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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 100 65 173 it is the complementary color RGB 155 190 82. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 100 65 173. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 100 65 173 shade: RGB 105 65 168, RGB 122 83 187, RGB 139 101 206, RGB 156 119 225 and RGB 173 137 244

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 100 65 173. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 83 47 154, RGB 66 29 135, RGB 49 11 116 and RGB 32 0 97

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 129 65 173, RGB 159 65 173, RGB 173 65 159 and RGB 173 65 130

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 71 65 173 and RGB 65 65 173

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 100 65 173 shade matches the following richer shades: RGB 100 65 173, RGB 94 46 193, RGB 87 27 212 and RGB 80 7 231

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 107 85 154, RGB 114 104 134, RGB 121 124 115 and RGB 128 143 96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 100 65 173 shade: RGB 65 89 173, RGB 71 65 173, RGB 100 65 173, RGB 128 65 173 and RGB 157 65 173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 100 65 173 shade: RGB 66 43 113, RGB 83 54 143, RGB 100 65 173, RGB 122 88 192 and RGB 146 118 203

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 173 65 118 and RGB 74 173 65

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 173 100 65 and RGB 65 173 100

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 173 65 118, RGB 139 173 65 and RGB 65 173 121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 100 65 173 shade: RGB 100 65 173, RGB 173 65 85, RGB 139 173 65 and RGB 65 173 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

Complementary color

CMYK 18 / 0 / 57 / 25

HEX #9BBE52

RGB 155 190 82

HSL 79.44, 0.45%, 0.53%

LAB 72.5, -28.43, 49.77

 

CMYK 38 / 61 / 0 / 34

HEX #6941A8

RGB 105 65 168

HSL 263.3, 0.44%, 0.46%

LAB 37.14, 39.87, -49.35

 

CMYK 35 / 56 / 0 / 27

HEX #7A53BB

RGB 122 83 187

HSL 262.5, 0.43%, 0.53%

LAB 44.11, 38.76, -49.26

 

CMYK 33 / 51 / 0 / 19

HEX #8B65CE

RGB 139 101 206

HSL 261.71, 0.52%, 0.6%

LAB 50.98, 37.69, -49.13

 

CMYK 31 / 47 / 0 / 12

HEX #9C77E1

RGB 156 119 225

HSL 260.94, 0.64%, 0.67%

LAB 57.75, 36.7, -49.01

 

CMYK 29 / 44 / 0 / 4

HEX #AD89F4

RGB 173 137 244

HSL 260.19, 0.83%, 0.75%

LAB 64.41, 35.78, -48.91

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 46 / 69 / 0 / 40

HEX #532F9A

RGB 83 47 154

HSL 260.19, 0.53%, 0.39%

LAB 29.92, 41.33, -52.7

 

CMYK 51 / 79 / 0 / 47

HEX #421D87

RGB 66 29 135

HSL 260.94, 0.65%, 0.32%

LAB 22.95, 42.28, -52.44

 

CMYK 58 / 91 / 0 / 55

HEX #310B74

RGB 49 11 116

HSL 261.71, 0.83%, 0.25%

LAB 16.27, 42.3, -51.41

 

CMYK 67 / 100 / 0 / 62

HEX #200061

RGB 32 0 97

HSL 259.79, 1%, 0.19%

LAB 10.34, 40.05, -48.83

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 25 / 62 / 0 / 32

HEX #8141AD

RGB 129 65 173

HSL 275.56, 0.45%, 0.47%

LAB 40.35, 46.8, -47

 

CMYK 8 / 62 / 0 / 32

HEX #9F41AD

RGB 159 65 173

HSL 292.22, 0.45%, 0.47%

LAB 44.47, 54.18, -40.18

 

CMYK 0 / 62 / 8 / 32

HEX #AD419F

RGB 173 65 159

HSL 307.78, 0.45%, 0.47%

LAB 45.86, 55.33, -29.54

 

CMYK 0 / 62 / 25 / 32

HEX #AD4182

RGB 173 65 130

HSL 323.89, 0.45%, 0.47%

LAB 44.63, 50.94, -13.98

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 59 / 62 / 0 / 32

HEX #4741AD

RGB 71 65 173

HSL 243.33, 0.45%, 0.47%

LAB 34.27, 34.38, -57.13

 

CMYK 62 / 62 / 0 / 32

HEX #4141AD

RGB 65 65 173

HSL 240, 0.45%, 0.47%

LAB 33.82, 33.37, -57.88

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 51 / 76 / 0 / 24

HEX #5E2EC1

RGB 94 46 193

HSL 259.59, 0.62%, 0.47%

LAB 34.36, 54.43, -68.72

 

CMYK 59 / 87 / 0 / 17

HEX #571BD4

RGB 87 27 212

HSL 259.46, 0.77%, 0.47%

LAB 33.06, 65.81, -81.98

 

