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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8F41 it is the complementary color #5270BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8F41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8F41 shade: #B28F3C, #C3A14F, #D4B362, #E5C575 and #F6D788

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8F41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8F41 shade: #AD8F41, #9C7D2E, #8B6B1B, #7A5908 and #694700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8F41 shade: #AD8F41, #AD7241, #AD5541 and #AD4141

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8F41 shade: #AD8F41, #ADAC41, #91AD41, #74AD41 and #57AD41

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8F41 shade matches the following richer shades: #AD8F41, #C1982E, #D4A11B and #E7A907

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8F41 shade: #AD8F41, #9A8755, #867E68, #73757C and #606D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8F41 shade: #AD5541, #AD7241, #AD8F41, #ADAB41 and #92AD41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8F41 shade: #715E2B, #8F7736, #AD8F41, #C0A358 and #CBB376

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8F41 shade: #AD8F41, #4AAD41 and #6441AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8F41 shade: #AD8F41, #41AD8F and #8F41AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8F41 shade: #AD8F41, #4AAD41, #4160AD and #A441AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8F41 shade: #AD8F41, #41AD59, #4160AD and #AD4196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

Complementary color

CMYK 57 / 41 / 0 / 25

HEX #5270BE

RGB 82 112 190

HSL 223.33, 0.45%, 0.53%

LAB 48.39, 12.6, -44.35

 

CMYK 0 / 20 / 66 / 30

HEX #B28F3C

RGB 178 143 60

HSL 42.2, 0.5%, 0.47%

LAB 61.16, 3.99, 47.81

 

CMYK 0 / 17 / 59 / 24

HEX #C3A14F

RGB 195 161 79

HSL 42.41, 0.49%, 0.54%

LAB 67.77, 2.9, 46.62

 

CMYK 0 / 16 / 54 / 17

HEX #D4B362

RGB 212 179 98

HSL 42.63, 0.57%, 0.61%

LAB 74.27, 1.99, 45.35

 

CMYK 0 / 14 / 49 / 10

HEX #E5C575

RGB 229 197 117

HSL 42.86, 0.68%, 0.68%

LAB 80.67, 1.21, 44.08

 

CMYK 0 / 13 / 45 / 4

HEX #F6D788

RGB 246 215 136

HSL 43.09, 0.86%, 0.75%

LAB 86.98, 0.54, 42.83

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 0 / 20 / 71 / 39

HEX #9C7D2E

RGB 156 125 46

HSL 43.09, 0.54%, 0.4%

LAB 53.96, 3.3, 45.87

 

CMYK 0 / 23 / 81 / 45

HEX #8B6B1B

RGB 139 107 27

HSL 42.86, 0.67%, 0.33%

LAB 47.08, 4.76, 46.46

 

CMYK 0 / 27 / 93 / 52

HEX #7A5908

RGB 122 89 8

HSL 42.63, 0.88%, 0.25%

LAB 40.08, 6.59, 45.77

 

CMYK 0 / 32 / 100 / 59

HEX #694700

RGB 105 71 0

HSL 40.57, 1%, 0.21%

LAB 32.94, 8.89, 42.17

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 0 / 34 / 62 / 32

HEX #AD7241

RGB 173 114 65

HSL 27.22, 0.45%, 0.47%

LAB 53.28, 18.32, 36.25

 

CMYK 0 / 51 / 62 / 32

HEX #AD5541

RGB 173 85 65

HSL 11.11, 0.45%, 0.47%

LAB 46.66, 34.26, 28.25

 

CMYK 0 / 62 / 62 / 32

HEX #AD4141

RGB 173 65 65

HSL 0, 0.45%, 0.47%

LAB 42.83, 44.19, 23.43

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 0 / 1 / 62 / 32

HEX #ADAC41

RGB 173 172 65

HSL 59.44, 0.45%, 0.47%

LAB 68.59, -13.38, 53.4

 

CMYK 16 / 0 / 62 / 32

HEX #91AD41

RGB 145 173 65

HSL 75.56, 0.45%, 0.47%

LAB 66.74, -25.64, 50.79

 

CMYK 33 / 0 / 62 / 32

HEX #74AD41

RGB 116 173 65

HSL 91.67, 0.45%, 0.47%

LAB 64.95, -36.88, 48.31

 

CMYK 50 / 0 / 62 / 32

HEX #57AD41

RGB 87 173 65

HSL 107.78, 0.45%, 0.47%

LAB 63.59, -46.5, 46.42

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 0 / 21 / 76 / 24

HEX #C1982E

RGB 193 152 46

HSL 43.27, 0.62%, 0.47%

LAB 64.96, 4.99, 58.08

 

