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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC38A6 it is the complementary color #53C759. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC38A6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC38A6 shade: #B138A1, #C24AB4, #D35CC7, #E46EDA and #F580ED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC38A6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC38A6 shade: #AC38A6, #9B2693, #8A1480, #79026D and #68005A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC38A6 shade: #AD38A7, #AD3887, #AD3868, #AD3848 and #AD3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC38A6 shade: #AD38A7, #9338AD, #7438AD, #5438AD and #3838AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC38A6 shade matches the following richer shades: #AD38A7, #BF25B7, #D213C8 and #E400D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC38A6 shade: #AD38A7, #9A4A96, #885D85, #756F75 and #638264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC38A6 shade: #7438AD, #9338AD, #AD38A7, #AD3888 and #AD3868

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC38A6 shade: #6E246B, #8E2E89, #AD38A7, #C44ABE and #CE69C9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC38A6 shade: #AC38A6, #AD5538 and #38AD84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC38A6 shade: #AC38A6, #A7AD38 and #38A7AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC38A6 shade: #AC38A6, #AD5538, #38AD3E and #3890AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC38A6 shade: #AC38A6, #AD7838, #38AD3E and #386CAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 67 / 3 / 33

HEX #AC38A6

RGB 172 56 166

HSL 303.1, 0.51%, 0.45%

LAB 44.73, 59.9, -35.49

 

Complementary color

CMYK 58 / 0 / 55 / 22

HEX #53C759

RGB 83 199 89

HSL 123.1, 0.51%, 0.55%

LAB 71.83, -54.86, 44.87

 

CMYK 0 / 68 / 9 / 31

HEX #B138A1

RGB 177 56 161

HSL 307.93, 0.52%, 0.46%

LAB 45.29, 60.31, -31.59

 

CMYK 0 / 62 / 7 / 24

HEX #C24AB4

RGB 194 74 180

HSL 307, 0.5%, 0.53%

LAB 51.45, 60.45, -32.94

 

CMYK 0 / 56 / 6 / 17

HEX #D35CC7

RGB 211 92 199

HSL 306.05, 0.57%, 0.59%

LAB 57.68, 60.2, -33.98

 

CMYK 0 / 52 / 4 / 11

HEX #E46EDA

RGB 228 110 218

HSL 305.08, 0.69%, 0.66%

LAB 63.92, 59.74, -34.81

 

CMYK 0 / 48 / 3 / 4

HEX #F580ED

RGB 245 128 237

HSL 304.1, 0.85%, 0.73%

LAB 70.15, 59.15, -35.5

 

CMYK 0 / 67 / 3 / 33

HEX #AC38A6

RGB 172 56 166

HSL 303.1, 0.51%, 0.45%

LAB 44.73, 59.9, -35.49

 

CMYK 0 / 75 / 5 / 39

HEX #9B2693

RGB 155 38 147

HSL 304.1, 0.61%, 0.38%

LAB 38.66, 59.19, -33.84

 

CMYK 0 / 86 / 7 / 46

HEX #8A1480

RGB 138 20 128

HSL 305.08, 0.75%, 0.31%

LAB 32.84, 57.44, -31.52

 

CMYK 0 / 98 / 10 / 53

HEX #79026D

RGB 121 2 109

HSL 306.05, 0.97%, 0.24%

LAB 27.33, 54.4, -28.38

 

CMYK 0 / 100 / 13 / 59

HEX #68005A

RGB 104 0 90

HSL 308.08, 1%, 0.2%

LAB 22.59, 48.65, -23.66

 

CMYK 0 / 68 / 3 / 32

HEX #AD38A7

RGB 173 56 167

HSL 303.08, 0.51%, 0.45%

LAB 44.95, 60.3, -35.74

 

CMYK 0 / 68 / 22 / 32

HEX #AD3887

RGB 173 56 135

HSL 319.49, 0.51%, 0.45%

LAB 43.45, 55.42, -18.82

 

