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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5AD77E it is the complementary color #A52881. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5AD77E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5AD77E shade: #5FD779, #70E98C, #81FB9F, #92FFB2 and #A3FFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5AD77E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5AD77E shade: #5AD77E, #49C56B, #38B358, #27A145 and #168F32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5AD77E shade: #5AD77E, #5AD75D, #7AD75A, #9BD75A and #BDD75A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5AD77E shade: #5AD77E, #5AD7A0, #5AD7C1, #5ACBD7 and #5AA9D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5AD77E shade matches the following richer shades: #5AD77E, #4AE777 and #39F870

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5AD77E shade: #5AD77E, #6BC685, #7BB68C, #8CA593 and #9C959A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5AD77E shade: #79D75A, #5AD75C, #5AD77E, #5AD79F and #5AD7C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5AD77E shade: #2BB352, #39CF64, #5AD77E, #7BDF98 and #9DE7B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5AD77E shade: #5AD77E, #5A9BD7 and #D75A69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5AD77E shade: #5AD77E, #7E5AD7 and #D77E5A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5AD77E shade: #5AD77E, #5A9BD7, #D75AB3 and #D7965A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5AD77E shade: #5AD77E, #5A75D7, #D75AB3 and #D7BC5A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

Complementary color

CMYK 0 / 76 / 22 / 35

HEX #A52881

RGB 165 40 129

HSL 317.28, 0.61%, 0.4%

LAB 39.75, 58.26, -20.96

 

CMYK 56 / 0 / 44 / 16

HEX #5FD779

RGB 95 215 121

HSL 133, 0.6%, 0.61%

LAB 77.53, -53.6, 36.39

 

CMYK 52 / 0 / 40 / 9

HEX #70E98C

RGB 112 233 140

HSL 133.88, 0.73%, 0.68%

LAB 83.77, -53.61, 35.07

 

CMYK 49 / 0 / 37 / 2

HEX #81FB9F

RGB 129 251 159

HSL 134.75, 0.94%, 0.75%

LAB 89.94, -53.51, 33.81

 

CMYK 43 / 0 / 30 / 0

HEX #92FFB2

RGB 146 255 178

HSL 137.61, 1%, 0.79%

LAB 92.06, -47.5, 27.24

 

CMYK 36 / 0 / 23 / 0

HEX #A3FFC5

RGB 163 255 197

HSL 142.17, 1%, 0.82%

LAB 93.16, -39.37, 19.21

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 63 / 0 / 46 / 23

HEX #49C56B

RGB 73 197 107

HSL 136.45, 0.52%, 0.53%

LAB 71.15, -53.74, 35.15

 

CMYK 69 / 0 / 51 / 30

HEX #38B358

RGB 56 179 88

HSL 135.61, 0.52%, 0.46%

LAB 64.79, -53.28, 36.64

 

CMYK 76 / 0 / 57 / 37

HEX #27A145

RGB 39 161 69

HSL 134.75, 0.61%, 0.39%

LAB 58.37, -52.44, 38.15

 

CMYK 85 / 0 / 65 / 44

HEX #168F32

RGB 22 143 50

HSL 133.88, 0.73%, 0.32%

LAB 51.89, -50.98, 39.61

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 58 / 0 / 57 / 16

HEX #5AD75D

RGB 90 215 93

HSL 121.44, 0.61%, 0.6%

LAB 77.02, -58.66, 49.2

 

CMYK 43 / 0 / 58 / 16

HEX #7AD75A

RGB 122 215 90

HSL 104.64, 0.61%, 0.6%

LAB 78.16, -50.31, 52.18

 

CMYK 28 / 0 / 58 / 16

HEX #9BD75A

RGB 155 215 90

HSL 88.8, 0.61%, 0.6%

LAB 79.79, -39.24, 54.48

 

CMYK 12 / 0 / 58 / 16

HEX #BDD75A

RGB 189 215 90

HSL 72.48, 0.61%, 0.6%

LAB 81.92, -26.33, 57.47

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 58 / 0 / 26 / 16

HEX #5AD7A0

RGB 90 215 160

HSL 153.6, 0.61%, 0.6%

LAB 78.06, -47.52, 16.92

 

CMYK 58 / 0 / 10 / 16

HEX #5AD7C1

RGB 90 215 193

HSL 169.44, 0.61%, 0.6%

LAB 78.82, -39.92, 0.45

 

CMYK 58 / 6 / 0 / 16

HEX #5ACBD7

RGB 90 203 215

HSL 185.76, 0.61%, 0.6%

LAB 75.94, -28.48, -15.65

 

CMYK 58 / 21 / 0 / 16

HEX #5AA9D7

RGB 90 169 215

HSL 202.08, 0.61%, 0.6%

LAB 66.1, -10.94, -30.66

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 68 / 0 / 48 / 9

HEX #4AE777

RGB 74 231 119

HSL 137.2, 0.77%, 0.6%

LAB 81.81, -64.12, 42.68

 

