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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #D385E7 it is the complementary color #2C7A18. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #D385E7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #D385E7 shade: #D885E2, #E997F5, #FAA9FF, #FFBBFF and #FFCDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #D385E7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #D385E7 shade: #D385E7, #C273D4, #B161C1, #A04FAE and #8F3D9B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #D385E7 shade: #D283E6, #E683E0, #E683C5, #E683AA and #E6838F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #D385E7 shade: #D283E6, #B783E6, #9C83E6 and #8383E6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #D385E7 shade matches the following richer shades: #D283E6, #D977F2 and #E06BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #D385E7 shade: #D283E6, #CB8FDA, #C49BCE, #BDA7C2 and #B6B3B6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #D385E7 shade: #9C83E6, #B683E6, #D183E6, #E683E1 and #E683C7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #D385E7 shade: #B93ED8, #C561DF, #D283E6, #DEA5ED and #EBC8F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #D385E7 shade: #D385E7, #E68385 and #83E6A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #D385E7 shade: #D385E7, #E6D183 and #83E6D1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #D385E7 shade: #D385E7, #E68385, #98E683 and #83E6E4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #D385E7 shade: #D385E7, #E69F83, #98E683 and #83CAE6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 42 / 0 / 9

HEX #D385E7

RGB 211 133 231

HSL 287.76, 0.67%, 0.71%

LAB 66.82, 45.77, -37.68

 

Complementary color

CMYK 64 / 0 / 80 / 52

HEX #2C7A18

RGB 44 122 24

HSL 107.76, 0.67%, 0.29%

LAB 44.97, -42.2, 43.17

 

CMYK 4 / 41 / 0 / 11

HEX #D885E2

RGB 216 133 226

HSL 293.55, 0.62%, 0.7%

LAB 67.18, 46.28, -34.32

 

CMYK 5 / 38 / 0 / 4

HEX #E997F5

RGB 233 151 245

HSL 292.34, 0.82%, 0.78%

LAB 73.58, 45.54, -34.67

 

CMYK 2 / 34 / 0 / 0

HEX #FAA9FF

RGB 250 169 255

HSL 296.51, 1%, 0.83%

LAB 79.57, 43.15, -30.68

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 0 / 20 / 0 / 0

HEX #FFCDFF

RGB 255 205 255

HSL 300, 1%, 0.9%

LAB 88.04, 25.84, -17.75

 

CMYK 9 / 42 / 0 / 9

HEX #D385E7

RGB 211 133 231

HSL 287.76, 0.67%, 0.71%

LAB 66.82, 45.77, -37.68

 

CMYK 8 / 46 / 0 / 17

HEX #C273D4

RGB 194 115 212

HSL 288.87, 0.53%, 0.64%

LAB 60.32, 46.53, -37.38

 

CMYK 8 / 50 / 0 / 24

HEX #B161C1

RGB 177 97 193

HSL 290, 0.44%, 0.57%

LAB 53.76, 47.27, -37.02

 

CMYK 8 / 55 / 0 / 32

HEX #A04FAE

RGB 160 79 174

HSL 291.16, 0.38%, 0.5%

LAB 47.13, 47.95, -36.55

 

CMYK 8 / 61 / 0 / 39

HEX #8F3D9B

RGB 143 61 155

HSL 292.34, 0.44%, 0.42%

LAB 40.48, 48.45, -35.92

 

CMYK 9 / 43 / 0 / 10

HEX #D283E6

RGB 210 131 230

HSL 287.88, 0.66%, 0.71%

LAB 66.25, 46.33, -38.03

 

CMYK 0 / 43 / 3 / 10

HEX #E683E0

RGB 230 131 224

HSL 303.64, 0.66%, 0.71%

LAB 68.34, 51.09, -31.28

 

CMYK 0 / 43 / 14 / 10

HEX #E683C5

RGB 230 131 197

HSL 320, 0.66%, 0.71%

LAB 67.34, 46.61, -17.78

 

CMYK 0 / 43 / 26 / 10

HEX #E683AA

RGB 230 131 170

HSL 336.36, 0.66%, 0.71%

LAB 66.49, 42.64, -3.88

 

CMYK 0 / 43 / 38 / 10

HEX #E6838F

RGB 230 131 143

HSL 352.73, 0.66%, 0.71%

LAB 65.78, 39.23, 10.37

 

CMYK 9 / 43 / 0 / 10

HEX #D283E6

RGB 210 131 230

HSL 287.88, 0.66%, 0.71%

LAB 66.25, 46.33, -38.03

 

CMYK 20 / 43 / 0 / 10

HEX #B783E6

RGB 183 131 230

HSL 271.52, 0.66%, 0.71%

LAB 63.35, 38.58, -42.77

 

CMYK 32 / 43 / 0 / 10

HEX #9C83E6

RGB 156 131 230

HSL 255.15, 0.66%, 0.71%

LAB 60.79, 31.12, -46.98

 

CMYK 43 / 43 / 0 / 10

HEX #8383E6

RGB 131 131 230

HSL 240, 0.66%, 0.71%

LAB 58.76, 24.71, -50.33

 

CMYK 9 / 43 / 0 / 10

HEX #D283E6

RGB 210 131 230

HSL 287.88, 0.66%, 0.71%

LAB 66.25, 46.33, -38.03

 

CMYK 10 / 51 / 0 / 5

HEX #D977F2

RGB 217 119 242

HSL 287.8, 0.83%, 0.71%

LAB 65.24, 56.74, -46.17

 

CMYK 12 / 58 / 0 / 0

HEX #E06BFE

RGB 224 107 254

HSL 287.76, 0.99%, 0.71%

LAB 64.58, 66.51, -53.77

 

