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Color name
RGB 194 88 120

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 194 88 120 it is the complementary color RGB 61 167 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 194 88 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 194 88 120 shade: RGB 199 88 115, RGB 216 106 134, RGB 233 124 153, RGB 250 142 172 and RGB 255 160 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 194 88 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 194 88 120 shade: RGB 194 88 120, RGB 177 70 101, RGB 160 52 82, RGB 143 34 63 and RGB 126 16 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 194 88 120 shade: RGB 193 87 119, RGB 193 87 90 and RGB 193 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 194 88 120 shade: RGB 193 87 119, RGB 193 87 147, RGB 193 87 176, RGB 181 87 193 and RGB 152 87 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 194 88 120 shade matches the following richer shades: RGB 193 87 119, RGB 211 68 111, RGB 230 50 104 and RGB 248 31 97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 194 88 120 shade: RGB 193 87 119, RGB 174 106 126, RGB 155 124 134, RGB 137 143 141 and RGB 118 161 148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 194 88 120 shade: RGB 193 87 177, RGB 193 87 149, RGB 193 87 120, RGB 193 87 92 and RGB 193 110 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 194 88 120 shade: RGB 144 53 80, RGB 174 64 97, RGB 193 87 119, RGB 204 117 143 and RGB 215 147 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 194 88 120 shade: RGB 194 88 120, RGB 193 180 87 and RGB 87 163 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 194 88 120 shade: RGB 194 88 120, RGB 120 193 87 and RGB 87 120 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 194 88 120 shade: RGB 194 88 120, RGB 193 180 87, RGB 87 193 159 and RGB 87 99 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 194 88 120 shade: RGB 194 88 120, RGB 173 193 87, RGB 87 193 159 and RGB 106 87 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 38 / 24

HEX #C25878

RGB 194 88 120

HSL 341.89, 0.46%, 0.55%

LAB 51.62, 45.65, 2.78

 

Complementary color

CMYK 63 / 0 / 19 / 35

HEX #3DA787

RGB 61 167 135

HSL 161.89, 0.46%, 0.45%

LAB 61.98, -38.15, 7.68

 

CMYK 0 / 56 / 42 / 22

HEX #C75873

RGB 199 88 115

HSL 345.41, 0.5%, 0.56%

LAB 52.24, 46.81, 6.76

 

CMYK 0 / 51 / 38 / 15

HEX #D86A86

RGB 216 106 134

HSL 344.73, 0.59%, 0.63%

LAB 58.63, 45.94, 5.06

 

CMYK 0 / 47 / 34 / 9

HEX #E97C99

RGB 233 124 153

HSL 344.04, 0.71%, 0.7%

LAB 64.99, 45.05, 3.62

 

CMYK 0 / 43 / 31 / 2

HEX #FA8EAC

RGB 250 142 172

HSL 343.33, 0.92%, 0.77%

LAB 71.32, 44.16, 2.37

 

CMYK 0 / 37 / 25 / 0

HEX #FFA0BF

RGB 255 160 191

HSL 340.42, 1%, 0.81%

LAB 76.17, 39.16, -0.98

 

CMYK 0 / 55 / 38 / 24

HEX #C25878

RGB 194 88 120

HSL 341.89, 0.46%, 0.55%

LAB 51.62, 45.65, 2.78

 

CMYK 0 / 60 / 43 / 31

HEX #B14665

RGB 177 70 101

HSL 342.62, 0.43%, 0.48%

LAB 45.17, 46.4, 4.65

 

CMYK 0 / 68 / 49 / 37

HEX #A03452

RGB 160 52 82

HSL 343.33, 0.51%, 0.42%

LAB 38.79, 46.9, 7

 

CMYK 0 / 76 / 56 / 44

HEX #8F223F

RGB 143 34 63

HSL 344.04, 0.62%, 0.35%

LAB 32.57, 46.89, 10.06

 

CMYK 0 / 87 / 65 / 51

HEX #7E102C

RGB 126 16 44

HSL 344.73, 0.77%, 0.28%

LAB 26.7, 45.88, 14.18

 

