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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3888 it is the complementary color #52C777. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3888. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3888 shade: #B23883, #C34A96, #D45CA9, #E56EBC and #F680CF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3888. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3888 shade: #AD3888, #9C2675, #8B1462, #7A024F and #69003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3888 shade: #AD3888, #AD3868, #AD3849 and #AD3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3888 shade: #AD3888, #AD38A7, #9338AD, #7338AD and #5438AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3888 shade matches the following richer shades: #AD3888, #BF258F, #D21395 and #E4009C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3888 shade: #AD3888, #9A4A81, #885D7A, #756F73 and #63826C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3888 shade: #9138AD, #AD38A9, #AD388A, #AD386A and #AD384B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3888 shade: #6E2457, #8E2E6F, #AD3888, #C44A9D and #CE69AE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3888 shade: #AD3888, #AD7238 and #38ADA1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3888 shade: #AD3888, #8AAD38 and #388AAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3888 shade: #AD3888, #AD7238, #38AD5B and #3872AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3888 shade: #AD3888, #AD9538, #38AD5B and #384FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

Complementary color

CMYK 59 / 0 / 40 / 22

HEX #52C777

RGB 82 199 119

HSL 138.97, 0.51%, 0.55%

LAB 72.21, -50.59, 30.43

 

CMYK 0 / 69 / 26 / 30

HEX #B23883

RGB 178 56 131

HSL 323.11, 0.52%, 0.46%

LAB 44.14, 56.26, -15.26

 

CMYK 0 / 62 / 23 / 24

HEX #C34A96

RGB 195 74 150

HSL 322.31, 0.5%, 0.53%

LAB 50.34, 56.23, -17

 

CMYK 0 / 57 / 20 / 17

HEX #D45CA9

RGB 212 92 169

HSL 321.5, 0.58%, 0.6%

LAB 56.6, 55.86, -18.37

 

CMYK 0 / 52 / 18 / 10

HEX #E56EBC

RGB 229 110 188

HSL 320.67, 0.7%, 0.66%

LAB 62.88, 55.3, -19.5

 

CMYK 0 / 48 / 16 / 4

HEX #F680CF

RGB 246 128 207

HSL 319.83, 0.87%, 0.73%

LAB 69.14, 54.64, -20.45

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 76 / 25 / 39

HEX #9C2675

RGB 156 38 117

HSL 319.83, 0.61%, 0.38%

LAB 37.37, 55.03, -17.3

 

CMYK 0 / 86 / 29 / 45

HEX #8B1462

RGB 139 20 98

HSL 320.67, 0.75%, 0.31%

LAB 31.51, 53.5, -14.48

 

CMYK 0 / 98 / 35 / 52

HEX #7A024F

RGB 122 2 79

HSL 321.5, 0.97%, 0.24%

LAB 26, 50.69, -10.71

 

CMYK 0 / 100 / 43 / 59

HEX #69003C

RGB 105 0 60

HSL 325.71, 1%, 0.21%

LAB 21.32, 45.09, -5.15

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 68 / 40 / 32

HEX #AD3868

RGB 173 56 104

HSL 335.38, 0.51%, 0.45%

LAB 42.33, 51.57, -1.42

 

CMYK 0 / 68 / 58 / 32

HEX #AD3849

RGB 173 56 73

HSL 351.28, 0.51%, 0.45%

LAB 41.52, 48.71, 16.79

 

CMYK 0 / 68 / 68 / 32

HEX #AD3838

RGB 173 56 56

HSL 0, 0.51%, 0.45%

LAB 41.21, 47.59, 26.85

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 68 / 3 / 32

HEX #AD38A7

RGB 173 56 167

HSL 303.08, 0.51%, 0.45%

LAB 44.95, 60.3, -35.74

 

CMYK 15 / 68 / 0 / 32

HEX #9338AD

RGB 147 56 173

HSL 286.67, 0.51%, 0.45%

LAB 41.29, 55.27, -45.35

 

CMYK 34 / 68 / 0 / 32

HEX #7338AD

RGB 115 56 173

HSL 270.26, 0.51%, 0.45%

LAB 36.91, 48.17, -52.63

 

CMYK 51 / 68 / 0 / 32

HEX #5438AD

RGB 84 56 173

HSL 254.36, 0.51%, 0.45%

LAB 33.41, 42.04, -58.47

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 81 / 25 / 25

HEX #BF258F

RGB 191 37 143

HSL 318.7, 0.68%, 0.45%

LAB 44.78, 67.14, -21.38

 

CMYK 0 / 91 / 29 / 18

HEX #D21395

RGB 210 19 149

HSL 319.16, 0.83%, 0.45%

LAB 47.41, 75.35, -20.65

 

