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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8D75 it is the complementary color #52728A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8D75. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8D75 shade: #B28D70, #C39F83, #D4B196, #E5C3A9 and #F6D5BC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8D75. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8D75 shade: #AD8D75, #9C7B62, #8B694F, #7A573C and #694529

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8D75 shade: #AC8D75, #AC7E75 and #AC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8D75 shade: #AC8D75, #AC9C75, #ACAA75, #9FAC75 and #90AC75

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8D75 shade matches the following richer shades: #AC8D75, #BE8A64, #D08852, #E18540 and #F3832E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8D75 shade: #AC8D75, #9B8F87, #899299, #7795AB and #6597BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8D75 shade: #AC757C, #AC7E75, #AC8C75, #AC9B75 and #ACAA75

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8D75 shade: #82644E, #9B785D, #AC8D75, #BCA28F and #CBB8A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8D75 shade: #AD8D75, #8AAC75 and #7675AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8D75 shade: #AD8D75, #75AC8C and #8C75AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8D75 shade: #AD8D75, #8AAC75, #7595AC and #9775AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8D75 shade: #AD8D75, #7AAC75, #7595AC and #A875AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 18 / 32 / 32

HEX #AD8D75

RGB 173 141 117

HSL 25.71, 0.25%, 0.57%

LAB 60.97, 8.53, 17.36

 

Complementary color

CMYK 41 / 17 / 0 / 46

HEX #52728A

RGB 82 114 138

HSL 205.71, 0.25%, 0.43%

LAB 46.53, -4.94, -16.79

 

CMYK 0 / 21 / 37 / 30

HEX #B28D70

RGB 178 141 112

HSL 26.36, 0.3%, 0.57%

LAB 61.38, 9.93, 20.81

 

CMYK 0 / 18 / 33 / 24

HEX #C39F83

RGB 195 159 131

HSL 26.25, 0.35%, 0.64%

LAB 68.05, 9.27, 19.63

 

CMYK 0 / 17 / 29 / 17

HEX #D4B196

RGB 212 177 150

HSL 26.13, 0.42%, 0.71%

LAB 74.6, 8.7, 18.55

 

CMYK 0 / 15 / 26 / 10

HEX #E5C3A9

RGB 229 195 169

HSL 26, 0.54%, 0.78%

LAB 81.05, 8.2, 17.54

 

CMYK 0 / 13 / 24 / 4

HEX #F6D5BC

RGB 246 213 188

HSL 25.86, 0.76%, 0.85%

LAB 87.39, 7.75, 16.6

 

CMYK 0 / 18 / 32 / 32

HEX #AD8D75

RGB 173 141 117

HSL 25.71, 0.25%, 0.57%

LAB 60.97, 8.53, 17.36

 

CMYK 0 / 21 / 37 / 39

HEX #9C7B62

RGB 156 123 98

HSL 25.86, 0.23%, 0.5%

LAB 54.15, 9.2, 18.55

 

CMYK 0 / 24 / 43 / 45

HEX #8B694F

RGB 139 105 79

HSL 26, 0.28%, 0.43%

LAB 47.18, 10, 19.87

 

CMYK 0 / 29 / 51 / 52

HEX #7A573C

RGB 122 87 60

HSL 26.13, 0.34%, 0.36%

LAB 40.05, 10.97, 21.35

 

CMYK 0 / 34 / 61 / 59

HEX #694529

RGB 105 69 41

HSL 26.25, 0.44%, 0.29%

LAB 32.74, 12.21, 23.04

 

CMYK 0 / 18 / 32 / 33

HEX #AC8D75

RGB 172 141 117

HSL 26.18, 0.25%, 0.57%

LAB 60.87, 8.13, 17.21

 

CMYK 0 / 27 / 32 / 33

HEX #AC7E75

RGB 172 126 117

HSL 9.82, 0.25%, 0.57%

LAB 57.05, 16.56, 11.9

 

