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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C6F39A it is the complementary color #390C65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C6F39A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C6F39A shade: #CBF395, #DCFFA8, #EDFFBB, #FEFFCE and #FFFFE1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C6F39A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C6F39A shade: #C6F39A, #B5E187, #A4CF74, #93BD61 and #82AB4E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C6F39A shade: #C6F39A, #DEF39A, #F3F09A, #F3D89A and #F3C09A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C6F39A shade: #C6F39A, #AEF39A, #9AF39E, #9AF3B6 and #9AF3CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C6F39A shade matches the following richer shades: #C6F39A and #C6FC91

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C6F39A shade: #C6F39A, #C6EAA3, #C6E1AC, #C6D7B5 and #C6CEBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C6F39A shade: #F3F09A, #DEF39A, #C6F39A, #AFF39A and #9AF39D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C6F39A shade: #9CEA50, #B1EE75, #C6F39A, #DBF7BF and #F0FBE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C6F39A shade: #C6F39A, #9AF3D8 and #F39AEA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C6F39A shade: #C6F39A, #9AC6F3 and #F39AC6

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C6F39A shade: #C6F39A, #9AF3D8, #C69AF3 and #F39AB5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C6F39A shade: #C6F39A, #9AF3F3, #C69AF3 and #F39A9A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

Complementary color

CMYK 44 / 88 / 0 / 60

HEX #390C65

RGB 57 12 101

HSL 270.34, 0.79%, 0.22%

LAB 15.86, 38.98, -42.25

 

CMYK 16 / 0 / 39 / 5

HEX #CBF395

RGB 203 243 149

HSL 85.53, 0.8%, 0.77%

LAB 91.22, -28.28, 41.14

 

CMYK 14 / 0 / 34 / 0

HEX #DCFFA8

RGB 220 255 168

HSL 84.14, 1%, 0.83%

LAB 95.82, -25.45, 37.95

 

CMYK 7 / 0 / 27 / 0

HEX #EDFFBB

RGB 237 255 187

HSL 75.88, 1%, 0.87%

LAB 97.27, -16.84, 30.62

 

CMYK 0 / 0 / 19 / 0

HEX #FEFFCE

RGB 254 255 206

HSL 61.22, 1%, 0.9%

LAB 98.85, -8.12, 23.37

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 20 / 0 / 40 / 12

HEX #B5E187

RGB 181 225 135

HSL 89.33, 0.6%, 0.71%

LAB 84.7, -29.48, 39.42

 

CMYK 21 / 0 / 44 / 19

HEX #A4CF74

RGB 164 207 116

HSL 88.35, 0.49%, 0.63%

LAB 78.33, -29.51, 40.58

 

CMYK 22 / 0 / 49 / 26

HEX #93BD61

RGB 147 189 97

HSL 87.39, 0.41%, 0.56%

LAB 71.87, -29.5, 41.75

 

CMYK 24 / 0 / 54 / 33

HEX #82AB4E

RGB 130 171 78

HSL 86.45, 0.37%, 0.49%

LAB 65.3, -29.44, 42.89

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 9 / 0 / 37 / 5

HEX #DEF39A

RGB 222 243 154

HSL 74.16, 0.79%, 0.78%

LAB 92.56, -20.72, 40.65

 

CMYK 0 / 1 / 37 / 5

HEX #F3F09A

RGB 243 240 154

HSL 57.98, 0.79%, 0.78%

LAB 93.32, -11.34, 41.95

 

CMYK 0 / 11 / 37 / 5

HEX #F3D89A

RGB 243 216 154

HSL 41.8, 0.79%, 0.78%

LAB 87.24, 0.76, 34.01

 

CMYK 0 / 21 / 37 / 5

HEX #F3C09A

RGB 243 192 154

HSL 25.62, 0.79%, 0.78%

LAB 81.34, 13.23, 26.12

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 28 / 0 / 37 / 5

HEX #AEF39A

RGB 174 243 154

HSL 106.52, 0.79%, 0.78%

LAB 89.6, -37.64, 36.22

 

CMYK 37 / 0 / 35 / 5

HEX #9AF39E

RGB 154 243 158

HSL 122.7, 0.79%, 0.78%

LAB 88.66, -43.36, 32.8

 

CMYK 37 / 0 / 25 / 5

HEX #9AF3B6

RGB 154 243 182

HSL 138.88, 0.79%, 0.78%

LAB 89.09, -39.3, 21.16

 

CMYK 37 / 0 / 15 / 5

HEX #9AF3CE

RGB 154 243 206

HSL 155.06, 0.79%, 0.78%

LAB 89.59, -34.69, 9.47

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 21 / 0 / 42 / 1

HEX #C6FC91

RGB 198 252 145

HSL 90.28, 0.95%, 0.78%

LAB 93.31, -34.72, 45.69

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 15 / 0 / 30 / 8

HEX #C6EAA3

RGB 198 234 163

HSL 90.42, 0.63%, 0.78%

LAB 88.68, -23.93, 30.73

 

