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Color name
RGB 82 91 172

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 82 91 172 it is the complementary color RGB 173 164 83. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 82 91 172. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 82 91 172 shade: RGB 87 91 167, RGB 104 109 186, RGB 121 127 205, RGB 138 145 224 and RGB 155 163 243

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 82 91 172. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 82 91 172 shade: RGB 82 91 172, RGB 65 73 153, RGB 48 55 134, RGB 31 37 115 and RGB 14 19 96

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 82 91 172 shade: RGB 82 91 172, RGB 98 82 172, RGB 122 82 172, RGB 146 82 172 and RGB 170 82 172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 82 91 172 shade: RGB 82 91 172 and RGB 82 82 172

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 82 91 172 shade matches the following richer shades: RGB 82 91 172, RGB 62 75 192, RGB 41 58 213, RGB 20 42 234 and RGB 0 25 254

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 82 91 172 shade: RGB 82 91 172, RGB 103 108 151, RGB 124 124 130, RGB 144 141 110 and RGB 165 157 89

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 82 91 172 shade: RGB 82 139 172, RGB 82 115 172, RGB 82 91 172, RGB 97 82 172 and RGB 121 82 172

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 82 91 172 shade: RGB 56 62 116, RGB 69 76 144, RGB 82 91 172, RGB 110 118 185 and RGB 138 144 198

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 82 91 172 shade: RGB 82 91 172, RGB 172 82 163 and RGB 127 172 82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 82 91 172 shade: RGB 82 91 172, RGB 172 82 91 and RGB 91 172 82

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 82 91 172 shade: RGB 82 91 172, RGB 172 82 163, RGB 172 163 82 and RGB 82 172 91

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 82 91 172 shade: RGB 82 91 172, RGB 172 82 136, RGB 172 163 82 and RGB 82 172 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

Complementary color

CMYK 0 / 5 / 52 / 32

HEX #ADA453

RGB 173 164 83

HSL 54, 0.35%, 0.5%

LAB 66.57, -7.8, 42.74

 

CMYK 48 / 46 / 0 / 35

HEX #575BA7

RGB 87 91 167

HSL 237, 0.31%, 0.5%

LAB 41.69, 19.41, -41.55

 

CMYK 44 / 41 / 0 / 27

HEX #686DBA

RGB 104 109 186

HSL 236.34, 0.37%, 0.57%

LAB 48.79, 18.32, -41.31

 

CMYK 41 / 38 / 0 / 20

HEX #797FCD

RGB 121 127 205

HSL 235.71, 0.46%, 0.64%

LAB 55.74, 17.41, -41.12

 

CMYK 38 / 35 / 0 / 12

HEX #8A91E0

RGB 138 145 224

HSL 235.12, 0.58%, 0.71%

LAB 62.54, 16.62, -41

 

CMYK 36 / 33 / 0 / 5

HEX #9BA3F3

RGB 155 163 243

HSL 234.55, 0.79%, 0.78%

LAB 69.21, 15.94, -40.92

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 58 / 52 / 0 / 40

HEX #414999

RGB 65 73 153

HSL 234.55, 0.4%, 0.43%

LAB 34.37, 21.35, -44.97

 

CMYK 64 / 59 / 0 / 47

HEX #303786

RGB 48 55 134

HSL 235.12, 0.47%, 0.36%

LAB 26.97, 23.26, -45.33

 

CMYK 73 / 68 / 0 / 55

HEX #1F2573

RGB 31 37 115

HSL 235.71, 0.58%, 0.29%

LAB 19.44, 25.68, -45.61

 

CMYK 85 / 80 / 0 / 62

HEX #0E1360

RGB 14 19 96

HSL 236.34, 0.75%, 0.22%

LAB 11.98, 28.59, -45.48

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 43 / 52 / 0 / 33

HEX #6252AC

RGB 98 82 172

HSL 250.67, 0.35%, 0.5%

LAB 40.59, 29.26, -46.21

 

CMYK 29 / 52 / 0 / 33

HEX #7A52AC

RGB 122 82 172

HSL 266.67, 0.35%, 0.5%

LAB 42.99, 35.45, -42.24

 

CMYK 15 / 52 / 0 / 33

HEX #9252AC

RGB 146 82 172

HSL 282.67, 0.35%, 0.5%

LAB 45.8, 42.07, -37.6

 

CMYK 1 / 52 / 0 / 33

HEX #AA52AC

RGB 170 82 172

HSL 298.67, 0.35%, 0.5%

LAB 48.96, 48.86, -32.42

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 52 / 52 / 0 / 33

HEX #5252AC

RGB 82 82 172

HSL 240, 0.35%, 0.5%

LAB 39.25, 25.54, -48.43

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 68 / 61 / 0 / 25

HEX #3E4BC0

RGB 62 75 192

HSL 234, 0.51%, 0.5%

LAB 37.59, 33.16, -62.95

 

CMYK 81 / 73 / 0 / 16

HEX #293AD5

RGB 41 58 213

HSL 234.07, 0.68%, 0.5%

LAB 34.6, 48.66, -80.11

 