CMYK 65 / 97 / 0 / 9

HEX #5007E7

RGB 80 7 231

HSL 259.55, 0.94%, 0.47%

LAB 33.19, 74.07, -92.7

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 31 / 45 / 0 / 40

HEX #6B559A

RGB 107 85 154

HSL 259.13, 0.29%, 0.47%

LAB 41.15, 24.75, -34.56

 

CMYK 15 / 22 / 0 / 47

HEX #726886

RGB 114 104 134

HSL 260, 0.13%, 0.47%

LAB 45.91, 10.35, -15.13

 

CMYK 2 / 0 / 7 / 51

HEX #797C73

RGB 121 124 115

HSL 80, 0.04%, 0.47%

LAB 51.52, -2.9, 4.52

 

CMYK 10 / 0 / 33 / 44

HEX #808F60

RGB 128 143 96

HSL 79.15, 0.2%, 0.47%

LAB 57.15, -13.83, 23.27

 

CMYK 62 / 49 / 0 / 32

HEX #4159AD

RGB 65 89 173

HSL 226.67, 0.45%, 0.47%

LAB 40.06, 17.92, -47.79

 

CMYK 59 / 62 / 0 / 32

HEX #4741AD

RGB 71 65 173

HSL 243.33, 0.45%, 0.47%

LAB 34.27, 34.38, -57.13

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 26 / 62 / 0 / 32

HEX #8041AD

RGB 128 65 173

HSL 275, 0.45%, 0.47%

LAB 40.22, 46.56, -47.21

 

CMYK 9 / 62 / 0 / 32

HEX #9D41AD

RGB 157 65 173

HSL 291.11, 0.45%, 0.47%

LAB 44.18, 53.68, -40.66

 

CMYK 42 / 62 / 0 / 56

HEX #422B71

RGB 66 43 113

HSL 259.71, 0.45%, 0.31%

LAB 23.93, 27.99, -36.89

 

CMYK 42 / 62 / 0 / 44

HEX #53368F

RGB 83 54 143

HSL 259.55, 0.45%, 0.39%

LAB 30.55, 34.18, -44.96

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 36 / 54 / 0 / 25

HEX #7A58C0

RGB 122 88 192

HSL 259.62, 0.45%, 0.55%

LAB 45.53, 37.21, -49.89

 

CMYK 28 / 42 / 0 / 20

HEX #9276CB

RGB 146 118 203

HSL 259.76, 0.45%, 0.63%

LAB 55.46, 29.02, -40.28

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 0 / 62 / 32 / 32

HEX #AD4176

RGB 173 65 118

HSL 330.56, 0.45%, 0.47%

LAB 44.19, 49.36, -7.3

 

CMYK 57 / 0 / 62 / 32

HEX #4AAD41

RGB 74 173 65

HSL 115, 0.45%, 0.47%

LAB 63.11, -50.09, 45.76

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 0 / 42 / 62 / 32

HEX #AD6441

RGB 173 100 65

HSL 19.44, 0.45%, 0.47%

LAB 49.95, 26.14, 32.28

 

CMYK 62 / 0 / 42 / 32

HEX #41AD64

RGB 65 173 100

HSL 139.44, 0.45%, 0.47%

LAB 63.29, -47.24, 28.59

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 0 / 62 / 32 / 32

HEX #AD4176

RGB 173 65 118

HSL 330.56, 0.45%, 0.47%

LAB 44.19, 49.36, -7.3

 

CMYK 20 / 0 / 62 / 32

HEX #8BAD41

RGB 139 173 65

HSL 78.89, 0.45%, 0.47%

LAB 66.33, -28.06, 50.23

 

CMYK 62 / 0 / 30 / 32

HEX #41AD79

RGB 65 173 121

HSL 151.11, 0.45%, 0.47%

LAB 63.67, -43.17, 17.8

 

CMYK 42 / 62 / 0 / 32

HEX #6441AD

RGB 100 65 173

HSL 259.44, 0.45%, 0.47%

LAB 36.94, 40.12, -52.67

 

CMYK 0 / 62 / 51 / 32

HEX #AD4155

RGB 173 65 85

HSL 348.89, 0.45%, 0.47%

LAB 43.24, 45.78, 11.69

 

CMYK 20 / 0 / 62 / 32

HEX #8BAD41

RGB 139 173 65

HSL 78.89, 0.45%, 0.47%

LAB 66.33, -28.06, 50.23

 

CMYK 62 / 0 / 11 / 32

HEX #41AD9A

RGB 65 173 154

HSL 169.44, 0.45%, 0.47%

LAB 64.44, -35.34, 0.65

 

Description

Color code: RGB 100 65 173 | qconv.com Color code: RGB 100 65 173 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 100 red, 65 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
100 65 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 62 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 62% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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