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Color name
HEX #AEF399

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AEF399 it is the complementary color #510C66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AEF399. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AEF399 shade: #B3F394, #C4FFA7, #D5FFBA, #E6FFCD and #F7FFE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AEF399. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AEF399 shade: #AEF399, #9DE186, #8CCF73, #7BBD60 and #6AAB4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AEF399 shade: #AFF39A, #C7F39A, #DFF39A, #F3EF9A and #F3D79A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AEF399 shade: #AFF39A, #9AF39D, #9AF3B5, #9AF3CD and #9AF3E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AEF399 shade matches the following richer shades: #AFF39A and #AAFC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AEF399 shade: #AFF39A, #B4EAA3, #B8E1AC, #BDD7B5 and #C2CEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AEF399 shade: #DEF39A, #C6F39A, #AFF39A, #9AF39D and #9AF3B5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AEF399 shade: #74EA50, #91EE75, #AFF39A, #CCF7BF and #E9FBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AEF399 shade: #AEF399, #9AF3F0 and #F39AD2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AEF399 shade: #AEF399, #9AAFF3 and #F39AAF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AEF399 shade: #AEF399, #9AF3F0, #DE9AF3 and #F39A9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AEF399 shade: #AEF399, #9ADBF3, #DE9AF3 and #F3B29A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 37 / 5

HEX #AEF399

RGB 174 243 153

HSL 106, 0.79%, 0.78%

LAB 89.58, -37.78, 36.7

 

Complementary color

CMYK 21 / 88 / 0 / 60

HEX #510C66

RGB 81 12 102

HSL 286, 0.79%, 0.22%

LAB 19.93, 43.36, -36.11

 

CMYK 26 / 0 / 39 / 5

HEX #B3F394

RGB 179 243 148

HSL 100.42, 0.8%, 0.77%

LAB 89.78, -36.8, 39.49

 

CMYK 23 / 0 / 35 / 0

HEX #C4FFA7

RGB 196 255 167

HSL 100.23, 1%, 0.83%

LAB 94.33, -33.93, 36.22

 

CMYK 16 / 0 / 27 / 0

HEX #D5FFBA

RGB 213 255 186

HSL 96.52, 1%, 0.86%

LAB 95.67, -25.4, 28.68

 

CMYK 10 / 0 / 20 / 0

HEX #E6FFCD

RGB 230 255 205

HSL 90, 1%, 0.9%

LAB 97.13, -16.69, 21.23

 

CMYK 3 / 0 / 12 / 0

HEX #F7FFE0

RGB 247 255 224

HSL 75.48, 1%, 0.94%

LAB 98.7, -7.86, 13.92

 

CMYK 28 / 0 / 37 / 5

HEX #AEF399

RGB 174 243 153

HSL 106, 0.79%, 0.78%

LAB 89.58, -37.78, 36.7

 

CMYK 30 / 0 / 40 / 12

HEX #9DE186

RGB 157 225 134

HSL 104.84, 0.6%, 0.7%

LAB 83.31, -37.96, 37.85

 

CMYK 32 / 0 / 44 / 19

HEX #8CCF73

RGB 140 207 115

HSL 103.7, 0.49%, 0.63%

LAB 76.94, -38.11, 39.04

 

CMYK 35 / 0 / 49 / 26

HEX #7BBD60

RGB 123 189 96

HSL 102.58, 0.41%, 0.56%

LAB 70.49, -38.23, 40.24

 

CMYK 38 / 0 / 55 / 33

HEX #6AAB4D

RGB 106 171 77

HSL 101.49, 0.38%, 0.49%

LAB 63.94, -38.28, 41.44

 

CMYK 28 / 0 / 37 / 5

HEX #AFF39A

RGB 175 243 154

HSL 105.84, 0.79%, 0.78%

LAB 89.65, -37.31, 36.31

 