CMYK 0 / 68 / 40 / 32

HEX #AD3868

RGB 173 56 104

HSL 335.38, 0.51%, 0.45%

LAB 42.33, 51.57, -1.42

 

CMYK 0 / 68 / 58 / 32

HEX #AD3848

RGB 173 56 72

HSL 351.79, 0.51%, 0.45%

LAB 41.5, 48.64, 17.38

 

CMYK 0 / 68 / 68 / 32

HEX #AD3838

RGB 173 56 56

HSL 0, 0.51%, 0.45%

LAB 41.21, 47.59, 26.85

 

CMYK 0 / 68 / 3 / 32

HEX #AD38A7

RGB 173 56 167

HSL 303.08, 0.51%, 0.45%

LAB 44.95, 60.3, -35.74

 

CMYK 15 / 68 / 0 / 32

HEX #9338AD

RGB 147 56 173

HSL 286.67, 0.51%, 0.45%

LAB 41.29, 55.27, -45.35

 

CMYK 33 / 68 / 0 / 32

HEX #7438AD

RGB 116 56 173

HSL 270.77, 0.51%, 0.45%

LAB 37.04, 48.38, -52.42

 

CMYK 51 / 68 / 0 / 32

HEX #5438AD

RGB 84 56 173

HSL 254.36, 0.51%, 0.45%

LAB 33.41, 42.04, -58.47

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 0 / 68 / 3 / 32

HEX #AD38A7

RGB 173 56 167

HSL 303.08, 0.51%, 0.45%

LAB 44.95, 60.3, -35.74

 

CMYK 0 / 81 / 4 / 25

HEX #BF25B7

RGB 191 37 183

HSL 303.12, 0.68%, 0.45%

LAB 46.74, 72.63, -42.16

 

CMYK 0 / 91 / 5 / 18

HEX #D213C8

RGB 210 19 200

HSL 303.14, 0.83%, 0.45%

LAB 49.9, 81.79, -46.82

 

CMYK 0 / 100 / 5 / 11

HEX #E400D9

RGB 228 0 217

HSL 302.89, 1%, 0.45%

LAB 53.5, 88.75, -50.67

 

CMYK 0 / 68 / 3 / 32

HEX #AD38A7

RGB 173 56 167

HSL 303.08, 0.51%, 0.45%

LAB 44.95, 60.3, -35.74

 

CMYK 0 / 52 / 3 / 40

HEX #9A4A96

RGB 154 74 150

HSL 303, 0.35%, 0.45%

LAB 44.19, 44.17, -26.98

 

CMYK 0 / 32 / 2 / 47

HEX #885D85

RGB 136 93 133

HSL 304.19, 0.19%, 0.45%

LAB 45.3, 24.51, -15.25

 

CMYK 0 / 5 / 0 / 54

HEX #756F75

RGB 117 111 117

HSL 300, 0.03%, 0.45%

LAB 47.54, 3.52, -2.5

 

CMYK 24 / 0 / 23 / 49

HEX #638264

RGB 99 130 100

HSL 121.94, 0.14%, 0.45%

LAB 51.31, -17.38, 12.73

 

CMYK 33 / 68 / 0 / 32

HEX #7438AD

RGB 116 56 173

HSL 270.77, 0.51%, 0.45%

LAB 37.04, 48.38, -52.42

 

CMYK 15 / 68 / 0 / 32

HEX #9338AD

RGB 147 56 173

HSL 286.67, 0.51%, 0.45%

LAB 41.29, 55.27, -45.35

 

CMYK 0 / 68 / 3 / 32

HEX #AD38A7

RGB 173 56 167

HSL 303.08, 0.51%, 0.45%

LAB 44.95, 60.3, -35.74

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 68 / 40 / 32

HEX #AD3868

RGB 173 56 104

HSL 335.38, 0.51%, 0.45%

LAB 42.33, 51.57, -1.42

 