CMYK 0 / 55 / 38 / 24

HEX #C15777

RGB 193 87 119

HSL 341.89, 0.46%, 0.55%

LAB 51.25, 45.69, 2.83

 

CMYK 0 / 55 / 53 / 24

HEX #C1575A

RGB 193 87 90

HSL 358.3, 0.46%, 0.55%

LAB 50.56, 42.78, 19.18

 

CMYK 0 / 55 / 55 / 24

HEX #C15757

RGB 193 87 87

HSL 0, 0.46%, 0.55%

LAB 50.5, 42.53, 20.88

 

CMYK 0 / 55 / 38 / 24

HEX #C15777

RGB 193 87 119

HSL 341.89, 0.46%, 0.55%

LAB 51.25, 45.69, 2.83

 

CMYK 0 / 55 / 24 / 24

HEX #C15793

RGB 193 87 147

HSL 326.04, 0.46%, 0.55%

LAB 52.13, 49.27, -12.53

 

CMYK 0 / 55 / 9 / 24

HEX #C157B0

RGB 193 87 176

HSL 309.62, 0.46%, 0.55%

LAB 53.26, 53.71, -27.8

 

CMYK 6 / 55 / 0 / 24

HEX #B557C1

RGB 181 87 193

HSL 293.21, 0.46%, 0.55%

LAB 52.39, 53.39, -39.14

 

CMYK 21 / 55 / 0 / 24

HEX #9857C1

RGB 152 87 193

HSL 276.79, 0.46%, 0.55%

LAB 48.69, 45.67, -45.23

 

CMYK 0 / 55 / 38 / 24

HEX #C15777

RGB 193 87 119

HSL 341.89, 0.46%, 0.55%

LAB 51.25, 45.69, 2.83

 

CMYK 0 / 68 / 47 / 17

HEX #D3446F

RGB 211 68 111

HSL 341.96, 0.62%, 0.55%

LAB 50.84, 59.01, 7.43

 

CMYK 0 / 78 / 55 / 10

HEX #E63268

RGB 230 50 104

HSL 342, 0.78%, 0.55%

LAB 51.95, 69.77, 13.72

 

CMYK 0 / 88 / 61 / 3

HEX #F81F61

RGB 248 31 97

HSL 341.75, 0.94%, 0.55%

LAB 53.81, 77.97, 21.04

 

CMYK 0 / 55 / 38 / 24

HEX #C15777

RGB 193 87 119

HSL 341.89, 0.46%, 0.55%

LAB 51.25, 45.69, 2.83

 

CMYK 0 / 39 / 28 / 32

HEX #AE6A7E

RGB 174 106 126

HSL 342.35, 0.3%, 0.55%

LAB 52.74, 29.82, 0.52

 

CMYK 0 / 20 / 14 / 39

HEX #9B7C86

RGB 155 124 134

HSL 340.65, 0.13%, 0.55%

LAB 55.18, 13.67, -0.87

 

CMYK 4 / 0 / 1 / 44

HEX #898F8D

RGB 137 143 141

HSL 160, 0.03%, 0.55%

LAB 58.87, -2.58, 0.3

 

CMYK 27 / 0 / 8 / 37

HEX #76A194

RGB 118 161 148

HSL 161.86, 0.19%, 0.55%

LAB 62.91, -17.39, 2.06

 

CMYK 0 / 55 / 8 / 24

HEX #C157B1

RGB 193 87 177

HSL 309.06, 0.46%, 0.55%

LAB 53.31, 53.88, -28.32

 

CMYK 0 / 55 / 23 / 24

HEX #C15795

RGB 193 87 149

HSL 324.91, 0.46%, 0.55%

LAB 52.2, 49.55, -13.6

 

CMYK 0 / 55 / 38 / 24

HEX #C15778

RGB 193 87 120

HSL 341.32, 0.46%, 0.55%

LAB 51.28, 45.8, 2.27

 

CMYK 0 / 55 / 52 / 24

HEX #C1575C

RGB 193 87 92

HSL 357.17, 0.46%, 0.55%

LAB 50.6, 42.95, 18.05

 

