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Color name
HEX #AC6D52

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6D52 it is the complementary color #5392AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6D52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6D52 shade: #B16D4D, #C27F60, #D39173, #E4A386 and #F5B599

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6D52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6D52 shade: #AC6D52, #9B5B3F, #8A492C, #793719 and #682506

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6D52 shade: #AC6D52, #AC5552 and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6D52 shade: #AC6D52, #AC8552, #AC9D52, #A2AC52 and #8AAC52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6D52 shade matches the following richer shades: #AC6D52, #C0653E, #D55D29, #EA5414 and #FE4C00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6D52 shade: #AC6D52, #977567, #827E7C, #6E8690 and #598EA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6D52 shade: #AC5267, #AC5552, #AC6D52, #AC8552 and #AC9D52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6D52 shade: #744A38, #905B45, #AC6D52, #B9856E and #C69C8A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6D52 shade: #AC6D52, #7FAC52 and #525BAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6D52 shade: #AC6D52, #52AC6D and #6D52AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6D52 shade: #AC6D52, #7FAC52, #5291AC and #7F52AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6D52 shade: #AC6D52, #64AC52, #5291AC and #9A52AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

Complementary color

CMYK 52 / 16 / 0 / 32

HEX #5392AD

RGB 83 146 173

HSL 198, 0.35%, 0.5%

LAB 57.48, -12.58, -20.41

 

CMYK 0 / 38 / 56 / 31

HEX #B16D4D

RGB 177 109 77

HSL 19.2, 0.39%, 0.5%

LAB 52.75, 23.76, 29.14

 

CMYK 0 / 35 / 51 / 24

HEX #C27F60

RGB 194 127 96

HSL 18.98, 0.45%, 0.57%

LAB 59.43, 22.53, 27.47

 

CMYK 0 / 31 / 45 / 17

HEX #D39173

RGB 211 145 115

HSL 18.75, 0.52%, 0.64%

LAB 66.01, 21.46, 25.98

 

CMYK 0 / 29 / 41 / 11

HEX #E4A386

RGB 228 163 134

HSL 18.51, 0.64%, 0.71%

LAB 72.5, 20.52, 24.62

 

CMYK 0 / 26 / 38 / 4

HEX #F5B599

RGB 245 181 153

HSL 18.26, 0.82%, 0.78%

LAB 78.9, 19.69, 23.37

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 41 / 59 / 39

HEX #9B5B3F

RGB 155 91 63

HSL 18.26, 0.42%, 0.43%

LAB 45.37, 23.42, 27.23

 

CMYK 0 / 47 / 68 / 46

HEX #8A492C

RGB 138 73 44

HSL 18.51, 0.52%, 0.36%

LAB 38.46, 24.94, 29.25

 

CMYK 0 / 55 / 79 / 53

HEX #793719

RGB 121 55 25

HSL 18.75, 0.66%, 0.29%

LAB 31.5, 26.69, 31.44

 

CMYK 0 / 64 / 94 / 59

HEX #682506

RGB 104 37 6

HSL 18.98, 0.89%, 0.22%

LAB 24.57, 28.56, 32.92

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 51 / 52 / 33

HEX #AC5552

RGB 172 85 82

HSL 2, 0.35%, 0.5%

LAB 46.81, 35.25, 18.37

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 23 / 52 / 33

HEX #AC8552

RGB 172 133 82

HSL 34, 0.35%, 0.5%

LAB 58.18, 8.62, 33.06

 

CMYK 0 / 9 / 52 / 33

HEX #AC9D52

RGB 172 157 82

HSL 50, 0.35%, 0.5%

LAB 64.56, -4.57, 40.83

 

CMYK 6 / 0 / 52 / 33

HEX #A2AC52

RGB 162 172 82

HSL 66.67, 0.35%, 0.5%

LAB 67.87, -16.68, 44.54

 

CMYK 20 / 0 / 52 / 33

HEX #8AAC52

RGB 138 172 82

HSL 82.67, 0.35%, 0.5%

LAB 66.15, -26.4, 42.09

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 47 / 68 / 25

HEX #C0653E

RGB 192 101 62

HSL 18, 0.51%, 0.5%

LAB 52.8, 33.2, 37.94

 

CMYK 0 / 56 / 81 / 16

HEX #D55D29

RGB 213 93 41

HSL 18.14, 0.68%, 0.5%

LAB 54.17, 44.49, 50.84

 

CMYK 0 / 64 / 91 / 8

HEX #EA5414

RGB 234 84 20

HSL 17.94, 0.84%, 0.5%

LAB 55.97, 55.61, 61.67

 

