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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC61C6 it is the complementary color #539E39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC61C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC61C6 shade: #B161C1, #C273D4, #D385E7, #E497FA and #F5A9FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC61C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC61C6 shade: #AC61C6, #9B4FB3, #8A3DA0, #792B8D and #68197A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC61C6 shade: #AC61C6, #C661C5, #C661A9, #C6618E and #C66173

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC61C6 shade: #AC61C6, #9161C6, #7661C6 and #6161C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC61C6 shade matches the following richer shades: #AC61C6, #B450D7, #BD3EE8 and #C52DFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC61C6 shade: #AC61C6, #A372B4, #9B84A3, #939592 and #8AA680

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC61C6 shade: #7561C6, #9061C6, #AB61C6, #C661C6 and #C661AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC61C6 shade: #82389C, #9C43BB, #AC61C6, #BC7FD1 and #CC9EDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC61C6 shade: #AC61C6, #C66168 and #61C683

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC61C6 shade: #AC61C6, #C6AB61 and #61C6AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC61C6 shade: #AC61C6, #C66168, #7CC661 and #61C6BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC61C6 shade: #AC61C6, #C67961, #7CC661 and #61AEC6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

Complementary color

CMYK 47 / 0 / 64 / 38

HEX #539E39

RGB 83 158 57

HSL 104.55, 0.47%, 0.42%

LAB 58.59, -42.41, 44.38

 

CMYK 8 / 50 / 0 / 24

HEX #B161C1

RGB 177 97 193

HSL 290, 0.44%, 0.57%

LAB 53.76, 47.27, -37.02

 

CMYK 8 / 46 / 0 / 17

HEX #C273D4

RGB 194 115 212

HSL 288.87, 0.53%, 0.64%

LAB 60.32, 46.53, -37.38

 

CMYK 9 / 42 / 0 / 9

HEX #D385E7

RGB 211 133 231

HSL 287.76, 0.67%, 0.71%

LAB 66.82, 45.77, -37.68

 

CMYK 9 / 40 / 0 / 2

HEX #E497FA

RGB 228 151 250

HSL 286.67, 0.91%, 0.79%

LAB 73.24, 45.02, -37.95

 

CMYK 4 / 34 / 0 / 0

HEX #F5A9FF

RGB 245 169 255

HSL 293.02, 1%, 0.83%

LAB 79.05, 41.62, -31.53

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 13 / 56 / 0 / 30

HEX #9B4FB3

RGB 155 79 179

HSL 285.6, 0.4%, 0.51%

LAB 46.73, 47.6, -40.17

 

CMYK 14 / 62 / 0 / 37

HEX #8A3DA0

RGB 138 61 160

HSL 286.67, 0.45%, 0.43%

LAB 40.05, 48.16, -39.66

 

CMYK 14 / 70 / 0 / 45

HEX #792B8D

RGB 121 43 141

HSL 287.76, 0.53%, 0.36%

LAB 33.38, 48.38, -38.89

 

CMYK 15 / 80 / 0 / 52

HEX #68197A

RGB 104 25 122

HSL 288.87, 0.66%, 0.29%

LAB 26.86, 47.87, -37.64

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 0 / 51 / 1 / 22

HEX #C661C5

RGB 198 97 197

HSL 300.59, 0.47%, 0.58%

LAB 56.67, 53.95, -34.55

 

CMYK 0 / 51 / 15 / 22

HEX #C661A9

RGB 198 97 169

HSL 317.23, 0.47%, 0.58%

LAB 55.5, 49.24, -20.23

 

CMYK 0 / 51 / 28 / 22

HEX #C6618E

RGB 198 97 142

HSL 333.27, 0.47%, 0.58%

LAB 54.56, 45.3, -5.87

 

CMYK 0 / 51 / 42 / 22

HEX #C66173

RGB 198 97 115

HSL 349.31, 0.47%, 0.58%

LAB 53.81, 42.01, 8.97

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 27 / 51 / 0 / 22

HEX #9161C6

RGB 145 97 198

HSL 268.51, 0.47%, 0.58%

LAB 50.27, 39.53, -45.64

 

CMYK 40 / 51 / 0 / 22

HEX #7661C6

RGB 118 97 198

HSL 252.48, 0.47%, 0.58%

LAB 47.6, 32.59, -50.07

 

CMYK 51 / 51 / 0 / 22

HEX #6161C6

RGB 97 97 198

HSL 240, 0.47%, 0.58%

LAB 45.86, 27.73, -52.94

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 16 / 63 / 0 / 16

HEX #B450D7

RGB 180 80 215

HSL 284.44, 0.63%, 0.58%

LAB 52.23, 60.7, -51.99

 

CMYK 19 / 73 / 0 / 9

HEX #BD3EE8

RGB 189 62 232

HSL 284.82, 0.79%, 0.58%

LAB 51.94, 73.14, -62.01

 

