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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 122 87 60 it is the complementary color RGB 133 168 195. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 122 87 60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 122 87 60 shade: RGB 127 87 55, RGB 144 105 74, RGB 161 123 93, RGB 178 141 112 and RGB 195 159 131

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 122 87 60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 122 87 60 shade: RGB 122 87 60, RGB 105 69 41, RGB 88 51 22, RGB 71 33 3 and RGB 54 15 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 122 87 60 shade: RGB 123 87 60, RGB 123 70 60 and RGB 123 60 60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 122 87 60 shade: RGB 123 87 60, RGB 123 104 60, RGB 123 121 60, RGB 107 123 60 and RGB 90 123 60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 122 87 60 shade matches the following richer shades: RGB 123 87 60, RGB 137 85 45, RGB 152 83 30, RGB 167 82 16 and RGB 182 80 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 122 87 60 shade: RGB 123 87 60, RGB 108 89 75, RGB 93 91 90, RGB 78 93 105 and RGB 63 95 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 122 87 60 shade: RGB 123 60 66, RGB 123 70 60, RGB 123 87 60, RGB 123 104 60 and RGB 123 120 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 122 87 60 shade: RGB 67 48 33, RGB 95 68 46, RGB 123 87 60, RGB 150 107 74 and RGB 174 127 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 122 87 60 shade: RGB 122 87 60, RGB 83 123 60 and RGB 62 60 123

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 122 87 60 shade: RGB 122 87 60, RGB 60 123 87 and RGB 87 60 123

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 122 87 60 shade: RGB 122 87 60, RGB 83 123 60, RGB 60 95 123 and RGB 100 60 123

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 122 87 60 shade: RGB 122 87 60, RGB 64 123 60, RGB 60 95 123 and RGB 118 60 123

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 51 / 52

HEX #7A573C

RGB 122 87 60

HSL 26.13, 0.34%, 0.36%

LAB 40.05, 10.97, 21.35

 

Complementary color

CMYK 32 / 14 / 0 / 24

HEX #85A8C3

RGB 133 168 195

HSL 206.13, 0.34%, 0.64%

LAB 67.23, -5.45, -17.69

 

CMYK 0 / 31 / 57 / 50

HEX #7F5737

RGB 127 87 55

HSL 26.67, 0.4%, 0.36%

LAB 40.58, 12.74, 25.1

 

CMYK 0 / 27 / 49 / 44

HEX #90694A

RGB 144 105 74

HSL 26.57, 0.32%, 0.43%

LAB 47.66, 11.62, 23.51

 

CMYK 0 / 24 / 42 / 37

HEX #A17B5D

RGB 161 123 93

HSL 26.47, 0.27%, 0.5%

LAB 54.59, 10.7, 22.09

 

CMYK 0 / 21 / 37 / 30

HEX #B28D70

RGB 178 141 112

HSL 26.36, 0.3%, 0.57%

LAB 61.38, 9.93, 20.81

 

CMYK 0 / 18 / 33 / 24

HEX #C39F83

RGB 195 159 131

HSL 26.25, 0.35%, 0.64%

LAB 68.05, 9.27, 19.63

 

CMYK 0 / 29 / 51 / 52

HEX #7A573C

RGB 122 87 60

HSL 26.13, 0.34%, 0.36%

LAB 40.05, 10.97, 21.35

 

CMYK 0 / 34 / 61 / 59

HEX #694529

RGB 105 69 41

HSL 26.25, 0.44%, 0.29%

LAB 32.74, 12.21, 23.04

 

CMYK 0 / 42 / 75 / 65

HEX #583316

RGB 88 51 22

HSL 26.36, 0.6%, 0.22%

LAB 25.26, 13.81, 24.9

 

CMYK 0 / 54 / 96 / 72

HEX #472103

RGB 71 33 3

HSL 26.47, 0.92%, 0.15%

LAB 17.62, 15.86, 24.8

 

CMYK 0 / 72 / 100 / 79

HEX #360F00

RGB 54 15 0

HSL 16.67, 1%, 0.11%

LAB 10, 18.49, 15.41

 

