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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFED81 it is the complementary color #50127E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFED81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFED81 shade: #B4ED7C, #C5FF8F, #D6FFA2, #E7FFB5 and #F8FFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFED81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFED81 shade: #AFED81, #9EDB6E, #8DC95B, #7CB748 and #6BA535

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFED81 shade: #AFED82, #CCED82, #E9ED82, #EDD382 and #EDB782

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFED81 shade: #AFED82, #92ED82, #82ED8E, #82EDAB and #82EDC7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFED81 shade matches the following richer shades: #AFED82 and #ADF876

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFED81 shade: #AFED82, #B1E18D, #B3D699, #B4CAA4 and #B6BEB0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFED81 shade: #E9ED82, #CDED82, #B0ED82, #93ED82 and #82ED8C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFED81 shade: #81E239, #98E75D, #AFED82, #C6F2A6 and #DDF7CA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFED81 shade: #AFED81, #82EDD4 and #ED82DB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFED81 shade: #AFED81, #82B0ED and #ED82B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFED81 shade: #AFED81, #82EDD4, #BE82ED and #ED829B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFED81 shade: #AFED81, #82E6ED, #BE82ED and #ED8982

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 46 / 7

HEX #AFED81

RGB 175 237 129

HSL 94.44, 0.75%, 0.72%

LAB 87.61, -37.87, 45.97

 

Complementary color

CMYK 37 / 86 / 0 / 51

HEX #50127E

RGB 80 18 126

HSL 274.44, 0.75%, 0.28%

LAB 22.46, 46.67, -47.49

 

CMYK 24 / 0 / 48 / 7

HEX #B4ED7C

RGB 180 237 124

HSL 90.27, 0.76%, 0.71%

LAB 87.84, -36.69, 48.69

 

CMYK 23 / 0 / 44 / 0

HEX #C5FF8F

RGB 197 255 143

HSL 91.07, 1%, 0.78%

LAB 94.04, -36.67, 47.57

 

CMYK 16 / 0 / 36 / 0

HEX #D6FFA2

RGB 214 255 162

HSL 86.45, 1%, 0.82%

LAB 95.34, -28.35, 40.22

 

CMYK 9 / 0 / 29 / 0

HEX #E7FFB5

RGB 231 255 181

HSL 79.46, 1%, 0.85%

LAB 96.76, -19.8, 32.86

 

CMYK 3 / 0 / 22 / 0

HEX #F8FFC8

RGB 248 255 200

HSL 67.64, 1%, 0.89%

LAB 98.29, -11.11, 25.57

 

CMYK 26 / 0 / 46 / 7

HEX #AFED81

RGB 175 237 129

HSL 94.44, 0.75%, 0.72%

LAB 87.61, -37.87, 45.97

 

CMYK 28 / 0 / 50 / 14

HEX #9EDB6E

RGB 158 219 110

HSL 93.58, 0.6%, 0.65%

LAB 81.32, -37.92, 47.11

 

CMYK 30 / 0 / 55 / 21

HEX #8DC95B

RGB 141 201 91

HSL 92.73, 0.5%, 0.57%

LAB 74.95, -37.91, 48.23

 

CMYK 32 / 0 / 61 / 28

HEX #7CB748

RGB 124 183 72

HSL 91.89, 0.44%, 0.5%

LAB 68.48, -37.82, 49.25

 

CMYK 35 / 0 / 68 / 35

HEX #6BA535

RGB 107 165 53

HSL 91.07, 0.51%, 0.43%

LAB 61.91, -37.61, 50.02

 

CMYK 26 / 0 / 45 / 7

HEX #AFED82

RGB 175 237 130

HSL 94.77, 0.75%, 0.72%

LAB 87.63, -37.75, 45.5

 

CMYK 14 / 0 / 45 / 7

HEX #CCED82

RGB 204 237 130

HSL 78.5, 0.75%, 0.72%

LAB 89.4, -27.28, 48.1

 

CMYK 2 / 0 / 45 / 7

HEX #E9ED82

RGB 233 237 130

HSL 62.24, 0.75%, 0.72%

LAB 91.46, -16.19, 51.09

 

CMYK 0 / 11 / 45 / 7

HEX #EDD382

RGB 237 211 130

HSL 45.42, 0.75%, 0.72%

LAB 85.1, -1.57, 43.28

 

CMYK 0 / 23 / 45 / 7

HEX #EDB782

RGB 237 183 130

HSL 29.72, 0.75%, 0.72%

LAB 78.16, 13.03, 34.41

 

CMYK 26 / 0 / 45 / 7

HEX #AFED82

RGB 175 237 130

HSL 94.77, 0.75%, 0.72%

LAB 87.63, -37.75, 45.5

 

CMYK 38 / 0 / 45 / 7

HEX #92ED82

RGB 146 237 130

HSL 111.03, 0.75%, 0.72%

LAB 86.15, -47.27, 43.34

 

CMYK 45 / 0 / 40 / 7

HEX #82ED8E

RGB 130 237 142

HSL 126.73, 0.75%, 0.72%

LAB 85.64, -50.22, 36.64

 

CMYK 45 / 0 / 28 / 7

HEX #82EDAB

RGB 130 237 171

HSL 142.99, 0.75%, 0.72%

LAB 86.13, -45.29, 22.58

 

CMYK 45 / 0 / 16 / 7

HEX #82EDC7

RGB 130 237 199

HSL 158.69, 0.75%, 0.72%

LAB 86.72, -39.67, 8.87

 

CMYK 26 / 0 / 45 / 7

HEX #AFED82

RGB 175 237 130

HSL 94.77, 0.75%, 0.72%

LAB 87.63, -37.75, 45.5

 