CMYK 0 / 70 / 100 / 0

HEX #FE4C00

RGB 254 76 0

HSL 17.95, 1%, 0.5%

LAB 58.26, 65.09, 69.19

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 23 / 32 / 41

HEX #977567

RGB 151 117 103

HSL 17.5, 0.19%, 0.5%

LAB 52.15, 11.23, 12.83

 

CMYK 0 / 3 / 5 / 49

HEX #827E7C

RGB 130 126 124

HSL 20, 0.02%, 0.5%

LAB 53.08, 1.12, 1.62

 

CMYK 24 / 7 / 0 / 44

HEX #6E8690

RGB 110 134 144

HSL 197.65, 0.13%, 0.5%

LAB 54.43, -6.22, -8.21

 

CMYK 46 / 14 / 0 / 35

HEX #598EA5

RGB 89 142 165

HSL 198.16, 0.3%, 0.5%

LAB 56.27, -11.26, -17.64

 

CMYK 0 / 52 / 40 / 33

HEX #AC5267

RGB 172 82 103

HSL 346, 0.35%, 0.5%

LAB 46.69, 38.99, 5.5

 

CMYK 0 / 51 / 52 / 33

HEX #AC5552

RGB 172 85 82

HSL 2, 0.35%, 0.5%

LAB 46.81, 35.25, 18.37

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 23 / 52 / 33

HEX #AC8552

RGB 172 133 82

HSL 34, 0.35%, 0.5%

LAB 58.18, 8.62, 33.06

 

CMYK 0 / 9 / 52 / 33

HEX #AC9D52

RGB 172 157 82

HSL 50, 0.35%, 0.5%

LAB 64.56, -4.57, 40.83

 

CMYK 0 / 36 / 52 / 55

HEX #744A38

RGB 116 74 56

HSL 18, 0.35%, 0.34%

LAB 35.78, 15.68, 18.08

 

CMYK 0 / 37 / 52 / 44

HEX #905B45

RGB 144 91 69

HSL 17.6, 0.35%, 0.42%

LAB 44, 19.25, 21.68

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 0 / 28 / 41 / 27

HEX #B9856E

RGB 185 133 110

HSL 18.4, 0.35%, 0.58%

LAB 60.08, 17.01, 20.3

 

CMYK 0 / 21 / 30 / 22

HEX #C69C8A

RGB 198 156 138

HSL 18, 0.34%, 0.66%

LAB 67.74, 13.02, 15.39

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 26 / 0 / 52 / 33

HEX #7FAC52

RGB 127 172 82

HSL 90, 0.35%, 0.5%

LAB 65.46, -30.63, 41.09

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 52 / 0 / 37 / 33

HEX #52AC6D

RGB 82 172 109

HSL 138, 0.35%, 0.5%

LAB 63.67, -41.19, 24.41

 

CMYK 37 / 52 / 0 / 33

HEX #6D52AC

RGB 109 82 172

HSL 258, 0.35%, 0.5%

LAB 41.63, 32.02, -44.48

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 26 / 0 / 52 / 33

HEX #7FAC52

RGB 127 172 82

HSL 90, 0.35%, 0.5%

LAB 65.46, -30.63, 41.09

 

CMYK 52 / 16 / 0 / 33

HEX #5291AC

RGB 82 145 172

HSL 198, 0.35%, 0.5%

LAB 57.1, -12.56, -20.42

 

CMYK 26 / 52 / 0 / 33

HEX #7F52AC

RGB 127 82 172

HSL 270, 0.35%, 0.5%

LAB 43.54, 36.8, -41.32

 

CMYK 0 / 37 / 52 / 33

HEX #AC6D52

RGB 172 109 82

HSL 18, 0.35%, 0.5%

LAB 52.19, 22.11, 25.46

 

CMYK 42 / 0 / 52 / 33

HEX #64AC52

RGB 100 172 82

HSL 108, 0.35%, 0.5%

LAB 64.02, -40.11, 39.02

 

CMYK 52 / 16 / 0 / 33

HEX #5291AC

RGB 82 145 172

HSL 198, 0.35%, 0.5%

LAB 57.1, -12.56, -20.42

 

CMYK 10 / 52 / 0 / 33

HEX #9A52AC

RGB 154 82 172

HSL 288, 0.35%, 0.5%

LAB 46.82, 44.33, -35.93

 

Description

Color code: HEX #AC6D52 | qconv.com Color code: HEX #AC6D52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 109 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 109 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 37 magenta, 52 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 37% 52% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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