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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD37CF it is the complementary color #52C830. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD37CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD37CF shade: #B237CA, #C349DD, #D45BF0, #E56DFF and #F67FFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD37CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD37CF shade: #AD37CF, #9C25BC, #8B13A9, #7A0196 and #690083

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD37CF shade: #AC35CE, #CE35C7, #CE359E, #CE3575 and #CE354B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD37CF shade: #AC35CE, #8335CE, #5935CE and #3535CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD37CF shade matches the following richer shades: #AC35CE, #B721E2 and #C20DF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD37CF shade: #AC35CE, #A14ABA, #955EA5, #8A7291 and #7F867D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD37CF shade: #5935CE, #8235CE, #AA35CE, #CE35C9 and #CE35A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD37CF shade: #76228E, #922AB0, #AC35CE, #B957D6 and #C778DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD37CF shade: #AD37CF, #CE353A and #35CE6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD37CF shade: #AD37CF, #CEAA35 and #35CEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD37CF shade: #AD37CF, #CE353A, #59CE35 and #35CEC9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD37CF shade: #AD37CF, #CE5E35, #59CE35 and #35A5CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 73 / 0 / 19

HEX #AD37CF

RGB 173 55 207

HSL 286.58, 0.61%, 0.51%

LAB 47.13, 67.78, -55.63

 

Complementary color

CMYK 59 / 0 / 76 / 22

HEX #52C830

RGB 82 200 48

HSL 106.58, 0.61%, 0.49%

LAB 71.77, -59.38, 61.52

 

CMYK 12 / 73 / 0 / 21

HEX #B237CA

RGB 178 55 202

HSL 290.2, 0.58%, 0.5%

LAB 47.57, 67.86, -52

 

CMYK 12 / 67 / 0 / 13

HEX #C349DD

RGB 195 73 221

HSL 289.46, 0.69%, 0.58%

LAB 53.59, 68.2, -53.11

 

CMYK 12 / 62 / 0 / 6

HEX #D45BF0

RGB 212 91 240

HSL 288.72, 0.83%, 0.65%

LAB 59.68, 68.11, -53.92

 

CMYK 10 / 57 / 0 / 0

HEX #E56DFF

RGB 229 109 255

HSL 289.32, 1%, 0.71%

LAB 65.6, 67, -52.66

 

CMYK 4 / 50 / 0 / 0

HEX #F67FFF

RGB 246 127 255

HSL 295.78, 1%, 0.75%

LAB 70.87, 63.02, -44.22

 

CMYK 16 / 73 / 0 / 19

HEX #AD37CF

RGB 173 55 207

HSL 286.58, 0.61%, 0.51%

LAB 47.13, 67.78, -55.63

 

CMYK 17 / 80 / 0 / 26

HEX #9C25BC

RGB 156 37 188

HSL 287.28, 0.67%, 0.44%

LAB 41.25, 66.82, -54.2

 

CMYK 18 / 89 / 0 / 34

HEX #8B13A9

RGB 139 19 169

HSL 288, 0.8%, 0.37%

LAB 35.63, 64.79, -52.14

 

CMYK 19 / 99 / 0 / 41

HEX #7A0196

RGB 122 1 150

HSL 288.72, 0.99%, 0.3%

LAB 30.31, 61.55, -49.38

 

CMYK 20 / 100 / 0 / 49

HEX #690083

RGB 105 0 131

HSL 288.09, 1%, 0.26%

LAB 25.69, 55.74, -45.21

 

CMYK 17 / 74 / 0 / 19

HEX #AC35CE

RGB 172 53 206

HSL 286.67, 0.61%, 0.51%

LAB 46.68, 68.1, -55.8

 

CMYK 0 / 74 / 3 / 19

HEX #CE35C7

RGB 206 53 199

HSL 302.75, 0.61%, 0.51%

LAB 51.6, 73.82, -43.59

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 74 / 43 / 19

HEX #CE3575

RGB 206 53 117

HSL 334.9, 0.61%, 0.51%

LAB 48.2, 63.47, -0.13

 

CMYK 0 / 74 / 64 / 19

HEX #CE354B

RGB 206 53 75

HSL 351.37, 0.61%, 0.51%

LAB 47.2, 60.25, 24.16

 

CMYK 17 / 74 / 0 / 19

HEX #AC35CE

RGB 172 53 206

HSL 286.67, 0.61%, 0.51%

LAB 46.68, 68.1, -55.8

 

CMYK 36 / 74 / 0 / 19

HEX #8335CE

RGB 131 53 206

HSL 270.59, 0.61%, 0.51%

LAB 40.94, 60.5, -65.36

 

CMYK 57 / 74 / 0 / 19

HEX #5935CE

RGB 89 53 206

HSL 254.12, 0.61%, 0.51%

LAB 36.23, 54, -73.27

 

CMYK 74 / 74 / 0 / 19

HEX #3535CE

RGB 53 53 206

HSL 240, 0.61%, 0.51%

LAB 33.48, 50.05, -77.89

 

CMYK 17 / 74 / 0 / 19

HEX #AC35CE

RGB 172 53 206

HSL 286.67, 0.61%, 0.51%

LAB 46.68, 68.1, -55.8

 

CMYK 19 / 85 / 0 / 11

HEX #B721E2

RGB 183 33 226

HSL 286.63, 0.77%, 0.51%

LAB 47.81, 79.19, -65.33

 

CMYK 21 / 95 / 0 / 4

HEX #C20DF6

RGB 194 13 246

HSL 286.61, 0.93%, 0.51%

LAB 49.99, 87.19, -73

 

CMYK 17 / 74 / 0 / 19

HEX #AC35CE

RGB 172 53 206

HSL 286.67, 0.61%, 0.51%

LAB 46.68, 68.1, -55.8

 