CMYK 0 / 32 / 32 / 33

HEX #AC7575

RGB 172 117 117

HSL 0, 0.25%, 0.57%

LAB 54.84, 21.64, 8.79

 

CMYK 0 / 18 / 32 / 33

HEX #AC8D75

RGB 172 141 117

HSL 26.18, 0.25%, 0.57%

LAB 60.87, 8.13, 17.21

 

CMYK 0 / 9 / 32 / 33

HEX #AC9C75

RGB 172 156 117

HSL 42.55, 0.25%, 0.57%

LAB 64.83, -0.16, 22.6

 

CMYK 0 / 1 / 32 / 33

HEX #ACAA75

RGB 172 170 117

HSL 57.82, 0.25%, 0.57%

LAB 68.61, -7.69, 27.64

 

CMYK 8 / 0 / 32 / 33

HEX #9FAC75

RGB 159 172 117

HSL 74.18, 0.25%, 0.57%

LAB 68.14, -13.89, 26.83

 

CMYK 16 / 0 / 32 / 33

HEX #90AC75

RGB 144 172 117

HSL 90.55, 0.25%, 0.57%

LAB 67.07, -19.64, 25.21

 

CMYK 0 / 18 / 32 / 33

HEX #AC8D75

RGB 172 141 117

HSL 26.18, 0.25%, 0.57%

LAB 60.87, 8.13, 17.21

 

CMYK 0 / 27 / 47 / 25

HEX #BE8A64

RGB 190 138 100

HSL 25.33, 0.41%, 0.57%

LAB 61.69, 15.2, 28.11

 

CMYK 0 / 35 / 61 / 18

HEX #D08852

RGB 208 136 82

HSL 25.71, 0.57%, 0.57%

LAB 63.03, 22.23, 39.92

 

CMYK 0 / 41 / 72 / 12

HEX #E18540

RGB 225 133 64

HSL 25.71, 0.73%, 0.57%

LAB 64.28, 29.77, 50.91

 

CMYK 0 / 46 / 81 / 5

HEX #F3832E

RGB 243 131 46

HSL 25.89, 0.89%, 0.57%

LAB 66.12, 37.36, 61.35

 

CMYK 0 / 18 / 32 / 33

HEX #AC8D75

RGB 172 141 117

HSL 26.18, 0.25%, 0.57%

LAB 60.87, 8.13, 17.21

 

CMYK 0 / 8 / 13 / 39

HEX #9B8F87

RGB 155 143 135

HSL 24, 0.09%, 0.57%

LAB 60.22, 3.04, 5.85

 

CMYK 10 / 5 / 0 / 40

HEX #899299

RGB 137 146 153

HSL 206.25, 0.07%, 0.57%

LAB 60.05, -1.79, -4.82

 

CMYK 30 / 13 / 0 / 33

HEX #7795AB

RGB 119 149 171

HSL 205.38, 0.24%, 0.57%

LAB 60.21, -5.14, -14.94

 

CMYK 46 / 20 / 0 / 26

HEX #6597BC

RGB 101 151 188

HSL 205.52, 0.39%, 0.57%

LAB 60.37, -6.64, -24.4

 

CMYK 0 / 32 / 28 / 33

HEX #AC757C

RGB 172 117 124

HSL 352.36, 0.25%, 0.57%

LAB 55.02, 22.62, 4.96

 

CMYK 0 / 27 / 32 / 33

HEX #AC7E75

RGB 172 126 117

HSL 9.82, 0.25%, 0.57%

LAB 57.05, 16.56, 11.9

 

CMYK 0 / 19 / 32 / 33

HEX #AC8C75

RGB 172 140 117

HSL 25.09, 0.25%, 0.57%

LAB 60.61, 8.69, 16.85

 

CMYK 0 / 10 / 32 / 33

HEX #AC9B75

RGB 172 155 117

HSL 41.45, 0.25%, 0.57%

LAB 64.56, 0.39, 22.24

 

CMYK 0 / 1 / 32 / 33

HEX #ACAA75

RGB 172 170 117

HSL 57.82, 0.25%, 0.57%

LAB 68.61, -7.69, 27.64

 

