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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7CB61B it is the complementary color #8349E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7CB61B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7CB61B shade: #81B616, #92C829, #A3DA3C, #B4EC4F and #C5FE62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7CB61B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7CB61B shade: #7CB61B, #6BA408, #5A9200, #498000 and #386E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7CB61B shade: #7CB51B, #A5B51B, #B59C1B, #B5721B and #B5481B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7CB61B shade: #7CB51B, #52B51B, #28B51B, #1BB537 and #1BB561

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7CB61B shade matches the following richer shades: #7CB51B and #80C60A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7CB61B shade: #7CB51B, #77A52C, #73943D, #6F834D and #6A725E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7CB61B shade: #B59C1B, #A6B51B, #7DB51B, #53B51B and #2AB51B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7CB61B shade: #4B6E10, #639215, #7CB51B, #94D920 and #A6E241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7CB61B shade: #7CB61B, #1BB572 and #B01BB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7CB61B shade: #7CB61B, #1B7DB5 and #B51B7D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7CB61B shade: #7CB61B, #1BB572, #531BB5 and #B51B5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7CB61B shade: #7CB61B, #1BB5A1, #531BB5 and #B51B2F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 85 / 29

HEX #7CB61B

RGB 124 182 27

HSL 82.45, 0.74%, 0.41%

LAB 67.89, -40.21, 64.49

 

Complementary color

CMYK 43 / 68 / 0 / 11

HEX #8349E4

RGB 131 73 228

HSL 262.45, 0.74%, 0.59%

LAB 45.9, 56.72, -69.89

 

CMYK 29 / 0 / 88 / 29

HEX #81B616

RGB 129 182 22

HSL 79.88, 0.78%, 0.4%

LAB 68.15, -38.46, 65.89

 

CMYK 27 / 0 / 80 / 22

HEX #92C829

RGB 146 200 41

HSL 80.38, 0.66%, 0.47%

LAB 74.56, -39.24, 67.28

 

CMYK 25 / 0 / 72 / 15

HEX #A3DA3C

RGB 163 218 60

HSL 80.89, 0.68%, 0.55%

LAB 80.88, -39.82, 67.66

 

CMYK 24 / 0 / 67 / 7

HEX #B4EC4F

RGB 180 236 79

HSL 81.4, 0.81%, 0.62%

LAB 87.12, -40.26, 67.4

 

CMYK 22 / 0 / 61 / 0

HEX #C5FE62

RGB 197 254 98

HSL 81.92, 0.99%, 0.69%

LAB 93.29, -40.57, 66.79

 

CMYK 32 / 0 / 85 / 29

HEX #7CB61B

RGB 124 182 27

HSL 82.45, 0.74%, 0.41%

LAB 67.89, -40.21, 64.49

 

CMYK 35 / 0 / 95 / 36

HEX #6BA408

RGB 107 164 8

HSL 81.92, 0.91%, 0.34%

LAB 61.39, -39.27, 62.1

 

CMYK 38 / 0 / 100 / 43

HEX #5A9200

RGB 90 146 0

HSL 83.01, 1%, 0.29%

LAB 54.79, -38.01, 57.73

 

CMYK 43 / 0 / 100 / 50

HEX #498000

RGB 73 128 0

HSL 85.78, 1%, 0.25%

LAB 48.08, -36.53, 52.14

 

CMYK 49 / 0 / 100 / 57

HEX #386E00

RGB 56 110 0

HSL 89.45, 1%, 0.22%

LAB 41.2, -34.94, 46.44

 

CMYK 31 / 0 / 85 / 29

HEX #7CB51B

RGB 124 181 27

HSL 82.21, 0.74%, 0.41%

LAB 67.58, -39.78, 64.23

 

CMYK 9 / 0 / 85 / 29

HEX #A5B51B

RGB 165 181 27

HSL 66.23, 0.74%, 0.41%

LAB 70.26, -23.13, 67.57

 

