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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B0D827 it is the complementary color #4F27D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B0D827. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B0D827 shade: #B5D822, #C6EA35, #D7FC48, #E8FF5B and #F9FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B0D827. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B0D827 shade: #B0D827, #9FC614, #8EB401, #7DA200 and #6C9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B0D827 shade: #AFD727, #D7CF27, #D7A027, #D77027 and #D74127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B0D827 shade: #AFD727, #80D727, #50D727, #27D72D and #27D75D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B0D827 shade matches the following richer shades: #AFD727 and #BBEC12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B0D827 shade: #AFD727, #A4C23C, #99AE50, #8D9965 and #82847A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B0D827 shade: #D79F27, #D7CE27, #B1D727, #82D727 and #53D727

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B0D827 shade: #76911A, #93B421, #AFD727, #BCDD4A and #C9E46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B0D827 shade: #B0D827, #27D770 and #B727D7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B0D827 shade: #B0D827, #27B1D7 and #D727B1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B0D827 shade: #B0D827, #27D770, #4D27D7 and #D7278E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B0D827 shade: #B0D827, #27D7A5, #4D27D7 and #D72759

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 82 / 15

HEX #B0D827

RGB 176 216 39

HSL 73.56, 0.69%, 0.5%

LAB 81.01, -34.82, 74.25

 

Complementary color

CMYK 63 / 82 / 0 / 15

HEX #4F27D8

RGB 79 39 216

HSL 253.56, 0.69%, 0.5%

LAB 34.13, 61.96, -82.54

 

CMYK 16 / 0 / 84 / 15

HEX #B5D822

RGB 181 216 34

HSL 71.54, 0.73%, 0.49%

LAB 81.32, -32.98, 75.79

 

CMYK 15 / 0 / 77 / 8

HEX #C6EA35

RGB 198 234 53

HSL 71.93, 0.81%, 0.56%

LAB 87.54, -33.82, 76.9

 

CMYK 15 / 0 / 71 / 1

HEX #D7FC48

RGB 215 252 72

HSL 72.33, 0.97%, 0.64%

LAB 93.68, -34.51, 77.2

 

CMYK 9 / 0 / 64 / 0

HEX #E8FF5B

RGB 232 255 91

HSL 68.41, 1%, 0.68%

LAB 95.76, -28.21, 72.86

 

CMYK 2 / 0 / 57 / 0

HEX #F9FF6E

RGB 249 255 110

HSL 62.48, 1%, 0.72%

LAB 97.14, -20.27, 67.03

 

CMYK 19 / 0 / 82 / 15

HEX #B0D827

RGB 176 216 39

HSL 73.56, 0.69%, 0.5%

LAB 81.01, -34.82, 74.25

 

CMYK 20 / 0 / 90 / 22

HEX #9FC614

RGB 159 198 20

HSL 73.15, 0.82%, 0.43%

LAB 74.7, -33.89, 72.39

 

CMYK 21 / 0 / 99 / 29

HEX #8EB401

RGB 142 180 1

HSL 72.74, 0.99%, 0.35%

LAB 68.31, -32.78, 69.29

 

CMYK 23 / 0 / 100 / 36

HEX #7DA200

RGB 125 162 0

HSL 73.7, 1%, 0.32%

LAB 61.83, -31.39, 64.01

 

CMYK 25 / 0 / 100 / 44

HEX #6C9000

RGB 108 144 0

HSL 75, 1%, 0.28%

LAB 55.21, -29.96, 58.5

 

CMYK 19 / 0 / 82 / 16

HEX #AFD727

RGB 175 215 39

HSL 73.64, 0.69%, 0.5%

LAB 80.66, -34.76, 73.92

 

CMYK 0 / 4 / 82 / 16

HEX #D7CF27

RGB 215 207 39

HSL 57.27, 0.69%, 0.5%

LAB 81.41, -14.37, 75.72

 

CMYK 0 / 26 / 82 / 16

HEX #D7A027

RGB 215 160 39

HSL 41.25, 0.69%, 0.5%

LAB 69.28, 10.08, 65.31

 

CMYK 0 / 48 / 82 / 16

HEX #D77027

RGB 215 112 39

HSL 24.89, 0.69%, 0.5%

LAB 58.21, 35.71, 55.52

 

CMYK 0 / 70 / 82 / 16

HEX #D74127

RGB 215 65 39

HSL 8.86, 0.69%, 0.5%

LAB 49.95, 57.24, 47.94

 

CMYK 19 / 0 / 82 / 16

HEX #AFD727

RGB 175 215 39

HSL 73.64, 0.69%, 0.5%

LAB 80.66, -34.76, 73.92

 

CMYK 40 / 0 / 82 / 16

HEX #80D727

RGB 128 215 39

HSL 89.66, 0.69%, 0.5%

LAB 78.07, -52.06, 70.64

 

CMYK 63 / 0 / 82 / 16

HEX #50D727

RGB 80 215 39

HSL 106.02, 0.69%, 0.5%

LAB 76.35, -65.45, 68.43

 

CMYK 82 / 0 / 79 / 16

HEX #27D72D

RGB 39 215 45

HSL 122.05, 0.69%, 0.5%

LAB 75.59, -71.83, 65.81

 

CMYK 82 / 0 / 57 / 16

HEX #27D75D

RGB 39 215 93

HSL 138.41, 0.69%, 0.5%

LAB 75.96, -67.24, 47.69

 

CMYK 19 / 0 / 82 / 16

HEX #AFD727

RGB 175 215 39

HSL 73.64, 0.69%, 0.5%

LAB 80.66, -34.76, 73.92

 

