 69.69, -17.17, 49.13

 

CMYK 56 / 27 / 0 / 31

HEX #4D81B1

RGB 77 129 177

HSL 208.8, 0.39%, 0.5%

LAB 52.35, -3.03, -30.64

 

CMYK 0 / 56 / 50 / 31

HEX #B14E58

RGB 177 78 88

HSL 353.94, 0.39%, 0.5%

LAB 46.31, 41.25, 14.2

 

CMYK 50 / 0 / 56 / 31

HEX #59B14D

RGB 89 177 77

HSL 112.8, 0.39%, 0.5%

LAB 65.04, -46.19, 42.56

 

CMYK 56 / 50 / 0 / 31

HEX #4D59B1

RGB 77 89 177

HSL 232.8, 0.39%, 0.5%

LAB 41.05, 21.67, -48.51

 

CMYK 0 / 56 / 50 / 31

HEX #B14E58

RGB 177 78 88

HSL 353.94, 0.39%, 0.5%

LAB 46.31, 41.25, 14.2

 

CMYK 5 / 0 / 56 / 31

HEX #A8B14D

RGB 168 177 77

HSL 65.4, 0.39%, 0.5%

LAB 69.69, -17.17, 49.13

 

CMYK 56 / 0 / 7 / 31

HEX #4DB1A5

RGB 77 177 165

HSL 172.8, 0.39%, 0.5%

LAB 66.32, -32.03, -2.67

 

CMYK 51 / 56 / 0 / 31

HEX #564DB1

RGB 86 77 177

HSL 245.4, 0.39%, 0.5%

LAB 38.66, 31.13, -52.33

 

CMYK 0 / 56 / 50 / 31

HEX #B14E58

RGB 177 78 88

HSL 353.94, 0.39%, 0.5%

LAB 46.31, 41.25, 14.2

 

CMYK 21 / 0 / 56 / 31

HEX #8BB14D

RGB 139 177 77

HSL 82.8, 0.39%, 0.5%

LAB 67.63, -28.93, 46.23

 

CMYK 56 / 0 / 7 / 31

HEX #4DB1A5

RGB 77 177 165

HSL 172.8, 0.39%, 0.5%

LAB 66.32, -32.03, -2.67

 

CMYK 35 / 56 / 0 / 31

HEX #734DB1

RGB 115 77 177

HSL 262.8, 0.39%, 0.5%

LAB 41.42, 37.82, -47.75

 

Description

Color code: HEX #B14E58 | qconv.com Color code: HEX #B14E58 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 177 red, 78 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
177 78 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 50 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 50% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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