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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8F2A32 it is the complementary color #70D5CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8F2A32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8F2A32 shade: #942A2D, #A53C40, #B64E53, #C76066 and #D87279

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8F2A32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8F2A32 shade: #8F2A32, #7E181F, #6D060C, #5C0000 and #4B0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8F2A32 shade: #8E2931 and #8E2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8F2A32 shade: #8E2931, #8E294C, #8E2967, #8E2982 and #7E298E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8F2A32 shade matches the following richer shades: #8E2931, #9D1A24 and #AB0B18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8F2A32 shade: #8E2931, #7F383D, #70474A, #615556 and #526463

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8F2A32 shade: #8E2967, #8E294C, #8E2931, #8E3B29 and #8E5629

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8F2A32 shade: #4E161B, #6E2026, #8E2931, #AE323C and #C8414C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8F2A32 shade: #8F2A32, #828E29 and #295A8E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8F2A32 shade: #8F2A32, #318E29 and #29318E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8F2A32 shade: #8F2A32, #828E29, #298E85 and #35298E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8F2A32 shade: #8F2A32, #648E29, #298E85 and #53298E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 65 / 44

HEX #8F2A32

RGB 143 42 50

HSL 355.25, 0.55%, 0.36%

LAB 33.41, 42.87, 19.61

 

Complementary color

CMYK 47 / 0 / 4 / 16

HEX #70D5CD

RGB 112 213 205

HSL 175.25, 0.55%, 0.64%

LAB 79.29, -31.44, -5.19

 

CMYK 0 / 72 / 70 / 42

HEX #942A2D

RGB 148 42 45

HSL 358.3, 0.56%, 0.37%

LAB 34.28, 44.26, 24.06

 

CMYK 0 / 64 / 61 / 35

HEX #A53C40

RGB 165 60 64

HSL 357.71, 0.47%, 0.44%

LAB 40.58, 43.58, 20.86

 

CMYK 0 / 57 / 54 / 29

HEX #B64E53

RGB 182 78 83

HSL 357.12, 0.42%, 0.51%

LAB 47, 42.62, 18.28

 

CMYK 0 / 52 / 49 / 22

HEX #C76066

RGB 199 96 102

HSL 356.5, 0.48%, 0.58%

LAB 53.46, 41.56, 16.17

 

CMYK 0 / 47 / 44 / 15

HEX #D87279

RGB 216 114 121

HSL 355.88, 0.57%, 0.65%

LAB 59.9, 40.49, 14.39

 

CMYK 0 / 71 / 65 / 44

HEX #8F2A32

RGB 143 42 50

HSL 355.25, 0.55%, 0.36%

LAB 33.41, 42.87, 19.61

 

CMYK 0 / 81 / 75 / 51

HEX #7E181F

RGB 126 24 31

HSL 355.88, 0.68%, 0.29%

LAB 27.26, 42.91, 23.51

 

CMYK 0 / 94 / 89 / 57

HEX #6D060C

RGB 109 6 12

HSL 356.5, 0.9%, 0.23%

LAB 21.61, 41.71, 27.73

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 100 / 100 / 71

HEX #4B0000

RGB 75 0 0

HSL 0, 1%, 0.15%

LAB 12.58, 33.07, 19.75

 

CMYK 0 / 71 / 65 / 44

HEX #8E2931

RGB 142 41 49

HSL 355.25, 0.55%, 0.36%

LAB 33.05, 42.88, 19.75

 

CMYK 0 / 71 / 71 / 44

HEX #8E2929

RGB 142 41 41

HSL 0, 0.55%, 0.36%

LAB 32.91, 42.41, 24.64

 

CMYK 0 / 71 / 65 / 44

HEX #8E2931

RGB 142 41 49

HSL 355.25, 0.55%, 0.36%

LAB 33.05, 42.88, 19.75

 

CMYK 0 / 71 / 46 / 44

HEX #8E294C

RGB 142 41 76

HSL 339.21, 0.55%, 0.36%

LAB 33.69, 45.11, 3.12

 

CMYK 0 / 71 / 27 / 44

HEX #8E2967

RGB 142 41 103

HSL 323.17, 0.55%, 0.36%

LAB 34.63, 48.28, -12.87

 

CMYK 0 / 71 / 8 / 44

HEX #8E2982

RGB 142 41 130

HSL 307.13, 0.55%, 0.36%

LAB 35.88, 52.31, -27.91

 

CMYK 11 / 71 / 0 / 44

HEX #7E298E

RGB 126 41 142

HSL 290.5, 0.55%, 0.36%

LAB 33.93, 50.59, -38.59

 

CMYK 0 / 71 / 65 / 44

HEX #8E2931

RGB 142 41 49

HSL 355.25, 0.55%, 0.36%

LAB 33.05, 42.88, 19.75

 

CMYK 0 / 83 / 77 / 38

HEX #9D1A24

RGB 157 26 36

HSL 355.42, 0.72%, 0.36%

LAB 34.05, 51.98, 29.83

 

CMYK 0 / 94 / 86 / 33

HEX #AB0B18

RGB 171 11 24

HSL 355.13, 0.88%, 0.36%

LAB 35.91, 58.38, 39.58

 

CMYK 0 / 71 / 65 / 44

HEX #8E2931

RGB 142 41 49

HSL 355.25, 0.55%, 0.36%

LAB 33.05, 42.88, 19.75

 

CMYK 0 / 56 / 52 / 50

HEX #7F383D

RGB 127 56 61

HSL 355.77, 0.39%, 0.36%

LAB 33.3, 31.22, 11.9

 