CMYK 0 / 43 / 55 / 24

HEX #C16E57

RGB 193 110 87

HSL 13.02, 0.46%, 0.55%

LAB 55.25, 30.59, 27.11

 

CMYK 0 / 63 / 44 / 44

HEX #903550

RGB 144 53 80

HSL 342.2, 0.46%, 0.39%

LAB 36.09, 40.93, 4.04

 

CMYK 0 / 63 / 44 / 32

HEX #AE4061

RGB 174 64 97

HSL 342, 0.46%, 0.47%

LAB 43.55, 47.72, 4.72

 

CMYK 0 / 55 / 38 / 24

HEX #C15777

RGB 193 87 119

HSL 341.89, 0.46%, 0.55%

LAB 51.25, 45.69, 2.83

 

CMYK 0 / 43 / 30 / 20

HEX #CC758F

RGB 204 117 143

HSL 342.07, 0.46%, 0.63%

LAB 59.47, 37.18, 0.87

 

CMYK 0 / 32 / 22 / 16

HEX #D793A8

RGB 215 147 168

HSL 341.47, 0.46%, 0.71%

LAB 68.12, 28.6, -0.56

 

CMYK 0 / 55 / 38 / 24

HEX #C25878

RGB 194 88 120

HSL 341.89, 0.46%, 0.55%

LAB 51.62, 45.65, 2.78

 

CMYK 0 / 7 / 55 / 24

HEX #C1B457

RGB 193 180 87

HSL 52.64, 0.46%, 0.55%

LAB 72.67, -7.41, 48.39

 

CMYK 55 / 16 / 0 / 24

HEX #57A3C1

RGB 87 163 193

HSL 196.98, 0.46%, 0.55%

LAB 63.4, -14.98, -22.61

 

CMYK 0 / 55 / 38 / 24

HEX #C25878

RGB 194 88 120

HSL 341.89, 0.46%, 0.55%

LAB 51.62, 45.65, 2.78

 

CMYK 38 / 0 / 55 / 24

HEX #78C157

RGB 120 193 87

HSL 101.32, 0.46%, 0.55%

LAB 71.43, -42.07, 45.7

 

CMYK 55 / 38 / 0 / 24

HEX #5778C1

RGB 87 120 193

HSL 221.32, 0.46%, 0.55%

LAB 51.05, 9.74, -41.84

 

CMYK 0 / 55 / 38 / 24

HEX #C25878

RGB 194 88 120

HSL 341.89, 0.46%, 0.55%

LAB 51.62, 45.65, 2.78

 

CMYK 0 / 7 / 55 / 24

HEX #C1B457

RGB 193 180 87

HSL 52.64, 0.46%, 0.55%

LAB 72.67, -7.41, 48.39

 

CMYK 55 / 0 / 18 / 24

HEX #57C19F

RGB 87 193 159

HSL 160.75, 0.46%, 0.55%

LAB 71.33, -38.82, 7.93

 

CMYK 55 / 49 / 0 / 24

HEX #5763C1

RGB 87 99 193

HSL 233.21, 0.46%, 0.55%

LAB 45.36, 22.75, -50.9

 

CMYK 0 / 55 / 38 / 24

HEX #C25878

RGB 194 88 120

HSL 341.89, 0.46%, 0.55%

LAB 51.62, 45.65, 2.78

 

CMYK 10 / 0 / 55 / 24

HEX #ADC157

RGB 173 193 87

HSL 71.32, 0.46%, 0.55%

LAB 74.64, -22.28, 50.26

 

CMYK 55 / 0 / 18 / 24

HEX #57C19F

RGB 87 193 159

HSL 160.75, 0.46%, 0.55%

LAB 71.33, -38.82, 7.93

 

CMYK 45 / 55 / 0 / 24

HEX #6A57C1

RGB 106 87 193

HSL 250.75, 0.46%, 0.55%

LAB 43.84, 34.29, -53.25

 

Description

Color code: RGB 194 88 120 | qconv.com Color code: RGB 194 88 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 194 red, 88 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
194 88 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 38 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 38% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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