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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #B059D7 it is the complementary color #4FA628. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #B059D7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #B059D7 shade: #B559D2, #C66BE5, #D77DF8, #E88FFF and #F9A1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #B059D7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #B059D7 shade: #B059D7, #9F47C4, #8E35B1, #7D239E and #6C118B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #B059D7 shade: #B05AD7, #D25AD7, #D75ABA, #D75A99 and #D75A77

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #B059D7 shade: #B05AD7, #8F5AD7, #6D5AD7 and #5A5AD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #B059D7 shade matches the following richer shades: #B05AD7, #B64AE7 and #BD39F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #B059D7 shade: #B05AD7, #AA6BC6, #A47BB6, #9D8CA5 and #979C95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #B059D7 shade: #6D5AD7, #8E5AD7, #AF5AD7, #D05AD7 and #D75ABC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #B059D7 shade: #892BB3, #A039CF, #B05AD7, #C07BDF and #D09DE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #B059D7 shade: #B059D7, #D75A69 and #5AD77E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #B059D7 shade: #B059D7, #D7AF5A and #5AD7AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #B059D7 shade: #B059D7, #D75A69, #82D75A and #5AD7C8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #B059D7 shade: #B059D7, #D7715A, #82D75A and #5AC0D7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 59 / 0 / 16

HEX #B059D7

RGB 176 89 215

HSL 281.43, 0.61%, 0.6%

LAB 53.26, 55.52, -50.38

 

Complementary color

CMYK 52 / 0 / 76 / 35

HEX #4FA628

RGB 79 166 40

HSL 101.43, 0.61%, 0.4%

LAB 60.86, -48.24, 53.51

 

CMYK 14 / 58 / 0 / 18

HEX #B559D2

RGB 181 89 210

HSL 285.62, 0.57%, 0.59%

LAB 53.62, 55.74, -46.92

 

CMYK 14 / 53 / 0 / 10

HEX #C66BE5

RGB 198 107 229

HSL 284.75, 0.7%, 0.66%

LAB 60.05, 55.11, -47.31

 

CMYK 13 / 50 / 0 / 3

HEX #D77DF8

RGB 215 125 248

HSL 283.9, 0.9%, 0.73%

LAB 66.44, 54.39, -47.61

 

CMYK 9 / 44 / 0 / 0

HEX #E88FFF

RGB 232 143 255

HSL 287.68, 1%, 0.78%

LAB 72.24, 51.29, -42.19

 

CMYK 2 / 37 / 0 / 0

HEX #F9A1FF

RGB 249 161 255

HSL 296.17, 1%, 0.82%

LAB 77.79, 46.99, -33.43

 

CMYK 18 / 59 / 0 / 16

HEX #B059D7

RGB 176 89 215

HSL 281.43, 0.61%, 0.6%

LAB 53.26, 55.52, -50.38

 

CMYK 19 / 64 / 0 / 23

HEX #9F47C4

RGB 159 71 196

HSL 282.24, 0.51%, 0.52%

LAB 46.79, 56.04, -49.94

 

CMYK 20 / 70 / 0 / 31

HEX #8E35B1

RGB 142 53 177

HSL 283.06, 0.54%, 0.45%

LAB 40.36, 56.24, -49.26

 

CMYK 21 / 78 / 0 / 38

HEX #7D239E

RGB 125 35 158

HSL 283.9, 0.64%, 0.38%

LAB 34.05, 55.86, -48.18

 

CMYK 22 / 88 / 0 / 45

HEX #6C118B

RGB 108 17 139

HSL 284.75, 0.78%, 0.31%

LAB 27.99, 54.39, -46.46

 

CMYK 18 / 58 / 0 / 16

HEX #B05AD7

RGB 176 90 215

HSL 281.28, 0.61%, 0.6%

LAB 53.44, 55.03, -50.09

 

