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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFEC54 it is the complementary color #5013AB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFEC54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFEC54 shade: #B4EC4F, #C5FE62, #D6FF75, #E7FF88 and #F8FF9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFEC54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFEC54 shade: #AFEC54, #9EDA41, #8DC82E, #7CB61B and #6BA408

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFEC54 shade: #AFEC55, #D8EC55, #ECD755, #ECAE55 and #EC8555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFEC54 shade: #AFEC55, #86EC55, #5EEC55, #55EC74 and #55EC9D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFEC54 shade matches the following richer shades: #AFEC55 and #B2FB45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFEC54 shade: #AFEC55, #ACDC64, #A9CD73, #A6BE82 and #A3AF92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFEC54 shade: #ECD855, #D8EC55, #AFEC55, #87EC55 and #5FEC55

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFEC54 shade: #8AD617, #9EE830, #AFEC55, #C0F07A and #D2F49F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFEC54 shade: #AFEC54, #55ECAF and #EC55EC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFEC54 shade: #AFEC54, #55AFEC and #EC55AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFEC54 shade: #AFEC54, #55ECAF, #9155EC and #EC5591

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFEC54 shade: #AFEC54, #55ECDD, #9155EC and #EC5564

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 0 / 64 / 7

HEX #AFEC54

RGB 175 236 84

HSL 84.08, 0.8%, 0.63%

LAB 86.87, -41.75, 65.11

 

Complementary color

CMYK 53 / 89 / 0 / 33

HEX #5013AB

RGB 80 19 171

HSL 264.08, 0.8%, 0.37%

LAB 27.05, 57.3, -67.74

 

CMYK 24 / 0 / 67 / 7

HEX #B4EC4F

RGB 180 236 79

HSL 81.4, 0.81%, 0.62%

LAB 87.12, -40.26, 67.4

 

CMYK 22 / 0 / 61 / 0

HEX #C5FE62

RGB 197 254 98

HSL 81.92, 0.99%, 0.69%

LAB 93.29, -40.57, 66.79

 

CMYK 16 / 0 / 54 / 0

HEX #D6FF75

RGB 214 255 117

HSL 77.83, 1%, 0.73%

LAB 94.78, -33.18, 60.68

 

CMYK 9 / 0 / 47 / 0

HEX #E7FF88

RGB 231 255 136

HSL 72.1, 1%, 0.77%

LAB 96.12, -25.03, 53.91

 

CMYK 3 / 0 / 39 / 0

HEX #F8FF9B

RGB 248 255 155

HSL 64.2, 1%, 0.8%

LAB 97.57, -16.67, 46.96

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC54

RGB 175 236 84

HSL 84.08, 0.8%, 0.63%

LAB 86.87, -41.75, 65.11

 

CMYK 28 / 0 / 70 / 15

HEX #9EDA41

RGB 158 218 65

HSL 83.53, 0.67%, 0.55%

LAB 80.62, -41.39, 65.55

 

CMYK 30 / 0 / 77 / 22

HEX #8DC82E

RGB 141 200 46

HSL 82.99, 0.63%, 0.48%

LAB 74.3, -40.9, 65.46

 

CMYK 32 / 0 / 85 / 29

HEX #7CB61B

RGB 124 182 27

HSL 82.45, 0.74%, 0.41%

LAB 67.89, -40.21, 64.49

 

CMYK 35 / 0 / 95 / 36

HEX #6BA408

RGB 107 164 8

HSL 81.92, 0.91%, 0.34%

LAB 61.39, -39.27, 62.1

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC55

RGB 175 236 85

HSL 84.24, 0.8%, 0.63%

LAB 86.88, -41.67, 64.72

 

CMYK 8 / 0 / 64 / 7

HEX #D8EC55

RGB 216 236 85

HSL 67.95, 0.8%, 0.63%

LAB 89.51, -25.97, 68.3

 

CMYK 0 / 9 / 64 / 7

HEX #ECD755

RGB 236 215 85

HSL 51.66, 0.8%, 0.63%

LAB 85.55, -7.53, 64.6

 

CMYK 0 / 26 / 64 / 7

HEX #ECAE55

RGB 236 174 85

HSL 35.36, 0.8%, 0.63%

LAB 75.3, 13.73, 53.44

 

CMYK 0 / 44 / 64 / 7

HEX #EC8555

RGB 236 133 85

HSL 19.07, 0.8%, 0.63%

LAB 65.95, 35.35, 42.69

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC55

RGB 175 236 85

HSL 84.24, 0.8%, 0.63%

LAB 86.88, -41.67, 64.72

 

CMYK 43 / 0 / 64 / 7

HEX #86EC55

RGB 134 236 85

HSL 100.53, 0.8%, 0.63%

LAB 84.85, -55.48, 61.94

 

CMYK 60 / 0 / 64 / 7

HEX #5EEC55

RGB 94 236 85

HSL 116.42, 0.8%, 0.63%

LAB 83.46, -66.09, 60.01

 

CMYK 64 / 0 / 51 / 7

HEX #55EC74

RGB 85 236 116

HSL 132.32, 0.8%, 0.63%

LAB 83.54, -64.31, 46.32

 

CMYK 64 / 0 / 33 / 7

HEX #55EC9D

RGB 85 236 157

HSL 148.61, 0.8%, 0.63%

LAB 84.15, -57.53, 26.83

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC55

RGB 175 236 85

HSL 84.24, 0.8%, 0.63%

LAB 86.88, -41.67, 64.72

 

