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Color name
HEX #AC466A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC466A it is the complementary color #53B995. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC466A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC466A shade: #B14665, #C25878, #D36A8B, #E47C9E and #F58EB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC466A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC466A shade: #AC466A, #9B3457, #8A2244, #791031 and #68001E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC466A shade: #AA4569, #AA454D and #AA4545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC466A shade: #AA4569, #AA4584, #AA459F, #9945AA and #7E45AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC466A shade matches the following richer shades: #AA4569, #BD3263, #D01E5D and #E40B57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC466A shade: #AA4569, #96586E, #836C74, #707F7A and #5C937F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC466A shade: #AA45A0, #AA4585, #AA456A, #AA454F and #AA5645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC466A shade: #6F2D44, #8C3956, #AA4569, #BC5C7E and #C87995

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC466A shade: #AC466A, #AA9945 and #4592AA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC466A shade: #AC466A, #6AAA45 and #456AAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC466A shade: #AC466A, #AA9945, #45AA85 and #4556AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC466A shade: #AC466A, #9CAA45, #45AA85 and #5245AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 38 / 33

HEX #AC466A

RGB 172 70 106

HSL 338.82, 0.42%, 0.47%

LAB 44.51, 45.28, 0.51

 

Complementary color

CMYK 55 / 0 / 19 / 27

HEX #53B995

RGB 83 185 149

HSL 158.82, 0.42%, 0.53%

LAB 68.54, -38.4, 9.39

 

CMYK 0 / 60 / 43 / 31

HEX #B14665

RGB 177 70 101

HSL 342.62, 0.43%, 0.48%

LAB 45.17, 46.4, 4.65

 

CMYK 0 / 55 / 38 / 24

HEX #C25878

RGB 194 88 120

HSL 341.89, 0.46%, 0.55%

LAB 51.62, 45.65, 2.78

 

CMYK 0 / 50 / 34 / 17

HEX #D36A8B

RGB 211 106 139

HSL 341.14, 0.54%, 0.62%

LAB 58.06, 44.81, 1.24

 

CMYK 0 / 46 / 31 / 11

HEX #E47C9E

RGB 228 124 158

HSL 340.38, 0.66%, 0.69%

LAB 64.47, 43.94, -0.07

 

CMYK 0 / 42 / 28 / 4

HEX #F58EB1

RGB 245 142 177

HSL 339.61, 0.84%, 0.76%

LAB 70.82, 43.08, -1.21

 

CMYK 0 / 59 / 38 / 33

HEX #AC466A

RGB 172 70 106

HSL 338.82, 0.42%, 0.47%

LAB 44.51, 45.28, 0.51

 

CMYK 0 / 66 / 44 / 39

HEX #9B3457

RGB 155 52 87

HSL 339.61, 0.5%, 0.41%

LAB 38.04, 45.78, 2.64

 

CMYK 0 / 75 / 51 / 46

HEX #8A2244

RGB 138 34 68

HSL 340.38, 0.6%, 0.34%

LAB 31.73, 45.79, 5.44

 

CMYK 0 / 87 / 60 / 53

HEX #791031

RGB 121 16 49

HSL 341.14, 0.77%, 0.27%

LAB 25.74, 44.79, 9.29

 

CMYK 0 / 100 / 71 / 59

HEX #68001E

RGB 104 0 30

HSL 342.69, 1%, 0.2%

LAB 20.19, 42.46, 14.44

 

CMYK 0 / 59 / 38 / 33

HEX #AA4569

RGB 170 69 105

HSL 338.61, 0.42%, 0.47%

LAB 43.98, 44.97, 0.32

 

CMYK 0 / 59 / 55 / 33

HEX #AA454D

RGB 170 69 77

HSL 355.25, 0.42%, 0.47%

LAB 43.27, 42.15, 16.58

 

CMYK 0 / 59 / 59 / 33

HEX #AA4545

RGB 170 69 69

HSL 0, 0.42%, 0.47%

LAB 43.11, 41.51, 21.26

 

CMYK 0 / 59 / 38 / 33

HEX #AA4569

RGB 170 69 105

HSL 338.61, 0.42%, 0.47%

LAB 43.98, 44.97, 0.32

 

CMYK 0 / 59 / 22 / 33

HEX #AA4584

RGB 170 69 132

HSL 322.57, 0.42%, 0.47%

LAB 44.9, 48.5, -14.83

 

CMYK 0 / 59 / 6 / 33

HEX #AA459F

RGB 170 69 159

HSL 306.53, 0.42%, 0.47%

LAB 46.05, 52.75, -29.29

 

CMYK 10 / 59 / 0 / 33

HEX #9945AA

RGB 153 69 170

HSL 289.9, 0.42%, 0.47%

LAB 44.13, 50.2, -39

 

CMYK 26 / 59 / 0 / 33

HEX #7E45AA

RGB 126 69 170

HSL 273.86, 0.42%, 0.47%

LAB 40.56, 43.26, -44.9

 

CMYK 0 / 59 / 38 / 33

HEX #AA4569

RGB 170 69 105

HSL 338.61, 0.42%, 0.47%

LAB 43.98, 44.97, 0.32

 

CMYK 0 / 74 / 48 / 26

HEX #BD3263

RGB 189 50 99

HSL 338.85, 0.58%, 0.47%

LAB 44.23, 58.05, 4.81

 

CMYK 0 / 86 / 55 / 18

HEX #D01E5D

RGB 208 30 93

HSL 338.76, 0.75%, 0.47%

LAB 45.81, 68.05, 11.28

 

CMYK 0 / 95 / 62 / 11

HEX #E40B57

RGB 228 11 87

HSL 338.99, 0.91%, 0.47%

LAB 48.79, 75.11, 19.71

 