CMYK 0 / 29 / 51 / 52

HEX #7B573C

RGB 123 87 60

HSL 25.71, 0.34%, 0.36%

LAB 40.17, 11.43, 21.53

 

CMYK 0 / 43 / 51 / 52

HEX #7B463C

RGB 123 70 60

HSL 9.52, 0.34%, 0.36%

LAB 35.82, 21.56, 15.84

 

CMYK 0 / 51 / 51 / 52

HEX #7B3C3C

RGB 123 60 60

HSL 0, 0.34%, 0.36%

LAB 33.5, 27.32, 12.7

 

CMYK 0 / 29 / 51 / 52

HEX #7B573C

RGB 123 87 60

HSL 25.71, 0.34%, 0.36%

LAB 40.17, 11.43, 21.53

 

CMYK 0 / 15 / 51 / 52

HEX #7B683C

RGB 123 104 60

HSL 41.9, 0.34%, 0.36%

LAB 44.85, 1.34, 27.45

 

CMYK 0 / 2 / 51 / 52

HEX #7B793C

RGB 123 121 60

HSL 58.1, 0.34%, 0.36%

LAB 49.75, -8.37, 33.41

 

CMYK 13 / 0 / 51 / 52

HEX #6B7B3C

RGB 107 123 60

HSL 75.24, 0.34%, 0.36%

LAB 49.03, -16.48, 32.23

 

CMYK 27 / 0 / 51 / 52

HEX #5A7B3C

RGB 90 123 60

HSL 91.43, 0.34%, 0.36%

LAB 47.84, -23.52, 30.51

 

CMYK 0 / 29 / 51 / 52

HEX #7B573C

RGB 123 87 60

HSL 25.71, 0.34%, 0.36%

LAB 40.17, 11.43, 21.53

 

CMYK 0 / 38 / 67 / 46

HEX #89552D

RGB 137 85 45

HSL 26.09, 0.51%, 0.36%

LAB 41.22, 17.65, 31.85

 

CMYK 0 / 45 / 80 / 40

HEX #98531E

RGB 152 83 30

HSL 26.07, 0.67%, 0.36%

LAB 42.7, 24.66, 41.67

 

CMYK 0 / 51 / 90 / 35

HEX #A75210

RGB 167 82 16

HSL 26.23, 0.83%, 0.36%

LAB 44.64, 31.21, 49.72

 

CMYK 0 / 56 / 99 / 29

HEX #B65001

RGB 182 80 1

HSL 26.19, 0.99%, 0.36%

LAB 46.56, 38.12, 56.09

 

CMYK 0 / 29 / 51 / 52

HEX #7B573C

RGB 123 87 60

HSL 25.71, 0.34%, 0.36%

LAB 40.17, 11.43, 21.53

 

CMYK 0 / 18 / 31 / 58

HEX #6C594B

RGB 108 89 75

HSL 25.45, 0.18%, 0.36%

LAB 39.31, 5.45, 11.01

 

CMYK 0 / 2 / 3 / 64

HEX #5D5B5A

RGB 93 91 90

HSL 20, 0.02%, 0.36%

LAB 38.81, 0.59, 0.85

 

CMYK 26 / 11 / 0 / 59

HEX #4E5D69

RGB 78 93 105

HSL 206.67, 0.15%, 0.36%

LAB 38.67, -2.75, -8.76

 

CMYK 48 / 21 / 0 / 53

HEX #3F5F78

RGB 63 95 120

HSL 206.32, 0.31%, 0.36%

LAB 38.89, -4.31, -17.73

 

CMYK 0 / 51 / 46 / 52

HEX #7B3C42

RGB 123 60 66

HSL 354.29, 0.34%, 0.36%

LAB 33.64, 27.97, 9.06

 

CMYK 0 / 43 / 51 / 52

HEX #7B463C

RGB 123 70 60

HSL 9.52, 0.34%, 0.36%

LAB 35.82, 21.56, 15.84

 

CMYK 0 / 29 / 51 / 52

HEX #7B573C

RGB 123 87 60

HSL 25.71, 0.34%, 0.36%

LAB 40.17, 11.43, 21.53

 

CMYK 0 / 15 / 51 / 52

HEX #7B683C

RGB 123 104 60

HSL 41.9, 0.34%, 0.36%

LAB 44.85, 1.34, 27.45

 