CMYK 77 / 0 / 55 / 3

HEX #39F870

RGB 57 248 112

HSL 137.28, 0.93%, 0.6%

LAB 86.59, -73.28, 51.74

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 46 / 0 / 33 / 22

HEX #6BC685

RGB 107 198 133

HSL 137.14, 0.44%, 0.6%

LAB 73.03, -41.46, 24.36

 

CMYK 32 / 0 / 23 / 29

HEX #7BB68C

RGB 123 182 140

HSL 137.29, 0.29%, 0.6%

LAB 69.16, -28.02, 15.41

 

CMYK 15 / 0 / 11 / 35

HEX #8CA593

RGB 140 165 147

HSL 136.8, 0.12%, 0.6%

LAB 65.43, -12.32, 6.43

 

CMYK 0 / 4 / 1 / 39

HEX #9C959A

RGB 156 149 154

HSL 317.14, 0.03%, 0.6%

LAB 62.42, 3.51, -1.72

 

CMYK 44 / 0 / 58 / 16

HEX #79D75A

RGB 121 215 90

HSL 105.12, 0.61%, 0.6%

LAB 78.11, -50.62, 52.12

 

CMYK 58 / 0 / 57 / 16

HEX #5AD75C

RGB 90 215 92

HSL 120.96, 0.61%, 0.6%

LAB 77.01, -58.78, 49.65

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 58 / 0 / 26 / 16

HEX #5AD79F

RGB 90 215 159

HSL 153.12, 0.61%, 0.6%

LAB 78.04, -47.73, 17.42

 

CMYK 58 / 0 / 11 / 16

HEX #5AD7C0

RGB 90 215 192

HSL 168.96, 0.61%, 0.6%

LAB 78.8, -40.17, 0.95

 

CMYK 76 / 0 / 54 / 30

HEX #2BB352

RGB 43 179 82

HSL 137.21, 0.61%, 0.44%

LAB 64.45, -56.29, 39.13

 

CMYK 72 / 0 / 52 / 19

HEX #39CF64

RGB 57 207 100

HSL 137.2, 0.61%, 0.52%

LAB 73.81, -61.31, 41.87

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 45 / 0 / 32 / 13

HEX #7BDF98

RGB 123 223 152

HSL 137.4, 0.61%, 0.68%

LAB 81.43, -44.57, 25.92

 

CMYK 32 / 0 / 23 / 9

HEX #9DE7B2

RGB 157 231 178

HSL 137.03, 0.61%, 0.76%

LAB 85.77, -33.66, 18.65

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 58 / 28 / 0 / 16

HEX #5A9BD7

RGB 90 155 215

HSL 208.8, 0.61%, 0.6%

LAB 62.1, -3.15, -36.87

 

CMYK 0 / 58 / 51 / 16

HEX #D75A69

RGB 215 90 105

HSL 352.8, 0.61%, 0.6%

LAB 54.84, 50.37, 16.7

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 41 / 58 / 0 / 16

HEX #7E5AD7

RGB 126 90 215

HSL 257.28, 0.61%, 0.6%

LAB 47.82, 43.23, -59.41

 

CMYK 0 / 41 / 58 / 16

HEX #D77E5A

RGB 215 126 90

HSL 17.28, 0.61%, 0.6%

LAB 61.75, 31.05, 34.28

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 58 / 28 / 0 / 16

HEX #5A9BD7

RGB 90 155 215

HSL 208.8, 0.61%, 0.6%

LAB 62.1, -3.15, -36.87

 

CMYK 0 / 58 / 17 / 16

HEX #D75AB3

RGB 215 90 179

HSL 317.28, 0.61%, 0.6%

LAB 57.09, 59.08, -23.37

 

CMYK 0 / 30 / 58 / 16

HEX #D7965A

RGB 215 150 90

HSL 28.8, 0.61%, 0.6%

LAB 67.28, 18.16, 41.06

 

CMYK 58 / 0 / 41 / 16

HEX #5AD77E

RGB 90 215 126

HSL 137.28, 0.61%, 0.6%

LAB 77.45, -53.94, 33.74

 

CMYK 58 / 46 / 0 / 16

HEX #5A75D7

RGB 90 117 215

HSL 227.04, 0.61%, 0.6%

LAB 51.61, 19.43, -53.46

 

CMYK 0 / 58 / 17 / 16

HEX #D75AB3

RGB 215 90 179

HSL 317.28, 0.61%, 0.6%

LAB 57.09, 59.08, -23.37

 

CMYK 0 / 13 / 58 / 16

HEX #D7BC5A

RGB 215 188 90

HSL 47.04, 0.61%, 0.6%

LAB 76.77, -2.11, 52.2

 

Description

Color code: HEX #5AD77E | qconv.com Color code: HEX #5AD77E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 90 red, 215 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
90 215 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 41 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 41% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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