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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #CE359E it is the complementary color #31CA61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #CE359E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #CE359E shade: #D33599, #E447AC, #F559BF, #FF6BD2 and #FF7DE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #CE359E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #CE359E shade: #CE359E, #BD238B, #AC1178, #9B0065 and #8A0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #CE359E shade: #CE359E, #CE3575, #CE354C and #CE3535

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #CE359E shade: #CE359E, #CE35C7, #AB35CE, #8235CE and #5935CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #CE359E shade matches the following richer shades: #CE359E, #E221A5 and #F60DAD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #CE359E shade: #CE359E, #BA4A96, #A55E8F, #917287 and #7D8680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #CE359E shade: #AA35CE, #CE35C9, #CE35A0, #CE3577 and #CE354F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #CE359E shade: #8E226C, #B02A86, #CE359E, #D657AE and #DE78BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #CE359E shade: #CE359E, #CE8235 and #35CEBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #CE359E shade: #CE359E, #A0CE35 and #35A0CE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #CE359E shade: #CE359E, #CE8235, #35CE63 and #3582CE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #CE359E shade: #CE359E, #CEAF35, #35CE63 and #3554CE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

Complementary color

CMYK 76 / 0 / 52 / 21

HEX #31CA61

RGB 49 202 97

HSL 138.82, 0.61%, 0.49%

LAB 72.07, -61.19, 41.14

 

CMYK 0 / 75 / 27 / 17

HEX #D33599

RGB 211 53 153

HSL 322.03, 0.64%, 0.52%

LAB 50.33, 68.64, -18.56

 

CMYK 0 / 69 / 25 / 11

HEX #E447AC

RGB 228 71 172

HSL 321.4, 0.74%, 0.59%

LAB 56.07, 69.28, -20.71

 

CMYK 0 / 64 / 22 / 4

HEX #F559BF

RGB 245 89 191

HSL 320.77, 0.89%, 0.65%

LAB 61.93, 69.42, -22.44

 

CMYK 0 / 58 / 18 / 0

HEX #FF6BD2

RGB 255 107 210

HSL 318.24, 1%, 0.71%

LAB 66.85, 67.32, -25.51

 

CMYK 0 / 51 / 10 / 0

HEX #FF7DE5

RGB 255 125 229

HSL 312, 1%, 0.75%

LAB 70.58, 62.09, -30.32

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 81 / 26 / 26

HEX #BD238B

RGB 189 35 139

HSL 319.48, 0.69%, 0.44%

LAB 44.07, 66.69, -20.07

 

CMYK 0 / 90 / 30 / 33

HEX #AC1178

RGB 172 17 120

HSL 320.13, 0.82%, 0.37%

LAB 38.77, 64.27, -16.76

 

CMYK 0 / 100 / 35 / 39

HEX #9B0065

RGB 155 0 101

HSL 320.9, 1%, 0.3%

LAB 33.79, 60.69, -12.64

 

CMYK 0 / 100 / 41 / 46

HEX #8A0052

RGB 138 0 82

HSL 324.35, 1%, 0.27%

LAB 29.44, 54.98, -7.16

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 74 / 43 / 19

HEX #CE3575

RGB 206 53 117

HSL 334.9, 0.61%, 0.51%

LAB 48.2, 63.47, -0.13

 

CMYK 0 / 74 / 63 / 19

HEX #CE354C

RGB 206 53 76

HSL 350.98, 0.61%, 0.51%

LAB 47.22, 60.31, 23.58

 

CMYK 0 / 74 / 74 / 19

HEX #CE3535

RGB 206 53 53

HSL 0, 0.61%, 0.51%

LAB 46.88, 59.16, 36.79

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 74 / 3 / 19

HEX #CE35C7

RGB 206 53 199

HSL 302.75, 0.61%, 0.51%

LAB 51.6, 73.82, -43.59

 

CMYK 17 / 74 / 0 / 19

HEX #AB35CE

RGB 171 53 206

HSL 286.27, 0.61%, 0.51%

LAB 46.53, 67.9, -56.05

 

CMYK 37 / 74 / 0 / 19

HEX #8235CE

RGB 130 53 206

HSL 270.2, 0.61%, 0.51%

LAB 40.81, 60.33, -65.58

 

CMYK 57 / 74 / 0 / 19

HEX #5935CE

RGB 89 53 206

HSL 254.12, 0.61%, 0.51%

LAB 36.23, 54, -73.27

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 85 / 27 / 11

HEX #E221A5

RGB 226 33 165

HSL 318.96, 0.77%, 0.51%

LAB 51.81, 78.32, -23.17

 

