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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AFE81B it is the complementary color #5017E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AFE81B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AFE81B shade: #B4E816, #C5FA29, #D6FF3C, #E7FF4F and #F8FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AFE81B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AFE81B shade: #AFE81B, #9ED608, #8DC400, #7CB200 and #6BA000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AFE81B shade: #AFE81B, #E6E81B, #E8B21B, #E87B1B and #E8441B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AFE81B shade: #AFE81B, #78E81B, #41E81B, #1BE82D and #1BE864

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AFE81B shade matches the following richer shades: #AFE81B and #B8FC07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AFE81B shade: #AFE81B, #A6D42F, #9DC044, #94AB58 and #8B976C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AFE81B shade: #E8B11B, #E8E81B, #B1E81B, #7BE81B and #44E81B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AFE81B shade: #79A10F, #95C713, #AFE81B, #BCEC41 and #C9EF66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AFE81B shade: #AFE81B, #1BE87B and #CD1BE8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AFE81B shade: #AFE81B, #1BB1E8 and #E81BB1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AFE81B shade: #AFE81B, #1BE87B, #521BE8 and #E81B88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AFE81B shade: #AFE81B, #1BE8B8, #521BE8 and #E81B4B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

Complementary color

CMYK 65 / 90 / 0 / 11

HEX #5017E4

RGB 80 23 228

HSL 256.68, 0.82%, 0.49%

LAB 33.82, 70.37, -89.95

 

CMYK 22 / 0 / 91 / 9

HEX #B4E816

RGB 180 232 22

HSL 74.86, 0.83%, 0.5%

LAB 85.74, -40.86, 81.54

 

CMYK 21 / 0 / 84 / 2

HEX #C5FA29

RGB 197 250 41

HSL 75.22, 0.95%, 0.57%

LAB 91.86, -41.78, 83.65

 

CMYK 16 / 0 / 76 / 0

HEX #D6FF3C

RGB 214 255 60

HSL 72.62, 1%, 0.62%

LAB 94.37, -36.8, 81.53

 

CMYK 9 / 0 / 69 / 0

HEX #E7FF4F

RGB 231 255 79

HSL 68.18, 1%, 0.65%

LAB 95.61, -29.28, 77.07

 

CMYK 3 / 0 / 62 / 0

HEX #F8FF62

RGB 248 255 98

HSL 62.68, 1%, 0.69%

LAB 96.97, -21.47, 71.75

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 26 / 0 / 96 / 16

HEX #9ED608

RGB 158 214 8

HSL 76.31, 0.93%, 0.44%

LAB 79.26, -41.64, 77.42

 

CMYK 28 / 0 / 100 / 23

HEX #8DC400

RGB 141 196 0

HSL 76.84, 1%, 0.38%

LAB 72.99, -40.41, 72.95

 

CMYK 30 / 0 / 100 / 30

HEX #7CB200

RGB 124 178 0

HSL 78.2, 1%, 0.35%

LAB 66.62, -39.06, 67.64

 

CMYK 33 / 0 / 100 / 37

HEX #6BA000

RGB 107 160 0

HSL 79.88, 1%, 0.31%

LAB 60.13, -37.68, 62.24

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 1 / 0 / 88 / 9

HEX #E6E81B

RGB 230 232 27

HSL 60.59, 0.82%, 0.51%

LAB 89.21, -20.6, 85.01

 

CMYK 0 / 23 / 88 / 9

HEX #E8B21B

RGB 232 178 27

HSL 44.2, 0.82%, 0.51%

LAB 75.5, 7.61, 74.32

 

CMYK 0 / 47 / 88 / 9

HEX #E87B1B

RGB 232 123 27

HSL 28.1, 0.82%, 0.51%

LAB 62.84, 36.59, 64.51

 

CMYK 0 / 71 / 88 / 9

HEX #E8441B

RGB 232 68 27

HSL 12, 0.82%, 0.51%

LAB 53.35, 61.3, 57.29

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 48 / 0 / 88 / 9

HEX #78E81B

RGB 120 232 27

HSL 92.78, 0.82%, 0.51%

LAB 82.8, -61.43, 77.13

 

CMYK 72 / 0 / 88 / 9

HEX #41E81B

RGB 65 232 27

HSL 108.88, 0.82%, 0.51%

LAB 81.25, -74.12, 75.19

 

CMYK 88 / 0 / 81 / 9

HEX #1BE82D

RGB 27 232 45

HSL 125.27, 0.82%, 0.51%

LAB 80.81, -77.7, 70.68

 

CMYK 88 / 0 / 57 / 9

HEX #1BE864

RGB 27 232 100

HSL 141.37, 0.82%, 0.51%

LAB 81.22, -72.63, 50.7

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 27 / 0 / 97 / 1

HEX #B8FC07

RGB 184 252 7

HSL 76.65, 0.98%, 0.51%

LAB 91.61, -48.14, 87.73

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 22 / 0 / 78 / 17

HEX #A6D42F

RGB 166 212 47

HSL 76.73, 0.66%, 0.51%

LAB 79.27, -36.64, 70.31

 