CMYK 0 / 67 / 3 / 57

HEX #6E246B

RGB 110 36 107

HSL 302.43, 0.51%, 0.29%

LAB 28.48, 42.05, -25.41

 

CMYK 0 / 68 / 4 / 44

HEX #8E2E89

RGB 142 46 137

HSL 303.13, 0.51%, 0.37%

LAB 36.95, 51.52, -30.56

 

CMYK 0 / 68 / 3 / 32

HEX #AD38A7

RGB 173 56 167

HSL 303.08, 0.51%, 0.45%

LAB 44.95, 60.3, -35.74

 

CMYK 0 / 62 / 3 / 23

HEX #C44ABE

RGB 196 74 190

HSL 302.95, 0.51%, 0.53%

LAB 52.23, 62.59, -37.5

 

CMYK 0 / 49 / 2 / 19

HEX #CE69C9

RGB 206 105 201

HSL 302.97, 0.51%, 0.61%

LAB 59.38, 53.02, -32.52

 

CMYK 0 / 67 / 3 / 33

HEX #AC38A6

RGB 172 56 166

HSL 303.1, 0.51%, 0.45%

LAB 44.73, 59.9, -35.49

 

CMYK 0 / 51 / 68 / 32

HEX #AD5538

RGB 173 85 56

HSL 14.87, 0.51%, 0.45%

LAB 46.53, 33.66, 33.23

 

CMYK 68 / 0 / 24 / 32

HEX #38AD84

RGB 56 173 132

HSL 158.97, 0.51%, 0.45%

LAB 63.67, -42.38, 11.72

 

CMYK 0 / 67 / 3 / 33

HEX #AC38A6

RGB 172 56 166

HSL 303.1, 0.51%, 0.45%

LAB 44.73, 59.9, -35.49

 

CMYK 3 / 0 / 68 / 32

HEX #A7AD38

RGB 167 173 56

HSL 63.08, 0.51%, 0.45%

LAB 68.31, -17.03, 56.69

 

CMYK 68 / 3 / 0 / 32

HEX #38A7AD

RGB 56 167 173

HSL 183.08, 0.51%, 0.45%

LAB 62.92, -28.64, -12.24

 

CMYK 0 / 67 / 3 / 33

HEX #AC38A6

RGB 172 56 166

HSL 303.1, 0.51%, 0.45%

LAB 44.73, 59.9, -35.49

 

CMYK 0 / 51 / 68 / 32

HEX #AD5538

RGB 173 85 56

HSL 14.87, 0.51%, 0.45%

LAB 46.53, 33.66, 33.23

 

CMYK 68 / 0 / 64 / 32

HEX #38AD3E

RGB 56 173 62

HSL 123.08, 0.51%, 0.45%

LAB 62.57, -54.53, 46.34

 

CMYK 68 / 17 / 0 / 32

HEX #3890AD

RGB 56 144 173

HSL 194.87, 0.51%, 0.45%

LAB 55.89, -16.77, -22.92

 

CMYK 0 / 67 / 3 / 33

HEX #AC38A6

RGB 172 56 166

HSL 303.1, 0.51%, 0.45%

LAB 44.73, 59.9, -35.49

 

CMYK 0 / 31 / 68 / 32

HEX #AD7838

RGB 173 120 56

HSL 32.82, 0.51%, 0.45%

LAB 54.66, 14.34, 42.46

 

CMYK 68 / 0 / 64 / 32

HEX #38AD3E

RGB 56 173 62

HSL 123.08, 0.51%, 0.45%

LAB 62.57, -54.53, 46.34

 

CMYK 68 / 38 / 0 / 32

HEX #386CAD

RGB 56 108 173

HSL 213.33, 0.51%, 0.45%

LAB 45.06, 4.21, -39.83

 

Description

Color code: HEX #AC38A6 | qconv.com Color code: HEX #AC38A6 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 56 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 56 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 67 magenta, 3 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 67% 3% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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