CMYK 21 / 0 / 92 / 7

HEX #BBEC12

RGB 187 236 18

HSL 73.49, 0.86%, 0.5%

LAB 87.29, -39.99, 83.46

 

CMYK 19 / 0 / 82 / 16

HEX #AFD727

RGB 175 215 39

HSL 73.64, 0.69%, 0.5%

LAB 80.66, -34.76, 73.92

 

CMYK 15 / 0 / 69 / 24

HEX #A4C23C

RGB 164 194 60

HSL 73.43, 0.53%, 0.5%

LAB 74.06, -28.4, 60.9

 

CMYK 12 / 0 / 54 / 32

HEX #99AE50

RGB 153 174 80

HSL 73.4, 0.37%, 0.5%

LAB 67.74, -21.58, 45.19

 

CMYK 8 / 0 / 34 / 40

HEX #8D9965

RGB 141 153 101

HSL 73.85, 0.2%, 0.5%

LAB 61.12, -13.23, 25.95

 

CMYK 2 / 0 / 8 / 48

HEX #82847A

RGB 130 132 122

HSL 72, 0.04%, 0.5%

LAB 54.71, -2.67, 5.13

 

CMYK 0 / 26 / 82 / 16

HEX #D79F27

RGB 215 159 39

HSL 40.91, 0.69%, 0.5%

LAB 69.03, 10.62, 65.09

 

CMYK 0 / 4 / 82 / 16

HEX #D7CE27

RGB 215 206 39

HSL 56.93, 0.69%, 0.5%

LAB 81.15, -13.87, 75.5

 

CMYK 18 / 0 / 82 / 16

HEX #B1D727

RGB 177 215 39

HSL 72.95, 0.69%, 0.5%

LAB 80.79, -33.97, 74.08

 

CMYK 40 / 0 / 82 / 16

HEX #82D727

RGB 130 215 39

HSL 88.98, 0.69%, 0.5%

LAB 78.17, -51.39, 70.76

 

CMYK 61 / 0 / 82 / 16

HEX #53D727

RGB 83 215 39

HSL 105, 0.69%, 0.5%

LAB 76.43, -64.78, 68.54

 

CMYK 19 / 0 / 82 / 43

HEX #76911A

RGB 118 145 26

HSL 73.61, 0.7%, 0.34%

LAB 56.26, -25.51, 54.4

 

CMYK 18 / 0 / 82 / 29

HEX #93B421

RGB 147 180 33

HSL 73.47, 0.69%, 0.42%

LAB 68.72, -30, 64.27

 

CMYK 19 / 0 / 82 / 16

HEX #AFD727

RGB 175 215 39

HSL 73.64, 0.69%, 0.5%

LAB 80.66, -34.76, 73.92

 

CMYK 15 / 0 / 67 / 13

HEX #BCDD4A

RGB 188 221 74

HSL 73.47, 0.68%, 0.58%

LAB 83.39, -30.7, 65.6

 

CMYK 12 / 0 / 52 / 11

HEX #C9E46D

RGB 201 228 109

HSL 73.61, 0.69%, 0.66%

LAB 86.51, -26.22, 54.42

 

CMYK 19 / 0 / 82 / 15

HEX #B0D827

RGB 176 216 39

HSL 73.56, 0.69%, 0.5%

LAB 81.01, -34.82, 74.25

 

CMYK 82 / 0 / 48 / 16

HEX #27D770

RGB 39 215 112

HSL 144.89, 0.69%, 0.5%

LAB 76.19, -64.45, 38.92

 

CMYK 15 / 82 / 0 / 16

HEX #B727D7

RGB 183 39 215

HSL 289.09, 0.69%, 0.5%

LAB 47.53, 75.89, -59.52

 

CMYK 19 / 0 / 82 / 15

HEX #B0D827

RGB 176 216 39

HSL 73.56, 0.69%, 0.5%

LAB 81.01, -34.82, 74.25

 

CMYK 82 / 18 / 0 / 16

HEX #27B1D7

RGB 39 177 215

HSL 192.95, 0.69%, 0.5%

LAB 67.11, -22.32, -29.21

 

CMYK 0 / 82 / 18 / 16

HEX #D727B1

RGB 215 39 177

HSL 312.95, 0.69%, 0.5%

LAB 50.77, 76.24, -32

 

CMYK 19 / 0 / 82 / 15

HEX #B0D827

RGB 176 216 39

HSL 73.56, 0.69%, 0.5%

LAB 81.01, -34.82, 74.25

 

CMYK 82 / 0 / 48 / 16

HEX #27D770

RGB 39 215 112

HSL 144.89, 0.69%, 0.5%

LAB 76.19, -64.45, 38.92

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 0 / 82 / 34 / 16

HEX #D7278E

RGB 215 39 142

HSL 324.89, 0.69%, 0.5%

LAB 49.32, 72.12, -13.45

 

CMYK 19 / 0 / 82 / 15

HEX #B0D827

RGB 176 216 39

HSL 73.56, 0.69%, 0.5%

LAB 81.01, -34.82, 74.25

 

CMYK 82 / 0 / 23 / 16

HEX #27D7A5

RGB 39 215 165

HSL 162.95, 0.69%, 0.5%

LAB 77.13, -53.85, 12.81

 

CMYK 64 / 82 / 0 / 16

HEX #4D27D7

RGB 77 39 215

HSL 252.95, 0.69%, 0.5%

LAB 33.85, 61.52, -82.44

 

CMYK 0 / 82 / 59 / 16

HEX #D72759

RGB 215 39 89

HSL 342.95, 0.69%, 0.5%

LAB 47.78, 67.61, 16.67

 

Description

Color code: HEX #B0D827 | qconv.com Color code: HEX #B0D827 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 216 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 216 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 82 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 82% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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