CMYK 18 / 0 / 37 / 5

HEX #C7F39A

RGB 199 243 154

HSL 89.66, 0.79%, 0.78%

LAB 91.04, -29.08, 38.39

 

CMYK 8 / 0 / 37 / 5

HEX #DFF39A

RGB 223 243 154

HSL 73.48, 0.79%, 0.78%

LAB 92.63, -20.35, 40.76

 

CMYK 0 / 2 / 37 / 5

HEX #F3EF9A

RGB 243 239 154

HSL 57.3, 0.79%, 0.78%

LAB 93.07, -10.85, 41.62

 

CMYK 0 / 12 / 37 / 5

HEX #F3D79A

RGB 243 215 154

HSL 41.12, 0.79%, 0.78%

LAB 86.99, 1.27, 33.68

 

CMYK 28 / 0 / 37 / 5

HEX #AFF39A

RGB 175 243 154

HSL 105.84, 0.79%, 0.78%

LAB 89.65, -37.31, 36.31

 

CMYK 37 / 0 / 35 / 5

HEX #9AF39D

RGB 154 243 157

HSL 122.02, 0.79%, 0.78%

LAB 88.64, -43.51, 33.28

 

CMYK 37 / 0 / 26 / 5

HEX #9AF3B5

RGB 154 243 181

HSL 138.2, 0.79%, 0.78%

LAB 89.07, -39.49, 21.65

 

CMYK 37 / 0 / 16 / 5

HEX #9AF3CD

RGB 154 243 205

HSL 154.38, 0.79%, 0.78%

LAB 89.57, -34.89, 9.95

 

CMYK 37 / 0 / 6 / 5

HEX #9AF3E5

RGB 154 243 229

HSL 170.56, 0.79%, 0.78%

LAB 90.15, -29.77, -1.7

 

CMYK 28 / 0 / 37 / 5

HEX #AFF39A

RGB 175 243 154

HSL 105.84, 0.79%, 0.78%

LAB 89.65, -37.31, 36.31

 

CMYK 33 / 0 / 42 / 1

HEX #AAFC91

RGB 170 252 145

HSL 105.98, 0.95%, 0.78%

LAB 91.78, -44.16, 43.44

 

CMYK 28 / 0 / 37 / 5

HEX #AFF39A

RGB 175 243 154

HSL 105.84, 0.79%, 0.78%

LAB 89.65, -37.31, 36.31

 

CMYK 23 / 0 / 30 / 8

HEX #B4EAA3

RGB 180 234 163

HSL 105.63, 0.63%, 0.78%

LAB 87.58, -30.17, 29.06

 

CMYK 18 / 0 / 24 / 12

HEX #B8E1AC

RGB 184 225 172

HSL 106.42, 0.47%, 0.78%

LAB 85.51, -23.09, 21.64

 

CMYK 12 / 0 / 16 / 16

HEX #BDD7B5

RGB 189 215 181

HSL 105.88, 0.3%, 0.78%

LAB 83.31, -14.92, 13.9

 

CMYK 6 / 0 / 8 / 19

HEX #C2CEBE

RGB 194 206 190

HSL 105, 0.14%, 0.78%

LAB 81.47, -7.01, 6.55

 

CMYK 9 / 0 / 37 / 5

HEX #DEF39A

RGB 222 243 154

HSL 74.16, 0.79%, 0.78%

LAB 92.56, -20.72, 40.65

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 28 / 0 / 37 / 5

HEX #AFF39A

RGB 175 243 154

HSL 105.84, 0.79%, 0.78%

LAB 89.65, -37.31, 36.31

 

CMYK 37 / 0 / 35 / 5

HEX #9AF39D

RGB 154 243 157

HSL 122.02, 0.79%, 0.78%

LAB 88.64, -43.51, 33.28

 

CMYK 37 / 0 / 26 / 5

HEX #9AF3B5

RGB 154 243 181

HSL 138.2, 0.79%, 0.78%

LAB 89.07, -39.49, 21.65

 