CMYK 2 / 58 / 0 / 16

HEX #D25AD7

RGB 210 90 215

HSL 297.6, 0.61%, 0.6%

LAB 57.96, 63.55, -42.64

 

CMYK 0 / 58 / 13 / 16

HEX #D75ABA

RGB 215 90 186

HSL 313.92, 0.61%, 0.6%

LAB 57.37, 60.13, -26.97

 

CMYK 0 / 58 / 29 / 16

HEX #D75A99

RGB 215 90 153

HSL 329.76, 0.61%, 0.6%

LAB 56.15, 55.51, -9.69

 

CMYK 0 / 58 / 45 / 16

HEX #D75A77

RGB 215 90 119

HSL 346.08, 0.61%, 0.6%

LAB 55.17, 51.67, 8.89

 

CMYK 18 / 58 / 0 / 16

HEX #B05AD7

RGB 176 90 215

HSL 281.28, 0.61%, 0.6%

LAB 53.44, 55.03, -50.09

 

CMYK 33 / 58 / 0 / 16

HEX #8F5AD7

RGB 143 90 215

HSL 265.44, 0.61%, 0.6%

LAB 49.57, 47.08, -56.5

 

CMYK 49 / 58 / 0 / 16

HEX #6D5AD7

RGB 109 90 215

HSL 249.12, 0.61%, 0.6%

LAB 46.27, 39.64, -61.99

 

CMYK 58 / 58 / 0 / 16

HEX #5A5AD7

RGB 90 90 215

HSL 240, 0.61%, 0.6%

LAB 44.79, 36.05, -64.46

 

CMYK 18 / 58 / 0 / 16

HEX #B05AD7

RGB 176 90 215

HSL 281.28, 0.61%, 0.6%

LAB 53.44, 55.03, -50.09

 

CMYK 21 / 68 / 0 / 9

HEX #B64AE7

RGB 182 74 231

HSL 281.27, 0.77%, 0.6%

LAB 52.52, 66.96, -60.56

 

CMYK 24 / 77 / 0 / 3

HEX #BD39F8

RGB 189 57 248

HSL 281.47, 0.93%, 0.6%

LAB 52.42, 77.86, -70.21

 

CMYK 18 / 58 / 0 / 16

HEX #B05AD7

RGB 176 90 215

HSL 281.28, 0.61%, 0.6%

LAB 53.44, 55.03, -50.09

 

CMYK 14 / 46 / 0 / 22

HEX #AA6BC6

RGB 170 107 198

HSL 281.54, 0.44%, 0.6%

LAB 55.21, 40.98, -37.65

 

CMYK 10 / 32 / 0 / 29

HEX #A47BB6

RGB 164 123 182

HSL 281.69, 0.29%, 0.6%

LAB 57.5, 26.77, -25.01

 

CMYK 5 / 15 / 0 / 35

HEX #9D8CA5

RGB 157 140 165

HSL 280.8, 0.12%, 0.6%

LAB 60.46, 11.13, -10.86

 

CMYK 3 / 0 / 4 / 39

HEX #979C95

RGB 151 156 149

HSL 102.86, 0.03%, 0.6%

LAB 63.78, -3.14, 3.03

 

CMYK 49 / 58 / 0 / 16

HEX #6D5AD7

RGB 109 90 215

HSL 249.12, 0.61%, 0.6%

LAB 46.27, 39.64, -61.99

 

CMYK 34 / 58 / 0 / 16

HEX #8E5AD7

RGB 142 90 215

HSL 264.96, 0.61%, 0.6%

LAB 49.46, 46.85, -56.68

 

CMYK 19 / 58 / 0 / 16

HEX #AF5AD7

RGB 175 90 215

HSL 280.8, 0.61%, 0.6%

LAB 53.31, 54.79, -50.3

 

CMYK 3 / 58 / 0 / 16

HEX #D05AD7

RGB 208 90 215

HSL 296.64, 0.61%, 0.6%

LAB 57.68, 63.04, -43.1

 