CMYK 18 / 0 / 65 / 25

HEX #9DC044

RGB 157 192 68

HSL 76.94, 0.5%, 0.51%

LAB 73.08, -29.73, 56.57

 

CMYK 13 / 0 / 49 / 33

HEX #94AB58

RGB 148 171 88

HSL 76.63, 0.33%, 0.51%

LAB 66.62, -21.3, 39.84

 

CMYK 8 / 0 / 28 / 41

HEX #8B976C

RGB 139 151 108

HSL 76.74, 0.17%, 0.51%

LAB 60.52, -11.96, 21.28

 

CMYK 0 / 24 / 88 / 9

HEX #E8B11B

RGB 232 177 27

HSL 43.9, 0.82%, 0.51%

LAB 75.25, 8.13, 74.13

 

CMYK 0 / 0 / 88 / 9

HEX #E8E81B

RGB 232 232 27

HSL 60, 0.82%, 0.51%

LAB 89.37, -19.77, 85.2

 

CMYK 24 / 0 / 88 / 9

HEX #B1E81B

RGB 177 232 27

HSL 76.1, 0.82%, 0.51%

LAB 85.57, -41.91, 80.56

 

CMYK 47 / 0 / 88 / 9

HEX #7BE81B

RGB 123 232 27

HSL 91.9, 0.82%, 0.51%

LAB 82.92, -60.54, 77.27

 

CMYK 71 / 0 / 88 / 9

HEX #44E81B

RGB 68 232 27

HSL 108, 0.82%, 0.51%

LAB 81.3, -73.62, 75.26

 

CMYK 25 / 0 / 91 / 37

HEX #79A10F

RGB 121 161 15

HSL 76.44, 0.83%, 0.35%

LAB 61.3, -32.28, 61.31

 

CMYK 25 / 0 / 90 / 22

HEX #95C713

RGB 149 199 19

HSL 76.67, 0.83%, 0.43%

LAB 74.37, -38.34, 72.02

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 20 / 0 / 72 / 7

HEX #BCEC41

RGB 188 236 65

HSL 76.84, 0.82%, 0.59%

LAB 87.52, -38.07, 72.95

 

CMYK 16 / 0 / 57 / 6

HEX #C9EF66

RGB 201 239 102

HSL 76.64, 0.81%, 0.67%

LAB 89.44, -31.99, 60.91

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 88 / 0 / 47 / 9

HEX #1BE87B

RGB 27 232 123

HSL 148.1, 0.82%, 0.51%

LAB 81.5, -69.24, 40.21

 

CMYK 12 / 88 / 0 / 9

HEX #CD1BE8

RGB 205 27 232

HSL 292.1, 0.82%, 0.51%

LAB 51.37, 84.73, -62.81

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 88 / 24 / 0 / 9

HEX #1BB1E8

RGB 27 177 232

HSL 196.1, 0.82%, 0.51%

LAB 67.65, -17.37, -37.71

 

CMYK 0 / 88 / 24 / 9

HEX #E81BB1

RGB 232 27 177

HSL 316.1, 0.82%, 0.51%

LAB 53.07, 81.91, -28.18

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 88 / 0 / 47 / 9

HEX #1BE87B

RGB 27 232 123

HSL 148.1, 0.82%, 0.51%

LAB 81.5, -69.24, 40.21

 

CMYK 65 / 88 / 0 / 9

HEX #521BE8

RGB 82 27 232

HSL 256.1, 0.82%, 0.51%

LAB 34.81, 70.43, -90.58

 

CMYK 0 / 88 / 41 / 9

HEX #E81B88

RGB 232 27 136

HSL 328.1, 0.82%, 0.51%

LAB 51.52, 77.69, -6.21

 

CMYK 25 / 0 / 88 / 9

HEX #AFE81B

RGB 175 232 27

HSL 76.68, 0.82%, 0.51%

LAB 85.46, -42.67, 80.42

 

CMYK 88 / 0 / 21 / 9

HEX #1BE8B8

RGB 27 232 184

HSL 165.95, 0.82%, 0.51%

LAB 82.6, -56.77, 10.52

 

CMYK 65 / 88 / 0 / 9

HEX #521BE8

RGB 82 27 232

HSL 256.1, 0.82%, 0.51%

LAB 34.81, 70.43, -90.58

 

CMYK 0 / 88 / 68 / 9

HEX #E81B4B

RGB 232 27 75

HSL 345.95, 0.82%, 0.51%

LAB 50.03, 73.55, 28.79

 

Description

Color code: HEX #AFE81B | qconv.com Color code: HEX #AFE81B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 232 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 232 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 88 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 88% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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