CMYK 50 / 0 / 66 / 8

HEX #74EA50

RGB 116 234 80

HSL 105.97, 0.79%, 0.62%

LAB 83.51, -60.36, 62.28

 

CMYK 39 / 0 / 51 / 7

HEX #91EE75

RGB 145 238 117

HSL 106.12, 0.78%, 0.7%

LAB 86.23, -49.63, 49.62

 

CMYK 28 / 0 / 37 / 5

HEX #AFF39A

RGB 175 243 154

HSL 105.84, 0.79%, 0.78%

LAB 89.65, -37.31, 36.31

 

CMYK 17 / 0 / 23 / 3

HEX #CCF7BF

RGB 204 247 191

HSL 106.07, 0.78%, 0.86%

LAB 93.07, -23.88, 22.48

 

CMYK 7 / 0 / 9 / 2

HEX #E9FBE4

RGB 233 251 228

HSL 106.96, 0.74%, 0.94%

LAB 96.79, -9.96, 9.01

 

CMYK 28 / 0 / 37 / 5

HEX #AEF399

RGB 174 243 153

HSL 106, 0.79%, 0.78%

LAB 89.58, -37.78, 36.7

 

CMYK 37 / 0 / 1 / 5

HEX #9AF3F0

RGB 154 243 240

HSL 177.98, 0.79%, 0.78%

LAB 90.44, -27.27, -7

 

CMYK 0 / 37 / 14 / 5

HEX #F39AD2

RGB 243 154 210

HSL 322.25, 0.79%, 0.78%

LAB 74.07, 41.03, -14.68

 

CMYK 28 / 0 / 37 / 5

HEX #AEF399

RGB 174 243 153

HSL 106, 0.79%, 0.78%

LAB 89.58, -37.78, 36.7

 

CMYK 37 / 28 / 0 / 5

HEX #9AAFF3

RGB 154 175 243

HSL 225.84, 0.79%, 0.78%

LAB 72.23, 8.92, -36.22

 

CMYK 0 / 37 / 28 / 5

HEX #F39AAF

RGB 243 154 175

HSL 345.84, 0.79%, 0.78%

LAB 73.06, 35.91, 3.13

 

CMYK 28 / 0 / 37 / 5

HEX #AEF399

RGB 174 243 153

HSL 106, 0.79%, 0.78%

LAB 89.58, -37.78, 36.7

 

CMYK 37 / 0 / 1 / 5

HEX #9AF3F0

RGB 154 243 240

HSL 177.98, 0.79%, 0.78%

LAB 90.44, -27.27, -7

 

CMYK 9 / 37 / 0 / 5

HEX #DE9AF3

RGB 222 154 243

HSL 285.84, 0.79%, 0.78%

LAB 72.97, 40.28, -34.62

 

CMYK 0 / 37 / 35 / 5

HEX #F39A9D

RGB 243 154 157

HSL 357.98, 0.79%, 0.78%

LAB 72.63, 33.64, 12.45

 

CMYK 28 / 0 / 37 / 5

HEX #AEF399

RGB 174 243 153

HSL 106, 0.79%, 0.78%

LAB 89.58, -37.78, 36.7

 

CMYK 37 / 10 / 0 / 5

HEX #9ADBF3

RGB 154 219 243

HSL 196.18, 0.79%, 0.78%

LAB 83.97, -14.66, -18.25

 

CMYK 9 / 37 / 0 / 5

HEX #DE9AF3

RGB 222 154 243

HSL 285.84, 0.79%, 0.78%

LAB 72.97, 40.28, -34.62

 

CMYK 0 / 27 / 37 / 5

HEX #F3B29A

RGB 243 178 154

HSL 16.18, 0.79%, 0.78%

LAB 78.01, 20.62, 21.58

 

Description

Color code: HEX #AEF399 | qconv.com Color code: HEX #AEF399 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 174 red, 243 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
174 243 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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