CMYK 0 / 23 / 40 / 49

HEX #82644E

RGB 130 100 78

HSL 25.38, 0.25%, 0.41%

LAB 44.82, 8.89, 17.12

 

CMYK 0 / 23 / 40 / 39

HEX #9B785D

RGB 155 120 93

HSL 26.13, 0.25%, 0.49%

LAB 53.16, 9.87, 20.07

 

CMYK 0 / 18 / 32 / 33

HEX #AC8D75

RGB 172 141 117

HSL 26.18, 0.25%, 0.57%

LAB 60.87, 8.13, 17.21

 

CMYK 0 / 14 / 24 / 26

HEX #BCA28F

RGB 188 162 143

HSL 25.33, 0.25%, 0.65%

LAB 68.4, 6.54, 13.4

 

CMYK 0 / 9 / 17 / 20

HEX #CBB8A9

RGB 203 184 169

HSL 26.47, 0.25%, 0.73%

LAB 75.97, 4.3, 10.07

 

CMYK 0 / 18 / 32 / 32

HEX #AD8D75

RGB 173 141 117

HSL 25.71, 0.25%, 0.57%

LAB 60.97, 8.53, 17.36

 

CMYK 20 / 0 / 32 / 33

HEX #8AAC75

RGB 138 172 117

HSL 97.09, 0.25%, 0.57%

LAB 66.67, -21.88, 24.61

 

CMYK 31 / 32 / 0 / 33

HEX #7675AC

RGB 118 117 172

HSL 241.09, 0.25%, 0.57%

LAB 51.33, 13.4, -29.14

 

CMYK 0 / 18 / 32 / 32

HEX #AD8D75

RGB 173 141 117

HSL 25.71, 0.25%, 0.57%

LAB 60.97, 8.53, 17.36

 

CMYK 32 / 0 / 19 / 33

HEX #75AC8C

RGB 117 172 140

HSL 145.09, 0.25%, 0.57%

LAB 65.89, -25.01, 10.77

 

CMYK 19 / 32 / 0 / 33

HEX #8C75AC

RGB 140 117 172

HSL 265.09, 0.25%, 0.57%

LAB 53.25, 20.25, -26

 

CMYK 0 / 18 / 32 / 32

HEX #AD8D75

RGB 173 141 117

HSL 25.71, 0.25%, 0.57%

LAB 60.97, 8.53, 17.36

 

CMYK 20 / 0 / 32 / 33

HEX #8AAC75

RGB 138 172 117

HSL 97.09, 0.25%, 0.57%

LAB 66.67, -21.88, 24.61

 

CMYK 32 / 13 / 0 / 33

HEX #7595AC

RGB 117 149 172

HSL 205.09, 0.25%, 0.57%

LAB 60.12, -5.49, -15.65

 

CMYK 12 / 32 / 0 / 33

HEX #9775AC

RGB 151 117 172

HSL 277.09, 0.25%, 0.57%

LAB 54.32, 23.81, -24.26

 

CMYK 0 / 18 / 32 / 32

HEX #AD8D75

RGB 173 141 117

HSL 25.71, 0.25%, 0.57%

LAB 60.97, 8.53, 17.36

 

CMYK 29 / 0 / 32 / 33

HEX #7AAC75

RGB 122 172 117

HSL 114.55, 0.25%, 0.57%

LAB 65.69, -27.59, 23.13

 

CMYK 32 / 13 / 0 / 33

HEX #7595AC

RGB 117 149 172

HSL 205.09, 0.25%, 0.57%

LAB 60.12, -5.49, -15.65

 

CMYK 2 / 32 / 0 / 33

HEX #A875AC

RGB 168 117 172

HSL 295.64, 0.25%, 0.57%

LAB 56.11, 29.43, -21.36

 

Description

Color code: HEX #AD8D75 | qconv.com Color code: HEX #AD8D75 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 141 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 141 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 18 magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 18% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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