CMYK 30 / 0 / 52 / 3

HEX #ADF876

RGB 173 248 118

HSL 94.62, 0.9%, 0.72%

LAB 90.47, -44.63, 54.58

 

CMYK 26 / 0 / 45 / 7

HEX #AFED82

RGB 175 237 130

HSL 94.77, 0.75%, 0.72%

LAB 87.63, -37.75, 45.5

 

CMYK 21 / 0 / 37 / 12

HEX #B1E18D

RGB 177 225 141

HSL 94.29, 0.58%, 0.72%

LAB 84.55, -30.13, 36.17

 

CMYK 16 / 0 / 29 / 16

HEX #B3D699

RGB 179 214 153

HSL 94.43, 0.43%, 0.72%

LAB 81.83, -22.42, 26.43

 

CMYK 11 / 0 / 19 / 21

HEX #B4CAA4

RGB 180 202 164

HSL 94.74, 0.26%, 0.72%

LAB 78.82, -14.34, 16.52

 

CMYK 4 / 0 / 7 / 25

HEX #B6BEB0

RGB 182 190 176

HSL 94.29, 0.1%, 0.72%

LAB 76.01, -5.35, 6.1

 

CMYK 2 / 0 / 45 / 7

HEX #E9ED82

RGB 233 237 130

HSL 62.24, 0.75%, 0.72%

LAB 91.46, -16.19, 51.09

 

CMYK 14 / 0 / 45 / 7

HEX #CDED82

RGB 205 237 130

HSL 77.94, 0.75%, 0.72%

LAB 89.47, -26.9, 48.19

 

CMYK 26 / 0 / 45 / 7

HEX #B0ED82

RGB 176 237 130

HSL 94.21, 0.75%, 0.72%

LAB 87.68, -37.4, 45.59

 

CMYK 38 / 0 / 45 / 7

HEX #93ED82

RGB 147 237 130

HSL 110.47, 0.75%, 0.72%

LAB 86.2, -46.96, 43.4

 

CMYK 45 / 0 / 41 / 7

HEX #82ED8C

RGB 130 237 140

HSL 125.61, 0.75%, 0.72%

LAB 85.61, -50.52, 37.6

 

CMYK 43 / 0 / 75 / 11

HEX #81E239

RGB 129 226 57

HSL 94.44, 0.74%, 0.55%

LAB 81.49, -55.16, 68.65

 

CMYK 34 / 0 / 60 / 9

HEX #98E75D

RGB 152 231 93

HSL 94.35, 0.74%, 0.64%

LAB 84.29, -46.95, 58.21

 

CMYK 26 / 0 / 45 / 7

HEX #AFED82

RGB 175 237 130

HSL 94.77, 0.75%, 0.72%

LAB 87.63, -37.75, 45.5

 

CMYK 18 / 0 / 31 / 5

HEX #C6F2A6

RGB 198 242 166

HSL 94.74, 0.75%, 0.8%

LAB 90.9, -27.32, 32.18

 

CMYK 11 / 0 / 18 / 3

HEX #DDF7CA

RGB 221 247 202

HSL 94.67, 0.74%, 0.88%

LAB 94.38, -16.34, 18.84

 

CMYK 26 / 0 / 46 / 7

HEX #AFED81

RGB 175 237 129

HSL 94.44, 0.75%, 0.72%

LAB 87.61, -37.87, 45.97

 

CMYK 45 / 0 / 11 / 7

HEX #82EDD4

RGB 130 237 212

HSL 165.98, 0.75%, 0.72%

LAB 87.03, -36.8, 2.51

 

CMYK 0 / 45 / 8 / 7

HEX #ED82DB

RGB 237 130 219

HSL 310.09, 0.75%, 0.72%

LAB 68.81, 52.83, -27.71

 

CMYK 26 / 0 / 46 / 7

HEX #AFED81

RGB 175 237 129

HSL 94.44, 0.75%, 0.72%

LAB 87.61, -37.87, 45.97

 

CMYK 45 / 26 / 0 / 7

HEX #82B0ED

RGB 130 176 237

HSL 214.21, 0.75%, 0.72%

LAB 70.81, 0.57, -35.28

 

CMYK 0 / 45 / 26 / 7

HEX #ED82B0

RGB 237 130 176

HSL 334.21, 0.75%, 0.72%

LAB 67.36, 46.33, -5.88

 

CMYK 26 / 0 / 46 / 7

HEX #AFED81

RGB 175 237 129

HSL 94.44, 0.75%, 0.72%

LAB 87.61, -37.87, 45.97

 

CMYK 45 / 0 / 11 / 7

HEX #82EDD4

RGB 130 237 212

HSL 165.98, 0.75%, 0.72%

LAB 87.03, -36.8, 2.51

 

CMYK 20 / 45 / 0 / 7

HEX #BE82ED

RGB 190 130 237

HSL 273.64, 0.75%, 0.72%

LAB 64.18, 42.65, -45.29

 

CMYK 0 / 45 / 35 / 7

HEX #ED829B

RGB 237 130 155

HSL 345.98, 0.75%, 0.72%

LAB 66.78, 43.64, 5.13

 

CMYK 26 / 0 / 46 / 7

HEX #AFED81

RGB 175 237 129

HSL 94.44, 0.75%, 0.72%

LAB 87.61, -37.87, 45.97

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 20 / 45 / 0 / 7

HEX #BE82ED

RGB 190 130 237

HSL 273.64, 0.75%, 0.72%

LAB 64.18, 42.65, -45.29

 

CMYK 0 / 42 / 45 / 7

HEX #ED8982

RGB 237 137 130

HSL 3.93, 0.75%, 0.72%

LAB 67.66, 37.31, 20.42

 

Description

Color code: HEX #AFED81 | qconv.com Color code: HEX #AFED81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 237 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 237 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 46 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 46% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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