CMYK 0 / 95 / 30 / 4

HEX #F60DAD

RGB 246 13 173

HSL 318.8, 0.93%, 0.51%

LAB 54.97, 85.8, -22.71

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 60 / 19 / 27

HEX #BA4A96

RGB 186 74 150

HSL 319.29, 0.45%, 0.51%

LAB 48.93, 53.62, -19.27

 

CMYK 0 / 43 / 13 / 35

HEX #A55E8F

RGB 165 94 143

HSL 318.59, 0.28%, 0.51%

LAB 49.48, 35.86, -14.54

 

CMYK 0 / 21 / 7 / 43

HEX #917287

RGB 145 114 135

HSL 319.35, 0.12%, 0.51%

LAB 51.61, 15.87, -6.83

 

CMYK 7 / 0 / 4 / 47

HEX #7D8680

RGB 125 134 128

HSL 140, 0.04%, 0.51%

LAB 55.04, -4.52, 2.08

 

CMYK 17 / 74 / 0 / 19

HEX #AA35CE

RGB 170 53 206

HSL 285.88, 0.61%, 0.51%

LAB 46.38, 67.71, -56.3

 

CMYK 0 / 74 / 2 / 19

HEX #CE35C9

RGB 206 53 201

HSL 301.96, 0.61%, 0.51%

LAB 51.71, 74.13, -44.58

 

CMYK 0 / 74 / 22 / 19

HEX #CE35A0

RGB 206 53 160

HSL 318.04, 0.61%, 0.51%

LAB 49.75, 68.29, -23.69

 

CMYK 0 / 74 / 42 / 19

HEX #CE3577

RGB 206 53 119

HSL 334.12, 0.61%, 0.51%

LAB 48.26, 63.66, -1.26

 

CMYK 0 / 74 / 62 / 19

HEX #CE354F

RGB 206 53 79

HSL 349.8, 0.61%, 0.51%

LAB 47.28, 60.49, 21.83

 

CMYK 0 / 76 / 24 / 44

HEX #8E226C

RGB 142 34 108

HSL 318.89, 0.61%, 0.35%

LAB 33.94, 51.52, -17.12

 

CMYK 0 / 76 / 24 / 31

HEX #B02A86

RGB 176 42 134

HSL 318.81, 0.61%, 0.43%

LAB 42.17, 61.03, -20.15

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 59 / 19 / 16

HEX #D657AE

RGB 214 87 174

HSL 318.9, 0.61%, 0.59%

LAB 56.26, 59.4, -21.77

 

CMYK 0 / 46 / 14 / 13

HEX #DE78BE

RGB 222 120 190

HSL 318.82, 0.61%, 0.67%

LAB 63.9, 48.55, -19.16

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 37 / 74 / 19

HEX #CE8235

RGB 206 130 53

HSL 30.2, 0.61%, 0.51%

LAB 61.08, 22.95, 51.89

 

CMYK 74 / 0 / 7 / 19

HEX #35CEBF

RGB 53 206 191

HSL 174.12, 0.61%, 0.51%

LAB 75.24, -42.05, -3.83

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 22 / 0 / 74 / 19

HEX #A0CE35

RGB 160 206 53

HSL 78.04, 0.61%, 0.51%

LAB 77.2, -35.97, 66.38

 

CMYK 74 / 22 / 0 / 19

HEX #35A0CE

RGB 53 160 206

HSL 198.04, 0.61%, 0.51%

LAB 61.96, -14.91, -32.18

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 37 / 74 / 19

HEX #CE8235

RGB 206 130 53

HSL 30.2, 0.61%, 0.51%

LAB 61.08, 22.95, 51.89

 

CMYK 74 / 0 / 52 / 19

HEX #35CE63

RGB 53 206 99

HSL 138.04, 0.61%, 0.51%

LAB 73.42, -61.71, 41.85

 

CMYK 74 / 37 / 0 / 19

HEX #3582CE

RGB 53 130 206

HSL 209.8, 0.61%, 0.51%

LAB 53.14, 2.26, -46.02

 

CMYK 0 / 74 / 23 / 19

HEX #CE359E

RGB 206 53 158

HSL 318.82, 0.61%, 0.51%

LAB 49.66, 68.04, -22.63

 

CMYK 0 / 15 / 74 / 19

HEX #CEAF35

RGB 206 175 53

HSL 47.84, 0.61%, 0.51%

LAB 72.25, -1.31, 62.88

 

CMYK 74 / 0 / 52 / 19

HEX #35CE63

RGB 53 206 99

HSL 138.04, 0.61%, 0.51%

LAB 73.42, -61.71, 41.85

 

CMYK 74 / 59 / 0 / 19

HEX #3554CE

RGB 53 84 206

HSL 227.84, 0.61%, 0.51%

LAB 40.5, 31.28, -66.37

 

Description

Color code: HEX #CE359E | qconv.com Color code: HEX #CE359E | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 53 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 53 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 23 yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 23% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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