CMYK 9 / 43 / 0 / 10

HEX #D283E6

RGB 210 131 230

HSL 287.88, 0.66%, 0.71%

LAB 66.25, 46.33, -38.03

 

CMYK 7 / 34 / 0 / 15

HEX #CB8FDA

RGB 203 143 218

HSL 288, 0.5%, 0.71%

LAB 67.58, 35.43, -29.39

 

CMYK 5 / 25 / 0 / 19

HEX #C49BCE

RGB 196 155 206

HSL 288.24, 0.34%, 0.71%

LAB 69.21, 24.22, -20.31

 

CMYK 3 / 14 / 0 / 24

HEX #BDA7C2

RGB 189 167 194

HSL 288.89, 0.18%, 0.71%

LAB 71.11, 12.89, -10.87

 

CMYK 0 / 2 / 0 / 29

HEX #B6B3B6

RGB 182 179 182

HSL 300, 0.02%, 0.71%

LAB 73.26, 1.62, -1.16

 

CMYK 32 / 43 / 0 / 10

HEX #9C83E6

RGB 156 131 230

HSL 255.15, 0.66%, 0.71%

LAB 60.79, 31.12, -46.98

 

CMYK 21 / 43 / 0 / 10

HEX #B683E6

RGB 182 131 230

HSL 270.91, 0.66%, 0.71%

LAB 63.25, 38.29, -42.94

 

CMYK 9 / 43 / 0 / 10

HEX #D183E6

RGB 209 131 230

HSL 287.27, 0.66%, 0.71%

LAB 66.14, 46.04, -38.21

 

CMYK 0 / 43 / 2 / 10

HEX #E683E1

RGB 230 131 225

HSL 303.03, 0.66%, 0.71%

LAB 68.38, 51.27, -31.77

 

CMYK 0 / 43 / 13 / 10

HEX #E683C7

RGB 230 131 199

HSL 318.79, 0.66%, 0.71%

LAB 67.41, 46.92, -18.79

 

CMYK 14 / 71 / 0 / 15

HEX #B93ED8

RGB 185 62 216

HSL 287.92, 0.66%, 0.55%

LAB 50.35, 69.36, -55.52

 

CMYK 12 / 57 / 0 / 13

HEX #C561DF

RGB 197 97 223

HSL 287.62, 0.66%, 0.63%

LAB 57.8, 58.53, -47.52

 

CMYK 9 / 43 / 0 / 10

HEX #D283E6

RGB 210 131 230

HSL 287.88, 0.66%, 0.71%

LAB 66.25, 46.33, -38.03

 

CMYK 6 / 30 / 0 / 7

HEX #DEA5ED

RGB 222 165 237

HSL 287.5, 0.67%, 0.79%

LAB 75.17, 33.21, -27.96

 

CMYK 4 / 18 / 0 / 4

HEX #EBC8F4

RGB 235 200 244

HSL 287.73, 0.67%, 0.87%

LAB 84.74, 19.96, -17.07

 

CMYK 9 / 42 / 0 / 9

HEX #D385E7

RGB 211 133 231

HSL 287.76, 0.67%, 0.71%

LAB 66.82, 45.77, -37.68

 

CMYK 0 / 43 / 42 / 10

HEX #E68385

RGB 230 131 133

HSL 358.79, 0.66%, 0.71%

LAB 65.55, 38.13, 15.7

 

CMYK 43 / 0 / 27 / 10

HEX #83E6A9

RGB 131 230 169

HSL 143.03, 0.66%, 0.71%

LAB 84.11, -42.35, 20.84

 

CMYK 9 / 42 / 0 / 9

HEX #D385E7

RGB 211 133 231

HSL 287.76, 0.67%, 0.71%

LAB 66.82, 45.77, -37.68

 

CMYK 0 / 9 / 43 / 10

HEX #E6D183

RGB 230 209 131

HSL 47.27, 0.66%, 0.71%

LAB 84, -3.23, 41.26

 

CMYK 43 / 0 / 9 / 10

HEX #83E6D1

RGB 131 230 209

HSL 167.27, 0.66%, 0.71%

LAB 85.01, -34.01, 1.15

 

CMYK 9 / 42 / 0 / 9

HEX #D385E7

RGB 211 133 231

HSL 287.76, 0.67%, 0.71%

LAB 66.82, 45.77, -37.68

 

CMYK 0 / 43 / 42 / 10

HEX #E68385

RGB 230 131 133

HSL 358.79, 0.66%, 0.71%

LAB 65.55, 38.13, 15.7

 

CMYK 34 / 0 / 43 / 10

HEX #98E683

RGB 152 230 131

HSL 107.27, 0.66%, 0.71%

LAB 84.44, -42.23, 40.73

 

CMYK 43 / 0 / 1 / 10

HEX #83E6E4

RGB 131 230 228

HSL 178.79, 0.66%, 0.71%

LAB 85.51, -29.51, -8.12

 

CMYK 9 / 42 / 0 / 9

HEX #D385E7

RGB 211 133 231

HSL 287.76, 0.67%, 0.71%

LAB 66.82, 45.77, -37.68

 

CMYK 0 / 31 / 43 / 10

HEX #E69F83

RGB 230 159 131

HSL 16.97, 0.66%, 0.71%

LAB 71.73, 23.12, 25.25

 

CMYK 34 / 0 / 43 / 10

HEX #98E683

RGB 152 230 131

HSL 107.27, 0.66%, 0.71%

LAB 84.44, -42.23, 40.73

 

CMYK 43 / 12 / 0 / 10

HEX #83CAE6

RGB 131 202 230

HSL 196.97, 0.66%, 0.71%

LAB 77.74, -15.06, -20.84

 

Description

Color code: HEX #D385E7 | qconv.com Color code: HEX #D385E7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 211 red, 133 green and 231 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
211 133 231 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 42 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 42% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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