CMYK 0 / 14 / 85 / 29

HEX #B59C1B

RGB 181 156 27

HSL 50.26, 0.74%, 0.41%

LAB 64.71, -3.18, 63.48

 

CMYK 0 / 37 / 85 / 29

HEX #B5721B

RGB 181 114 27

HSL 33.9, 0.74%, 0.41%

LAB 53.96, 19.96, 54.47

 

CMYK 0 / 60 / 85 / 29

HEX #B5481B

RGB 181 72 27

HSL 17.53, 0.74%, 0.41%

LAB 44.99, 42.08, 46.8

 

CMYK 31 / 0 / 85 / 29

HEX #7CB51B

RGB 124 181 27

HSL 82.21, 0.74%, 0.41%

LAB 67.58, -39.78, 64.23

 

CMYK 55 / 0 / 85 / 29

HEX #52B51B

RGB 82 181 27

HSL 98.57, 0.74%, 0.41%

LAB 65.69, -53.71, 61.83

 

CMYK 78 / 0 / 85 / 29

HEX #28B51B

RGB 40 181 27

HSL 114.94, 0.74%, 0.41%

LAB 64.63, -62.56, 60.48

 

CMYK 85 / 0 / 70 / 29

HEX #1BB537

RGB 27 181 55

HSL 130.91, 0.74%, 0.41%

LAB 64.61, -62.11, 51.35

 

CMYK 85 / 0 / 46 / 29

HEX #1BB561

RGB 27 181 97

HSL 147.27, 0.74%, 0.41%

LAB 65.08, -56.43, 32.32

 

CMYK 31 / 0 / 85 / 29

HEX #7CB51B

RGB 124 181 27

HSL 82.21, 0.74%, 0.41%

LAB 67.58, -39.78, 64.23

 

CMYK 35 / 0 / 95 / 22

HEX #80C60A

RGB 128 198 10

HSL 82.34, 0.9%, 0.41%

LAB 72.89, -45.96, 71.51

 

CMYK 31 / 0 / 85 / 29

HEX #7CB51B

RGB 124 181 27

HSL 82.21, 0.74%, 0.41%

LAB 67.58, -39.78, 64.23

 

CMYK 28 / 0 / 73 / 35

HEX #77A52C

RGB 119 165 44

HSL 82.81, 0.58%, 0.41%

LAB 62.52, -33.71, 54.37

 

CMYK 22 / 0 / 59 / 42

HEX #73943D

RGB 115 148 61

HSL 82.76, 0.42%, 0.41%

LAB 57.23, -25.88, 41.47

 

CMYK 15 / 0 / 41 / 49

HEX #6F834D

RGB 111 131 77

HSL 82.22, 0.26%, 0.41%

LAB 52, -16.98, 26.81

 

CMYK 7 / 0 / 18 / 55

HEX #6A725E

RGB 106 114 94

HSL 84, 0.1%, 0.41%

LAB 46.85, -6.97, 10.08

 

CMYK 0 / 14 / 85 / 29

HEX #B59C1B

RGB 181 156 27

HSL 50.26, 0.74%, 0.41%

LAB 64.71, -3.18, 63.48

 

CMYK 8 / 0 / 85 / 29

HEX #A6B51B

RGB 166 181 27

HSL 65.84, 0.74%, 0.41%

LAB 70.34, -22.7, 67.67

 

CMYK 31 / 0 / 85 / 29

HEX #7DB51B

RGB 125 181 27

HSL 81.82, 0.74%, 0.41%

LAB 67.64, -39.4, 64.3

 

CMYK 54 / 0 / 85 / 29

HEX #53B51B

RGB 83 181 27

HSL 98.18, 0.74%, 0.41%

LAB 65.72, -53.43, 61.88

 

CMYK 77 / 0 / 85 / 29

HEX #2AB51B

RGB 42 181 27

HSL 114.16, 0.74%, 0.41%

LAB 64.66, -62.27, 60.53

 