CMYK 91 / 82 / 0 / 8

HEX #142AEA

RGB 20 42 234

HSL 233.83, 0.84%, 0.5%

LAB 33.45, 62.76, -94.08

 

CMYK 100 / 90 / 0 / 0

HEX #0019FE

RGB 0 25 254

HSL 234.09, 1%, 0.5%

LAB 33.67, 74.29, -105.01

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 32 / 28 / 0 / 41

HEX #676C97

RGB 103 108 151

HSL 233.75, 0.19%, 0.5%

LAB 46.77, 8.61, -24.01

 

CMYK 5 / 5 / 0 / 49

HEX #7C7C82

RGB 124 124 130

HSL 240, 0.02%, 0.5%

LAB 52.19, 1.23, -3.26

 

CMYK 0 / 2 / 24 / 44

HEX #908D6E

RGB 144 141 110

HSL 54.71, 0.13%, 0.5%

LAB 58.14, -4.22, 16.98

 

CMYK 0 / 5 / 46 / 35

HEX #A59D59

RGB 165 157 89

HSL 53.68, 0.3%, 0.5%

LAB 64.03, -6.88, 36.46

 

CMYK 52 / 19 / 0 / 33

HEX #528BAC

RGB 82 139 172

HSL 202, 0.35%, 0.5%

LAB 55.32, -9.22, -23.15

 

CMYK 52 / 33 / 0 / 33

HEX #5273AC

RGB 82 115 172

HSL 218, 0.35%, 0.5%

LAB 48.3, 4.86, -34.05

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 44 / 52 / 0 / 33

HEX #6152AC

RGB 97 82 172

HSL 250, 0.35%, 0.5%

LAB 40.5, 29.01, -46.36

 

CMYK 30 / 52 / 0 / 33

HEX #7952AC

RGB 121 82 172

HSL 266, 0.35%, 0.5%

LAB 42.88, 35.18, -42.42

 

CMYK 52 / 47 / 0 / 55

HEX #383E74

RGB 56 62 116

HSL 234, 0.35%, 0.34%

LAB 28.24, 13.84, -31.95

 

CMYK 52 / 47 / 0 / 44

HEX #454C90

RGB 69 76 144

HSL 234.4, 0.35%, 0.42%

LAB 34.9, 17.22, -38.64

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 41 / 36 / 0 / 27

HEX #6E76B9

RGB 110 118 185

HSL 233.6, 0.35%, 0.58%

LAB 51.58, 14.13, -36.3

 

CMYK 30 / 27 / 0 / 22

HEX #8A90C6

RGB 138 144 198

HSL 234, 0.34%, 0.66%

LAB 61.16, 10.29, -28.62

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 0 / 52 / 5 / 33

HEX #AC52A3

RGB 172 82 163

HSL 306, 0.35%, 0.5%

LAB 48.82, 47.82, -27.32

 

CMYK 26 / 0 / 52 / 33

HEX #7FAC52

RGB 127 172 82

HSL 90, 0.35%, 0.5%

LAB 65.46, -30.63, 41.09

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 0 / 52 / 47 / 33

HEX #AC525B

RGB 172 82 91

HSL 354, 0.35%, 0.5%

LAB 46.39, 37.68, 12.37

 

CMYK 47 / 0 / 52 / 33

HEX #5BAC52

RGB 91 172 82

HSL 114, 0.35%, 0.5%

LAB 63.62, -42.91, 38.45

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 0 / 52 / 5 / 33

HEX #AC52A3

RGB 172 82 163

HSL 306, 0.35%, 0.5%

LAB 48.82, 47.82, -27.32

 

CMYK 0 / 5 / 52 / 33

HEX #ACA352

RGB 172 163 82

HSL 54, 0.35%, 0.5%

LAB 66.19, -7.78, 42.77

 

CMYK 52 / 0 / 47 / 33

HEX #52AC5B

RGB 82 172 91

HSL 126, 0.35%, 0.5%

LAB 63.39, -44.2, 33.53

 

CMYK 52 / 47 / 0 / 33

HEX #525BAC

RGB 82 91 172

HSL 234, 0.35%, 0.5%

LAB 41.62, 19.83, -44.64

 

CMYK 0 / 52 / 21 / 33

HEX #AC5288

RGB 172 82 136

HSL 324, 0.35%, 0.5%

LAB 47.73, 43.4, -12.92

 

CMYK 0 / 5 / 52 / 33

HEX #ACA352

RGB 172 163 82

HSL 54, 0.35%, 0.5%

LAB 66.19, -7.78, 42.77

 

CMYK 52 / 0 / 31 / 33

HEX #52AC76

RGB 82 172 118

HSL 144, 0.35%, 0.5%

LAB 63.84, -39.48, 19.77

 

Description

Color code: RGB 82 91 172 | qconv.com Color code: RGB 82 91 172 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 82 red, 91 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
82 91 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 47 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 47% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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