CMYK 29 / 0 / 73 / 2

HEX #B2FB45

RGB 178 251 69

HSL 84.07, 0.96%, 0.63%

LAB 91.18, -48.06, 75

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC55

RGB 175 236 85

HSL 84.24, 0.8%, 0.63%

LAB 86.88, -41.67, 64.72

 

CMYK 22 / 0 / 55 / 14

HEX #ACDC64

RGB 172 220 100

HSL 84, 0.63%, 0.63%

LAB 82.31, -34.33, 53.15

 

CMYK 18 / 0 / 44 / 20

HEX #A9CD73

RGB 169 205 115

HSL 84, 0.47%, 0.63%

LAB 78.07, -26.81, 40.82

 

CMYK 13 / 0 / 32 / 25

HEX #A6BE82

RGB 166 190 130

HSL 84, 0.32%, 0.63%

LAB 73.9, -18.61, 27.68

 

CMYK 7 / 0 / 17 / 31

HEX #A3AF92

RGB 163 175 146

HSL 84.83, 0.15%, 0.63%

LAB 69.84, -9.5, 13.47

 

CMYK 0 / 8 / 64 / 7

HEX #ECD855

RGB 236 216 85

HSL 52.05, 0.8%, 0.63%

LAB 85.81, -8.03, 64.88

 

CMYK 8 / 0 / 64 / 7

HEX #D8EC55

RGB 216 236 85

HSL 67.95, 0.8%, 0.63%

LAB 89.51, -25.97, 68.3

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC55

RGB 175 236 85

HSL 84.24, 0.8%, 0.63%

LAB 86.88, -41.67, 64.72

 

CMYK 43 / 0 / 64 / 7

HEX #87EC55

RGB 135 236 85

HSL 100.13, 0.8%, 0.63%

LAB 84.89, -55.18, 61.99

 

CMYK 60 / 0 / 64 / 7

HEX #5FEC55

RGB 95 236 85

HSL 116.03, 0.8%, 0.63%

LAB 83.48, -65.86, 60.05

 

CMYK 36 / 0 / 89 / 16

HEX #8AD617

RGB 138 214 23

HSL 83.87, 0.81%, 0.46%

LAB 78.2, -48.75, 74.28

 

CMYK 32 / 0 / 79 / 9

HEX #9EE830

RGB 158 232 48

HSL 84.13, 0.8%, 0.55%

LAB 84.58, -48.26, 74.72

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC55

RGB 175 236 85

HSL 84.24, 0.8%, 0.63%

LAB 86.88, -41.67, 64.72

 

CMYK 20 / 0 / 49 / 6

HEX #C0F07A

RGB 192 240 122

HSL 84.41, 0.8%, 0.71%

LAB 89.36, -33.95, 51.66

 

CMYK 14 / 0 / 35 / 4

HEX #D2F49F

RGB 210 244 159

HSL 84, 0.79%, 0.79%

LAB 92.09, -24.97, 37.41

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC54

RGB 175 236 84

HSL 84.08, 0.8%, 0.63%

LAB 86.87, -41.75, 65.11

 

CMYK 64 / 0 / 26 / 7

HEX #55ECAF

RGB 85 236 175

HSL 155.76, 0.8%, 0.63%

LAB 84.49, -53.9, 18.02

 

CMYK 0 / 64 / 0 / 7

HEX #EC55EC

RGB 236 85 236

HSL 300, 0.8%, 0.63%

LAB 61.99, 75.35, -47.82

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC54

RGB 175 236 84

HSL 84.08, 0.8%, 0.63%

LAB 86.87, -41.75, 65.11

 

CMYK 64 / 26 / 0 / 7

HEX #55AFEC

RGB 85 175 236

HSL 204.24, 0.8%, 0.63%

LAB 68.5, -8.51, -38.48

 

CMYK 0 / 64 / 26 / 7

HEX #EC55AF

RGB 236 85 175

HSL 324.24, 0.8%, 0.63%

LAB 59.37, 66.51, -17.3

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC54

RGB 175 236 84

HSL 84.08, 0.8%, 0.63%

LAB 86.87, -41.75, 65.11

 

CMYK 64 / 0 / 26 / 7

HEX #55ECAF

RGB 85 236 175

HSL 155.76, 0.8%, 0.63%

LAB 84.49, -53.9, 18.02

 

CMYK 39 / 64 / 0 / 7

HEX #9155EC

RGB 145 85 236

HSL 263.84, 0.8%, 0.63%

LAB 50.18, 55.41, -67.38

 

CMYK 0 / 64 / 39 / 7

HEX #EC5591

RGB 236 85 145

HSL 336.16, 0.8%, 0.63%

LAB 58.39, 63.04, -1.32

 

CMYK 26 / 0 / 64 / 7

HEX #AFEC54

RGB 175 236 84

HSL 84.08, 0.8%, 0.63%

LAB 86.87, -41.75, 65.11

 

CMYK 64 / 0 / 6 / 7

HEX #55ECDD

RGB 85 236 221

HSL 174.04, 0.8%, 0.63%

LAB 85.58, -43.02, -4.51

 

CMYK 39 / 64 / 0 / 7

HEX #9155EC

RGB 145 85 236

HSL 263.84, 0.8%, 0.63%

LAB 50.18, 55.41, -67.38

 

CMYK 0 / 64 / 58 / 7

HEX #EC5564

RGB 236 85 100

HSL 354.04, 0.8%, 0.63%

LAB 57.32, 59.11, 23.54

 

Description

Color code: HEX #AFEC54 | qconv.com Color code: HEX #AFEC54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 236 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 236 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, none magenta, 64 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 0% 64% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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