CMYK 32 / 0 / 85 / 57

HEX #4B6E10

RGB 75 110 16

HSL 82.34, 0.75%, 0.25%

LAB 42.28, -27.01, 43.75

 

CMYK 32 / 0 / 86 / 43

HEX #639215

RGB 99 146 21

HSL 82.56, 0.75%, 0.33%

LAB 55.34, -33.99, 54.48

 

CMYK 31 / 0 / 85 / 29

HEX #7CB51B

RGB 124 181 27

HSL 82.21, 0.74%, 0.41%

LAB 67.58, -39.78, 64.23

 

CMYK 32 / 0 / 85 / 15

HEX #94D920

RGB 148 217 32

HSL 82.38, 0.74%, 0.49%

LAB 79.63, -46.17, 74

 

CMYK 27 / 0 / 71 / 11

HEX #A6E241

RGB 166 226 65

HSL 82.36, 0.74%, 0.57%

LAB 83.38, -41.93, 68.45

 

CMYK 32 / 0 / 85 / 29

HEX #7CB61B

RGB 124 182 27

HSL 82.45, 0.74%, 0.41%

LAB 67.89, -40.21, 64.49

 

CMYK 85 / 0 / 37 / 29

HEX #1BB572

RGB 27 181 114

HSL 153.9, 0.74%, 0.41%

LAB 65.35, -53.2, 23.76

 

CMYK 3 / 85 / 0 / 29

HEX #B01BB5

RGB 176 27 181

HSL 298.05, 0.74%, 0.41%

LAB 43.29, 71.66, -46.64

 

CMYK 32 / 0 / 85 / 29

HEX #7CB61B

RGB 124 182 27

HSL 82.45, 0.74%, 0.41%

LAB 67.89, -40.21, 64.49

 

CMYK 85 / 31 / 0 / 29

HEX #1B7DB5

RGB 27 125 181

HSL 201.82, 0.74%, 0.41%

LAB 49.78, -6.74, -37.07

 

CMYK 0 / 85 / 31 / 29

HEX #B51B7D

RGB 181 27 125

HSL 321.82, 0.74%, 0.41%

LAB 41.36, 65.03, -15.77

 

CMYK 32 / 0 / 85 / 29

HEX #7CB61B

RGB 124 182 27

HSL 82.45, 0.74%, 0.41%

LAB 67.89, -40.21, 64.49

 

CMYK 85 / 0 / 37 / 29

HEX #1BB572

RGB 27 181 114

HSL 153.9, 0.74%, 0.41%

LAB 65.35, -53.2, 23.76

 

CMYK 54 / 85 / 0 / 29

HEX #531BB5

RGB 83 27 181

HSL 261.82, 0.74%, 0.41%

LAB 29.31, 57.61, -69.99

 

CMYK 0 / 85 / 48 / 29

HEX #B51B5E

RGB 181 27 94

HSL 333.9, 0.74%, 0.41%

LAB 40.27, 61.95, 2.04

 

CMYK 32 / 0 / 85 / 29

HEX #7CB61B

RGB 124 182 27

HSL 82.45, 0.74%, 0.41%

LAB 67.89, -40.21, 64.49

 

CMYK 85 / 0 / 11 / 29

HEX #1BB5A1

RGB 27 181 161

HSL 172.21, 0.74%, 0.41%

LAB 66.41, -41.79, -0.44

 

CMYK 54 / 85 / 0 / 29

HEX #531BB5

RGB 83 27 181

HSL 261.82, 0.74%, 0.41%

LAB 29.31, 57.61, -69.99

 

CMYK 0 / 85 / 74 / 29

HEX #B51B2F

RGB 181 27 47

HSL 352.21, 0.74%, 0.41%

LAB 39.26, 59, 30.36

 

Description

Color code: HEX #7CB61B | qconv.com Color code: HEX #7CB61B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 124 red, 182 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
124 182 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 85 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 85% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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