CMYK 0 / 2 / 51 / 52

HEX #7B783C

RGB 123 120 60

HSL 57.14, 0.34%, 0.36%

LAB 49.46, -7.81, 33.06

 

CMYK 0 / 28 / 51 / 74

HEX #433021

RGB 67 48 33

HSL 26.47, 0.34%, 0.2%

LAB 21.64, 6.38, 12.97

 

CMYK 0 / 28 / 52 / 63

HEX #5F442E

RGB 95 68 46

HSL 26.94, 0.35%, 0.28%

LAB 31.26, 8.61, 17.86

 

CMYK 0 / 29 / 51 / 52

HEX #7B573C

RGB 123 87 60

HSL 25.71, 0.34%, 0.36%

LAB 40.17, 11.43, 21.53

 

CMYK 0 / 29 / 51 / 41

HEX #966B4A

RGB 150 107 74

HSL 26.05, 0.34%, 0.44%

LAB 48.88, 13.08, 25.22

 

CMYK 0 / 27 / 48 / 32

HEX #AE7F5B

RGB 174 127 91

HSL 26.02, 0.34%, 0.52%

LAB 57.01, 13.72, 26.67

 

CMYK 0 / 29 / 51 / 52

HEX #7A573C

RGB 122 87 60

HSL 26.13, 0.34%, 0.36%

LAB 40.05, 10.97, 21.35

 

CMYK 33 / 0 / 51 / 52

HEX #537B3C

RGB 83 123 60

HSL 98.1, 0.34%, 0.36%

LAB 47.41, -26.25, 29.88

 

CMYK 50 / 51 / 0 / 52

HEX #3E3C7B

RGB 62 60 123

HSL 241.9, 0.34%, 0.36%

LAB 28.61, 19.07, -35.75

 

CMYK 0 / 29 / 51 / 52

HEX #7A573C

RGB 122 87 60

HSL 26.13, 0.34%, 0.36%

LAB 40.05, 10.97, 21.35

 

CMYK 51 / 0 / 29 / 52

HEX #3C7B57

RGB 60 123 87

HSL 145.71, 0.34%, 0.36%

LAB 46.73, -29.21, 13.6

 

CMYK 29 / 51 / 0 / 52

HEX #573C7B

RGB 87 60 123

HSL 265.71, 0.34%, 0.36%

LAB 31.09, 25.96, -31.65

 

CMYK 0 / 29 / 51 / 52

HEX #7A573C

RGB 122 87 60

HSL 26.13, 0.34%, 0.36%

LAB 40.05, 10.97, 21.35

 

CMYK 33 / 0 / 51 / 52

HEX #537B3C

RGB 83 123 60

HSL 98.1, 0.34%, 0.36%

LAB 47.41, -26.25, 29.88

 

CMYK 51 / 23 / 0 / 52

HEX #3C5F7B

RGB 60 95 123

HSL 206.67, 0.34%, 0.36%

LAB 38.86, -4.15, -19.63

 

CMYK 19 / 51 / 0 / 52

HEX #643C7B

RGB 100 60 123

HSL 278.1, 0.34%, 0.36%

LAB 32.64, 29.86, -29.09

 

CMYK 0 / 29 / 51 / 52

HEX #7A573C

RGB 122 87 60

HSL 26.13, 0.34%, 0.36%

LAB 40.05, 10.97, 21.35

 

CMYK 48 / 0 / 51 / 52

HEX #407B3C

RGB 64 123 60

HSL 116.19, 0.34%, 0.36%

LAB 46.42, -32.91, 28.45

 

CMYK 51 / 23 / 0 / 52

HEX #3C5F7B

RGB 60 95 123

HSL 206.67, 0.34%, 0.36%

LAB 38.86, -4.15, -19.63

 

CMYK 4 / 51 / 0 / 52

HEX #763C7B

RGB 118 60 123

HSL 295.24, 0.34%, 0.36%

LAB 35.03, 35.41, -25.16

 

Description

Color code: RGB 122 87 60 | qconv.com Color code: RGB 122 87 60 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 122 red, 87 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
122 87 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 51 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 51% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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