CMYK 0 / 24 / 87 / 17

HEX #D4A11B

RGB 212 161 27

HSL 43.46, 0.77%, 0.47%

LAB 69.16, 7.92, 68.42

 

CMYK 0 / 27 / 97 / 9

HEX #E7A907

RGB 231 169 7

HSL 43.39, 0.94%, 0.47%

LAB 73.14, 11.66, 75.63

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 0 / 12 / 45 / 40

HEX #9A8755

RGB 154 135 85

HSL 43.48, 0.29%, 0.47%

LAB 56.93, 0.03, 29.47

 

CMYK 0 / 6 / 22 / 47

HEX #867E68

RGB 134 126 104

HSL 44, 0.13%, 0.47%

LAB 52.94, -0.79, 13.09

 

CMYK 7 / 6 / 0 / 51

HEX #73757C

RGB 115 117 124

HSL 226.67, 0.04%, 0.47%

LAB 49.28, 0.72, -4.11

 

CMYK 33 / 24 / 0 / 44

HEX #606D8F

RGB 96 109 143

HSL 223.4, 0.2%, 0.47%

LAB 46.19, 3.65, -20.2

 

CMYK 0 / 51 / 62 / 32

HEX #AD5541

RGB 173 85 65

HSL 11.11, 0.45%, 0.47%

LAB 46.66, 34.26, 28.25

 

CMYK 0 / 34 / 62 / 32

HEX #AD7241

RGB 173 114 65

HSL 27.22, 0.45%, 0.47%

LAB 53.28, 18.32, 36.25

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 0 / 1 / 62 / 32

HEX #ADAB41

RGB 173 171 65

HSL 58.89, 0.45%, 0.47%

LAB 68.31, -12.86, 53.11

 

CMYK 16 / 0 / 62 / 32

HEX #92AD41

RGB 146 173 65

HSL 75, 0.45%, 0.47%

LAB 66.81, -25.23, 50.88

 

CMYK 0 / 17 / 62 / 56

HEX #715E2B

RGB 113 94 43

HSL 43.71, 0.45%, 0.31%

LAB 40.72, 1, 31.59

 

CMYK 0 / 17 / 62 / 44

HEX #8F7736

RGB 143 119 54

HSL 43.82, 0.45%, 0.39%

LAB 51.04, 1.29, 38.49

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 0 / 15 / 54 / 25

HEX #C0A358

RGB 192 163 88

HSL 43.27, 0.45%, 0.55%

LAB 68.1, 1.26, 42.49

 

CMYK 0 / 12 / 42 / 20

HEX #CBB376

RGB 203 179 118

HSL 43.06, 0.45%, 0.63%

LAB 73.7, 0.19, 34.28

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 57 / 0 / 62 / 32

HEX #4AAD41

RGB 74 173 65

HSL 115, 0.45%, 0.47%

LAB 63.11, -50.09, 45.76

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 62 / 0 / 17 / 32

HEX #41AD8F

RGB 65 173 143

HSL 163.33, 0.45%, 0.47%

LAB 64.16, -38.13, 6.36

 

CMYK 17 / 62 / 0 / 32

HEX #8F41AD

RGB 143 65 173

HSL 283.33, 0.45%, 0.47%

LAB 42.21, 50.21, -43.92

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 57 / 0 / 62 / 32

HEX #4AAD41

RGB 74 173 65

HSL 115, 0.45%, 0.47%

LAB 63.11, -50.09, 45.76

 

CMYK 62 / 45 / 0 / 32

HEX #4160AD

RGB 65 96 173

HSL 222.78, 0.45%, 0.47%

LAB 42.01, 13.42, -44.66

 

CMYK 5 / 62 / 0 / 32

HEX #A441AD

RGB 164 65 173

HSL 295, 0.45%, 0.47%

LAB 45.21, 55.43, -38.97

 

CMYK 0 / 17 / 62 / 32

HEX #AD8F41

RGB 173 143 65

HSL 43.33, 0.45%, 0.47%

LAB 60.7, 2.12, 44.79

 

CMYK 62 / 0 / 49 / 32

HEX #41AD59

RGB 65 173 89

HSL 133.33, 0.45%, 0.47%

LAB 63.12, -49.06, 34.1

 

CMYK 62 / 45 / 0 / 32

HEX #4160AD

RGB 65 96 173

HSL 222.78, 0.45%, 0.47%

LAB 42.01, 13.42, -44.66

 

CMYK 0 / 62 / 13 / 32

HEX #AD4196

RGB 173 65 150

HSL 312.78, 0.45%, 0.47%

LAB 45.45, 53.89, -24.8

 

Description

Color code: HEX #AD8F41 | qconv.com Color code: HEX #AD8F41 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 143 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 143 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 62 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 62% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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