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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #82E6ED it is the complementary color #7D1912. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #82E6ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #82E6ED shade: #87E6E8, #98F8FB, #A9FFFF, #BAFFFF and #CBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #82E6ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #82E6ED shade: #82E6ED, #71D4DA, #60C2C7, #4FB0B4 and #3E9EA1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #82E6ED shade: #82E6ED, #82C9ED, #82ACED, #828FED and #9182ED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #82E6ED shade: #82E6ED, #82C9ED, #82ACED, #828FED and #8282ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #82E6ED shade matches the following richer shades: #82E6ED and #76F0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #82E6ED shade: #82E6ED, #8DDCE1, #99D2D6, #A4C8CA and #B0BDBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #82E6ED shade: #82EDB9, #82EDD5, #82E7ED, #82CBED and #82AEED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #82E6ED shade: #39D7E2, #5DDEE7, #82E6ED, #A6EDF2 and #CAF4F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #82E6ED shade: #82E6ED, #9C82ED and #EDC782

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #82E6ED shade: #82E6ED, #ED82E7 and #E7ED82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #82E6ED shade: #82E6ED, #9C82ED, #ED8782 and #D2ED82

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #82E6ED shade: #82E6ED, #BC82ED, #ED8782 and #B2ED82

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

Complementary color

CMYK 0 / 80 / 86 / 51

HEX #7D1912

RGB 125 25 18

HSL 3.93, 0.75%, 0.28%

LAB 27.01, 41.76, 31.1

 

CMYK 42 / 1 / 0 / 9

HEX #87E6E8

RGB 135 230 232

HSL 181.24, 0.68%, 0.72%

LAB 85.79, -27.59, -9.8

 

CMYK 39 / 1 / 0 / 2

HEX #98F8FB

RGB 152 248 251

HSL 181.82, 0.93%, 0.79%

LAB 92.03, -27.57, -10.38

 

CMYK 34 / 0 / 0 / 0

HEX #A9FFFF

RGB 169 255 255

HSL 180, 1%, 0.83%

LAB 94.81, -25.74, -8.24

 

CMYK 27 / 0 / 0 / 0

HEX #BAFFFF

RGB 186 255 255

HSL 180, 1%, 0.86%

LAB 95.66, -21.17, -6.9

 

CMYK 20 / 0 / 0 / 0

HEX #CBFFFF

RGB 203 255 255

HSL 180, 1%, 0.9%

LAB 96.59, -16.31, -5.41

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 48 / 3 / 0 / 15

HEX #71D4DA

RGB 113 212 218

HSL 183.43, 0.59%, 0.65%

LAB 79.42, -27.43, -11.96

 

CMYK 52 / 3 / 0 / 22

HEX #60C2C7

RGB 96 194 199

HSL 182.91, 0.48%, 0.58%

LAB 73.02, -27.3, -11.34

 

CMYK 56 / 2 / 0 / 29

HEX #4FB0B4

RGB 79 176 180

HSL 182.38, 0.4%, 0.51%

LAB 66.53, -27.08, -10.67

 

CMYK 61 / 2 / 0 / 37

HEX #3E9EA1

RGB 62 158 161

HSL 181.82, 0.44%, 0.44%

LAB 59.93, -26.74, -9.94

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 45 / 15 / 0 / 7

HEX #82C9ED

RGB 130 201 237

HSL 200.19, 0.75%, 0.72%

LAB 77.66, -12.91, -24.74

 

CMYK 45 / 27 / 0 / 7

HEX #82ACED

RGB 130 172 237

HSL 216.45, 0.75%, 0.72%

LAB 69.73, 2.8, -36.95

 

CMYK 45 / 40 / 0 / 7

HEX #828FED

RGB 130 143 237

HSL 232.71, 0.75%, 0.72%

LAB 62.09, 19.44, -48.94

 

CMYK 39 / 45 / 0 / 7

HEX #9182ED

RGB 145 130 237

HSL 248.41, 0.75%, 0.72%

LAB 59.98, 30.7, -52.22

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 45 / 15 / 0 / 7

HEX #82C9ED

RGB 130 201 237

HSL 200.19, 0.75%, 0.72%

LAB 77.66, -12.91, -24.74

 

CMYK 45 / 27 / 0 / 7

HEX #82ACED

RGB 130 172 237

HSL 216.45, 0.75%, 0.72%

LAB 69.73, 2.8, -36.95

 

CMYK 45 / 40 / 0 / 7

HEX #828FED

RGB 130 143 237

HSL 232.71, 0.75%, 0.72%

LAB 62.09, 19.44, -48.94

 

CMYK 45 / 45 / 0 / 7

HEX #8282ED

RGB 130 130 237

HSL 240, 0.75%, 0.72%

LAB 58.81, 27.08, -54.14

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 52 / 3 / 0 / 3

HEX #76F0F8

RGB 118 240 248

HSL 183.69, 0.9%, 0.72%

LAB 88.42, -32, -14.34

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 37 / 2 / 0 / 12

HEX #8DDCE1

RGB 141 220 225

HSL 183.57, 0.58%, 0.72%

LAB 83.06, -22.92, -10.13

 