CMYK 13 / 60 / 0 / 27

HEX #A14ABA

RGB 161 74 186

HSL 286.61, 0.45%, 0.51%

LAB 47, 53.06, -43.78

 

CMYK 10 / 43 / 0 / 35

HEX #955EA5

RGB 149 94 165

HSL 286.48, 0.28%, 0.51%

LAB 48.4, 34.84, -29.38

 

CMYK 5 / 21 / 0 / 43

HEX #8A7291

RGB 138 114 145

HSL 286.45, 0.12%, 0.51%

LAB 51.25, 15.31, -13.34

 

CMYK 5 / 0 / 7 / 47

HEX #7F867D

RGB 127 134 125

HSL 106.67, 0.04%, 0.51%

LAB 55.12, -4.37, 3.95

 

CMYK 57 / 74 / 0 / 19

HEX #5935CE

RGB 89 53 206

HSL 254.12, 0.61%, 0.51%

LAB 36.23, 54, -73.27

 

CMYK 37 / 74 / 0 / 19

HEX #8235CE

RGB 130 53 206

HSL 270.2, 0.61%, 0.51%

LAB 40.81, 60.33, -65.58

 

CMYK 17 / 74 / 0 / 19

HEX #AA35CE

RGB 170 53 206

HSL 285.88, 0.61%, 0.51%

LAB 46.38, 67.71, -56.3

 

CMYK 0 / 74 / 2 / 19

HEX #CE35C9

RGB 206 53 201

HSL 301.96, 0.61%, 0.51%

LAB 51.71, 74.13, -44.58

 

CMYK 0 / 74 / 22 / 19

HEX #CE35A0

RGB 206 53 160

HSL 318.04, 0.61%, 0.51%

LAB 49.75, 68.29, -23.69

 

CMYK 17 / 76 / 0 / 44

HEX #76228E

RGB 118 34 142

HSL 286.67, 0.61%, 0.35%

LAB 31.69, 51.57, -42.25

 

CMYK 17 / 76 / 0 / 31

HEX #922AB0

RGB 146 42 176

HSL 286.57, 0.61%, 0.43%

LAB 39.41, 61.09, -50.16

 

CMYK 17 / 74 / 0 / 19

HEX #AC35CE

RGB 172 53 206

HSL 286.67, 0.61%, 0.51%

LAB 46.68, 68.1, -55.8

 

CMYK 14 / 59 / 0 / 16

HEX #B957D6

RGB 185 87 214

HSL 286.3, 0.61%, 0.59%

LAB 54.01, 58.49, -48.54

 

CMYK 10 / 46 / 0 / 13

HEX #C778DE

RGB 199 120 222

HSL 286.47, 0.61%, 0.67%

LAB 62.38, 47.34, -39.72

 

CMYK 16 / 73 / 0 / 19

HEX #AD37CF

RGB 173 55 207

HSL 286.58, 0.61%, 0.51%

LAB 47.13, 67.78, -55.63

 

CMYK 0 / 74 / 72 / 19

HEX #CE353A

RGB 206 53 58

HSL 358.04, 0.61%, 0.51%

LAB 46.94, 59.37, 33.97

 

CMYK 74 / 0 / 47 / 19

HEX #35CE6D

RGB 53 206 109

HSL 141.96, 0.61%, 0.51%

LAB 73.55, -60.16, 37.1

 

CMYK 16 / 73 / 0 / 19

HEX #AD37CF

RGB 173 55 207

HSL 286.58, 0.61%, 0.51%

LAB 47.13, 67.78, -55.63

 

CMYK 0 / 17 / 74 / 19

HEX #CEAA35

RGB 206 170 53

HSL 45.88, 0.61%, 0.51%

LAB 70.96, 1.33, 61.64

 

CMYK 74 / 0 / 17 / 19

HEX #35CEAA

RGB 53 206 170

HSL 165.88, 0.61%, 0.51%

LAB 74.7, -47.53, 6.71

 

CMYK 16 / 73 / 0 / 19

HEX #AD37CF

RGB 173 55 207

HSL 286.58, 0.61%, 0.51%

LAB 47.13, 67.78, -55.63

 

CMYK 0 / 74 / 72 / 19

HEX #CE353A

RGB 206 53 58

HSL 358.04, 0.61%, 0.51%

LAB 46.94, 59.37, 33.97

 

CMYK 57 / 0 / 74 / 19

HEX #59CE35

RGB 89 206 53

HSL 105.88, 0.61%, 0.51%

LAB 73.88, -59.42, 62.01

 

CMYK 74 / 0 / 2 / 19

HEX #35CEC9

RGB 53 206 201

HSL 178.04, 0.61%, 0.51%

LAB 75.52, -39.28, -8.81

 

CMYK 16 / 73 / 0 / 19

HEX #AD37CF

RGB 173 55 207

HSL 286.58, 0.61%, 0.51%

LAB 47.13, 67.78, -55.63

 

CMYK 0 / 54 / 74 / 19

HEX #CE5E35

RGB 206 94 53

HSL 16.08, 0.61%, 0.51%

LAB 53.37, 41.81, 43.88

 

CMYK 57 / 0 / 74 / 19

HEX #59CE35

RGB 89 206 53

HSL 105.88, 0.61%, 0.51%

LAB 73.88, -59.42, 62.01

 

CMYK 74 / 20 / 0 / 19

HEX #35A5CE

RGB 53 165 206

HSL 196.08, 0.61%, 0.51%

LAB 63.44, -17.59, -29.88

 

Description

Color code: HEX #AD37CF | qconv.com Color code: HEX #AD37CF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 55 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 55 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 73 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 73% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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