CMYK 0 / 100 / 32 / 11

HEX #E4009C

RGB 228 0 156

HSL 318.95, 1%, 0.45%

LAB 50.56, 81.42, -19.71

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 52 / 16 / 40

HEX #9A4A81

RGB 154 74 129

HSL 318.75, 0.35%, 0.45%

LAB 43.29, 40.53, -15.68

 

CMYK 0 / 32 / 10 / 47

HEX #885D7A

RGB 136 93 122

HSL 319.53, 0.19%, 0.45%

LAB 44.9, 22.4, -9.22

 

CMYK 0 / 5 / 2 / 54

HEX #756F73

RGB 117 111 115

HSL 320, 0.03%, 0.45%

LAB 47.48, 3.12, -1.39

 

CMYK 24 / 0 / 17 / 49

HEX #63826C

RGB 99 130 108

HSL 137.42, 0.14%, 0.45%

LAB 51.5, -15.81, 8.35

 

CMYK 16 / 68 / 0 / 32

HEX #9138AD

RGB 145 56 173

HSL 285.64, 0.51%, 0.45%

LAB 41, 54.81, -45.84

 

CMYK 0 / 68 / 2 / 32

HEX #AD38A9

RGB 173 56 169

HSL 302.05, 0.51%, 0.45%

LAB 45.05, 60.63, -36.77

 

CMYK 0 / 68 / 20 / 32

HEX #AD388A

RGB 173 56 138

HSL 317.95, 0.51%, 0.45%

LAB 43.58, 55.84, -20.46

 

CMYK 0 / 68 / 39 / 32

HEX #AD386A

RGB 173 56 106

HSL 334.36, 0.51%, 0.45%

LAB 42.39, 51.79, -2.57

 

CMYK 0 / 68 / 57 / 32

HEX #AD384B

RGB 173 56 75

HSL 350.26, 0.51%, 0.45%

LAB 41.56, 48.86, 15.6

 

CMYK 0 / 67 / 21 / 57

HEX #6E2457

RGB 110 36 87

HSL 318.65, 0.51%, 0.29%

LAB 27.48, 38.64, -13.96

 

CMYK 0 / 68 / 22 / 44

HEX #8E2E6F

RGB 142 46 111

HSL 319.38, 0.51%, 0.37%

LAB 35.7, 47.37, -16.31

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 62 / 20 / 23

HEX #C44A9D

RGB 196 74 157

HSL 319.18, 0.51%, 0.53%

LAB 50.77, 57.49, -20.48

 

CMYK 0 / 49 / 16 / 19

HEX #CE69AE

RGB 206 105 174

HSL 319.01, 0.51%, 0.61%

LAB 58.3, 48.54, -18.75

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 34 / 68 / 32

HEX #AD7238

RGB 173 114 56

HSL 29.74, 0.51%, 0.45%

LAB 53.17, 17.72, 40.81

 

CMYK 68 / 0 / 7 / 32

HEX #38ADA1

RGB 56 173 161

HSL 173.85, 0.51%, 0.45%

LAB 64.4, -34.96, -3.33

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 20 / 0 / 68 / 32

HEX #8AAD38

RGB 138 173 56

HSL 77.95, 0.51%, 0.45%

LAB 66.19, -29.14, 53.86

 

CMYK 68 / 20 / 0 / 32

HEX #388AAD

RGB 56 138 173

HSL 197.95, 0.51%, 0.45%

LAB 54.06, -13.48, -25.74

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 34 / 68 / 32

HEX #AD7238

RGB 173 114 56

HSL 29.74, 0.51%, 0.45%

LAB 53.17, 17.72, 40.81

 

CMYK 68 / 0 / 47 / 32

HEX #38AD5B

RGB 56 173 91

HSL 137.95, 0.51%, 0.45%

LAB 62.91, -50.57, 32.76

 

CMYK 68 / 34 / 0 / 32

HEX #3872AD

RGB 56 114 173

HSL 210.26, 0.51%, 0.45%

LAB 46.83, 0.51, -37.03

 

CMYK 0 / 68 / 21 / 32

HEX #AD3888

RGB 173 56 136

HSL 318.97, 0.51%, 0.45%

LAB 43.49, 55.56, -19.37

 

CMYK 0 / 14 / 68 / 32

HEX #AD9538

RGB 173 149 56

HSL 47.69, 0.51%, 0.45%

LAB 62.22, -1.75, 50.59

 

CMYK 68 / 0 / 47 / 32

HEX #38AD5B

RGB 56 173 91

HSL 137.95, 0.51%, 0.45%

LAB 62.91, -50.57, 32.76

 

CMYK 68 / 54 / 0 / 32

HEX #384FAD

RGB 56 79 173

HSL 228.21, 0.51%, 0.45%

LAB 36.84, 22.88, -53.01

 

Description

Color code: HEX #AD3888 | qconv.com Color code: HEX #AD3888 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 56 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 56 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 68 magenta, 21 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 68% 21% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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