CMYK 29 / 2 / 0 / 16

HEX #99D2D6

RGB 153 210 214

HSL 183.93, 0.43%, 0.72%

LAB 80.58, -17.25, -7.89

 

CMYK 19 / 1 / 0 / 21

HEX #A4C8CA

RGB 164 200 202

HSL 183.16, 0.26%, 0.72%

LAB 78.15, -11.48, -4.98

 

CMYK 7 / 1 / 0 / 25

HEX #B0BDBE

RGB 176 189 190

HSL 184.29, 0.1%, 0.72%

LAB 75.66, -4.27, -2.05

 

CMYK 45 / 0 / 22 / 7

HEX #82EDB9

RGB 130 237 185

HSL 150.84, 0.75%, 0.72%

LAB 86.41, -42.58, 15.73

 

CMYK 45 / 0 / 10 / 7

HEX #82EDD5

RGB 130 237 213

HSL 166.54, 0.75%, 0.72%

LAB 87.05, -36.58, 2.02

 

CMYK 45 / 3 / 0 / 7

HEX #82E7ED

RGB 130 231 237

HSL 183.36, 0.75%, 0.72%

LAB 86.01, -27.99, -12.13

 

CMYK 45 / 14 / 0 / 7

HEX #82CBED

RGB 130 203 237

HSL 199.07, 0.75%, 0.72%

LAB 78.21, -13.95, -23.89

 

CMYK 45 / 27 / 0 / 7

HEX #82AEED

RGB 130 174 237

HSL 215.33, 0.75%, 0.72%

LAB 70.27, 1.68, -36.11

 

CMYK 75 / 5 / 0 / 11

HEX #39D7E2

RGB 57 215 226

HSL 183.91, 0.74%, 0.55%

LAB 79.02, -35.76, -16.99

 

CMYK 60 / 4 / 0 / 9

HEX #5DDEE7

RGB 93 222 231

HSL 183.91, 0.74%, 0.64%

LAB 82.02, -32.64, -15.06

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 31 / 2 / 0 / 5

HEX #A6EDF2

RGB 166 237 242

HSL 183.95, 0.75%, 0.8%

LAB 89.43, -20.74, -9.48

 

CMYK 18 / 1 / 0 / 3

HEX #CAF4F7

RGB 202 244 247

HSL 184, 0.74%, 0.88%

LAB 93.44, -12.79, -5.93

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 34 / 45 / 0 / 7

HEX #9C82ED

RGB 156 130 237

HSL 254.58, 0.75%, 0.72%

LAB 60.91, 33.5, -50.68

 

CMYK 0 / 16 / 45 / 7

HEX #EDC782

RGB 237 199 130

HSL 38.69, 0.75%, 0.72%

LAB 82.09, 4.63, 39.47

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 0 / 45 / 3 / 7

HEX #ED82E7

RGB 237 130 231

HSL 303.36, 0.75%, 0.72%

LAB 69.28, 54.86, -33.62

 

CMYK 3 / 0 / 45 / 7

HEX #E7ED82

RGB 231 237 130

HSL 63.36, 0.75%, 0.72%

LAB 91.31, -16.96, 50.87

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 34 / 45 / 0 / 7

HEX #9C82ED

RGB 156 130 237

HSL 254.58, 0.75%, 0.72%

LAB 60.91, 33.5, -50.68

 

CMYK 0 / 43 / 45 / 7

HEX #ED8782

RGB 237 135 130

HSL 2.8, 0.75%, 0.72%

LAB 67.24, 38.34, 19.84

 

CMYK 11 / 0 / 45 / 7

HEX #D2ED82

RGB 210 237 130

HSL 75.14, 0.75%, 0.72%

LAB 89.8, -25.02, 48.68

 

CMYK 45 / 3 / 0 / 7

HEX #82E6ED

RGB 130 230 237

HSL 183.93, 0.75%, 0.72%

LAB 85.73, -27.51, -12.54

 

CMYK 21 / 45 / 0 / 7

HEX #BC82ED

RGB 188 130 237

HSL 272.52, 0.75%, 0.72%

LAB 63.98, 42.09, -45.63

 

CMYK 0 / 43 / 45 / 7

HEX #ED8782

RGB 237 135 130

HSL 2.8, 0.75%, 0.72%

LAB 67.24, 38.34, 19.84

 

CMYK 25 / 0 / 45 / 7

HEX #B2ED82

RGB 178 237 130

HSL 93.08, 0.75%, 0.72%

LAB 87.8, -36.71, 45.75

 

Description

Color code: HEX #82E6ED | qconv.com Color code: HEX #82E6ED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 130 red, 230 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
130 230 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 3 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 3% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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