CMYK 0 / 59 / 38 / 33

HEX #AA4569

RGB 170 69 105

HSL 338.61, 0.42%, 0.47%

LAB 43.98, 44.97, 0.32

 

CMYK 0 / 41 / 27 / 41

HEX #96586E

RGB 150 88 110

HSL 338.71, 0.26%, 0.47%

LAB 45.07, 28.53, -1.5

 

CMYK 0 / 18 / 11 / 49

HEX #836C74

RGB 131 108 116

HSL 339.13, 0.1%, 0.47%

LAB 48.02, 10.51, -1.04

 

CMYK 12 / 0 / 4 / 50

HEX #707F7A

RGB 112 127 122

HSL 160, 0.06%, 0.47%

LAB 51.87, -6.56, 0.84

 

CMYK 37 / 0 / 14 / 42

HEX #5C937F

RGB 92 147 127

HSL 158.18, 0.23%, 0.47%

LAB 56.76, -22.92, 4.87

 

CMYK 0 / 59 / 6 / 33

HEX #AA45A0

RGB 170 69 160

HSL 305.94, 0.42%, 0.47%

LAB 46.1, 52.92, -29.81

 

CMYK 0 / 59 / 22 / 33

HEX #AA4585

RGB 170 69 133

HSL 321.98, 0.42%, 0.47%

LAB 44.94, 48.65, -15.38

 

CMYK 0 / 59 / 38 / 33

HEX #AA456A

RGB 170 69 106

HSL 338.02, 0.42%, 0.47%

LAB 44.01, 45.09, -0.26

 

CMYK 0 / 59 / 54 / 33

HEX #AA454F

RGB 170 69 79

HSL 354.06, 0.42%, 0.47%

LAB 43.31, 42.32, 15.41

 

CMYK 0 / 49 / 59 / 33

HEX #AA5645

RGB 170 86 69

HSL 10.1, 0.42%, 0.47%

LAB 46.49, 32.83, 25.6

 

CMYK 0 / 59 / 39 / 56

HEX #6F2D44

RGB 111 45 68

HSL 339.09, 0.42%, 0.31%

LAB 28.57, 31.79, 0.26

 

CMYK 0 / 59 / 39 / 45

HEX #8C3956

RGB 140 57 86

HSL 339.04, 0.42%, 0.39%

LAB 36.32, 38.29, 0.45

 

CMYK 0 / 59 / 38 / 33

HEX #AA4569

RGB 170 69 105

HSL 338.61, 0.42%, 0.47%

LAB 43.98, 44.97, 0.32

 

CMYK 0 / 51 / 33 / 26

HEX #BC5C7E

RGB 188 92 126

HSL 338.75, 0.42%, 0.55%

LAB 51.67, 42.32, -0.82

 

CMYK 0 / 40 / 26 / 22

HEX #C87995

RGB 200 121 149

HSL 338.73, 0.42%, 0.63%

LAB 60, 34.45, -1.88

 

CMYK 0 / 59 / 38 / 33

HEX #AC466A

RGB 172 70 106

HSL 338.82, 0.42%, 0.47%

LAB 44.51, 45.28, 0.51

 

CMYK 0 / 10 / 59 / 33

HEX #AA9945

RGB 170 153 69

HSL 49.9, 0.42%, 0.47%

LAB 63.14, -4.36, 45.53

 

CMYK 59 / 14 / 0 / 33

HEX #4592AA

RGB 69 146 170

HSL 194.26, 0.42%, 0.47%

LAB 56.81, -16.48, -19.77

 

CMYK 0 / 59 / 38 / 33

HEX #AC466A

RGB 172 70 106

HSL 338.82, 0.42%, 0.47%

LAB 44.51, 45.28, 0.51

 

CMYK 38 / 0 / 59 / 33

HEX #6AAA45

RGB 106 170 69

HSL 98.02, 0.42%, 0.47%

LAB 63.54, -38.72, 44.77

 

CMYK 59 / 38 / 0 / 33

HEX #456AAA

RGB 69 106 170

HSL 218.02, 0.42%, 0.47%

LAB 44.91, 6.85, -38.28

 

CMYK 0 / 59 / 38 / 33

HEX #AC466A

RGB 172 70 106

HSL 338.82, 0.42%, 0.47%

LAB 44.51, 45.28, 0.51

 

CMYK 0 / 10 / 59 / 33

HEX #AA9945

RGB 170 153 69

HSL 49.9, 0.42%, 0.47%

LAB 63.14, -4.36, 45.53

 

CMYK 59 / 0 / 22 / 33

HEX #45AA85

RGB 69 170 133

HSL 158.02, 0.42%, 0.47%

LAB 63.1, -38.38, 10.42

 

CMYK 59 / 49 / 0 / 33

HEX #4556AA

RGB 69 86 170

HSL 229.9, 0.42%, 0.47%

LAB 39.28, 19.58, -47.25

 

CMYK 0 / 59 / 38 / 33

HEX #AC466A

RGB 172 70 106

HSL 338.82, 0.42%, 0.47%

LAB 44.51, 45.28, 0.51

 

CMYK 8 / 0 / 59 / 33

HEX #9CAA45

RGB 156 170 69

HSL 68.32, 0.42%, 0.47%

LAB 66.71, -19.28, 49.2

 

CMYK 59 / 0 / 22 / 33

HEX #45AA85

RGB 69 170 133

HSL 158.02, 0.42%, 0.47%

LAB 63.1, -38.38, 10.42

 

CMYK 52 / 59 / 0 / 33

HEX #5245AA

RGB 82 69 170

HSL 247.72, 0.42%, 0.47%

LAB 35.89, 33.04, -52.66

 

Description

Color code: HEX #AC466A | qconv.com Color code: HEX #AC466A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 70 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 70 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 38 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 38% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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