CMYK 12 / 0 / 24 / 12

HEX #C6E1AC

RGB 198 225 172

HSL 90.57, 0.47%, 0.78%

LAB 86.42, -18.21, 23.04

 

CMYK 8 / 0 / 16 / 16

HEX #C6D7B5

RGB 198 215 181

HSL 90, 0.3%, 0.78%

LAB 83.94, -11.77, 14.87

 

CMYK 4 / 0 / 8 / 19

HEX #C6CEBE

RGB 198 206 190

HSL 90, 0.14%, 0.78%

LAB 81.77, -5.62, 7.01

 

CMYK 0 / 1 / 37 / 5

HEX #F3F09A

RGB 243 240 154

HSL 57.98, 0.79%, 0.78%

LAB 93.32, -11.34, 41.95

 

CMYK 9 / 0 / 37 / 5

HEX #DEF39A

RGB 222 243 154

HSL 74.16, 0.79%, 0.78%

LAB 92.56, -20.72, 40.65

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 28 / 0 / 37 / 5

HEX #AFF39A

RGB 175 243 154

HSL 105.84, 0.79%, 0.78%

LAB 89.65, -37.31, 36.31

 

CMYK 37 / 0 / 35 / 5

HEX #9AF39D

RGB 154 243 157

HSL 122.02, 0.79%, 0.78%

LAB 88.64, -43.51, 33.28

 

CMYK 33 / 0 / 66 / 8

HEX #9CEA50

RGB 156 234 80

HSL 90.39, 0.79%, 0.62%

LAB 85.25, -47.93, 64.65

 

CMYK 26 / 0 / 51 / 7

HEX #B1EE75

RGB 177 238 117

HSL 90.25, 0.78%, 0.7%

LAB 87.86, -38.96, 51.97

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 11 / 0 / 23 / 3

HEX #DBF7BF

RGB 219 247 191

HSL 90, 0.78%, 0.86%

LAB 94.03, -18.73, 23.96

 

CMYK 4 / 0 / 9 / 2

HEX #F0FBE4

RGB 240 251 228

HSL 88.7, 0.74%, 0.94%

LAB 97.28, -7.61, 9.77

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 37 / 0 / 11 / 5

HEX #9AF3D8

RGB 154 243 216

HSL 161.8, 0.79%, 0.78%

LAB 89.83, -32.61, 4.6

 

CMYK 0 / 37 / 4 / 5

HEX #F39AEA

RGB 243 154 234

HSL 306.07, 0.79%, 0.78%

LAB 74.89, 45.02, -26.56

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 37 / 19 / 0 / 5

HEX #9AC6F3

RGB 154 198 243

HSL 210.34, 0.79%, 0.78%

LAB 78.3, -3.67, -26.86

 

CMYK 0 / 37 / 19 / 5

HEX #F39AC6

RGB 243 154 198

HSL 330.34, 0.79%, 0.78%

LAB 73.7, 39.17, -8.63

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 37 / 0 / 11 / 5

HEX #9AF3D8

RGB 154 243 216

HSL 161.8, 0.79%, 0.78%

LAB 89.83, -32.61, 4.6

 

CMYK 19 / 37 / 0 / 5

HEX #C69AF3

RGB 198 154 243

HSL 269.66, 0.79%, 0.78%

LAB 70.59, 33.14, -38.5

 

CMYK 0 / 37 / 26 / 5

HEX #F39AB5

RGB 243 154 181

HSL 341.8, 0.79%, 0.78%

LAB 73.22, 36.72, 0.04

 

CMYK 19 / 0 / 37 / 5

HEX #C6F39A

RGB 198 243 154

HSL 90.34, 0.79%, 0.78%

LAB 90.98, -29.43, 38.3

 

CMYK 37 / 0 / 0 / 5

HEX #9AF3F3

RGB 154 243 243

HSL 180, 0.79%, 0.78%

LAB 90.52, -26.57, -8.45

 

CMYK 19 / 37 / 0 / 5

HEX #C69AF3

RGB 198 154 243

HSL 269.66, 0.79%, 0.78%

LAB 70.59, 33.14, -38.5

 

CMYK 0 / 37 / 37 / 5

HEX #F39A9A

RGB 243 154 154

HSL 0, 0.79%, 0.78%

LAB 72.56, 33.28, 14.02

 

Description

Color code: HEX #C6F39A | qconv.com Color code: HEX #C6F39A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 243 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 243 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 37 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 37% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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