CMYK 0 / 37 / 34 / 56

HEX #70474A

RGB 112 71 74

HSL 355.61, 0.22%, 0.36%

LAB 34.89, 18.01, 5.5

 

CMYK 0 / 12 / 11 / 62

HEX #615556

RGB 97 85 86

HSL 355, 0.07%, 0.36%

LAB 37.32, 5.1, 1.22

 

CMYK 18 / 0 / 1 / 61

HEX #526463

RGB 82 100 99

HSL 176.67, 0.1%, 0.36%

LAB 40.91, -7.01, -1.71

 

CMYK 0 / 71 / 27 / 44

HEX #8E2967

RGB 142 41 103

HSL 323.17, 0.55%, 0.36%

LAB 34.63, 48.28, -12.87

 

CMYK 0 / 71 / 46 / 44

HEX #8E294C

RGB 142 41 76

HSL 339.21, 0.55%, 0.36%

LAB 33.69, 45.11, 3.12

 

CMYK 0 / 71 / 65 / 44

HEX #8E2931

RGB 142 41 49

HSL 355.25, 0.55%, 0.36%

LAB 33.05, 42.88, 19.75

 

CMYK 0 / 58 / 71 / 44

HEX #8E3B29

RGB 142 59 41

HSL 10.69, 0.55%, 0.36%

LAB 36.06, 34.01, 28.35

 

CMYK 0 / 39 / 71 / 44

HEX #8E5629

RGB 142 86 41

HSL 26.73, 0.55%, 0.36%

LAB 42.1, 19.06, 35.17

 

CMYK 0 / 72 / 65 / 69

HEX #4E161B

RGB 78 22 27

HSL 354.64, 0.56%, 0.2%

LAB 16.86, 26.7, 11.12

 

CMYK 0 / 71 / 65 / 57

HEX #6E2026

RGB 110 32 38

HSL 355.38, 0.55%, 0.28%

LAB 25.22, 34.82, 15.66

 

CMYK 0 / 71 / 65 / 44

HEX #8E2931

RGB 142 41 49

HSL 355.25, 0.55%, 0.36%

LAB 33.05, 42.88, 19.75

 

CMYK 0 / 71 / 66 / 32

HEX #AE323C

RGB 174 50 60

HSL 355.16, 0.55%, 0.44%

LAB 40.58, 50.56, 23.66

 

CMYK 0 / 68 / 62 / 22

HEX #C8414C

RGB 200 65 76

HSL 355.11, 0.55%, 0.52%

LAB 47.73, 54.05, 24.02

 

CMYK 0 / 71 / 65 / 44

HEX #8F2A32

RGB 143 42 50

HSL 355.25, 0.55%, 0.36%

LAB 33.41, 42.87, 19.61

 

CMYK 8 / 0 / 71 / 44

HEX #828E29

RGB 130 142 41

HSL 67.13, 0.55%, 0.36%

LAB 56.34, -18.03, 49.63

 

CMYK 71 / 37 / 0 / 44

HEX #295A8E

RGB 41 90 142

HSL 210.89, 0.55%, 0.36%

LAB 37.37, 1.63, -33.6

 

CMYK 0 / 71 / 65 / 44

HEX #8F2A32

RGB 143 42 50

HSL 355.25, 0.55%, 0.36%

LAB 33.41, 42.87, 19.61

 

CMYK 65 / 0 / 71 / 44

HEX #318E29

RGB 49 142 41

HSL 115.25, 0.55%, 0.36%

LAB 52.02, -47.03, 43.83

 

CMYK 71 / 65 / 0 / 44

HEX #29318E

RGB 41 49 142

HSL 235.25, 0.55%, 0.36%

LAB 25.63, 29.11, -52.5

 

CMYK 0 / 71 / 65 / 44

HEX #8F2A32

RGB 143 42 50

HSL 355.25, 0.55%, 0.36%

LAB 33.41, 42.87, 19.61

 

CMYK 8 / 0 / 71 / 44

HEX #828E29

RGB 130 142 41

HSL 67.13, 0.55%, 0.36%

LAB 56.34, -18.03, 49.63

 

CMYK 71 / 0 / 6 / 44

HEX #298E85

RGB 41 142 133

HSL 174.65, 0.55%, 0.36%

LAB 53.5, -30.46, -3.54

 

CMYK 63 / 71 / 0 / 44

HEX #35298E

RGB 53 41 142

HSL 247.13, 0.55%, 0.36%

LAB 24.63, 35.89, -54.1

 

CMYK 0 / 71 / 65 / 44

HEX #8F2A32

RGB 143 42 50

HSL 355.25, 0.55%, 0.36%

LAB 33.41, 42.87, 19.61

 

CMYK 30 / 0 / 71 / 44

HEX #648E29

RGB 100 142 41

HSL 84.95, 0.55%, 0.36%

LAB 54.25, -30.66, 46.85

 

CMYK 71 / 0 / 6 / 44

HEX #298E85

RGB 41 142 133

HSL 174.65, 0.55%, 0.36%

LAB 53.5, -30.46, -3.54

 

CMYK 42 / 71 / 0 / 44

HEX #53298E

RGB 83 41 142

HSL 264.95, 0.55%, 0.36%

LAB 27.79, 41.2, -48.81

 

Description

Color code: HEX #8F2A32 | qconv.com Color code: HEX #8F2A32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 143 red, 42 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
143 42 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 65 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 65% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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