CMYK 0 / 58 / 13 / 16

HEX #D75ABC

RGB 215 90 188

HSL 312.96, 0.61%, 0.6%

LAB 57.45, 60.43, -27.99

 

CMYK 23 / 76 / 0 / 30

HEX #892BB3

RGB 137 43 179

HSL 281.47, 0.61%, 0.44%

LAB 38.38, 59.59, -53.68

 

CMYK 23 / 72 / 0 / 19

HEX #A039CF

RGB 160 57 207

HSL 281.2, 0.61%, 0.52%

LAB 45.5, 64.48, -58.36

 

CMYK 18 / 58 / 0 / 16

HEX #B05AD7

RGB 176 90 215

HSL 281.28, 0.61%, 0.6%

LAB 53.44, 55.03, -50.09

 

CMYK 14 / 45 / 0 / 13

HEX #C07BDF

RGB 192 123 223

HSL 281.4, 0.61%, 0.68%

LAB 62.25, 43.96, -40.54

 

CMYK 10 / 32 / 0 / 9

HEX #D09DE7

RGB 208 157 231

HSL 281.35, 0.61%, 0.76%

LAB 71.75, 31.98, -30.06

 

CMYK 18 / 59 / 0 / 16

HEX #B059D7

RGB 176 89 215

HSL 281.43, 0.61%, 0.6%

LAB 53.26, 55.52, -50.38

 

CMYK 0 / 58 / 51 / 16

HEX #D75A69

RGB 215 90 105

HSL 352.8, 0.61%, 0.6%

LAB 54.84, 50.37, 16.7

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 18 / 59 / 0 / 16

HEX #B059D7

RGB 176 89 215

HSL 281.43, 0.61%, 0.6%

LAB 53.26, 55.52, -50.38

 

CMYK 0 / 19 / 58 / 16

HEX #D7AF5A

RGB 215 175 90

HSL 40.8, 0.61%, 0.6%

LAB 73.44, 4.73, 48.37

 

CMYK 58 / 0 / 19 / 16

HEX #5AD7AF

RGB 90 215 175

HSL 160.8, 0.61%, 0.6%

LAB 78.39, -44.22, 9.42

 

CMYK 18 / 59 / 0 / 16

HEX #B059D7

RGB 176 89 215

HSL 281.43, 0.61%, 0.6%

LAB 53.26, 55.52, -50.38

 

CMYK 0 / 58 / 51 / 16

HEX #D75A69

RGB 215 90 105

HSL 352.8, 0.61%, 0.6%

LAB 54.84, 50.37, 16.7

 

CMYK 40 / 0 / 58 / 16

HEX #82D75A

RGB 130 215 90

HSL 100.8, 0.61%, 0.6%

LAB 78.51, -47.8, 52.68

 

CMYK 58 / 0 / 7 / 16

HEX #5AD7C8

RGB 90 215 200

HSL 172.8, 0.61%, 0.6%

LAB 79.01, -38.16, -3.02

 

CMYK 18 / 59 / 0 / 16

HEX #B059D7

RGB 176 89 215

HSL 281.43, 0.61%, 0.6%

LAB 53.26, 55.52, -50.38

 

CMYK 0 / 47 / 58 / 16

HEX #D7715A

RGB 215 113 90

HSL 11.04, 0.61%, 0.6%

LAB 58.97, 37.86, 30.78

 

CMYK 40 / 0 / 58 / 16

HEX #82D75A

RGB 130 215 90

HSL 100.8, 0.61%, 0.6%

LAB 78.51, -47.8, 52.68

 

CMYK 58 / 11 / 0 / 16

HEX #5AC0D7

RGB 90 192 215

HSL 191.04, 0.61%, 0.6%

LAB 72.75, -23.02, -20.48

 

Description

Color code: HEX #B059D7 | qconv.com Color code: HEX #B059D7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 89 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 89 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 59 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 59% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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