CMYK 21 / 82 / 0 / 2

HEX #C52DFA

RGB 197 45 250

HSL 284.49, 0.95%, 0.58%

LAB 52.56, 82.93, -71.04

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 9 / 37 / 0 / 29

HEX #A372B4

RGB 163 114 180

HSL 284.55, 0.31%, 0.58%

LAB 55.19, 31.13, -27.43

 

CMYK 5 / 19 / 0 / 36

HEX #9B84A3

RGB 155 132 163

HSL 284.52, 0.14%, 0.58%

LAB 58.15, 14.59, -13.21

 

CMYK 1 / 0 / 2 / 42

HEX #939592

RGB 147 149 146

HSL 100, 0.01%, 0.58%

LAB 61.46, -1.3, 1.32

 

CMYK 17 / 0 / 23 / 35

HEX #8AA680

RGB 138 166 128

HSL 104.21, 0.18%, 0.58%

LAB 65.15, -17.03, 16.55

 

CMYK 41 / 51 / 0 / 22

HEX #7561C6

RGB 117 97 198

HSL 251.88, 0.47%, 0.58%

LAB 47.51, 32.35, -50.22

 

CMYK 27 / 51 / 0 / 22

HEX #9061C6

RGB 144 97 198

HSL 267.92, 0.47%, 0.58%

LAB 50.16, 39.26, -45.82

 

CMYK 14 / 51 / 0 / 22

HEX #AB61C6

RGB 171 97 198

HSL 283.96, 0.47%, 0.58%

LAB 53.26, 46.61, -40.72

 

CMYK 0 / 51 / 0 / 22

HEX #C661C6

RGB 198 97 198

HSL 300, 0.47%, 0.58%

LAB 56.72, 54.13, -35.05

 

CMYK 0 / 51 / 14 / 22

HEX #C661AB

RGB 198 97 171

HSL 316.04, 0.47%, 0.58%

LAB 55.58, 49.56, -21.27

 

CMYK 17 / 64 / 0 / 39

HEX #82389C

RGB 130 56 156

HSL 284.4, 0.47%, 0.42%

LAB 37.8, 47.72, -40.91

 

CMYK 17 / 64 / 0 / 27

HEX #9C43BB

RGB 156 67 187

HSL 284.5, 0.47%, 0.5%

LAB 45.18, 55.31, -47.31

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 10 / 39 / 0 / 18

HEX #BC7FD1

RGB 188 127 209

HSL 284.63, 0.47%, 0.66%

LAB 62.06, 37.72, -33.04

 

CMYK 7 / 28 / 0 / 14

HEX #CC9EDC

RGB 204 158 220

HSL 284.52, 0.47%, 0.74%

LAB 71.19, 27.95, -24.94

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 0 / 51 / 47 / 22

HEX #C66168

RGB 198 97 104

HSL 355.84, 0.47%, 0.58%

LAB 53.55, 40.88, 15.1

 

CMYK 51 / 0 / 34 / 22

HEX #61C683

RGB 97 198 131

HSL 140.2, 0.47%, 0.58%

LAB 72.61, -44.47, 24.78

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 0 / 14 / 51 / 22

HEX #C6AB61

RGB 198 171 97

HSL 43.96, 0.47%, 0.58%

LAB 70.87, 0.3, 41.43

 

CMYK 51 / 0 / 14 / 22

HEX #61C6AB

RGB 97 198 171

HSL 163.96, 0.47%, 0.58%

LAB 73.46, -36.06, 4.53

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 0 / 51 / 47 / 22

HEX #C66168

RGB 198 97 104

HSL 355.84, 0.47%, 0.58%

LAB 53.55, 40.88, 15.1

 

CMYK 37 / 0 / 51 / 22

HEX #7CC661

RGB 124 198 97

HSL 103.96, 0.47%, 0.58%

LAB 73.24, -41.75, 43.13

 

CMYK 51 / 0 / 4 / 22

HEX #61C6BF

RGB 97 198 191

HSL 175.84, 0.47%, 0.58%

LAB 73.99, -31.13, -5.54

 

CMYK 13 / 51 / 0 / 22

HEX #AC61C6

RGB 172 97 198

HSL 284.55, 0.47%, 0.58%

LAB 53.38, 46.89, -40.52

 

CMYK 0 / 39 / 51 / 22

HEX #C67961

RGB 198 121 97

HSL 14.26, 0.47%, 0.58%

LAB 58.55, 27.53, 25.86

 

CMYK 37 / 0 / 51 / 22

HEX #7CC661

RGB 124 198 97

HSL 103.96, 0.47%, 0.58%

LAB 73.24, -41.75, 43.13

 

CMYK 51 / 12 / 0 / 22

HEX #61AEC6

RGB 97 174 198

HSL 194.26, 0.47%, 0.58%

LAB 67.19, -17.19, -19.57

 

Description

Color code: HEX #AC61C6 | qconv.com Color code: HEX #AC61C6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 97 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 97 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 51 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 51% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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